EPISODE 34 - JOHN LINDLEY - Cinematographer Team Deakins speaks with John Lindley, cinematographer and president of camera local 600. John shot the films FATHER FIGURES, PLEASANTVILLE, FIELD OF DREAMS, and BEWITCHED. We talk about documentaries and what working on them gives you - both personally (it “enlarges your life”) and skill-wise. We also talk about handling the pressure on the set tin the role of dp and how to oversee the people you’re working with and getting the best out of them. The difference between working in TV and on features is also looked at. We also learn about unions and the camera union.

Joel Coen, a renowned director, discusses his experiences in filmmaking, from starting as a teenager to working on independent movies. They talk about financing their first movie and maintaining creative control. The collaborative nature of filmmaking and the importance of collaboration are emphasized. They also discuss the control and mastery of a director, challenging filming conditions, working with actors, and retaining passion for work.

EPISODE 32 - DICK POPE - Cinematographer Team Deakins has an entertaining conversation with cinematographer and long time friend, Dick Pope (Mr. TURNER, SECRETS & LIES, ANOTHER YEAR, THE ILLUSIONIST). We talk about his start in film, his work in documentaries and his long term collaboration with director Mike Leigh. Along the way, we also touch on the importance of trust between DP & Director, working with keys that you don’t know and in particular how he works with gaffers. We touch a bit on operating and even end up with a bit on film vs digital, although we weren’t planning on going there! It’s a fascinating episode and we promise you will laugh during parts! RECOMMENDED EPISODE VIEWING: Any Mike Leigh film

EPISODE 31 - PETE FRANCIOSA - Agent Team Deakins talk with Pete Franciosa, head of production at UTA talent agency. We talk about what an agent does, how to get an agent, what “packaging” is, how he choses people to represent, the differences between the agencies and lots more! It’s an interesting look inside the talent agency.

EPISODE 30 - Alex Webb - Stills Photographer Team Deakins does something different with this episode. We took the opportunity to talk to an extraordinary visual talent who is NOT a part of movie production. He is a well known still photographer and someone we are great admirers of. It was great to talk with him about his work, what he thinks is important in photographer, how he approaches his work, the importance of color in his work, what pictures can mean and the role of serendipity in great photographs. It’s an immersive dive into creating visuals.

EPISODE 29 - GREIG FRASER - Cinematographer Team Deakins sits down with friend and fellow DP, Greig Fraser (DUNE, THE MANDALORIAN (TV), ZERO DARK THIRTY). We cover a lot ground in this episode starting with Volume lighting - how it works, how it effects the way that you work, the advantages and disadvantages. He tells us what attributes he feels are key in a director and how he feels about operating. We learn his secret desire to shoot a musical and we dive into the undiscussed subject of why wrap parties are hard and often avoided. And there’s more! A fun and informative episode. 
RECOMMENDED EPISODE VIEWING: The Mandalorian (TV-2019)

EPISODE 28 - GARY HYMNS - Key Grip This is part 2 of a two part episode series where Team Deakins talks key grips. This episode features a very renown British key grip Gary Hymns, (THE BATMAN, 1917, SOLO: A STAR WARS STORY), who walks us through the British system of gripping. This episode features a very renown British key grip who walks us through the British system of gripping. Because he worked with us on 1917, we delve into the details of how certain shots were accomplished in that film as well as learning details from some of his other films. You’ll understand why there was a lot laughing on the set of 1917 after hearing his humorous commentary! RECOMMENDED EPISODE VIEWING: 1917

EPISODE 27 - MITCH LILLIAN - Key Grip This is part 1 of a two part episode series where Team Deakins talks to key grips - one American, one British. Team Deakins discusses with these talented technicians how the very different systems work for grips in the states and the UK and how there responsibilities change between the countries and even between the states in the US! Mitch Lillian, (THE GOLDFINCH, BLADE RUNNER 2049 BIRDMAN), shares with us the challenges of gripping and how he figures out how to do what he is so good at doing! If you’ve ever wondered exactly what a grip does on a motion picture production, these two episodes will fill you in!

EPISODE 26 - BILL POPE - Cinematographer Team Deakins has the pleasure of talking with talented cinematographer, Bill Pope. He’s shot so many wonderful films, including THE MATRIX series, THE JUNGLE BOOK, CLUELESS, CLUELESS and many more. A fun discussion on the many aspects of filmmaking, and how certain films were made. We learn how some of the fantastic visuals of The Matrix came to be and some of the techniques used in making the Jungle Book. The conversation also looks into the relationship of the DP with the VFX team, the importance of preparation and what the personal experience of filmmaking can be. Bill is not only talented but very articulate so it’s an episode you don’t want to miss! RECOMMENDED VIEWING: Bound, The Matrix

EPISODE 25 - DENIS VILLENEUVE - Director. Team Deakins spends some time talking with their friend and frequent collaborator, the brilliant director Denis Villeneuve (BLADE RUNNER 2049, ARRIVAL, PRISONERS). We covered many topics including Denis’ start in the business, his early films, what filmmaking means to him and the special collaboration we share. We also examine why certain shots seem to work and what the steps were to get there. A great conversation with a talented artist! RECOMMENDED VIEWING: Incendies, Sicario