“Scaling up will kill Burning Man.” “That new rule will kill Burning Man.” “The Bureau of Land Management will kill Burning Man.” “Selling tickets that way will kill Burning Man.” “Board infighting will kill Burning Man.” “Upscale turnkey camps will kill Burning Man.” Ha. What if Burning Man is too fragile to be killed? What if celebrating ephemerality is the best guarantee of continuity? What if every year’s brand new suspension of disbelief has deep-down durability? What if conservatively radical principles and evolving rules are more robust over time than anything merely physical? What really keeps the Man burning? If anyone knows, it should be the event’s primary founder, author of The Principles, and ongoing Chief Philosophical Officer, artist Larry Harvey.

iGEM stands for the “International Genetically Engineered Machines” competition. Thousands of student bioengineers from all over the world construct new life forms and race them every year at the Giant Jamboree in Boston. iGEM has been going on for ten years (2,500 competitors this year, over 32 countries, 20,000+ alumni) and gives a peerless window into the global grassroots synthetic-biology revolution, yet the phenomenon has been largely overlooked by the media, industry, and most governments. iGEM began with college undergraduates and recently expanded to include high school teams. In making their genetic creations students get from and give back to a repository of over 10,000 genetic components called BioBricks parts. The organisms (mostly microbes) the students engineer range from frivolous (doing a stadium-style “wave”) to beneficial (detecting and eliminating water pollutants) to ingenious (increasing plant root structure to fix carbon while ensuring that no exotic genes can escape). iGEM teams "are also challenged to actively consider and address the safety, security and environmental implications of their work." Drew Endy, a professor of Bioengineering at Stanford, was one of the creators of iGEM and is co-founder and president of the BioBricks Foundation, an organization whose mission is "to develop biotechnology in an open and ethical manner to benefit all people and the planet." He is a strong proponent of “open source” biotech and public discussion of the techniques, benefits, and potential hazards of synthetic biology.

The NSA’s failures are public headlines. Its successes are secret. These days America’s National Security Agency lives at the intersection of two paranoias—governmental fears of attack and citizen fears about loss of privacy. Both paranoias were exacerbated by a pair of devastating attacks—9/11 and Edward Snowden. The agency now has to evolve rapidly while managing its normal heavy traffic of threats and staying ahead of the ever-accelerating frontier of cyber capabilities. In the emerging era of transparency, and in the thick of transition, what does the NSA look like from inside? Threats are daily, but governance is long term. At the heart of handling that balance is Anne Neuberger, Special Assistant to NSA Director Michael Rogers and Director of the Commercial Solutions Center. (Before this assignment she was Special Advisor to the Secretary of Navy; before that, in 02007, a White House Fellow.) She is exceptionally smart, articulate, and outspoken.

Thinking about the future is so hard and so important that any trick to get some traction is a boon. Adrian Hon’s trick is to particularize. What thing would manifest a whole future trend the way museum objects manifest important past trends? Building on the pattern set by the British Museum’s great book, A History of the World in 100 Objects, Hon imagines 100 future objects that would illuminate transformative events in technology, politics, sports, justice, war, science, entertainment, religion, and exploration over the course of this century. The javelin that won victory for the last baseline human to compete successfully in the Paralympic Games for prosthetically enhanced athletes. The “Contrapuntal Hack” of 02031 that massively and consequentially altered computerized records so subtly that the changes were undetected. The empathy drug and targeted virus treatment that set off the Christian Consummation Movement. Adrian Hon is author of the new book, A History of the Future in 100 Objects, and CEO and founder of Six to Start, creators of the hugely successful smartphone fitness game “Zombies, Run!” His background is in neuroscience at Oxford and Cambridge.

Egypt’s pharaonic civilization rose on the Nile, but it was rooted in the deep Saharan desert and pushed by climate change, says Stefan Kröpelin. Described in Nature magazine as “one of the most devoted Sahara explorers of our time,” Kröpelin has survived every kind of desert hardship to discover the climate and cultural history of northern Africa. He found that the “Green Sahara” arrived with monsoon rains 10,500 years ago, and people quickly moved into the new fertile savannah. There they prospered as cattle pastoralists—their elaborate rock paintings show herds of rhinoceros and scenes of prehistoric life—until 7,300 years ago, when gradually increasing desiccation drove them to the Nile river, which they had previously considered too dangerous for occupation. To manage the Nile, the former pastoralists helped to invent a pharaonic state 5,100 years ago. Its 3,000-year continuity has never been surpassed. Kröpelin, a climate scientist at the University of Cologne, is a dazzling speaker with hair-raising stories, great images, and a compelling tale about climate change and civilization.

Land animals on an ocean planet, we have a lot to learn about how the world works. The microbes of the sea are Earth’s dominant life form. Ocean currents and temperatures drive climate and weather. Come ride a current to view bad news (dead zones, rising sea levels, melting sea ice, acidification, coral bleaching, fish piracy and overfishing) and good news (marine protected areas, functional ecosystems, megafaunal migrations, mid-Atlantic ridge, community involvement, citizen scientists) and continuing mysteries. Land is mercurial. Ocean abides. Two of the most eloquent voices of ocean science are Sylvia Earle and Tierney Thys. Both are National Geographic Explorers, both are stars of the TED stage. They have collaborated on original and adventurous research. For this talk they are collaborating to tell (and show) sea stories of deep waters, the deep past, and the deep future.

Can a successful company and a run-down downtown vitalize each other? Tony Hsieh, CEO of the phenomenally successful Zappos, is betting exactly that in Las Vegas. He moved his company headquarters into the former city hall and is integrating the Zappos campus into the surrounding neighborhood, meanwhile investing millions to provide a dense urban experience for the locals as well as his employees. His “Downtown Project” declares: “We’ve allocated $350 million to aid in the revitalization of Downtown Las Vegas. We’re investing $200 million in real estate, $50 million in small businesses, $50 million in education, and $50 million in tech startups.” The fantasy is well along into impressive reality, according to a January 02014 article in Wired. What is being learned may change how cities and companies think of themselves---and of each other. Hsieh’s theory of urban vitality comes from Edward Glaeser’s book The Triumph of the City: How Our Greatest Invention Makes Us Richer, Smarter, Greener, Healthier, and Happier. His theory of company vitality he has spelled out in his own book, Delivering Happiness: A Path to Profits, Passion, and Purpose.

Where do the boldest innovations, with the deepest consequences for society, come from? Many business leaders, entrepreneurs, and libertarians claim that the private sector leads the way always, and government at best follows by decades and at worst impedes the process with bureaucratic regulations. Mariana Mazzucato proves otherwise.  Many of the most profound innovations—from the Internet and GPS to nanotech and biotech —had their origin in government programs developed specifically to explore innovations that might eventually attract private sector interest.  Ignoring this entrepreneurial risk taking role of government has fuelled a very different story about governments role in the economy, and also fuelled the dysfunctional dynamic whereby risk is socialised—with tax payers absorbing the greatest risk--- but rewards are not. Mazzucato will argue that socialization of risk, privatization of rewards is not only bad for the future of innovation eco-systems but also a key driver of inequality. What to do about it?  Mazzucato is a professor of the Economics of Innovation at Sussex University and author of The Entrepreneurial State: debunking private vs. public sector myths.

Brian Eno delivered the first SALT talk exactly ten years ago. He gave The Long Now Foundation its name, contributed in no end of artistic and financial ways, and designed the chimes for the 10,000-year Clock. Danny Hillis instigated and co-founded Long Now and designed its series of Clocks, culminating currently in the 500-foot one being built inside a west Texas mountain. In the course of their collaboration, Eno and Hillis became fast friends. Thousands of years pass a decade at a time. The idea and works of Long Now have been active for two decades (1/500th of 10,000 years). Between the conception and initial delivery of a deep idea, much transpires. If the idea resonates with people, it gains a life of its own. Allies assemble, and shape things. Public engagement shapes things. Funding or its absence shapes things. Refinements of the idea emerge, branch off, and thrive or don’t. Initial questions metastasize into potent new questions. Over time, the promotion of “long-term thinking” begins to acquire a bit of its own long term to conjure with. Eno and Hillis have spent 20 years thinking about long-term thinking and building art for it, with ever increasing fascination. What gets them about it?

Relics grip us. They anchor stories that matter by giving a visceral sense that they really happened. Look, here is the actual chain used on an American slave. What ended its use? Abraham Lincoln was tall in so many ways, and he stood even taller in his top hat---this hat right here. He wore it. We wear it. The hat and the chain abide at The Smithsonian Institution to help an important story in American history retain its force. This is what museums do. Richard Kurin, the author of a new book, The Smithsonian’s History of America in 101 Objects, is the Institution’s Under Secretary for Art, History, and Culture, responsible for most of the Institution’s many museums and for many of its research and outreach programs. In his beautifully illustrated talk, Kurin uses treasures of The Smithsonian---some celebrated, some unknown---to tell America’s story so far. It starts long before there was a nation here.