New Books in Communications

What is the future of news? In the twentieth century Western-educated journalists championed impartial, unbiased news – which always seemed rather odd as everyone agreed it wasn’t possible for journalists to shed all their biases. That fundamental contradiction has been replaced by something even more problematic – fake news and worse than that, fake news which people believe and even the idea that everyone can publish their own news. So where are we headed in the twenty first century. Roger Mosey was a senior BBC editor and is now master of Selwyn College CambridgeOwen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In 14 original essays, The Oxford Illustrated History of the Book (Oxford UP, 2022) reveals the history of books in all their various forms, from the ancient world to the digital present. Leading international scholars offer an original and richly illustrated narrative that is global in scope.The history of the book is the history of millions of written, printed, and illustrated texts, their manufacture, distribution, and reception. Here are different types of production, from clay tablets to scrolls, from inscribed codices to printed books, pamphlets, magazines, and newspapers, from written parchment to digital texts. The history of the book is a history of different methods of circulation and dissemination, all dependent on innovations in transport, from coastal and transoceanic shipping to roads, trains, planes and the internet. It is a history of different modes of reading and reception, from learned debate and individual study to public instruction and entertainment. It is a history of manufacture, craftsmanship, dissemination, reading and debate.Yet the history of books is not simply a question of material form, nor indeed of the history of reading and reception. The larger question is of the effect of textual production, distribution and reception - of how books themselves made history. To this end, each chapter of this volume, succinctly bounded by period and geography, offers incisive and stimulating insights into the relationship between books and the story of their times.James Raven is Professor of Modern History at the University of Essex and a Fellow of Magdalene College, Cambridge. Formerly he was Reader in Social and Cultural History, University of Oxford, and Professorial Fellow of Mansfield College. He is the author, editor and co-editor of numerous books in early modern and modern British, European and colonial history, including Judging New Wealth (1992); The Practice and Representation of Reading (1996); The English Novel 1770-1829 (2000); Free Print and Non-Commercial Publishing (2000); London Booksellers and American Customers (2002); Lost Libraries (2004); The Business of Books: Booksellers and the English Book Trade (2007); Books between Europe and the Americas (2011); Publishing Business (2014) and Bookscape: Geographies of Printing and Publishing in London before 1800 (2014).Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

It’s the early 1990s, and the USSR is no more. An intrepid young American TV producer has been given a seemingly foolhardy task: bringing the beloved children’s show Sesame Street to Russia, and the rest of the post-Soviet sphere.This is the premise of Muppets in Moscow: The Unexpected Crazy True Story of Making Sesame Street in Russia (Rowman & Littlefield, 2022)—a memoir from that aforementioned producer, Natasha Lance Rogoff. Amidst car bombings, soldiers kidnapping Elmo, and a collapsing ruble, Lance Rogoff assembles a team of Russian creatives to adapt Sesame Street into Ulitsa Sezam, as the show is known in Russian. While culture clashes ensue at first, they eventually give way to cross-cultural empathy, as Lance Rogoff poignantly illustrates in the book. It’s a story that feels especially resonant in the present day, with Russia and the West again at opposite ends of a daunting geopolitical divide. Lance Rogoff talks with the New Books Network's Anthony Kao about how she came to produce Sesame Street in Russia, and gives us a taste of the adventures contained within Muppets in Moscow.Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, The Diplomat, and Eater.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

It seems undeniable that language has limits in what it can express – among other philosophers, Wittgenstein famously drew a line of this sort in his Tractatus Logico-Philosophicus. But what is the unsayable or inexpressible? What is interesting, philosophically, about the unsayable? And if if something is unsayable, how can fictional works be related to (if not say something about) it? In Beyond Words: Philosophy, Fiction, and the Unsayable (Lexington Books, 2022)), Timothy Cleveland argues that philosophical interest is not limited to the in-principle unsayable, as many philosophers claim: there is great value in what may be unsayable at a given time, due to epistemic limitations. Cleveland, who is professor of philosophy at New Mexico State University, defends a view in which words rendered in a certain way in fiction – such as in T.S. Eliot’s "The Waste Land" – can acquaint us with, or exhibit to us, experiences that emerge from but are not semantically encoded in the sentences the works contain. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Communication researcher Nirit Weiss-Blatt talks about her book, The Techlash and Tech Crisis Communication, as well as some of her recent and forthcoming pieces on the digital technology industry with Peoples & Things host, Lee Vinsel. Weiss-Blatt’s work examines both the rise of the “techlash”—the development of negative public and expert sentiment about the digital technology industry—and how company public relations efforts responded to this development. Weiss-Blatt and Vinsel also talk about how some claims about the negative impacts of social media do not seem to hold up to empirical scrutiny and what all of this means for regulation of the digital technology industry. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In this episode, Dr. Kenny Linden, an environmental and animal historian of Mongolia and Inner Asia, joins me to discuss the Disney+ Star Wars prequel series Andor and its real-world parallels to pastoralism and the treatment of pastoralists in Central and East Asia by state authorities. We talk about nomadism in the Star Wars universe, depictions of nomads in pop culture, and the planet Aldhani in Andor as a reflection of modern histories of pastoralism and nomad-state relations in Central and Inner Asia.Maggie Freeman is a PhD student in the School of Architecture at MIT. She researches uses of architecture by nomadic peoples and historical interactions of nomads and empires, with a focus on the modern Middle East. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In Deflective Whiteness: Coopting Black and Latinx Identity Politics (Ohio State UP, 2022), Hannah Noel repositions Whiteness studies in relation to current discussions around racialized animus and White victimhood, demonstrating how White supremacy adapts its discursive strategies by cannibalizing the language and rhetoric of Black and Latinx social justice movements. Analyzing a wide-ranging collection of cultural objects—memes, oration, music, advertisements, and news coverage—Noel shows how White deflection sustains and reproduces structures of inequality and injustice.White deflection offers a script for how social justice rhetoric and the emotions of victimization are appropriated to conjure a hegemonic White identity. Using derivative language, deflection claims Whiteness as the aggrieved social status. Through case studies of cultural moments and archives including Twitter, country music, the Black Lives Matter movement, and more, Deflective Whiteness exposes the various forms of tacit White supremacy that operate under the alibi of injury and that ultimately serve to deepen racial inequities. By understanding how, where, and why White deflection is used, Noel argues, scholars and social justice advocates can trace, tag, and deconstruct covert White supremacy at its rhetorical foundations.Omari Averette-Phillips is a graduate student in the department of history at UC Davis. He can be reached at omariaverette@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How can the news better reflect important global issues? In Humanitarian Journalists Covering Crises from a Boundary Zone (Routledge, 2022), Drs Martin Scott, an Associate Professor in Media & Development at the University of East Anglia and Kate Wright, Senior Lecturer and Chancellor's Fellow in Media and Communication at the University of Edinburgh, and Prof Mel Bunce, a Professor of International Journalism at City University of London, explore the context that shapes the lives and practices of humanitarian journalists. The book uses rich case study materials, detailed interview data, and a framework drawing on field theory to analyses how humanitarian journalists exist between the journalistic and humanitarian fields. This comes at a cost to them, as well as offering significant positives for both their activities and for news itself. Accessible, and available open access here, the book is essential reading across media studies, humanities, and social sciences, as well as for anyone concerned about the need for a better system for reporting the news.Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Jennifer Crewe talks about how translation became a key component of the Columbia University Press publishing program and how the press decides which books they want to translate. In addition, we go behind the scenes to understand the mechanics of a translation rights deal and how negotiations are conducted between academic publishers around the world. Finally, we cover the ever-changing business of academic book sales that can literally turn on its head overnight.Avi Staiman is the founder and CEO of Academic Language Experts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Museums everywhere have the potential to serve as agents of change—bringing people together, contributing to local communities, and changing people’s lives. So how can we, as individuals, radically expand the work of museums to live up to this potential? How can we more fiercely recognize the meaningful work that museums are doing to enact change around the relevant issues in our communities? How can we work together to build a stronger culture of equity and care within museums? Questions like these are increasingly vital for all museum professionals to consider, no matter what your role is within your institution. They are also important questions for all of us to be thinking about more deeply as citizens and community members. Museums as Agents of Change: A Guide to Becoming a Changemaker (Rowman & Littlefield, 2021) is about the work we need to do to become changemakers and demand that that our museums take action toward positive social change and bring people together into a more just, equitable, compassionate, and connected society. It is a journey toward tapping the energies within all of us to make change happen and proactively shape a new future.Mike Murawski is a consultant, change leader, and educator living in Portland, Oregon. After more than 20 years of work in education and museums, Mike brings his personal core values of collaboration and care along with a deeper understanding of placed-based connections into the work that he leads within organizations, non-profits, schools, and communities. Mike is the author of Museums as Agents of Change, and author of the Substack publication Agents of Change. In 2016, he co-founded Super Nature Adventures LLC, a place-based education and creative design business that partners with parks, government agencies, schools, and non-profits to expand learning in the outdoors and public spaces. When he's not working on place-based projects or supporting change in nonprofits, you can find Mike on long trail runs in the forests and mountains of the Pacific Northwest.Callie Smith is a poet and museum educator living in Louisiana.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications