On The Page

Producers Trishtan Williams and KC Chan Haimes describe the storytelling process behind their new docuseries Why Not Us: Howard Golf and discuss their approach to finding narrative and character authenticity in all of their work.

Whether it’s the factual truth for documentary or the emotional truth for her fictional narratives, writer/director Alicia Ontiveros believes in truth and fairness in her work. Here she talks about what she’s learned from her work in docs over the years and where she’s going next in her screenplays.

What does Once Upon a Time In Hollywood and Barbie have in common? They’re both examples of “Metamodernism." Writer M. Elizabeth Eller explains it all!

Writer Marc Haimes stresses the importance of creative collaborations and the need to have fun as he returns to the podcast to talk about his latest projects, Nimona, Ultraman and Lost Ollie. 

Rocky (RaKenna) Luckey talks about how she took the skills she learned from “pressure cooker" jobs in music, production and film festivals to write a spec and land a job in television!

Dr. Laura Erickson–Schroth, psychiatrist, writer and activist, discusses positive and negative portrayals of mental health issues in film and television.

Managers versus agents, packaging deals versus spec sales. Zack Zucker from Bellevue Management breaks it all down for us.

Proving that a couple who creates together stays together, writer Elizabeth Musgrave and artist Frank Forte talk about their adventures turning features into plays, plays into short films and scripts into comic books.

Pilar helps you “declare your independence” from a conventional screenwriting school of thought on outlining, branding, daily writing and more!

Actor/writer Scott Turner Schofield, Executive Producer of They/Them and consultant for Euphoria, talks about his work bringing complex and authentic stories of trans-characters to script and screen.