2021 marks the 700th anniversary of Dante Alighieri’s death in Ravenna. This is the second of three episodes exploring Dante’s The Divine Comedy, with Professor Matthew Rothaus Moser (Theology, Honors College, Azusa Pacific University). In this episode, we discuss Dante’s vision of Purgatory, a place where sin is healed and the soul purified, so that a person can become truly free to enjoy the good. I hope you enjoy our conversation.

In this episode, I am joined by one of the founding editors of The Point, Jon Baskin, to discuss the prospects of philosophical literary criticism and how we can apply such criticism to the fiction of David Foster Wallace.  Baskin elaborates his ideas in a book I highly recommend, Ordinary Unhappiness: The Therapeutic Fiction of David Foster Wallace.  Jon and I discuss Wittgenstein, Iris Murdoch, Stanley Cavell, Robert Pippin, and of course, David Foster Wallace.  I hope you enjoy our conversation.

2021 marks the 700th anniversary of Dante Alighieri's death in Ravenna.  This is the first of three episodes exploring Dante's The Divine Comedy, with Professor Matthew Rothaus Moser (Theology, Honors College, Azusa Pacific University).    In this episode, we discuss Dante's vision of Hell as a place where the truth of one's desires are finally revealed to oneself. In Dante's Hell, people get what they really want and deserve; since what they want is a distortion of what is truly good, the realization of their desire doesn't make them happy or fulfilled, but perpetually miserable. In this initial conversation, we discuss who Dante was, the structure of his poem on the whole, and how Christians and secularists alike can approach and benefit from reading Dante's famous poem.

In this episode, I am joined by author and theologian Tara Isabella Burton. Tara and I explore the distinctive erotic pleasure one can experience in the act of creating a character out of another human being. This sort of seduction involves coming to possess someone else so as to transform them into a character in your own drama. This is a theme in the two works we discuss, Soren Kierkegaard’s The Seducer’s Diary and Oscar Wilde’s The Picture of Dorian Gray. We also talk about the influence of Joris-Karl Huysman’s novel, Against Nature, on Wilde. Wilde’s novel, like Huysman’s, is a study of decadence and decay, but the end seems fairly moralizing, in spite of Wilde’s allegiance to the aesthetic. Or so we argue, anyway.

In this episode, I speak with my colleague, Agnes Mueller, who is a professor of German and Comparative Literature at the University of South Carolina, about why Thomas Mann’s novella, Death in Venice, is a must-read during our ongoing pandemic. We talk about Modernism, Plato, and Nietzsche. We see the novella as exploring sickness, death, and eros, and we find similarities and continuities between the lovesickness that grips von Aschenbach and cholera that eventually kills him. We also ask whether Mann’s novella is a rebuke of, or perhaps even a vindication of, Plato’s ideal of erotic love. Either way, we agree that the novella is a deep engagement with Platonic ideas and is one of the best treatments of love in literature, period. I hope you enjoy our conversation. Agnes Mueller (M.A., LMU Munich, Germany, 1993, Ph.D., Vanderbilt U, 1997), a Professor, is an expert on recent and contemporary German literature. She is core faculty in Comparative Literature and affiliated with Women’s and Gender Studies and with Jewish Studies. Her publications are on German-American relations, multicultural studies, gender issues in contemporary literature, German-Jewish studies, and Holocaust studies. Her 2004 anthology German Pop Culture: How “American” Is It? (U of Michigan P) is widely used for teaching and research. In addition to all levels of German language and culture, she regularly teaches advanced undergraduate and graduate classes, and has lectured in Germany, Canada, and the U.S. Her most recently published book is entitled The Inability to Love: Jews, Gender, and America in Recent German Literature now available in German translation as Die Unfaehigkeit zu lieben. She is currently at work on a new project, entitled Holocaust Migration: Jewish Fiction in Today’s Germany. In it, she traces the ways in which challenges of living in a multi-ethnic society where past trauma is dispersed are negotiated. Jennifer A. Frey is an associate Professor of Philosophy at the University of South Carolina and fellow of the Institute for Human Ecology at the Catholic University of America. Prior to joining the philosophy faculty at USC, she was a Collegiate Assistant Professor of Humanities at the University of Chicago, where she was a member of the Society of Fellows in the Liberal Arts and an affiliated faculty in the philosophy department.  She earned her Ph.D. in philosophy at the University of Pittsburgh, and her B.A. in Philosophy and Medieval Studies (with Classics minor) at Indiana University-Bloomington. She has published widely on action, virtue, practical reason, and meta-ethics, and has recently co-edited an interdisciplinary volume, Self-Transcendence and Virtue: Perspectives from Philosophy, Theology, and Psychology. Her writing has also been featured in First Things, Fare Forward, Image, The Point, and USA Today. She lives in Columbia, SC, with her husband, six children, and six chickens. You can follow her on Twitter @jennfrey Sacred and Profane Love is a podcast in which philosophers, theologians, and literary critics discuss some of their favorite works of literature, and how these works have shaped their own ideas about love, happiness, and meaning in human life. Host Jennifer A. Frey is inaugural dean of the Honors College at the University of Tulsa. The podcast is generously supported by The Institute for Human Ecology at the Catholic University of America and produced by Catholics for Hire.

In this episode, I have a wide ranging conversation with Agnes Callard. We discuss our experience teaching the Great Books Core at the University of Chicago, as well as why philosophers should read and teach great literature, how to teach Homer in a philosophy class, and how humans gain wisdom through mistakes and suffering. We also talk about arguments, piety, and wisdom in Antigone.

In this episode, I speak with Karen Swallow Prior, who is professor of English literature, Christianity, and Culture at Southeastern Baptist Theological Seminary. We discuss how reading great books can be an education in virtue, and we apply these ideas to a reading of Joseph Conrad’s influential and controversial novella, Heart of Darkness.

In this episode, I talk with philosopher Jamie Smith (Calvin College) about St. Augustine and Christopher Beha’s latest novel, The Index of Self-Destructive Acts. Our conversation covers the surprising connections between St. Augustine and the existentialists–most especially Albert Camus–and how St. Augustine can help us understand the gap between what we long for and the finite world that we are situated in.

In episode 25, I speak with Ian Marcus Corbin (Harvard) about solitude. We discuss Letters to a Young Poet by Rainer Maria Rilke alongside Thomas Merton’s essay, “Rain and the Rhinoceros.”

In this episode, I am once again joined by philosopher and poet Troy Jollimore, to talk about the absurd, evil, suffering, theodicy, God, death, metaphysical rebellion, and of course, virtue.  As always, I hope you enjoy our conversation.