On The Page

Writer/Director Marie-Emmanuelle Hartness comes from a personal place in her work and asks the same of her students at Emerson College.

Writer and "good witch," Glenda L. Richardson describes her process for capturing voices and crafting stories for celebrities such as Kevin Hart, Tiffany Haddish and Taraji P. Henson.

Entertainment attorney and composer Corey Field sees his work as helping writers and creators achieve their dreams. Here he explains the difference between sales, options and work-for-hire and discusses potential gains and traps along the way.

Writer Delondra Mesa (American Rust, Pretty Little Liars) talks about her approach to discovering story and creating content even as the industry experiences "The Great Contraction."

Director Dans Karagannis and Writer Liz Renner discuss their journey meeting in an On the Page class and making their short film Damned If You Do. They talk about the importance of pitch decks and mood boards in visual communication, the concept of directing cues in a script, filmmaking challenges and creative adaptation, and the gratitude for the podcast's influence on their creative journeys.

Writer Suha AL Khalifa is a senior writer at the Saudi Giant MBC Studios (Rashash, Devil's Promise) and also wrote the region's first female super-hero film. She talks about how her experience as a psychotherapist and as a "cultural hybrid" (Bahrain, UK, and US) has informed her writing and storytelling.

Joe Gold, author of 'Shakespeare Inc.,' discusses interactive storytelling in various mediums. He explores creating multiple narrative paths, adapting screenplays for live performances, and integrating choices in video games. The podcast also covers promoting a show at the Hollywood Fringe Festival and upcoming classes on storytelling techniques.

Emily Harris is not only an award-winning writer-director (Carmilla), she also has an amazing "day job" as the Curator of Film at the Victoria & Albert Museum.

When writer-director GG Hawkins had access to a unique location for a limited amount of time, she "planted a flag and figured out a way to do it," writing, producing and directing an indi-feature called I Really Love My Husband.

Filmmaker/ professor Michele Meek shares her thoughts about changing sexuality in teen films, how rom-coms often rely on a non-consent premise and about her wish that writers put their sex scenes on the page.