On The Page

Shireen Razack and Angela Harvey, co-chairs of the Think Tank for Inclusion & Equity, talk about issues and problems in the industry facing underrepresented writers and the ways in which their report put hard numbers to the anecdotes.  

Writer Tiffany Thomas talks about writing on the reboot of The Proud Family and how working as a sketch comedian helped her on the page and in the writers’ room.

Writer Shannon Houston (Homecoming, Little Fires Everywhere, Station 11) is both a writer on and a fan of the HBO show Lovecraft Country which she describes as "complicated, strange and always unraveling.”

Andrew Chapman, Executive Producer of The Resident, talks about the ways in which the show shines a light on the problems within the medical industry and stresses themes of accountability.

Richard Bosner talks about the ways working as a producer on independent movies like Fruitvale Station, Other People and Mapplethorpe have taught him as a writer and director.

Writer/actor Kemiyondo Coutinho (MTV’s Undressed, Starz’ Step Up:High Water), talks about the ways that creating content for herself led to her current career as a TV writer.

Writer/Producer Michael Jamin (Tacoma FD, Maron, King of the Hill) talks about relying on the truth when he needs to find the story and the funny for TV or memoir.

Screenwriter Alison Peck, writer of Ugly Dolls and You Can’t Keep a Good Girl Down (in development)  talks about her approach to writing story and dance in the new Netflix movie Work It.

Fugitives, murders, UFOs and lost loves! Christine Lenig, Senior Vice President of Cosgrove/Meurer Production, talks about the storytelling that goes into the Netflix reboot of Unsolved Mysteries.

TV showrunner Janine Sherman Barrois (Claws, Self Made, Criminal Minds, ER) talks about what she looks for in writers' participation and pages, how she breaks story in the writers’ room and why a writing career is like getting to eat chocolate chip cookies all day.