Parallax Views w/ J.G. Michael

On this edition of Parallax Views, a previously locked to Patreon subscribers episode of the show. I spoke with Ryan Koch and Tyler Cornack about their absurdist horror-comedy Butt Boy and their series (now a movie) Tiny Cinema. Butt Boy follows an unassuming man who becomes addicted to making things disappear up his butt. When children go missing a detective slowly unravels the horrific secrets of... the Butt Boy. What makes Butt Boy an interesting genre feature is that despite the ridiculous plot, the movie is played straight. It's a serial killer story with a weird sci-fi element that is never explained. How do people get abducted up a guy's butt? Not answered. But played completely straight throughout. Which, at the end of the day, is the joke. The fact that the film is also technically well made makes it all the more bizarre. It's a crime/cop thriller, serial killer horror movie with a comedic twist. SYNOPSIS FROM IMDB: Detective Fox loves work and alcohol. After going to AA, his sponsor, Chip, becomes the main suspect in his investigation of a missing kid. Fox also starts to believe that people are disappearing up Chip's butt. In order to preserve the quality of the audio there's no Producer's credits on this episode. My apologies, but due to the surviving files of this only being available in video and having to convert to audio I would have had to further compromise audio quality if I'd added in the Producer's credits. Producer's credits will be back in the next episode. Some minor audio glitches may be present.

On this holiday edition of Parallax Views, Youtuber, voice actor, and filmmaker Dave McRae joins the show this Christmas season to discuss the holiday (or is it anti-holiday?)  horror classic Black Christmas, his and Bruce Dale's Black Christmas fan film, and his upcoming appearance as Freddy Krueger in the Wes Craven's New Nightmare fan sequel Dylan's New Nightmare starring Miko Hughes (Wes Craven's New Nightmare, Pet Sematary). First though, we begin the conversation by discussing how Dave got involved in voice acting and his career in that field. From there we delve into the 1974 Canadian cult classic Black Christmas. Directed by Bob Clark, years before he directed A Christmas Story and Porky's) Black Christmas boasts stellar cast headed up by Olivia Hussey (Romeo and Juliet), Keir Dullea (2001: A Space Odyssey), John Saxon (A Nightmare on Elm Street), Margot Kidder (Superman), Art Hindle (David Cronenberg's The Brood), Andrea Martin (of the cult Canadian comedy TV series SCTV) and previous Parallax Views guest Lynne Griffin (Strange Brew, Curtains). Set in a sorority house around the holidays, this 70s chiller tells the story of a group of young women menaced by an deranged obscene phone caller, "The Moaner", who begins picking them off one by one. It's the classic urban legend of the "Caller Is in the House" a good number of years before the Carol Kane-starring thriller When a Stranger Calls terrified audiences. It's also a rather strange feature in that it mixes dark comedy and raunchy humor with horror approached through a slow-burn pacing that takes its time building suspense and an eerie atmosphere. In the course of our conversation we discuss this cult classic's creep factor, legacy, the two remakes/reimaginings that have been spawned in it's wake, the film's subversive subplot involving abortion, and more. Then we move on to discussing It's Me, Billy. Set 50 years after the original story, the movie follows Sam (Victoria Mero), the granddaughter of Black Christmas final girl Jess,  and her friends (Shelby Handley, Malaika Hennie-Hamadi) as they come face-to-face with the same horror that her grandmother experienced all those decades ago. Dave and I discuss the making of the short film, the professional nature and slick look of fan films like It's Me, Billy and Vincent DiSanti's Never Hike Alone (and how these types of fan films are changing perceptions of what a fan film can be), how they recreated the iconic creepy eyeball scene from the original film, adding the mythology of Black Christmas, actress Victoria Mero's stunning resemblance to Olivia Hussey, the possible sequel to It's Me, Billy, and more. In the home stretch of this episode, Dave and I discuss Wes Craven's New Nightmare and the fact the Dave is starring in the fan sequel Dylan's New Nightmare as the dream demon Freddy Krueger. All that and more on this edition of Parallax Views.

On this holiday edition of Parallax Views, Robbie Martin of Media Roots Radio and the documentary A Very Heavy Agenda returns to spread the holiday cheer of a Christmas classic... the 1984 Joe Dante/Steven Spielberg collaboration Gremlins! Yes, Gremlins is a Christmas movie, especially if Die Hard is considered a Christmas movie! It's a festive conversation about the little green monsters that terrorized our nightmares as kids and the furry little guy we all wanted as a pet that Furby ripped off! Robbie admits he used to confuse E.T.: The Extraterrestrial and Gremlins. J.G. tries to avoid getting the horny police called on him while talking about his early childhood crush Phoebe Cates. Robbie explains the use of cats in Jerry Goldsmith's score and pitches his prequel idea that'd call back to Phoebe Cates' eerie, spooky, chilling monologue about why she hates Christmas. We chat about Corey Feldman showing up dressed as a Christmas tree, the greatest movie scene to ever utilize Do You Hear What I Hear?, Gremlins' blending of horror and comedy, the holiday spirit in Gremlins, "That Guy" character actor Dick Miller as Murray Futterman, and the eternal question of whether Gremlins is racist, is Gremlins a critique of capitalism and/or consumerism, and more Then we switch gears to the completely absolutely off-the-wall, insanely zany sequel, Gremlins 2: The New Batch. Robbie and I talk about the meta/parody nature of the movie, the revenge of Dick Miller's Murray Futterman, Star Trek's Robert Picardo, John Glover as an eccentric billionaire modeled after Ted Turner and Donald Trump (who manages to be so insanely energetic and naive that the originally meant-to-be-villainous role become something else entirely), Joe Dante and his love of cartoons and animation (including the Bugs Bunny/Daffy Duck short), Zach Galligan's character Billy Peltzer getting a sexually harassed by boss vis-a-vis an under-the-table foot job attempt, the two different "breaking the fourth wall" interruptions for the theatrical and VHS releases of the movie, Hammer Studios horror legend Christopher Lee as a mad scientist, a blink-and-you'll miss it cameo from John Addams of Gomez Addams fame, the cameos from pro wrestler Hulk Hogan and movie critic Leonard Maltin, how the satire of TV was so ahead of its time that some jokes don't even hit the same anymore, the movie's lampooning of technology, Gizmo the Mogwai getting the Baby Yoda treatment, Rambo and Gremlins 2, and more! We then end discussing the films of Joe Dante, the director behind both movies. We talk Burying the Ex, Innerspace, Matinee with John Goodman, Dante's two Masters of Horror episodes, the little seen TV movie The Second Civil War with Phil Hartman as the President of the United States, Looney Tunes: Back in Action, and, of course, Small Soldiers.

On this edition of Parallax Views, Hassan El-Tayyab, Legislative Director for Middle East Policy at the Friends Committee on National Legislation, joins the show in the first segment to discuss the delay of the vote on the Yemen War Powers Resolution. For some years now Hassan has been at the front of the struggle to get Congress to act in ending the U.S. role in Yemen war vis-a-vis it's arms support for Saudi Arabia. In this conversation El-Tayyab discusses gives his thoughts on Sen. Bernie Sanders withdrawing from the resolution, the Biden administration's moves with regards to Saudi Arabia and the war in Yemen, common misunderstandings about the resolution (ie: the resolution would not necessarily end the war in Yemen but rather reduce U.S.), and more. In the second segment of the program, the Posen Library of Jewish Culture and Civilization's Deborah Dash Moore joins us to discuss the history and traditions of the Jewish holiday Hanukkah and to comment on the recent spike in antisemitism in the U.S. Among the topics discussed in this conversation are the origins of Hanukkah and the traditions associated with it Maccabees, children's books about Hanukkah, the experience of Hanukkah in the German ghettos in WWII era, and more. Additionally, Deborah and I discuss Jewish contributions to culture, with a focus on Jewish humor and it's impact on comedy. We also delve into the issue of antisemitism, what drives it, scapegoating, and related topics.

On this edition of Parallax Views, we return to discussion of the rise of the far-right in Israel and the simultaneous spike in antisemitism happening in the U.S. In the first segment, journalist Abe Silberstein offers a progressive Jewish-American perspective on Israeli politics, Palestine, Netanyahu, the Religious Zionism Coalition, Yehudit Otzma and Itamar Ben-Gvir, J Street, non- and anti-Zionism, Peter Beinart and cultural Zionism, the Zionist Organization of America's (ZOA) Morton Klein and the Jewish-American fringe right-wing, gadfly Israeli journalist Gideon Levy and the Israeli left, the American Israel Public Affairs Committee (AIPAC), racist and supremacist ideologies on the Israeli right, the ideology of Rabbi Meier Kahane and post-Kahane fa-right ideology in Israel, U.S. support for Israel, human rights, and much, much more. In the second segment of the show, Dr. Stephen Zunes returns to discuss the recent spikes in antisemitism and how to combat it while also combating the rise of the Israeli far-right and human rights abuses in Israel/Palestine. Zunes, who has also written about the human rights issues related to the Moroccan occupation of Western Sahara, argues we need to take a human rights-centric approach to Israel/Palestine and that we should be wary of antisemitic tropes that blame all U.S. foreign policy on the state of Israel.

On this jam-packed, monster-sized edition of Parallax Views, acclaimed film historian Joseph McBride returns to the program to discuss the life and times of Hollywood filmmaking legend Steven Spielberg, his films, and his latest feature, the autobiographical coming-of-age drama The Fabelmans. McBride many books on cinema include Frank Capra: The Catastrophe of Success, Orson Welles: Actor and Director, Searching for John Ford, Billy Wilder: Dancing on the Edge, and The Whole Durn Human Comedy: Life According to the Coen Brothers, and, of special note to this conversation, the unauthorized Steve Spielberg: A Biography. Among the topics covered in this lengthy conversation: - Spielberg's early career, working in television with The Twilight Zone/Night Gallery creator/host Rod Serling, his made-for-TV thriller Duel and horror Something Evil - The success of E.T.: The Extraterrestrial and the point where Spielberg became a household name - The importance of Jaws to Spielberg's career - The resonance of Close Encounters of the Third Kind with move-going audiences; applying Carl Jung's book on flying saucers to Close Encounters of the Third Kind; the positive portrayal of aliens in Spielberg's films; Spielberg and immigrant liberalism; the role of the broken family in Close Encounters of the Third Kind and how in some ways the movie may be about his divorced mother and father - Spielberg wasn't a darling of film critics when McBride wrote his biography of Spielberg; the phenomenon of Spielberg haters; the lackluster box-office of West Side Story and The Fabelmans at the box office and mixed-reviews from critics - Steven Spielberg and Alfred Hitchcock; the idea that Spielberg is a master technical filmmaker but has little to say; Hitchock's 1976 film Family Plot starring Bruce Dern and Spielberg's attempt to meet Hitchcock - The approach Joseph took to the research and writing of Steven Spielberg: A Biography; interviewing "ordinary people" rather than just celebrities; Robert Caro's Lyndon Johnson biography; Joseph interviewed over 300 people for the book; interviewing people from all over the country because Spielberg lived in so many different cities and states, especially when he was growing up - Joseph's interview with Arnold Spielberg, Steven's father, and the said moment for him during that interview; the underrated role of Arnold Spielberg in Steven's life and amateur films; Steven's relationship with his father and the way it is portrayed in The Fabelmans; the schism between Steven and his father Arnold - The traumatic impact of Steven's parents' divorce on him in his adolescent years; family rupture, broken families, and the role of irresponsible father and mother figures in Steven's films - Picking apart the mythologized portrayal of how Steven got into Hollywood and the true facts of how he got into Hollywood - The ambitious 1964 science fiction film Firelight, which Spielberg made at the age 17 - Spielberg's dyslexia, his poor performance as a student in school - The story of a young Spielberg's experience seeing The Greatest Show on Earth and his recreating of that film's train crash - The common criticism that Spielberg's movies are too sentimental or schmaltzy; the darker elements of Spielberg's movies - Spielberg's first 35 mm short film Amblin and the role it played in  kickstarting Spielberg's career - MCA/Universal Studios head honcho Sidney Sheinberg and Steven Spielberg - Spielberg as an actor's director - Spielberg's mother Leah Adler - The obstacles Joseph faced writing an unauthorized biography of Steven Spielberg - The factual accuracy of The Fabelmans, The Fabelmans as a semi-autobiographical film, and Francois Truffaut's 400 Blows (Spielberg was a Truffaut fan and even cast him in Close Encounters of the Third Kind) - The Fabelmans' tornado scene and Steven Spielberg childhood tornado experience - A teenaged Steven Spielberg's film Senior Sneak Day, Steven's penchant for casting both his friends childhood bullies in his early films, his 1962 WWII film Escape to Nowhere - A young Spielberg's experiences with antisemitism and antisemitic bullying - How a young Spielberg had trouble with his Jewish identity; wanting to assimilate with gentile in his youth; a telling moment where a young Steven was embarrassed by his ultra-Orthodox grandfather - Spielberg's use of Christian iconography in his films including in Amistad and E.T. - Alienation, Other-ness, Otherization, and persecution in Spielberg's films; Spielberg's interest in communication with "The Other" as a theme - Alice Walker, Black Americans in Steven Spielberg's films, The Color Purple, and Spielberg as a "Minority Director"; the attacks on Spielberg over The Color Purple; - The Sugarland Express, Goldie Hawn, class, and the role of outsiders in Spielberg's films - The dark side of suburbia and smalltown America in Spielberg's films - E.T. and the truth of modern life; E.T. as resonating because it was unlike some of the Disney-style family entertainment of the time - The accusation that Spielberg manipulates his audiences; film editing as inherently manipulative - Spielberg, Stanley Kubrick, and Orson Welles - Schindler's List, Spielberg's USC Shoah Foundation, and Spielberg's meeting with black youths who had a much lambasted inappropriate reaction to the movie; Spielberg's initial apprehension about directing Schindler's List; Stanley Kubrick's Aryan Papers, Roman Polanski's experience in the Kraków ghetto, and the difficulty of making films about the Holocaust - Liberal politics and the films of Steven Spielberg - Joseph's analysis of The Post, which attempted to chronicle the Washington Post and the Pentagon Papers story, and the problems McBride has with it - Spielberg, 9/11, the Iraq War, the Patriot Act, and the Bush years; War of the Worlds and Minority Report - David Lynch's cameo in The Fabelmans as John Ford; Joseph's interview/experience with John Ford - The changing landscape of cinema, the dominance of superhero movies, and the history of the trend towards juvenile movies being cranked out by Hollywood rather than serious "adult" movies; are Spielberg and George Lucas responsible because of movies like Jaws and Star Wars?; cultural obsessions with superheroes and juvenilia and the effect of that on politics; The cultural shift from wanting realism in film to 'magic' and escapism - The success of Jaws, national TV advertising, and myths concerning Jaws' theatrical release - Billy Wilder's attempt to sophisticate and "European-ize" American cinema; the Coen Bros. as the "Sons of Billy Wilder"; Billy Wilder's Sunset Boulevard and the blending of tragedy and comedy; Hollywood was upset that Sunset Boulevard criticized the film industry; was Billy Wilder a cynical nihilist?; the Coen Bros. and European funding; the Coen Bros mixing of comedy and violence - Spielberg had trouble getting funding for Lincoln; John Ford's lesson about film funding - And much, much more!

On this edition of Parallax Views, journalist Jefferson Morley, author of The Ghost: The Secret Life of Spymaster James Jesus Angleton, Scorpion's Dance: The President, the Spymaster, and Watergate, and Morley v. CIA: My Unfinished JFK Investigation, joins us for an urgent update on his work related to the JFK assassination and the ongoing fight to have the last of the JFK records released to the public. Morley and the Mary Ferrell Foundation, a resource on the Kennedy assassination, have filed a lawsuit against President Joe Biden and the National Archives over the withholding of 11,000 or so documents related to the assassination that have yet to be released despite the promise years ago that they would be declassified. Recorded on 12/14,/22, Morley and I discuss how Biden will have to make a decision on 12/15/22 as to whether the CIA will have to give up the last of the JFK documents. In edition to all of this, Jefferson will also explain why the CIA's argument that these documents can't be released for national security reasons and because not all of the people in the files are dead is, from his perspective, a bogus argument. Morley also goes over what he consider the "smoking gun" with regards to the assassination: the CIA's knowledge of Lee Harvey Oswald before 11/23/63 and the CIA's use of Oswald for intelligence purposes (in other words: as an intelligence asset). Jefferson is quick to point out that he is not interested in theorizing or speculating about the assassinations. Instead his interest is in what the documents say rather than any conspiracy theories. We also delve into the recent National Press Club conference by the Mary Ferrell Foundation featuring Jefferson and Judge John R. Tunheim of the Assassination Record Review Board, the across the board/political spectrum support for releasing the documents on grounds related to the need for government transparency, and the mainstream media's coverage of Jefferson Morley and the Mary Ferrell Foundation's recent work. In the second segment of the show, Patrick G. Eddington, senior fellow at the Cato Institute and former CIA analyst joins us to discuss his recent Antiwar.com article "Is the FBI’s ‘Black Identity Extremist’ Label Still in Use?". In 2016 a report was leaked to the press in which the FBI was revealed to be using the term "Black Identity Extremist" as a domestic security threat. Due to the vagueness of the term as well as the rise of Black Lives Matter and the fact that the majority of domestic terrorism has come from white nationalist terrorists the BIE report was heavily criticized. In the intervening years FBI Director Chris Wray told the Senate Judiciary Commitee that use of the term has been abandoned by the FBI. However, recent documents obtained by the Cato Institute through a FOIA request, raise questions as to whether that truly is the case. In addition to this specific story, Patrick and I also delve into the history of the FBI's COINTELPRO operation targeting black activists in the era of Martin Luther King Jr. and the Civil Rights movement, FBI overreach and lack of accountability, the long history of FBI targeting of left-wing activists, the 21st century targeting of Chinese-American, and much, much more!

On this edition of Parallax Views, Jordan Cohen,  policy analyst in defense and foreign policy at the Cato Institute, joins the show to discuss the 2022 Cato Handbook for Policymakers: Arms Sales report. Jordan makes the case the U.S. arms sales today lack oversight leading problems like arms dispersion that leads to weapons ending up in the hands of unsavory entities such as drug cartels and terrorist organizations. Moreover, said arms sales often contribute to aiding authoritarian governments and states that commit human rights abuses. Among the topics discussed in this conversation: - Top U.S. arms consumers are often "risky" clients; defining risk countries buying U.S. arms - U.S. weapons sales from anti-aircraft missiles and fighter jets to small arms and light weapons (SALW) - The Executive Branch's unrivaled power in regards to arms sales and why Congress can't regulate arms sales effectively - Saudi Arabia and the war in Yemen - Weapons dispersion in Central America's Northern Triangle - The potential connection between weapons dispersion, refugee crises, and immigration - How U.S. arms sales undermine many of the stated foreign policy aims/objectives of President Joe Biden's administration - The Ukraine/Russia war and arms sales - Thoughts on foreign policy under the Biden administration thus far - The need to "flip the script" on how we talk about U.S. arms sales - And much, much, much more! In the second segment of the show, Mitch Robson of the conservative student paper The Chicago Thinker joins us to discuss confronting Liz Cheney on the her father Dick Cheney and the Iraq War. On November 11, 2022 Liz Cheney, who has gained newfound popularity due to her opposition to Trumpism and the January 6th insurrection, appeared at a University of Chicago Institute of Politics (IOP) event. Mitch, in response to a recent ad where Liz and Dick Cheney together opined that "a real man wouldn’t lie to his supporters" in reference to Trump, grilled Ms. Cheney about what many have argued are the lies that embroiled the United States in the George W. Bush administration initiated Iraq War. Robson's exchange with Cheney has gone viral and he joined to discuss the issues he had with Liz Cheney's response detailing the issues with claims like, for example, Saddam Hussein's government having had operational ties with al Qaeda.

On this edition of Parallax Views, Dr. Thomas Ferguson, Professor Emeritus of Political Science at the University of Massachusetts Boston and author of Golden Rule: The Investment Theory of Party Competition and the Logic of Money-Driven Political Systems, returns to discuss the current social/economic/political situations in the U.S. and place it within the context of growing tumult across the globe. Among the issues discussed in this conversation: - Disruption and the world economy; energy crises, inflation, growing economic pressures on people; strikes in the U.K., the recent far-right coup attempt in Germany, and the downfall of Peru's President Pedro Castillo (who attempted to dissolve the Peruvian Congress) - Oil and gas prices - The Georgia runoff election that saw Democrat Raphael Warnock vs. Republican Herschel Walker - Incremental change in the balance of political power - Matt Taibbi, Elon Musk, and the Twitter Files - Is the global pandemic really over? Biden, student debt, and the pandemic - Railroad workers and sick leave pay - Nancy Pelosi, corporate Democrats, Alexandria Ocasio-Cortez the Squad, Bernie Sanders, and progressives - Biden, the National Labor Relations Board, and the broader state of American labor - Crypto, the FTX scandal, Sam Bankman-Fried, dark money, the politicians who received donations from SBF, and deregulation - How a deep recession could lead to Donald Trump's comeback; Trump's survival is dependent on the economy  - Employment and unemployment - The problem Democrats face leading up to 2024; the Democratic Party as a "Headless Horseman" right now - Could the railroad strike issue come back to haunt Democrats? - The polarizations of social blocs in America - Rural areas and U.S. elections - The American upper middle classes and Jan 6th - The midterms were very close; the shift was minute - Policy errors in addressing the pandemic - Interests rates are up and U.S. debt costs are rising - The multipolar world and the dangers of escalation; U.S. vs. China and de-escalation; the Ukraine/Russia War - The Golden Rule: he makes the money makes the rules - And much, much more!   In this second segment of the show, Dr. Jack Rasmus, author of The Scourge of Neoliberalism: US Economic Policy from Reagan to Trump, returns to discuss his analysis of the bipartisan shutdown by the Biden administration and Congress of a potential railroad workers strike. Among the topics covered in this conversation - Previous times that Congress has intervened to break a strike: the Railway Labor Act in 1926 and the Taft-Hartley Act of 1947; government working on behalf of corporate interests; corporate power's attack on labor in the 1920s and after WWII; the history of rail strikes leading up to the 1920s - How the labor movement has been tied down by a legal web designed to prevent strategic strikes from occurring - Government intervention, bargaining power, the freezing of negotiations - The issue of paid sick leave and the issue of scheduling; paid leave and the disciplining of labor; labor shortages and wage costs - Nancy Pelosi, the 90 day "cooling off" period, unions, the AFL-CIO, and anti-labor legislation - The corporate wing of the Democratic Party, Bernie Sanders, The Squad, and progressives; left-liberals as constantly being slapped down and outmaneuvered by the corporate wing of the Democratic Party; the Democratic Leadership Council and the takeover of the Democratic Party; thinking in class terms rather than political terms - Pelosi's legislative trick, anti-strike legislation, and the proposed sick leave legislation that had no chance of passing through the sent - The 24% wage increase over 5 years for rail workers and the effect of inflation over the last 3 years - Republicans, Democrats, and the labor movement - The media, propaganda, and the economy; oil companies, price gouging, gas prices, sanctions on Russia, and inflation; the job market, full-time jobs, and part-time jobs; the ideological apparatus of the ruling class - Neoliberalism, grassroots resistance, and the need for a workers party

On this edition of Parallax Views, Jordanian filmmaker Darin J. Sallam joins Parallax Views to discuss her feature-length debut film Farha. Written and directed by Sallam, Farha tells the coming-of-age story of a brave, curious young woman (played by Karam Taher in a tour-de-force acting debut) living in 1948 Palestine who dreams of going to the city, receiving an education, and becoming a teacher. Farha's life is irrevocably altered, however, when Israeli military invade her Palestinian village in a series of violent events that have become known in the Arab world as the Nakba or "The Catastrophe". Farha is a deeply moving story of survival that attempts to shed light on a story Palestinian Arabs have passed down through the generations and may well mark the first feature-length film that isn't a documentary to feature the Nakba as a key element of its story. In this conversation Darin and I discuss a number of topics including: - Her experiences directing the film - Working with the cast, which included such well-known actors of the Arab world as Ali Sulliman of the TV series Tom Clancy's Jack Ryan and Ashraf Barhom (The Kingdom, Paradise Now); the casting of the lead character - The meaning of the title Farha and how it refers to not only the main character but the Arabic word for "Joy" - The development of the movie, the difficulty getting funding, and depicting the events of the Nakba in a thoughtful manner - The emotions that came out during the filming of the production especially amongst the Gazan refugees who served as extras in the film - The motif of water in the movie - The accusations of antisemitism that have been made against Farha - Whether or not the story of Farha ends on a hopeful note - The approach taken to depicting the Nakba in Farha; why Darin chose not to show gory violence - Farha as a universal, humane story which can speak to many different people - The passing down of the story of the Nakba throughout the generations and putting that story to film - Does Darin see a bit of Farha in herself? - The positive reactions to the film thus far - Telling the truth - Farha as not just a story about the Nakba but a story about love, community, loss, trauma, and memory - Liberation and loss; the open wound of the Nakba - Being thrust into traumatic events without a choice; surviving the trauma and living because one must do so - Farha being submitted to the Academy Award - And much, much more! In the second segment of the show, journalsit Andy Worthington, author of The Guantanamo Files: The Stories of the 774 Detainees in America's Illegal Prison, joins us to discuss the unsettling history of military torture and detainment at Guantanamo Bay since 2002. Guantanamo Bay has been in the news, at least within the alternative media sphere again, after former Gitmo prisoner Mansoor Adayfi claimed in an interview with Mike Prysner of The Empire Files and Eyes Left Podcast that he was tortured by U.S. 2024 Presidential hopeful Governor Ron DeSantis at the infamous military prison. This conversation is a bit interesting as when it was recorded Andy was skeptical that the timelines surrounding DeSantis' time at Guantanmo Bay lined up with Mansoor's testimony (although this is not to say that he thinks Mansoor was lying, but rather that the story needed more clarification). However, about five days after our initial conversation, Andy and I spoke again. At that point Andy had spoken with Mansoor in order to clarify the issues. This clarification appears to add more weight to Mansoor's claim and means that the DeSantis/Gitmo story merits serious investigation.  Among the topics discussed in this conversation: - The origins of Guantanamo Bay (alternatively known as GTMO or Gitmo) and the types of torture that went on there - A prison designed by the George W. Bush administration in the early days of the War on Terror to detainee terrorism suspects without much interference/oversight from courts with regards to what would go on there - Human rights abuses at Guantanamo Bay - How was the veil of secrecy around what went on Guantanamo Bay pierced? - The "enhanced interrogation" euphemism - Guantanamo Bay in the Obama and Trump years -  Why has Guantanamo Bay not been shut down despite the controversy around it? - Obama's campaign promise to close the prison - The question of torture's effectiveness in dealing with terrorism - Former detainee Mansoor Adayfi's claims that Ron DeSantis, as a JAG officer, was involved in torture at Guantanamo Bay - The Guantanamo Bay hunger strikes of 2005 (and 2006) - Waterboarding - And much, much more