Open Country

We were going to kick off this series with Helen Glover exploring Newlyn in Cornwall: on an RNLI lifeboat, and with open-water swimmers... However, at the last minute, Covid19 stymied our plans. Instead of the wild open countryside of Cornwall, she's reporting from the confines of her back garden, on the River Thames, in Buckinghamshire. Luckily, she's married to the naturalist Steve Backshall, so she has access to a ready-made expert who helps to explain the wildlife in their midst. Producer: Karen Gregor

Helen Mark heads to the Quantock Hills to visit the national centre for folk arts and meet some of the people taking part in a 'Winter Warmer' celebration of music and dance. She meets musician Becki Driscoll whose track 'Cold Light' was composed in the summer house at the Manor, and asks Chief Executive Crispian Cook about the history of this residential haven for folk arts. Helen catches Moira Gutteridge for a chat just as she's about to lead a walk, and high on top of the Quantocks she speaks to Philip Comer, Chair of the 'Friends of the Quantocks' about the area, the grazing rights on common land and why it's not a good idea to feed the wild ponies. Roger and Nanette Phipps tell Helen why the spot for the Maypole is currently taken up with flower bulbs, and how according to local legend dragons may still lurk in the surrounding hills. There's also time for a spot of sword-dancing which is not as easy as it's made to look.The music is performed by Becki Driscoll, Ted Morse, Peter and Moira Gutteridge and Mary Rhodes.Producer: Toby Field

Helen Mark visits Tintagel in Cornwall to cross the new bridge which now links the castle to the mainland. She discovers its links with the legends of King Arthur, the way that this myth has shaped the buildings we now see in this landscape and the people who live there and finds that the real historic importance of this part of the UK is only just beginning to be understood.

Ryebank Fields is a small patch of land in Chorlton in the south of Manchester. Spanning around eleven acres this overgrown piece of grassland has become a favourite spot for the community's families to wander, explore and play. But this much-loved spot is now under threat. The owners, Manchester Metropolitan University, want to sell the land for development into housing and invest the money back into their existing inner-city site.Campaigner Julie Ryan tells her she used to play there as a child before taking her own children there. She says it's her go-to place when she's stressed out, and together with campaigner Tara Parry they take Helen Mark on a tour. Tara describes Ryebank as the "green lungs" of Manchester and talks about why the land could have a future as a community garden and orchard. Steve Silver and Helen walk around the oak trees that he planted at the turn of the Millennium and says that he'd love it to be renamed "Silver's Wood" in the future. All three herald Ryebank as a habitat for wildlife and plantlife. Archaeologist Dr. Michael Nevell shows Helen the historic Nico Ditch and separates fact from folklore about its status and significance. Dr. Rebecca Taylor tells Helen about her work looking into the benefits of semi-wild green spaces in cities and how planners could consider the non-monetary value of these spaces in the future. Helen also speaks to Michael Taylor from Manchester Metropolitan University who argues that the money from the sale of Ryebank can be invested back into the University's inner-city campus and cites the sustainable measures that will be put in place as part of any development. Presenter: Helen Mark Producer: Toby Field

Ian Marchant visits the Chilterns to test out some of the ideas for new ‘National Landscapes’ in the recent government-commissioned Glover Review into England’s National Parks. What barriers do some people face when it comes to visiting the countryside? (Hint: it’s not just owning a pair of wellies). And why does spending a night under the stars for every child matter for the protection of the countryside? Ian meets the author of the new review, Julian Glover, in a wet wood above Wendover, just a stone's throw from the Prime Minister's country residence, Chequers. Julian is confident that the government will support his recommendations, one of which is to improve access to the countryside for people from diverse backgrounds. This includes High Wycombe born-and-bred Sadia Hussain, who loves the countryside but understands some of the barriers faced by people like her parents, who settled here from Pakistan. To them, the countryside has a different meaning and set of associations. And it also includes Layla Ashraf-Carr, a Chiltern Ranger. Born in Singapore, Layla suspects the Malay side of her family might have preferred her to be a lawyer or a doctor rather than a custodian of the natural landscape.Ian also meets farmer Ian Waller, who loves his worms and his flock of Herdwick sheep, and historian and teacher Stuart King, who can explain how the landscape of the Chilterns allowed the local furniture making industry to flourish. Producer Mary Ward-Lowery

Helen mark meets teenage environmental campaigner Amy Bray in her native Cumbria as she plants trees to help halt climate change. Amy has inspired her community to take action with a no plastic shop and helped to raise awareness with a mass fell climbing. Helen helps her as she takes on her latest challenge - to plant more trees and help to create natural flood defences as well as absorb carbon

Ruth Sanderson discovers a skateboarding camp, deep in the Forest of Dean. Camp Hillcrest mixes urban pursuits with forest living, and Ruth visits when the residential camp is in full swing. Kids come to be fully immersed in everything about skating culture, all in the idyllic setting of the Gloucestershire woods. The owner, Tom Seaton, tells Ruth how he has discovered this combination of urban skate vibe mixed with forest school activities engages children who otherwise wouldn't be attracted to the countryside, and gives them a unique experience.Produced by Beatrice Fenton

Helen Mark visits the Cotswold village of Cranham and its surroundings: countryside that was home to the composer Gustav Holst, and now features a walking trail named after him.Holst grew up among these gently rolling hills, and created several of his works – including the Cotswolds Symphony and his classic arrangement of In The Bleak Midwinter – thanks to inspiration gleaned from his years in the area.Exploring his old haunts, visiting the church where he had his first job as organist and treading the same hills where Holst used to practice his trombone, Helen discovers how the landscape influenced the composer; and how his own influence lingers on in the area today.Produced in Bristol by Lucy Taylor.

Jasmine Ketibuah-Foley examines how the transatlantic slave trade has shaped Bristol and meets some of the historians, artists and cultural figures who are redressing how the legacy of slavery is presented and how the city's story is told.Jasmine speaks to Olivette Otele, the newly appointed Professor of the History of Slavery at the University of Bristol about why the University has decided to examine its past and what this might mean for the city's wider approach to its colonial history. Jasmine meets Stacey Olika, Donnell Asare and Ade Sowemimo who are working on a project at Bristol Museum to tell the story behind how some of the objects on display which they hope will present a clearer and more honest narrative about the cultural significance of the objects and the legacy of Britain's colonial past.Historian Madge Dresser has been talking about Bristol's relationship with the slave trade for some time and she tells Jasmine that after one of her talks in the late 1990's someone defaced the city's statue of Edward Colston. Lynn Mareno talks about how when she was growing-up in Bristol in the 1960s she was regularly subjected to racism, and how Bristol needs to deal with its past in order to move forwards..Edson Burton is an writer, performer and historian and he tells Jasmine that whilst this work has been going on for years there have been significant steps forward in recent years, but he cautions against presenting these issue as the opinion of one united voice.Jasmine ends the programme in Henbury at the grave of Scipio Africanus, one of the few recorded enslaved people who lived in Bristol.Presenter: Jasmine Ketibuah-Foley Producer: Toby Field

In the 18th Century Charles Hamilton created Painshill, an early example of the English Landscape Garden. He redeveloped land in Cobham in Surrey to create a circuit garden with buildings inspired by his grand tours and he introduced plants being brought to Britain by traders. He aimed to create a living work of art with changes in mood and creating a 'hide and reveal' of the features. It was hugely influential with visitors from the USA and across Europe coming to view and recreate his new style of garden - seen as a work of art in itself. Yet the land was sold and passed through different hands and became overgrown, the buildings crumbled and Painshill forgotten about. In the 1960s a teenage local history enthusiast, David Taylor, read about the place and rediscovered it one dramatic night. He wrote an article for the local paper urging an effort to chart what was there before it was lost entirely. His words inspired a stronger momentum and the land was bought by the council and work began to research the original vision and recreate Hamilton's Painshill Park. The work has lasted decades and while featured like the Gothic Temple, crystal grotto and Turkish Tent have been done, the Temple of Bacchus interior is the new challenge for 2020. Helen Mark finds out more about how Hamilton's influential vision was almost lost and how those involved just can't give up working to restore it. Produced by Anne-Marie Bullock, BBC Radio and Music Production Bristol