Parallax Views w/ J.G. Michael

👉 Pitch in on Patreon and fuel the future of free-thinking conversations. https://www.patreon.com/parallaxviews Also visit our returning sponsor Mike Swanson's Wall Street Window for the best financial and trading newsletter around: https://wallstreetwindow.com/ On this edition of Parallax Views, film writer and critic Nathan Wardinski, author of Dissecting Cannibal Holocaust, joins me for a spooky season deep dive into one of the most infamous, controversial, and, perhaps, critically misunderstood films in horror history. We explore how Ruggero Deodato’s Cannibal Holocaust defies easy categorization within either progressive or conservative politics — a film that seeks to explode racist hierarchies even as it offers a bleak, reactionary view of human nature. For Deodato’s jungle nightmare, civilization itself is just a thin facade: whether “modern” or “primitive,” we are all savages beneath the surface. Wardinski and I also unpack the film’s unique structure, the enduring myth that Deodato and his crew were tried for murder due to the film’s realism, and the strange, lifelong relationship the director had with his most notorious work. In the final portion of the conversation, we tackle one of the film’s most controversial aspects — the onscreen animal slaughter — clarifying the difference between slaughter and cruelty, and placing Cannibal Holocaust within a larger cinematic and cultural context where animals have been killed on camera, from ethnographic films to even mainstream television. Some of the portion of the discussion is in the earlier part of the conversation, but most of it is back-ended to the final 10 or so minutes for the benefit of listeners who may not want to hear about that aspect of the film due to the subject matter. It’s a challenging conversation — one that asks uncomfortable questions about art, exploitation, and our own complicity as viewers. Music by Karl Casey @ White Bat Audio - Track: "Exorcism"

👉 Pitch in on Patreon and fuel the future of free-thinking conversations. https://www.patreon.com/parallaxviews Also visit our returning sponsor Mike Swanson's Wall Street Window for the best financial and trading newsletter around: https://wallstreetwindow.com/ On this edition of the Parallax Views spooky season series, we dive into the world of Ed and Lorraine Warren, the infamous paranormal investigators whose cases inspired the Conjuring films. The Warrens became household names for claiming to confront ghostly hauntings, demonic possession, and other supernatural phenomena—including their involvement in the notorious Amityville haunting—but their legacy is controversial, blending storytelling, spectacle, and a heavy dose of sensationalism. They have also faced accusations of exploiting vulnerable people for fame and profit. Nonetheless, The Conjuring series has become a Hollywood juggernaut, captivating audiences and shaping pop culture’s view of the paranormal. With the release of The Conjuring: Last Rites, the final film in the franchise, interest in the Warrens is hotter than ever. In this episode, skeptical paranormal investigator Benjamin Radford of the Skeptical Inquirer offers a dissenting take, unpacking the problems with the Warrens’ cases and explaining how their work intersects with Satanic Panic-era hysteria. We also explore how these patterns of belief and fear echo in modern conspiracy cultures like QAnon. Music by Karl Casey @ White Bat Audio - Track: "Exorcism"

👉 Pitch in on Patreon and fuel the future of free-thinking conversations. https://www.patreon.com/parallaxviews Also visit our returning sponsor Mike Swanson's Wall Street Window for the best financial and trading newsletter around: https://wallstreetwindow.com/ This spooky season on Parallax Views, we venture behind the Iron Curtain with historian Alexander Herbert, author of Fear Before the Fall: Horror Films in the Late Soviet Union. Herbert uncovers a hidden world of Soviet horror cinema — films that reflected the fears, contradictions, and collapsing certainties of late socialism. We talk about Viy (1967), the first officially Soviet horror movie and a chilling adaptation of Nikolai Gogol’s tale about a terrified seminarian forced to pray over a witch’s corpse. From there, Herbert explores how later Soviet filmmakers created movies that were either horror or horror-adjacent. It's an exploration of a rather unexplored topic. It’s a conversation about horror, history, and ideology — and how the Soviet Union’s final decades produced some of the most fascinating and overlooked genre films ever made. Music by Karl Casey @ White Bat Audio - Track: "Exorcism"

👉 Pitch in on Patreon and fuel the future of free-thinking conversations. https://www.patreon.com/parallaxviews Also visit our returning sponsor Mike Swanson's Wall Street Window for the best financial and trading newsletter around: https://wallstreetwindow.com/ On this edition of Parallax Views, we continue our annual Spooky Season series with a chilling deep dive into one of Hollywood’s most infamous real-life tragedies — the Twilight Zone: The Movie helicopter crash. Journalist Steve Chain, author of Fly By Night: The Secret Story of Steven Spielberg, Warner Bros., and the Twilight Zone Deaths, joins the show to uncover the haunting true story that forever changed the film industry. Chain’s explosive investigation revisits the 1982 disaster that claimed the lives of actor Vic Morrow and two children on set — and the five-year legal battle that followed. Was it a tragic accident, or was there a cover-up to protect some of Hollywood’s most powerful names, including John Landis and Steven Spielberg? Chain pulls back the curtain on the shocking evidence, courtroom drama, and corporate maneuvering behind one of Tinseltown’s darkest chapters. As part of Parallax Views’ spooky season lineup, this episode isn’t about ghosts or monsters — it’s about real-life horror: power, negligence, and the human cost of spectacle. If you’re fascinated by true crime, Hollywood scandals, media history, or the eerie intersection of fame and tragedy, you won’t want to miss this one. Music by Karl Casey @ White Bat Audio - Track: "Exorcism"

👉 Pitch in on Patreon and fuel the future of free-thinking conversations. https://www.patreon.com/parallaxviews Also visit our returning sponsor Mike Swanson's Wall Street Window for the best financial and trading newsletter around: https://wallstreetwindow.com/ On this edition of Parallax Views, we continue our Halloween “spooky season” series with an episode exploring how true crime stories—particularly those involving serial killers—are brought to life on screen. Screenwriter Stephen Johnston joins the show to discuss the process of writing films about notorious figures like Ed Gein, Ted Bundy, and The Hillside Stranglers (Angelo Buono and Kenneth Bianchi). Johnston’s screenwriting credits include Chuck Parello’s Ed Gein (2000; aka In the Light of the Moon), starring Steve Railsback (known for his portrayal of Charles Manson in the 1976 TV film Helter Skelter) and Carrie Snodgress (Diary of a Mad Housewife); Matthew Bright’s darkly comic and controversial Ted Bundy (2002); and Parello’s The Hillside Strangler (2004), featuring C. Thomas Howell (Red Dawn) and Nicolas Turturro (NYPD Blue). Most recently, Johnston wrote the screenplay for Chad Ferrin’s Ed Kemper, a biopic about “The Co-Ed Killer” that received its video-on-demand (VOD) release earlier this year. Music by Karl Casey @ White Bat Audio - Track: "Exorcism"

👉 Pitch in on Patreon and fuel the future of free-thinking conversations. https://www.patreon.com/parallaxviews Also visit our returning sponsor Mike Swanson's Wall Street Window for the best financial and trading newsletter around: https://wallstreetwindow.com/ The Parallax Views spooky season series continues with a brand-new Halloween treat! Host J.G. Michael unearths a never-before-released conversation with Jason Nunes — a behind-the-scenes veteran of ’90s horror and B-movie filmmaking whose art department credits include NECRONOMICON: BOOK OF THE DEAD, LEPRECHAUN 2, PUMPKINHEAD II: BLOOD WINGS, RETURN OF THE LIVING DEAD III, and GHOULIES IV. Nunes shares fascinating stories about the challenges and creativity of bringing low-budget horror films to life — from improvised effects and set design ingenuity to the unpredictable energy of 1990s horror production. He also offers firsthand memories of working with Warwick Davis, Brian Yuzna, Melinda Clarke, Richard Lynch, Screaming Mad George, Mickey Rooney, Bruce Payne, David Warner, and others, plus surprising anecdotes involving Corey Haim, Matt Damon, and Tobey Maguire. Oh, and we talk about the craziness of working with Jim Wynorski on Ghoulies IV! Perfect for Halloween, this episode dives deep into the world of cult horror, practical effects, and the art department magic that defined a generation of B-movie filmmaking. Music by Karl Casey @ White Bat Audio - Track: "Exorcism"

👉 Pitch in on Patreon and fuel the future of free-thinking conversations. https://www.patreon.com/parallaxviews Also visit our returning sponsor Mike Swanson's Wall Street Window for the best financial and trading newsletter around: https://wallstreetwindow.com/ On this edition of Parallax Views, we continue our annual Halloween “spooky season” episodes with Marta McDowell, author of Gardening Can Be Murder: How Poisonous Poppies, Sinister Shovels, and Grim Gardens Have Inspired Mystery Writers. McDowell, known for her books connecting literature and horticulture, turns her attention to crime fiction and shows how gardens, plants, and gardeners themselves have played a surprisingly sinister role in the mystery tradition. From poisonous blooms slipped into a cup of tea to trowels and hedges concealing dark secrets, McDowell explores how the world of horticulture has provided inspiration, atmosphere, and even murder weapons for generations of writers. In this conversation, we discuss why gardens make such fertile ground for crime stories, how botany intersects with the genre’s history, and what these recurring motifs reveal about cultural attitudes towards nature, danger, and death. Music by Karl Casey @ White Bat Audio - Track: "Exorcism"

👉 Pitch in on Patreon and fuel the future of free-thinking conversations. https://www.patreon.com/parallaxviews Also visit our returning sponsor Mike Swanson's Wall Street Window for the best financial and trading newsletter around: https://wallstreetwindow.com/ On this edition of Parallax Views, host J.G. Michael speaks with journalist and activist Hadas Thier, author of A People’s Guide to Capitalism: An Introduction to Marxist Economics, about her recent Nation magazine article, “How DSA Built Zohran Mamdani’s Electoral Machine.” In this in-depth conversation, Thier breaks down how the Democratic Socialists of America (DSA) powered Zohran Mamdani’s groundbreaking mayoral campaign in New York City, transforming it into a model for grassroots political organizing. She explains how DSA’s field-first strategy, volunteer-driven infrastructure, and commitment to democratic socialist politics built one of the most effective electoral machines in the country—mobilizing over 50,000 volunteers, knocking on millions of doors, and reshaping NYC’s political landscape. J.G. and Hadas also explore what Mamdani’s victory means for the future of the left, working-class politics, and progressive movements across the United States. Could DSA’s organizing model become a roadmap for challenging the Democratic establishment nationwide? Tune in for a timely discussion on DSA, Zohran Mamdani, democratic socialism, and the new era of grassroots political power in America.

👉 Pitch in on Patreon and fuel the future of free-thinking conversations. https://www.patreon.com/parallaxviews Also visit our returning sponsor Mike Swanson's Wall Street Window for the best financial and trading newsletter around: https://wallstreetwindow.com/ On this edition of Parallax Views, the Quincy Institute's Middle East program research fellow Dr. Annelle Sheline, known for resigning from the State Department over the Biden administration's handling of Gaza, returns to the program to discuss Trump, Israel, and the Gaza "peace talks" taking place in Egypt. She argues that these "peace talks" are a facade. We also discuss a number of topics related to Gaza and Israel including the way in which Israel's two year war has not brought back any hostages, the figure of Marwan Barghouti as a potential unifying figure amongst Palestinians, the corruption of the Palestinian Authority, report that Trump is fed up with Netanyahu and skepticism towards those reports, the changing relationship between the Gulf monarchy states and Israel, the incredible amount of death and destruction that has been wrought on Gaza in the past two years, and much, much more.

👉 Pitch in on Patreon and fuel the future of free-thinking conversations. https://www.patreon.com/parallaxviews Also visit our returning sponsor Mike Swanson's Wall Street Window for the best financial and trading newsletter around: https://wallstreetwindow.com/ On this edition of Parallax Views, Israeli dissident commentator Ori Goldberg returns to discuss the current situation in Israel, Gaza, and the West Bank amid the U.S. President’s push for a Gaza peace deal. A frequent guest since the October 7th attacks and the subsequent bombing campaign, Goldberg offers insight into how Trump and the Gulf monarchies are growing increasingly frustrated with Israel—even without much sympathy for Palestinians. We explore the dynamics of Israeli protests against the Gaza war and Goldberg’s analysis of the psychology driving the Israeli body politic. He also examines the rise of the Qatari/Iranian psyop conspiracy theory—the claim that graphic images from Gaza are fabrications meant to stoke anti-Israel sentiment—a narrative now spreading beyond Israel and recently echoed by Van Jones on Bill Maher’s Real Time. Goldberg further critiques the alliances between pro-Israel figures and anti-Islam activists like Tommy Robinson, describing an “Alex Jones-ification” of Israeli politics centered on the “Islamo-wokeism” conspiracy theory, which portrays Islamists and the left as conspiring to destroy the West with Israel as the last line of defense. Along the way, he offers sharp criticisms of not only Benjamin Netanyahu and the Israeli right, but also Israeli liberals. The subject of Israeli settlers in the West Bank is also discussed. All that and much more on this edition of Parallax Views.