American Writers (One Hundred Pages at a Time)

Like in the previous episodes on THE PERSONAL RECOLLECTIONS OF JOAN OF ARC by Mark Twain, I focus on what  Joan of Arc can mean to us today. The book stans way to hard for Joan, so we need move a bit beyond the text.

I finish up my thoughts on METHUSELAH'S CHILDREN in this episode. Mostly, I talk about the tension between individualism and the community. If it were not so cliche I would have mentioned Tocqueville.

This part of the THE PERSONAL RECOLLECTIONS OF JOAN OF ARC is about lifting the siege of Orleans, but I do not says much about that and instead continue to explore the question of what in Mark Twain's mind made Joan of Arc great and what she transformation she causes.

Here I take a look at part 2 of "Methuselah's Children"  by Robert A. Heinlein. I spend most of the time trying to figure out what might be the key to understanding this story and Heinlein himself. I fail. I guess I will need to read more Heinlein.

What do we owe our youth? Maybe we just owe it to get out of their way. In this episode I use JOAN OF ARC by Mark Twain to reflect on this question and the type of world we leave to our children.

The first part of METHUSELAH'S CHILDREN by Robert A. Heinlein does a great deal of work in putting together the "future history" world and introduces one of his cornerstone characters. It is also a great ideas novel.

In the finale of my review of A CONNECTICUT YANKEE IN KING ARTHUR'S COURT, I explore technology, power and the chilling climax of the novel. This is one of Twain's best books and worth a close look.

Pay attention Hollywood, this episode on Heinlein's 1941 short story "We Also Walk Dogs" includes a pitch for the next hit TV series.

Heinlein may always have been annoying, but it sort of triggers me in this one. In this episode I discuss "The Logic of Empire" (1941) and Heinlein's allegory for American slavery and indentured servitude.

Part two of my review of Mark Twain's A CONNECTICUT YANKEE IN KING ARTHUR'S COURT. I discuss mostly the points where reform hits the cultural wall, and the nature of authority and power in Twain's imagination.