New Books in Communications

During the ongoing COVID-19 pandemic, vulnerable communities have been hit especially hard by disruptive online attacks. But calling these attacks "violent" could jeopardize the future of disruptive protests designed to protest those same communities.Guests:  Erica Chenoweth, professor of human rights and international affairs at the Harvard Kennedy School of Government and author of Civil Resistance: What Everyone Needs To Know. Dr. Joan Donovan, research director of the Shorenstein Center on Media, Politics and Public Policy at Harvard University. Oren Segal, vice president of the Anti-Defamation League's Center on Extremism. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

For almost a year now, we have been absorbing news and information about Russia’s invasion of Ukraine. There are a variety of different, or competing, narratives to explain and define what we understand about the origins of this conflict and the ongoing military successes and failures on the ground in Ukraine and in Russia. I had the chance to interview Jordan Miller for PostScript (a special series that allows scholars to comment on pressing contemporary issues) about his work on narrative and attempts to influence the activities within the field of battle in Ukraine. Miller is finishing his dissertation on this topic at the War Studies Program at the Royal Military College of Canada. Miller’s research specifically focusses on these narrative dynamics, which are influential to battlefield success and potentially the outcome of this war. In our discussion, we examine the various points of information that were being put forward by Russia and by the United States before Russia moved into Ukraine in February of 2022. The intention of this approach is to “inoculate” the public by highlighting the misleading or false narratives that will be forthcoming to try to shape global understandings of the war. As the war progressed, Ukraine also actively tried to shape perception of its own capacity, heroics, and commitment to success against Russian aggressions. We also saw a shift in approaches in the fall and winter since there was concern about the impact of energy scarcity in western Europe and in Ukraine.Miller’s work builds on basic concepts like propaganda – and what ultimately makes this effective within situations like Ukraine, or other global military contests. As we discuss on the podcast, the images and ideas that have come out of Ukraine—of humanized citizens and soldiers, of the citizen army there that has come forward to push against the Russian war machine, of soldiers adopting cats and dogs as they continue to fight—all contribute to an overall concept of the Ukrainian people and their capacity to potentially defeat the Russian Army. Ukrainian efforts in this regard also speak to particular audiences, like NATO member countries and their citizens, the United Nations General Assembly, as well as to Russian citizens and soldiers. This kind of effort—to communicate ideas and images to key audiences is an important component of the useful implementation of narrative within the field of battle, even if it is not on the battlefield itself.Join us for this conversation about the capacity to manage narrative within global political situations – and how this applies, in particular, the current war in Ukraine.Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Harm takes shape in and through what is suppressed, left out, or taken for granted. Unsaid: Unsaid: Analyzing Harmful Silences (U California Press, 2022) is a guide to understanding and uncovering what is left unsaid—whether concealed or silenced, presupposed or excluded. Drawing on a variety of real-world examples, narrative criminologist Lois Presser outlines how to determine what or who is excluded from textual materials. With strategies that can be added to the tool kits of social researchers and activists alike, Unsaid provides a richly layered approach to analyzing and dismantling the power structures that both create and arise from what goes without saying.“…there’s always been a latent importance to absences and silences, and people have been saying that for a long time, but I think this is a time of just trying to get our act together with how we’re going to make strong claims about exclusions and silences and disappearances.” – Lois Presser, author of Unsaid: Analyzing Harmful Silences.Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology and a volunteer at Interference Archive. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In this episode we talk with New York Times Opinion Section Editor Peter Catapano, who has edited and published more than 1,000 pieces in The Times and worked with thinkers and writers such as Arthur Danto and E.O. Wilson. Our conversation explores the relationship between writer and editor and the important work Catapano did editing Oliver Sacks’ chronicling his illness and death. Catapano’s The Stone, established in 2010, is the longest-running online series in Opinion, and draws millions of readers each year.John Kaag is Professor and Chair of Philosophy at UMass Lowell and External Professor at the Santa Fe Institute. John W. Traphagan, Ph.D. is Professor and Mitsubishi Heavy Industries Fellow in the Department of Religious Studies at the University of Texas at Austin, where he is also a professor in the Program in Human Dimensions of Organizations. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Devon Powers, a professor of advertising, media, and communication at Temple University, talks about her book, On Trend: The Business of Forecasting the Future with Peoples & Things host Lee Vinsel. Powers’ book examines the world of futurists, cool hunters, and forecasters who sell people advice about tomorrow. Powers and Vinsel discuss about how we should think about the influence of such individuals, given that their predictions are often misleading and inaccurate. They also talk how the making of futures can become more just and inclusive. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

This surprising global history of an indispensable document reveals how the passport has shaped art, thought, and human experience while helping to define the modern world.In License to Travel: A Cultural History of the Passport (U California Press, 2022), Patrick Bixby takes the reader on a captivating journey from pharaonic Egypt and Han-dynasty China to the passport controls and crowded refugee camps of today. Along the way, you will: Peruse the passports of artists and intellectuals, writers and musicians, ancient messengers and modern migrants. See how these seemingly humble documents implicate us in larger narratives about identity, mobility, citizenship, and state authority. Encounter intimate stories of vulnerability and desire along with vivid examples drawn from world cinema, literature, art, philosophy, and politics. Witness the authority that travel documents exercise over our movements and our emotions as we circulate around the globe. With unexpected discoveries at every turn, License to Travel exposes the passport as both an instrument of personal freedom and a tool of government surveillance powerful enough to define our very humanity.Marci Mazzarotto is an Assistant Professor and Program Coordinator of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on mass media, popular culture and avant-garde art. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Political Theorist Jennifer Forestal’s new book is a fascinating exploration of contemporary democracy and how it operates in different spaces. Forestal’s avenue into the question of democracy and the space in which it functions comes out of the idea of how spaces are designed and for what reasons. This idea of built environments—be they city centers in urban areas, software architecture, or the existence and width of sidewalks—contribute to how we, as individuals and community members, operate in those spaces. Forestal is paying particular attention to participatory democracy, where community members come together to solve problems collectively. Designing for Democracy: How to Build Community in Digital Environments (Oxford UP, 2021)weaves together the concrete, the actual spaces where we can gather together or where we are pushed apart, and the theoretical, the way democracy, as a concept, draws on the will of the people to govern themselves. In examining democratic theory, Forestal integrates work from Aristotle, Alexis de Tocqueville, and John Dewey, all of whom provide frameworks for thinking about and understanding interactions between individuals and the effort to share responsibility to govern in common.Forestal unpacks the many ways that built environments guide our choices and behavior—from how the layout of a grocery store pushes us towards certain kinds of purchases, to the design of sidewalks or the absence of sidewalks as determining our public engagement or disengagement—and how this is an often overlooked or obscured exertion of power, especially political power. The power of the built environment trains us in a variety of ways, and this is an area where changing the design of the space in which we exist can also change our behavior and can shift our perspectives. Democratic theory is predicated on individuals acting together, and the space in which we do this contributes to the success of these efforts, or their fragmentation. Social media spaces are very much like the physical built environment, and Forestal examines three different social media spaces, Twitter, Facebook, and Reddit, exploring how they are and are not hospitable spaces for democracy.Designing for Democracy: How to Build Community in Digital Environments is an original analysis of how physical and virtual spaces provide individuals with barriers or openings to engagement, and how these spaces can shift our behavior and our priorities. Ultimately, democracy is an idea that must be translated by real people in real spaces and places, and how we all engage with one another is not just important, it is the basis for the implementation of this concept of self-government.Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Listen to this interview of Laura Lindenfeld, Executive Director of the Alan Alda Center for Communicating Science. We talk about how improvisation helps people communicate for real.Laura Lindenfeld : "I feel that communication as a field has often been thought of as communications, you know, more technical, less relational. But we at the Alan Alda Center see ourselves as studying something and also helping with something that is very relational, and relating, of course, is done in real-world settings. And it's my strong feeling that communication, in this relational sense, is poised to thrive in the twenty-first century, because so many of the challenges that we face are rooted in communication problems and issues." Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Voices of the Race: Black Newspapers in Latin America, 1870-1960 (Cambridge University Press, 2022) offers English translations of more than one hundred articles published in Black newspapers in Argentina, Brazil, Cuba, and Uruguay from 1870 to 1960. Those publications were as important in Black community and intellectual life in Latin America as African American newspapers were in the United States, yet they are almost completely unknown to English-language readers. Expertly curated, the articles are organized into chapters centered on themes that emerged in the Black press: politics and citizenship, racism and anti-racism, family and education, community life, women, Africa and African culture, diaspora and Black internationalism, and arts and literature. Each chapter includes an introduction explaining how discussions on those topics evolved over time, and a list of questions to provoke further reflection. Each article is carefully edited and annotated; footnotes and a glossary explain names, events, and other references that will be unfamiliar to English-language readers. A unique, fascinating insight into the rich body of Black cultural and intellectual production across Latin America.Paulina Alberto is Professor of African and African American Studies and of History at Harvard University. She is the author of Black Legend: The Many Lives of Raúl Grigera and the Power of Racial Storytelling in Argentina (Cambridge University Press) and Terms of Inclusion: Black Intellectuals in Twentieth-Century Brazil (University of North Carolina Press). She is the editor (with Eduardo Elena) of Rethinking Race in Modern Argentina (Cambridge University Press). George Reid Andrews is Distinguished Professor of History at the University of Pittsburgh. He is the author of Afro-Latin America: Black Lives, 1600-2000 (Harvard University Press), Afro-Latin America 1800-2000 (Oxford University Press), Blackness in the White Nation: A History of Afro-Uruguay (University of North Carolina Press), Blacks and Whites in São Paulo, Brazil, 1888-1988 (University of Wisconsin Press), and The Afro-Argentines of Buenos Aires, 1800-1900 (University of Wisconsin Press). Jesse Hoffnung-Garskof is Professor of History at Harvard University. He is the author of Racial Migrations: New York City and the Revolutionary Politics of the Spanish Caribbean (Princeton University Press) and A Tale of Two Cities: Santo Domingo and New York after 1950 (Princeton University Press)Reighan Gillam is Associate Professor in the Department of Anthropology at the University of Southern California. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Is it ever morally wrong to enjoy fantasizing about immoral things? Many video games allow players to commit numerous violent and immoral acts. But should players worry about the morality of their virtual actions? A common argument is that games offer merely the virtual representation of violence. No one is actually harmed by committing a violent act in a game. So, it cannot be morally wrong to perform such acts. While this is an intuitive argument, it does not resolve the issue.Focusing on why individual players are motivated to entertain immoral and violent fantasies, Christopher Bartel's book Video Games, Violence, and the Ethics of Fantasy: Killing Time (Bloomsbury, 2020) advances debates about the ethical criticism of art, not only by shining light on the interesting and under-examined case of virtual fantasies, but also by its novel application of a virtue ethical account. Video games are works of fiction that enable players to entertain a fantasy. So, a full understanding of the ethical criticism of video games must focus attention on why individual players are motivated to entertain immoral and violent fantasies.Video Games, Violence, and the Ethics of Fantasy engages with debates and critical discussions of games in both the popular media and recent work in philosophy, psychology, media studies, and game studies.Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications