While you live, shine. Have no mourning at all. Life exists a short whileAnd time demands its fee. – From a 2000 year old tombstone in (then) Greek-speaking Asia MinorI’d like to do a little free-association exercise with you. I’m going to say three words and I’d like you to speak or write down all the words that come to mind as a result. No filtering. No judgment. Ready?American Pop Culture. Go!  . . . Ok. Here’s what I got: Kanye Trump Gun Meme YouTubeThat’s pretty sad, I suppose. And maybe it anecdotally, non-scientifically supports a claim made by my guest today that culture and music, once mutually dependent, have become totally unmoored and lost in the age of globalism. And that the sounds we make and market today just don’t have anything like the healing power that was music’s purpose for thousands of years. Christopher C. King is a writer, Grammy—winning music producer, and something of an ethnomusicologist. His obsessive collecting of rare ‘78s led him to discover the music of Epirus, a region of northwestern Greece. To his ears, the playing of Kitsos Harisiadis, Alexis Zoumbas, and other Epirote masters virtually unknown outside of Epirus had an elemental power transcending even that of Delta Blues legends like Robert Johnson and Skip James. In Epirus, King  found something he thought had been lost in the world: a musical culture with unbroken roots stretching back into prehistory. And some clues, perhaps, as to why we make music in the first place.  Christopher’s new book is Lament From Epirus: An Odyssey into Europe’s Oldest surviving Folk Music. Surprise conversation-starter clips in this episode: David Kennedy on the biggest problem historians face Learn more about your ad choices. Visit podcastchoices.com/adchoices

The places we live in shape us. I don’t care who you are how indomitable your will…your spirit is in dialogue with the place you live. For example, I live in New York City, a place I wrapped around me like a second skin when I was 18 years old. Back then New York made me feel strong, cool, infinitely removed from the suburbs I grew up in. I’ve been here for 25 years and at this point what I mostly notice is the claustrophobic public spaces, the smallness of the sky. What do you feel when you hear the word ‘Florida’? Do the pleasure centers of your brain light up, imagining palm trees and pristine beaches? Or does your amygdala kick in as you imagine the ancillary costs of a week at Disney World? My guest today is the writer Lauren Groff. In her vivid, dreamlike new book of short stories, Florida is a humid, seething organism that wants to eat you. Snake-infested. Full of sinkholes. A thing to resist, get lost in, surrender to, and sometimes, temporarily escape. Surprise conversation-starter clips in this episode: Richard O. Prum on Duck Mating and Human SexualitySteven Pinker on Struggle Learn more about your ad choices. Visit podcastchoices.com/adchoices

What is food? It’s nourishment. It’s comfort. It’s culture. It’s art. For millions of people, it’s not something you waste much time thinking about. You eat what you’ve always eaten. What everyone around you eats. What you can afford. For others, every bite is a careful, conscious choice motivated by the drive to be thin, to impress your friends, or to do the right thing. In 2018, whatever our motivations, most of us live at a vast remove from the places and the ways our food is produced. We meet it gleaming and uniform on the shelves of our supermarkets. It’s cheap and it’s plentiful. Why look a gift horse...or cow...or pig...or chicken...in the mouth? Here’s why: While we slept, the farms that produce our food have grown and morphed and metastasized into something worse than sinister. Something that if you look too closely at it might just put you off your dinner. With every meal we eat, we’re making ethical choices that define us and shape the future of the planet. How long and on what grounds can we justify looking the other way? I’m here today with the writer Jonathan Safran Foer. He’s justly celebrated as a novelist, for books including EVERYTHING IS ILLUMINATED and HERE I AM,  but he’s here today to discuss EATING ANIMALS. It’s a new documentary narrated by Natalie Portman and based on Jonathan’s book of the same name.Surprise conversation-starter clips in this episode: Joscha Bach on why the days of addictive tech are numbered Learn more about your ad choices. Visit podcastchoices.com/adchoices

When you think of the industrial revolution what comes to mind? Steam engines probably. Lone genius inventors. Factories and coal mines, perhaps. And depending on your professional interests and political leanings, either suffering laborers in sweat shops or the Great Onward March of Civilization. Did anybody think of guns? According to my guest today Stanford historian Priya Satia, guns are inextricably bound up with industrialization and it is our long and ever-changing relationship with these  tools, toys, trade goods, status symbols, and instruments of war that makes them such a persistent fact of life to this day. Priya Satia’s latest book is EMPIRE OF GUNS: the Violent Making of the Industrial Revolution. Surprise conversation-starter clips in this episode: Max Tegmark on artificial intelligenceAlice Dreger on the history of knowledge Learn more about your ad choices. Visit podcastchoices.com/adchoices

Imagine you’re a father or a mother of three kids. Your city is in the middle of a civil war. At any time a rocket might burst through your wall. Soldiers might round your family up, or kill them in crossfire. What do you do?You leave, of course. You do whatever you have to do to get your kids to safety. There will be many deadly risks along the way. But you know what’s the worst? The not knowing. The constant thoughts inside your head of everything that might go wrong, everything you hope will go right. The trusting looks on your kids’ faces, when, in fact, they have no idea where they’re going or why. Since 2011, an estimated 11 million Syrians have fled their homes. They and refugees from other troubled nations like Eritrea and Somalia have been trying to migrate Westward and northward, to Turkey, then to Europe. Many have died along the way. Many thousands of others have been detained in refugee camps while nations decide what to do with them. I’m here today with  filmmakers Lorena Luciano and Filippo Piscopo. Their new documentary, IT WILL BE CHAOS airs on HBO this month. It follows Eritrean, Somali, and Syrian refugees on their harrowing journeys to new lives in Europe.Surprise conversation-starter clips in this episode: Jeremy Bailenson on virtual reality and empathy. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On an  earlier episode of this show the Turkish novelist Orhan Pamuk said something that I’ve never forgotten. He said that writing programs shouldn’t teach about plots or characters or how to structure a story. Instead, they should  teach writers to manage their own psyches. To be the captains of their own creative ships across the rough daily waters of fluctuating emotions and energies. This kind of self-management, he suggested, is what makes the difference between people who keep producing art and those who don’t. My guest today is Jessica Abel. She’s an accomplished artist herself—a graphic novelist who did a kind of graphic docu-novel called OUT ON THE WIRE about how some of the greatest radio shows and podcasts are made, including Snap Judgment, Radiolab, and This American Life. In the course of figuring out how to steer her own creative ship she’s learned invaluable lessons about how to help others do the same. Her most recent book GROWING GILLS and her Creative Focus Workshops offer creatives a personalized process for figuring out what they want to make and how to balance those goals with the rest of their busy lives.Surprise conversation-starter clips in this episode: Radiolab’s Jad Abumrad on storytelling as shamanismBret Weinstein on how evolution explains religion Learn more about your ad choices. Visit podcastchoices.com/adchoices

David Sedaris, a beloved humorist known for his relatable storytelling, dives into the sometimes grim realities of life with a comedic twist. He discusses the societal pressures around negativity and shares personal anecdotes that highlight his knack for turning discomfort into humor. Sedaris reflects on childhood habits, the creative influence of classic literature, and the art of navigating sensitive topics in storytelling. He also humorously explores the fascinating anatomy of female spotted hyenas, bringing laughter and insight to unexpected subjects.

As the Wu-Tang Clan once put it: “Cash moves everything around me... Get the money. Dollar dollar bill, y’all.”I grew up not wanting to believe this. All the stuff that seemed worth having was hard to put a price tag on. but in a global capitalist world, there’s a lot of hard, sad truth to it. As an American child of the 1980s, I absorbed the message “find yourself!” “Follow your passions!” But there are powerful economic forces at work, shaping our lives and opportunities. My guest today experienced this in the most intense way imaginable, wrangling with the European Union over the economy of his country, Greece, in the aftermath of the 2008 financial meltdown. He saw firsthand what a house of cards global capitalism can be, and what can happen to the ones on the bottom. Yanis Varoufakis is Greece’s former finance minister and the author of two recent books: Adults in the Room and Talking to My Daughter About the Economy. Surprise conversation-starter clips in this episode: Slavoj Zizek on the problem with happinessSteven Pinker on why there are no libertarian countries Learn more about your ad choices. Visit podcastchoices.com/adchoices

There’s a famous line from a Bob Dylan song that goes “she’s got everything she needs...she’s an artist...she don’t look back.” As a person who loves art—music and literature especially—I’ve always been haunted by that line. Does an artist really not look back? Is looking back somehow a threat to creativity? What about Proust? Did he ever look anywhere but back? My guest today is Jonathan Lethem, one of my very favorite writers since I read his early novel Fortress of Solitude. He’s also the author of Motherless Brooklyn, Dissident Gardens and much more. Lethem is an artist who experiments and explores, playing with forms and genres and trying on new masks, but he also spends a lot of time rummaging through the stacks, unearthing things that are lost or forgotten. His latest book is More Alive and Less Lonely, a collection of essays about books and reading. Surprise conversation-starter clips in this episode: Henry Rollins: what is punk? Michelle Thaller on human cyber-evolution Learn more about your ad choices. Visit podcastchoices.com/adchoices

In Hollywood movies diplomats always get a bad rap. I’m picturing Claude Rains as “Mr. Dryden” in Lawrence of Arabia looking, as Clyde Rains always does, somewhat reptilian as he hunches over a map of the Middle East with General Allenby, smirking secretively. Hollywood diplomats are slippery. Untrustworthy. More often than not, they turn out to be double agents. On screen, definitive action plays better than careful talk or compromise. This is true of America in general and of our politics in particular—we’re just not comfortable with ambiguity. Leave that to the French. Americans are about gettin’ things done. But the geopolitical world is complex, and allegedly getting more so every day. Meanwhile, over the last several presidencies, America has quietly been shifting its foreign policy approach from diplomacy to military muscle. With the current president, the gutting of the State Department in favor of the Pentagon is starting to look like Friday the 13th part whatever. My guest today is investigative journalist and former State Department official Ronan Farrow. He won the Pulitzer Prize for his his work in the New Yorker on the Harvey Weinstein sexual abuse scandal. His new book is War on Peace, The End of Diplomacy and The Decline of American Influence — and the title is pretty much self-explanatory. Surprise conversation-starter clips in this episode: Heather Heying on protest movementsBarry Posen on America's intelligence budget Learn more about your ad choices. Visit podcastchoices.com/adchoices