EPISODE 99 - FRANCES MCDORMAND - Actress, Producer Team Deakins gets the chance to catch up with a long-time friend, actress, and producer Frances McDormand (NOMADLAND, THREE BILLBOARDS OUTSIDE EBBING MISSOURI, FARGO). It’s a great conversation that hits lots of topics! Fran shares with us the difference for her between acting in theater and in film, what her approach is to acting, and how she learned and added to her craft over the years. She has lots of stories of her experience on the film Blood Simple which was an early experience with a lot of learning and where she met Joel Coen, her long-time partner. We also talk about working with less structure, improv, and playing a femme fatale. Fran shares her experiences on Nomadland, Olive Kitteridge, Mississippi Burning, and The Man Who Wasn’t there. We touch on how she chooses her roles and how she likes to mix things up with “palette cleansers”, playing a supporting role as well as how she feels she is a partner with the camera operator. And more and more! A great discussion with the always interesting and fun Fran! Don’t miss it!

EPISODE 98 - KEITH WALTERS - Prop Master Team Deakins sits down with property master Keith Walters and goes into depth about the role of props. Keith’s credits include NEWS OF THE WORLD, SICARIO, TRUE GRIT and NO COUNTRY FOR OLD MEN. He gives us insight into the role of the prop master, what it entails and how he approaches it. He shares how he researches for period pieces, the danger of aging down props too far, and how he finds material for period movies. We get details on the props in No Country For Old Men and how the iconic air gun weapon of Chigurh was conceived. He also gives up some insights into working on both Sicario movies and the unique challenges of the movie, Lincoln. We learn lots about the role and job of props in film during this episode!

EPISODE 97 - BENOÎT DELHOMME - Cinematographer Team Deakins has a memorable conversation with cinematographer Benoit Delhomme (AT ETERNITY’S GATE, THE THEORY OF EVERYTHING, THE SCENT OF THE GREEN PAPAYA, THE PROPOSITION). We talk about many things, including working with Julian Schnabel on At Eternity’s Gate.  We learn about their working relationship, his dance with Willem Dafoe, and hiding the crew to keep them out of shot. Because Benoit does amazing things with color, we talked a lot about his approach, how he sees colors when he reads a script, and discussing color with Julian. He also tells us about shooting the film The Proposition - the difficulties of working in the Australian Outback, the difficulty of the heat, and the movies that influenced the shoot. We discuss the importance of the DP finding the first shot of the day. Benoit’s wonderful humorous outlook kept us laughing as we covered a lot of ground! RECOMMENDED EPISODE VIEWING: At Eternity’s Gate, The Proposition

EPISODE 96 - BEN COOKE - Stunt Coordinator, 2nd Unit Director Team Deakins looks into the world of movie stunts with Stunt Coordinator and 2nd Unit Director, Ben Cooke (MULAN, 1917,  SKYFALL, CASINO ROYALE). We learn about the different areas of stunt work and the different experiences of being a stunt double or a stunt coordinator on a film. He talks about his experience of stunt doubling Daniel Craig in the Bond movies and tells us all about the huge stunt in Quantum of Solace and how learned he was doing it just the day before. We also talk about the stunts in Snow White and the Huntsman. Other areas we covered were working with locals in a large stunt sequence, the most undervalued aspects of a stunt job, dealing with an actor who wants to do all his own stunts, and creating stunts that fit into the tone of the movie. As he was the stunt coordinator on the film 1917, we dived into that experience in detail. We learned a lot about this area of filmmaking in this episode - don’t miss it!

EPISODE 95 - EMMA PILL - Location Manager Team Deakins sits down with Location Manager extraordinaire Emma Pill (1917, SPECTRE, INCEPTION, THE BOURNE ULTIMATUM). In this episode, we learn lots about the function of the location department and the importance of their role. She tells us she sees her job as walking a tight rope between the production world and the real world and how she learned early how important it is to be honest with the owners of locations who often don’t know what the reality of having a film crew in their home or building will be like. We learn about the importance of coming up with solutions to locations with logistical problems, how she became an expert on Moroccan locations, how she deals with schedule changes, and the importance of having a signed contract for the location. She also goes into the details of being the location manager on Bourne Ultimatum, Blade Runner 2049, and 1917. A great deep dive into the role of Location Manager!

EPISODE 94 - SHAUN CONWAY - Gaffer Team Deakins has a great conversation with Australian gaffer Shaun Conway(MAD MAX: FURY ROAD, MULAN, ALIEN:COVENANT). He shares not only the basics of the job of a gaffer, but he also goes into detail about working with different cinematographers and how important it is to quickly learn their working style and preferences. He tells us about his experiences of working with DP Mandy Walker and the various movies they’ve collaborated on. He also shares the challenges of filming Mad Max: Fury Road and Alien Covenant. In the latter movie, he worked closely with the production designer so lighting could be placed in the set as part of the design. We talk about the different styles of lighting and what they require. A detailed look at lighting through the eyes of a gaffer!

EPISODE 93 - SKIP LIEVSAY - Sound Designer/Editor/Mixer Team Deakins has the chance to catch up with the guru of sound, Skip Lievsay (GRAVITY, ROMA, NO COUNTRY FOR OLD MEN). We use the opportunity to learn the different roles and responsibilities in the sound department, from onset mixer to re-recording mixer, sound editor, and sound designer. He shares with us some experiences on the films, True Grit, Inside Llewyn Davis, No Country for Old Men, and O Brother, Where Art Thou. We learn how the sound was conceived and executed for the movie Gravity. He also talks about working with Robert Altman and his love of sound. He even gets into the different sound formats and why one format might suit a movie better than another as well as choices of mics on the shoot. A great look into the world of movie sound!

EPISODE 92 - BOB YEOMAN - Cinematographer Team Deakins has a great conversation with cinematographer Bob Yeoman (THE GRAND BUDAPEST HOTEL, MOONRISE KINGDOM, SPY). He’s a frequent collaborator with Wes Anderson and he walks us through how they work together. We learn their way of prep and how they collaborate on the set. It becomes clear why their work together is so special. We should warn you that after listening to this episode you will want to be part of their collaboration! He shares with us how Wes works with actors, how he negotiates his lighting with Wes and breaks down specific scenes on the film Darjeeling Limited. He also touches on his experience with Paul Feig, the problems of working with multiple cameras and operating the camera. You won’t want to miss his story about the film shot on the 27mm lens! A fun, informative episode! RECOMMEND EPISODE VIEWING: Darjeeling Limited

EPISODE 91 - TURNING THE TABLES - FARGO Team Deakins gets the tables turned on them in this episode. Cinematographer Joshua James Richards (Nomadland, The Rider, God's Own Country) turns the spotlight on us and asks questions about the movie Fargo. We speak about specific shots and how they were done. We also talk about covering wider subjects, how a camera move can add to the strength of the scene, working with different directors, and the importance of cinematographer supporting the performances using natural light, and what limitations can give to a movie. We cover a lot of ground, including finding inspiration, the Coen Brothers’ unique talents, as well as the importance of the DP understanding editing. So we go into detail about the movie Fargo as well as many broader topics. Josh was thorough! PDF Clip List can be found here. RECOMMENDED EPISODE VIEWING - Fargo

Cinematographer Bradford Young discusses serving the story through cinematography, his lens choices, and his unique lighting approach of subtracting elements. He shares his experiences on Arrival and working on Star Wars. They also talk about choosing projects, collaborating with directors, and navigating cinematography challenges.