Unclear and Present Danger

For this week’s episode of Unclear and Present Danger, Jamelle and John watched “The Enemy Within,” a 1994 remake of John Frankenheimer’s “Seven Days in May,” starring Forest Whitaker and Jason Robards. Like the original film, “The Enemy Within” concerns a military plot to depose the president and take control of the U.S. government. Like the original film, our hero is an Army advisor who would rather defend the Constitution than his superiors. And like the original film, the story is a race against the clock as the president and his allies try to stop their adversary, the Chairman of the Joint Chiefs of Staff, from executing his plan.“The Enemy Within” stars Forest Whitaker as Colonel “Mac” Casey, Sam Waterston as President William Foster, Dana Delany as his chief of staff Betsy Corcoran, and Jason Robards as General R. Pendleton Lloyd.The tagline for “The Enemy Within” is “You never know who your enemies are.”You can stream the movie on HBO Max or rent it on iTunes and Amazon. Connor Lynch produced this episode. Artwork by Rachel Eck.Contact us!Follow us on Twitter!John GanzJamelle BouieUnclearPodAnd join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. The latest episode of our Patreon is on “Seven Days in May.” So you can listen to these two episodes to compare and contrast the two movies.

For this week’s episode of Unclear and Present Danger, Jamelle and John watched “Hidden Assassin” — also released under the name “The Shooter” — a 1995 action drama directed by Ted Kotcheff and starring Dolph Lundgren and Maruschka Detmers. In “Hidden Assassin,” Lundgren plays a U.S. Marshall, Michael Dane, tasked with arresting a woman, played by Detmers, suspected of assassinating the Cuban ambassador to the United States. Time is of the essence; the Secretary of State will meet with his Cuban counterpart in Prague — where the movie takes place — in an attempt to ease tensions between the two nations. But Lundgren isn’t so sure that Detmers’ character, Simone Rosset, is the shooter. What unfolds is a conspiracy that threatens Dane’s life and implicates some of his closest allies.The tagline for “Hidden Assassin” is “Seduction is a deadly weapon!” Which doesn’t have much to do with the actual movie.You can find “Hidden Assassin” to watch on Amazon Prime or for free on YouTube.Connor Lynch produced this episode. Artwork by Rachel Eck.Contact us!Follow us on Twitter!John GanzJamelle BouieUnclearPodAnd join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. he latest episode of our Patreon podcast is on the 1979 film “Winter Kills.” Our next episode of the main freed podcast will be on “The Enemy Within,” a 1994 remake of John Frankenheimer’s “Seven Days in May.” And we’ll watch the original film for the Patreon as well.Links from the episode!The films of Chris MarkerA video essay on “La Jette” and “Vertigo.”

For this week’s episode of Unclear and Present Danger, Jamelle and John watched “12 Monkeys,” the 1995 science fiction film from Terry Gilliam starring Bruce Willis, Madeline Stowe, Brad Pitt and Christopher Plummer. “12 Monkeys” is an adaptation of sorts of a 1962 French short film “La Jetée,” in which scientists in a post-nuclear apocalypse future send a man back and forward through time in an effort to save their present. The man eventually succeeds in his mission, only to be killed — his death being an image he had seen again and again in his dreams.And in the film “12 Monkeys,” Bruce Willis plays James Cole, a prisoner living in an underground compound beneath Philadelphia, in a future where the human race has been nearly wiped out by viral plague. He is selected to go back in time to find the original virus to help scientists in his present develop a cure. During multiple trips back in time, he encounters people — a patient at a mental health institution played by Pitt, a psychologist played by Stowe — who all seem to have a role in the events that will end the human race. Cole struggles to resolve whether his life and experiences are real or not, but comes to understand that the virus is real, and that the man responsible is in his orbit. He attempts to stop him but is shot and killed, fulfilling the vision he had seen, in his dreams, of his own death. The tagline for “12 Monkeys” is “The Future is history.”“12 Monkeys” is available for rent or purchase on Amazon and iTunes.Connor Lynch produced this episode. Artwork by Rachel Eck.Contact us!Follow us on Twitter!John GanzJamelle BouieUnclearPodAnd join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. Our latest episode of the Patreon is on “A Face in the Crowd.”

For this week’s episode, Jamelle and John were joined by Linda Holmes of NPR’s Pop Culture Happy Our to discuss the 1995 political romantic comedy “The American President,” directed by Rob Reiner, written by — you guessed it — Aaron Sorkin, and starring Michael Douglas, Annette Bening, Martin Sheen, David Paymer, Samantha Mathis and Michael J. Fox, among others.“The American President” stars Michael Douglas as President Andrew Shepherd, a widow, who falls in love with an environmental lobbyist, played by Annette Bening, while he also runs for re-election and attempts to pass major legislation. The film is both a romantic comedy, depicting the president’s courtship, and a political drama, depicting the effort to win votes, dodge criticism and shore up the White House’s political position.The tagline for “The American President” is “Why can’t the most powerful man in the world have the one thing he wants most?”“The American President” is available for rent or purchase on Amazon and iTunes.Our next episode will on the 1995 science-fiction thriller, “Twelve Monkeys.” Connor Lynch produced this episode. Artwork by Rachel Eck.Contact us!Follow us on Twitter!John GanzJamelle BouieUnclearPodLinda HolmesAnd join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. The latest episode of our Patreon podcast is on the 1970 film “The Conformist.” Our next episode will be on Elia Kazan’s 1957 political drama “A Face in the Crowd.”

For this week’s episode, Jamelle and John were joined by Isaac Chotiner of the New Yorker magazine to watch and discuss 1995’s GoldenEye, the first James Bond film of the 1990s and the first James Bond film of the post-Cold War era. GoldenEye is the seventeenth film in the James Bond series and the first to star Pierce Brosnan, who would go on to star in three subsequent pictures, all of which we will eventually cover on the podcast: Tomorrow Never Dies, The World is Not Enough and Die Another Day.Directed by Martin Campbell and starring, in addition to Brosnan, Sean Bean, Izabella Scorupco, Famke Janssen, Alan Cumming, Judi Dench and Joe Don Baker, Goldeneye was something of a reboot for the Bond franchise, which had been on a six-year hiatus since the previous entry, License to Kill starring Timothy Dalton. The plot of GoldenEye is as straightforward as one of these movies can manage: Bond is tasked with stopping the mysterious Janus syndicate from stealing and using a Soviet-era space weapon capable of causing an electro-magnetic pulse blast anywhere on the planet. Complicating this mission is the fact that the leader of Janus, Alec Trevelayn, is a former MI6 agent who was supposed to have died on a mission with Bond, nine years earlier. There’s the usual adventures and explosions and casual sexual encounters, culminating in a final showdown between Bond and Trevelayn on a massive satellite.GoldenEye, if you’ve somehow never seen it, is available for rental and purchase on iTunes and Amazon.For our next episode, we’re covering the 1995 romantic-political comedy, “The American President,” starring Michael Douglas and Annette Benning.Connor Lynch produced this episode. Artwork by Rachel Eck.Contact us!Follow us on Twitter!John GanzJamelle BouieUnclearPodAnd join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. The most recent episode of the Patreon is on the 1970 Italian political drama, “The Conformist.”

For this week’s episode, we watched the 1995 coming-of-age tale slash Vietnam War movie slash crime thriller “Dead Presidents,” produced and directed by Albert and Allen Hughes. It stars Larenz Tate, Keith David, Chris Tucker, N’Bushe Wright, Freddy Rodriguez and Bokeem Woodbine.“Dead Presidents” is the story of Anthony Curtis, a soon-to-be high school graduate from the Bronx who chooses to join the Marines in search of his own destiny. The year is 1969 and he is sent to Vietnam, leaving his family, his girlfriend Juanita and his friends behind. He experiences the worst of the war and returns home, angry and alienated, to his old girlfriend and his daughter. His friends, who also went to war, have also had their own trials. Each desperate for meaning and for money, they devise a plan to rob an armored car. As you might expect, things get quickly out of hand.In the course of the episode, Jamelle and John discuss the experience of Black veterans in America’s wars, the role of Vietnam in American national memory and the way race shapes our understanding of crime.The tagline for “Dead Presidents” is “The only color that counts is green.” You can find the move for rent on iTunes and Amazon.Episodes come out every two weeks, so we will see you then with an episode on the first James Bond film of the 1990s, “Goldeneye.”Connor Lynch produced this episode. Artwork by Rachel Eck.Contact us!Follow us on Twitter!John GanzJamelle BouieUnclearPodAnd join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. Our latest Patreon episode is on the 1975 German political thriller, “The Lost Honor of Katharina Blum.”

For this week’s episode, Jamelle and John watched Kathryn Bigelow’s 1995 cult favorite Strange Days, a collaboration with James Cameron inspired by the political and social turmoil of the late 1980s and early 1990s. Although not quite “cyberpunk” — it isn’t a William Gibson pastiche like its contemporary Johnny Mnemonic — Strange Days borrows heavily from the genre and its various conceits. Strange Days stars Ralph Fiennes as protagonist Lenny Nero, Angela Bassett as “Mace,” Juliette Lewis as Faith and Tom Sizemore as Max, with appearances from Vincent D’Onofrio, Michael Wincott, William Fichtner and Richard Edson.Here is a brief plot synopsis:Set in the year 1999 during the last days of the old millennium, the movie tells the story of Lenny Nero, an ex-cop who now deals with data-discs containing recorded memories and emotions. One day he receives a disc which contains the memories of a murderer killing a prostitute. Lenny investigates and is pulled deeper and deeper in a whirl of blackmail, murder and rape. Will he survive and solve the case?The tagline for Strange Days is “New Year’s Eve 1999. Anything is possible. Nothing is forbidden.”Strange Days is available to stream on HBO Max and is available for rent or purchase on iTunes and Amazon. Our next episode is on the Hughes brother’s crime thriller Dead Presidents.Connor Lynch produced this episode. Artwork by Rachel Eck.Contact us!Follow us on Twitter!John GanzJamelle BouieUnclearPodAnd join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. Our latest episode of the patreon is on The Battle of Algiers.

This week, Jamelle and John were joined by scholar and author Sam Goldman to watch and discuss the1994 alt-history thriller “Fatherland,” a made-for-HBO adaptation of Robert Harris’ 1992 novel of the same name. Both the novel and the film take place in a 1964 where Nazi Germany won the war in Europe. In the week leading up to the 75th birthday of Adolf Hitler, and the opening up of diplomatic relations with the United States, an investigator in the SS looks into the suspicious death of a high-ranking Nazi official. He soon discovers that a cadre of senior Nazis are being murdered under unusual circumstances to cover up something of great importance. Our detective, along with an American journalist, eventually discover the “something” in question: evidence of the Holocaust. “Fatherland” is not available for streaming on HBO Max, but you can find a free copy of decent quality on YouTube.Connor Lynch produced this episode. Artwork by Rachel Eck.Contact us!Follow us on Twitter!John GanzJamelle BouieUnclearPodAnd join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. Our latest episode of the Patreon is on “The Battle of Algiers.” It was a great conversation and you should check it out.

In this week’s episode of Unclear and Present Danger, Jamelle and John are joined by the Josie Duffy Rice of the Unreformed podcast to discuss “The Net,” a 1995 techno-thriller, directed by Irwin Winkler and starring Sandra Bullock, Jeremy Northam and Dennis Miller. The Net was one of several films in a mini-genre that you can describe as, “What if computer technology was used for evil?” Contemporaries include Hackers and Enemy of the State, both films we will eventually cover on this podcast. Here is a brief plot synopsis:Angela Bennett is a freelance software engineer who lives in a world of computer technology. When a cyber friend asks Bennett to debug a new game, she inadvertently becomes involved in a conspiracy that will soon turn her life upside down and make her the target of an assassination.The tagline for The Net is: “NO DRIVER’S LICENSE, NO CREDIT CARDS, NO PASSPORT, NO ACCESS TO HER BANK ACCOUNTS IN A FOREIGN COUNTRY … SHE FINDS HER IDENTITY STOLEN.”The Net is available to rent on Amazon and iTunes.Our next episode will on the 1994 adaptation of the novel “Fatherland,” starring Rutger Hauer and Miranda Richardson. You can watch it on YouTube.Connor Lynch produced this episode. Artwork by Rachel Eck.Contact us!Follow us on Twitter!John GanzJamelle BouieUnclearPodAnd join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. Our latest episode of the patreon is on the 1982 Costa-Gavras film “Missing.”

In this week’s episode of Unclear and Present Danger, Jamelle and John watch the satirical sci-fi action thriller “Demolition Man,” starring Sylvester Stallone as “John Spartan,” a Los Angeles city police officer who is cryogenically frozen as punishment for a failed rescue attempt; Wesley Snipes as “Simon Phoenix,” his primary antagonist; Sandra Bullock as a cop in the sterile, Brave New World-esque future society in which the film takes place; and Nigel Hawthorne as the leader of that future society. In addition to their usual look at the headlines and news of the day, Jamelle and John discuss “Demolition Man” as one of the quintessentially conservative blockbusters of the 1990s, with a critique of liberalism as both permissive — and thus prone to disorder — and highly restrictive, and thus antagonistic to traditional ideas of manhood and masculinity. They also look at what the movie says about the role of violence in society, and try to place the film within the “end of history” context of the immediate post-Cold War period.Episodes come out every two weeks, so we’ll see you then with an episode on “The Net,” starring Sandra Bullock.“The Net” is available to rent on iTunes and Amazon.Connor Lynch produced this episode. Artwork by Rachel Eck.Contact us!Follow us on Twitter!John GanzJamelle BouieUnclearPodAnd join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. We are currently doing a mini-series on the films of the French-Greek director Costa-Gavras.