In this enlightening discussion, David Mullen, a seasoned cinematographer recognized for his profound technical expertise, shares insights on the essential knowledge modern cinematographers should possess. He delves into the contrasts between film grain and digital noise, emphasizing storytelling through imagery. Mullen recounts personal experiences, like the challenges of color management with digital tech and the artistry in lens selection. He underlines the need for filmmakers to balance technical skills with their creative vision in an ever-evolving cinematic landscape.

SEASON 2 - EPISODE 112 - DAN LEMMON - VFX Supervisor VFX Supervisor Dan Lemmon (THE BATMAN, DAWN OF THE PLANET OF THE APES, AVATAR) joins us on this episode of the Team Deakins Podcast. Expanding upon our collection of conversations with filmmakers who worked on THE BATMAN, Dan is more than eager to discuss his work on the film, and he breaks down his team’s contributions to the Batmobile chase sequence and the look of the film as a whole. We also discuss the value of shooting references for the VFX department, and Dan reveals his reasoning for advocating to shoot as much as possible in-camera. We later learn how VFX houses are adapting to deliver their work at the same quality under tightening budgets, and we reflect on how the pace of innovation in the field has changed over Dan’s career. Dan also explains how motion capture technology works and how it’s evolved to allow for films like AVATAR and the recent PLANET OF THE APES trilogy to exist as envisioned by their directors. Towards the end, we reflect on the modern trend towards naturalism and the diminishment of theatricality in how stories are told cinematically. - This episode is sponsored by Aputure

SEASON 2 - EPISODE 111 - JESSE JAMES Live Q&A - with Wendy Roderweiss This special episode of the Team Deakins Podcast features a recording of what was a live conversation between Team Deakins and filmmaker and DePaul University professor Wendy Roderweiss following a screening of THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD at the Music Box Theatre in Chicago. During the conversation, we discuss our experiences shooting the movie and working together as creative and life partners, and James reveals how her involvement allowed Roger to simultaneously shoot JESSE JAMES while colour timing JARHEAD. She also discusses how she balanced the workload between the two films (and countries!). We later share the genesis of the opening montage, and we also reflect on the limited use of the Deakinizer lenses invented for the film. We also answer a series of audience questions, and we reflect on our time working with the DePaul students during our visit to Chicago. Roger also offers his (brief) review of the print used at the screening!   This was recorded in early 2024 during our visit to DePaul University to participate in a series of events with their students. - This episode is sponsored by Aputure

SEASON 2 - EPISODE 110 - JON SANDERS & ANNA MOTTRAM - WRITER / DIRECTOR & WRITER / ACTOR On the episode of the Team Deakins Podcast, we speak with writer/director Jon Sanders & actor/writer Anna Mottram (PAINTED ANGELS, A CHANGE IN THE WEATHER, A CLEVER WOMAN). As old friends and a fellow filmmaking couple, we had a lot to talk about! Roger and Jon reminisce on coming up together amidst the fallout television left hanging over England’s film scene, and we all compare our experiences working with our partners over a lifetime. Anna muses on the act of improvisation as an actor, and Jon shares how he works with the cinematographer to pull off the series of long takes that define their films. We later discuss the liberating force of digital cameras, and we learn why they opt to improvise every scene and shoot their films in chronological order. Towards the end, we reflect on their commitment to the theatrical experience, the reach of their films, and on the touching feedback Jon and Anna receive from their viewers. - This episode is sponsored by Aputure

Kevin Baillie, a visual effects supervisor known for his work on films like Here and Pinocchio, shares insights into the evolving landscape of VFX in cinema. He discusses the collaborative process of incorporating visual effects into storytelling, emphasizing the balance between practical and digital techniques. Kevin reflects on the influence of technology, including AI, on creativity and viewer expectations. He also highlights the importance of maintaining emotional connections through visual effects while looking forward to future innovations in filmmaking.

Tim Blake Nelson, a versatile talent known for his roles in 'Lincoln' and 'The Ballad of Buster Scruggs', shares his journey from Oklahoma to Hollywood. He discusses his classical education, revealing how it shaped his artistic choices. Tim reflects on directing versus writing plays, and shares insights on the struggles of independent film funding. The conversation touches on his son's debut film and his novel 'City of Blows', inspired by his experiences in the entertainment industry. A fascinating exploration of creativity and storytelling unfolds!

Peter James, a seasoned cinematographer known for his work on 'Mao's Last Dancer' and 'Driving Miss Daisy,' shares his inspiring journey from battling dyslexia to mastering the art of cinematography. He offers a fascinating lighting trick and reflects on the intense challenges faced while filming 'Black Robe' in the Canadian wilderness. James also discusses the emotional connections cinematographers have with scripts and the evolving role of technology in filmmaking, emphasizing the art of blending traditional techniques with modern advancements.

Joining the conversation is Tristan Oliver, a celebrated cinematographer renowned for his work in stop-motion animation, including hits like 'Isle of Dogs' and 'ParaNorman.' He dives into the intricate processes of shooting 9-inch puppets and balancing lighting for animation without hindering the animators. Tristan shares his experiences collaborating with Wes Anderson, revealing the creative tension over deep focus techniques. The podcast highlights the value of handcrafted artistry over manufactured, and Tristan offers insight into the evolution of animated filmmaking.

Rick Carter, a talented production designer known for his visionary work in film, turns the tables on his hosts, delving into their creative partnership. They share the evolution of their collaboration and the importance of communication on set. James discusses how her problem-solving skills benefit the crew, while Roger reflects on the trust that enhances their synergy. The trio explores the intuitive aspects of filmmaking, the magic of teamwork, and the power of a united creative vision, all while marveling at their virtual connection.

Steve Dunn, an accomplished assistant director known for his work on 'Walk the Line' and 'Dances with Wolves,' shares his cinematic journey from childhood screenings in Venezuela to bustling Hollywood sets. He candidly discusses his transition from indie films to mainstream success, revealing the art of managing diverse personalities on set. Steve also recounts humorous mishaps and close calls that nearly cost him his job, emphasizing teamwork and creativity. Notably, he reflects on his dream of collaborating with film legends like Robert Altman.