Open Country

Solar panels and sheep may not be the first things that spring to mind when you think of a monastery but at Stanbrook Abbey you'll find these alongside a woodchip boiler and a roof covered in sedum grass to insulate the building and attract local wildlife.The sisters at Stanbrook Abbey (and the sheep) live very much in harmony with their North Yorkshire Moors National Park surroundings. The community of sisters embraced their new, high tech, high spec, eco-friendly home after leaving their more traditional, gothic style 20-acre site in Worcestershire in 2009. Having lived there for 171 years, this was not an easy decision to make but the need to down-size and provide a more practical style of accommodation for the future lead them to this setting in Yorkshire, a place with a strong Cistercian heritage, where in their own words they '...seek to become 'lovers of the place', working in harmony with the National Park ethos to conserve and enhance the natural beauty and cultural heritage of this landscape'.Helen Mark meets with the sisters of Stanbrook as they care for their livestock, explain the eco workings of Stanbrook, the joys of reflecting nature in art and the excitement of new beginnings.Produced by Nicola Humphries.

In a year when Derry-Londonderry takes centre stage as the UK City of Culture, Helen Mark steps out into the city's back garden to explore the hidden gems of the Inishowen Peninsula. Located at the northernmost tip of Ireland where it meets with the Atlantic Ocean, and with Lough Foyle to the east and Lough Swilly to the west, Inishowen is rich in history, heritage and landscape, with more than its fair share of undiscovered delights. Helen Mark begins her journey at the Glenevin Waterfall with American, Doris Russo. Now in her 90s, Doris first visited Donegal almost 20 years ago when she fell in love with the area and bought Glen House with its adjoining land and beautiful, yet inaccessible, waterfall. Helen hears how Doris took it upon herself to clear the brambles and undergrowth that blocked the route to the waterfall and so began a project that would take years to reach fruition with the help of the local community and volunteers. There are very few people in the area now without a friend or relative who has been involved in the Glenevin Waterfall including farmer, Michael Devlin, who tells Helen of his own experiences of the waterfall as a child. At the northern tip of Inishowen Helen meets writer, Cary Meehan, to visit the atmospheric Bocan Stone Circle at Malin Head. Cary has made a promise with herself to visit a sacred place every week and feels that these are places that give people a divine connection that there really are no words for. Heading back along the shores of Lough Foyle, Helen stops off for a kayak trip out on the waters with Adrian Harkin before making her way back to the border. Before she leaves Inishowen, Helen makes one last stop to meet Dessie McCallion who takes Helen to one of his favourite hidden gems, a woodland near the village of Muff where he walks and feeds the red squirrels who call the woodland home. Presenter: Helen Mark Producer: Helen Chetwynd.

Tiny Johnsons Island sits in contrast to the hustle and bustle of Brentford and West London surrounding it. At the confluence of the Rivers Thames and Brent and the Grand Union Canal, the area was important historically for the barges that had carried goods from Birmingham. Nearby boat yards continue to repair and renovate vessels of all types while shiny new developments overlook the island - a mixture of old and new alongside one another. Helen Mark meets the community of artists who work on Johnsons Island and discovers how its nature and surroundings inspire them. A small gallery has been set up to exhibit their work but also to honour the late local character and 'naive artist' Barry Jones - an accomplished jazz musician who sold art works for beer money. The island is shared by one of the boatyards, complete with wet dock, chickens, bees and allotments. Yet many don't know of the island's existence, let alone its history. Helen explores the secrets of Johnsons Island. Produced by Anne-Marie Bullock.

Felicity Evans visits the Black Isle to hear how residents are collecting memories of the landscape, before they are forgotten forever. The Killearnan Memories Group meets to share their knowledge of this part of the Eastern Highlands in order to preserve it for future generations. Members of the group have grown up on the Black Isle and have memories and stories about the physical landscape which they are using to create a written archive. This movement has been inspired by a project run by Cait McCullagh from Archaeology for Communities in the Highlands (ARCH), in which Black Isle residents gathered together to remember buildings, sites and other aspects of their heritage, using old maps and photographs as inspiration. Produced by Beatrice Fenton.

Cley Marshes was purchased in 1926 making it the first Wildlife Trust reserve in the country. It's a fascinating place with inspiring international connections including a special link with the Middle East. In December and January overwintering birds fill the air and the reed beds of Cley but it's not just our winged friends that migrate here. A group of artists drawn from Germany, the US and all around the UK settled in Cley 30 years ago. Inspired by the light and the landscapes the collective known as 'Made in Cley' are regularly drawn to the marshes to create their art, but Cley's power to inspire doesn't stop there. In an act of global solidarity, Nature Iraq made a donation to Norfolk Wildlife Trust to support their work on England's North Norfolk coast. As renowned birder Richard Porter explains, they did this as a gesture of thanks for the help they have received from colleagues in the UK. The links with the Middle East are also close to the heart of Richard Aspinall as his brother, Simon Aspinall was a leading authority on the region's birds. Despite travelling the world, Cley is the place that Simon made home. Simon was diagnosed with motor neurone disease which left him unable to move without significant help, but this did not stop both Simon and Richard visiting the marshes right up until the end of Simon's life. The personal connections to Cley run as deep as the international ones. For three generations Bernard Bishop and his family have cared for the marshes. Bernard's great grandfather was the first warden, followed by his father and then Bernard himself. Between them they've seen visitors grow from the occasional walking party of 10 a day to over 100,000 a year all flocking to see the outstanding bird life that call Cley home.Producer: Nicola Humphries.

Thousands of historic buildings and monuments are at risk of being lost through damage or neglect. Jules Hudson tours sites in the West Midlands to assess the level of damage, to ask what's key to helping preserve or restore them and ask if some merit the cost and effort involved. Many walking through Bubbenhall village in Warwickshire may not know about the scheduled ancient monument under the earth because even signs of it are only visible for two weeks in the year but experts say it's key to understanding our ancestors. He travels to Fazeley near Tamworth which has clusters of Grade 2 listed buildings but some have been destroyed by fire and others virtually abandoned by owners who can't afford the development work. He helps assess one of the buildings with experts from English Heritage who want to produce a database on the state of Grade 2 listed buildings. Jules also explores nearby Middleton Hall which was so neglected it was used as a motorbike track. Volunteers set up a trust and have spent 35 years bringing it back into use. However, they say their work is still not done. Produced by Anne-Marie Bullock.

Helen Mark visits the ancient town of Hastings to meet the people involved in the fishing community there. The fishing fleet is made up of small wooden boats which are all under ten metres long. This is important as, unusually, they are launched each day from the beach. This involves pushing them down the shingle bank, by tractor nowadays but traditionally by hand, and winching them back up again out of the sea when they return. Helen meets Paul Joy, a fisherman, who can date his family back as far as the 1000s, all launching their boats from the beach in Hastings as he does today. This is true of lots of the fishing families working there. But even with such a long and thriving history behind them the Hastings fishing industry is now in trouble. Their crews are in their seventies and there's no sign of new blood, and their wages are falling. Before 2006, under ten metre boats weren't subject to any EU fishing quotas as they were deemed exempt, but new legislation brought in six years ago changed all this. Since then the number of cod they're allowed to catch has dramatically reduced, and the fishermen are struggling.Producer: Beatrice Fenton.

Helen Mark takes us on a journey to the real Never Never Land.Peter Pan first came to life on the glittering stage of London's Duke of York Theatre on 27th December 1904, but he began life far away from the hustle, bustle and glamour of the West End in the market town of Kirriemuir near Dundee. Helen Mark visits the birth place of J.M. Barrie who immortalised this "wee red toonie" as "Thrums" in his popular (pre-Pan) novels Auld Licht Idylls, A Window in Thrums, and The Little Minister. Helen also takes us out into the landscape that is believed to have inspired Never Never Land and the adventures of Peter Pan himself. Producer: Nicola Humphries.

Helen Mark is in Norfolk where preparations for Christmas are underway. In Great Hockham Helen meets Vincent Thurkettle whose life has been defined by a love of trees and the great outdoors. During the early part of the year, Vincent tends his fields of Christmas trees, which are allowed to grow with wild flowers at their roots, before spending his summers diving for sunken treasure off the coast of Britain. Returning to Norfolk later in the year, Vincent begins his Christmas tree deliveries and Helen joins him as he sets off. In the coastal town of Cromer, a rather more unusual Christmas tree has appeared in the churchyard and Helen meets fisherman, John Davies, to find out about the 150 lobster pots that were used to build the tree which now lights up the town and celebrates the town's fishing heritage. Helen also finds out how to decorate a Christmas tree for garden birds before heading back to Great Hockham where Vincent Thurkettle has finished the day's deliveries. Vincent, who also spends a week each year chopping wood to heat his cottage and cook his food gives Helen a lesson in how to lay the best wood fire and where the chestnuts will soon be roasting.Presenter: Helen Mark Producer: Helen Chetwynd.

A spectacular aqueduct hangs in limbo above the village of Coleford whilst deep green ridges carve their way through forest and fields. Tucked away at the eastern end of the Mendips in Somerset, Jules Hudson discovers the secrets of 'The Canal that Never Was'.Started in the late 1700s, the Nettlebridge branch of what would have been the Dorset and Somerset Canal, stretches eight miles though a quiet valley between Edford and Frome. The canal itself was planned in order to link the Bristol and English Channels and to connect the counties of Dorset and Somerset into the canal network. The Nettlebridge branch was planned to have boat lifts instead of locks and in a feat of extraordinary engineering one balance lock was built by James Fussell as a trial. The site of Fussell's Trial Balance Lock was located and excavated by The Dorset and Somerset Canal Society who revealed an almost completely conserved masonry chamber.The route was authorised by an Act of Parliament in 1796 but unplanned factors including underestimated costs and inflation due to the Napoleonic Wars meant that the canal was abandoned. Today ghostly structures still rise and fall through the landscape weaving their trail of what might have been.