Open Country

Helen Mark finds out about the flooded clay pits that make up the landscape around Barton-upon-Humber. Standing on the south side of the Humber Bridge, the pits look like a series of holes punched into the landscape, or a piece of lace attached all the way along the Humber bank. The pits were excavated for the fine clay they contain, to make beautiful red bricks to build local houses that are still so typical here, and tiles which were packed into barges and taken off to London to feed the housing boom of the nineteenth century.There are two tile-works alive and kicking at Barton, still making traditional tiles in exactly the same way they have for the past two hundred years. The clay digging that used to take half a year of hard labour with a wheel barrow is now done in a couple of weeks by a digger, so it's not quite the task it once was. For a small town, Barton has a vibrant present and a big industrial past, manifested by the Ropewalk, a museum and cultural space housed in what the managing director, Rachel Benet, calls the town's 'cultural quarter mile'. It is a narrow red brick-and-tile building a quarter of a mile long, designed to allow the manufacture of rope in one long, straight piece.But it's the clay pits that have made the biggest mark on the landscape around Barton-upon-Humber. Many of them are now wildlife reserves run by the Lincolnshire Wildlife Trust, home to bearded tit, bittern and marsh harriers.Producer...Mary Ward-Lowery.

Many people will be aware of the celebrations which take place at Stonehenge for the summer solstice but at Newgrange in Ireland the winter solstice is celebrated by an equally incredible Neolithic monument. To celebrate this years winter solstice Helen Mark visits Newgrange to experience for herself the light of the rising sun on the shortest day of the year as it floods the inner passage revealing the carvings inside. Along the way Helen will discover the precision skills required in order to achieve this solar alignment and the many myths and legends which surround the monument as well as what it means to people celebrating the winter solstice today.

The Lake District was known as 'Wordsworth's County'. Today the poets words are being used to rediscover his homelands with a new app designed to get visitors to explore the lesser known areas celebrated in Wordsworth's work. Helen Mark visits the Lakes one year after Storm Desmond devastated the area to discover how the community and landscape has recovered and how the land of one of our most celebrated poets is being reimagined for visitors of the future.

Eaglesham Moor, which extends over thirty square miles just south of Glasgow, has arguably been viewed by those living around it as a rather inhospitable landscape where only the very hardy would go. This dramatic high plateau has had many uses over the centuries, including farming and forestry, however the most recent change is the addition of Whitelee Windfarm, the biggest onshore wind farm in the UK. Helen Mark explores the land between the 215 turbines to discover the human history of the moor and the changes to this landscape before and after the wind farm. She sets out on the new walking and cycling trails that have transformed access to the moor to meet local residents, as well as a farmer who can trace his family history at Eaglesham Moor back over 500 years. Much of the moor is made up of important peatland habitat which was damaged by afforestation before the wind farm was built. As a part of their contract at Whitelee, ScottishPower Renewables has been restoring previously forested areas back to bog habitat using an innovative technique. Helen goes to see this work in action and talks to the team about the challenges of building a renewable energy project on a carbon sink. Helen also visits the Whitelee Operations Centre to ask ScottishPower Renewables about some of the concerns about the construction of wind farms.

Helen Mark is in Leicestershire, to discover how the 'Capability' Brown plans for Belvoir castle have finally come to fruition. Lancelot 'Capability' Brown, regarded as one of the greatest landscape architects, laid out his vision for how the landscape around this ancestral home should look, back in the 18th century. Some work was undertaken, but then a fire destroyed Belvoir castle. It was assumed all the Brown maps were lost too and plans for restoring the landscape were forgotten. However, the current Duchess of Rutland, Emma Manners and her team found the lost 'Capability' Brown plans. They have just finished restoring the landscape around Belvoir Castle, now a completed 'Capability' Brown garden, just in time to mark the 300th anniversary of his birth. The producer is Perminder Khatkar.

Wolverhampton, at the heart of the industrial revolution, has never been known for its beautiful landscape. The story goes that when Queen Victoria passed through she asked for the curtains in her carriage to be drawn because she was so offended by the sight of the town. Writer, Sathnam Sanghera grew up with a railway running through his back garden and an industrial estate running alongside his street. For this edition of Open Country he returns to his home town, now a city, and finds a burgeoning natural scene, he goes birdwatching at Smestow Valley, discovers why otters are thriving along a particular patch of the Staffordshire and Worcester canal and even canoes in a thriving local waterway. The producer is Perminder Khatkar.

David Lindo is the Urban Birder. He loves the birds he finds in parks and open spaces in the city but for this weeks Open Country he sets sail for the open spaces and cliffs of the Isle of Man, a landscape he has always wanted to visit. Stuck out in the middle of the Irish Sea The Isle of Man is a birders paradise with rare sightings of elusive birds such as choughs, hen harriers and falcons. David crosses the Sound to visit the Bird Observatory on the Calf of Man where the Manx Shearwater is making a comeback and hears about how to keep the sea god Manannan happy.

Helen Mark follows Snowdonia Marathon and meets some of the people tackling this challenging course. Starting and finishing in Llanberis, the race encircles Wales' highest mountain of Snowdon, and rises to over a thousand feet in places. Andy John, Bishop of Bangor is taking on the Marathon for the third time, and he describes the sensation from running the course as being lost in the landscape but found in yourself. But he's dreading the twenty-two mile mark when he'll reach the 1200ft climb at Bwlch y Groes or "gap of the cross", before descending back into Llanberis for the finish.Helen stops at the ten-mile mark to meet Arwyn Owen at Hafod y Llan farm to find out how Hydro-Electric Power is the new cash crop in this rugged environment. She also meets Phil Owen at Llechwedd Caverns to discover how the area became the slate-mining capital of the world. Both Phil's Father and Grandfather worked in the mine, but Phil became a musician and serenades Helen on his ukulele, three hundred feet below the surface.Helen hands out water and energy gels with volunteers from the Snowdonia Society at the halfway point in Beddgelert and speaks to Margaret Thomas about Esme Kirby, the remarkable woman who set-up the organisation, before returning to Llanberis to greet a weary Andy John as he's crosses the finishing line.

Helen Mark travels to the Forest of Dean in Gloucestershire to encounter some of the wild boar who have made a home there in the last ten years. The Forest clearly suits them because their numbers are growing exponentially, with over 1500 feral animals at the last count. The population can almost triple in a year, and with no cold winters or culture of boar-hunting in the UK, the wild boar here have nothing to fear, except the Forestry Commission's marksmen. Adult males can reach twenty stone, run at thirty miles an hour, and can jump or barge through all but the strongest of fences. Also they are not afraid of humans, so unlike deer, you can't just shoo them out of your garden. Helen meets Dr John Dutton of the University of Worcester, who has made a study of human/boar social interaction in the Forest of Dean, and Kevin Stannard and Ian Harvey from the Forestry Commission, who have been landed with the task of managing numbers on their land. Then there's Simon Gaskell of the Real Boar Company, who farms boar and sells it as charcuterie. He knows exactly what they're capable of. He describes one of his boar, a beast called Julian, as 'the great white shark' of the woodland. Julian would appear out of nowhere and charge for no apparent reason. But they're not all so bad-tempered, even though they are classed as a 'dangerous wild animal' for farming purposes.Along unfenced verges, in gardens and on common land, Helen finds evidence of the boar everywhere. And if you're out for a stroll in the heart of the Forest, it's hard not to imagine them watching you from the cover of the undergrowth.Producer...Mary Ward-Lowery.

Guest presenter Ian Marchant meets people who live off-grid in his part of the world, near Presteigne in mid-Wales. There's Bob, who started his off-grid life on the hippy trail in the sixties, driving over-land to Afghanistan and bringing back the first Afghan coats to the London fashion scene. Now he lives in a wood, still making jewellery and living in his van. For him, there's adventure in every aspect of his life, even the washing up, especially if you have to do it in 'horizontal snow'. Goffee-the-Clown has built himself an idyllic cottage, but somehow he can't bring himself to move in. He prefers the simplicity of his pale blue retro caravan with its wood-burner and collection of spider-webs, idyllically situated on the bank of the River Usk. There are the Hoopers, a family of four who run an efficient small-holding as carbon-lightly and self sufficiently as is possible. They did have a brief spell in a house, but despite the fascinations of the washing machine, they were delighted to be back living off-grid up a mountain.And there's Briar, who has just moved in to her new home, a yurt she has built herself, snugly insulated with duvets and brightly-coloured rugs and fabrics. Everything she needs is to hand, and there's water from the spring nearby. Knowing she can rely on her own strength and skill to live anywhere makes her happy and gives her confidence. And the cost? This luxurious construction cost her roughly twenty quid to build.Producer...Mary Ward-Lowery.