New Books in Islamic Studies

In his work, Western Sufism: From the Abbasids to the New Age (Oxford University Press, 2017), Mark Sedgwick maps the ideational processes that have led to the development of contemporary western Sufism. Sedgwick showcases how Neoplatonism influenced Arab philosophy and subsequently Sufism. Pre-modern Sufism then appealed to Jewish and Christian mystics, who framed Sufism as a non-Islamic tradition, in effect emphasizing its universalism. With this historical mapping Sedgwick masterfully showcases how, even in its earliest period, Sufism was engaged with by Muslims and non-Muslims, and thus the fluidities noted in western Sufism in the contemporary context is by no means unique, but rather reflective of an age-old process of textual, philosophical and mystical transmissions. Moving between questions of orthodoxy and heterodoxy, universal and Islamic, this study naturally challenges how we think and frame Sufism. This book is a must read for anyone interested in Sufism, especially in modern western Sufism. M. Shobhana Xavier is an Assistant Professor of Religion at Ithaca College. Her research areas are on contemporary Sufism in North America and South Asia. She is the author of Sacred Spaces and Transnational Networks in American Sufism (Bloomsbury Press, 2018) and a co-author of Contemporary Sufism: Piety, Politics, and Popular Culture (Routledge, 2018). More details about her research and scholarship may be found here and here. She may be reached at mxavier@ithaca.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

In his marvelous new book Said the Prophet of God: Hadith Commentary Across a Millennium (University of California Press, 2017), Joel Blecher, Assistant Professor of History at George Washington University, engages with tremendous lucidity and brilliance the topic of Hadith commentaries in Muslim intellectual and social history across time and space. Traversing the pre-modern and modern periods in sites ranging from the Middle East to South Asia, this book presents in remarkable detail and with considerable nuance the intellectual, social, and material stakes of the discipline and performance of the Hadith commentarial tradition. This book will be of great interest to students and scholars of Muslim intellectual history, material religion, South Asian Islam, textuality and orality, and the Hadith tradition. SherAli Tareen is Assistant Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available at https://fandm.academia.edu/SheraliTareen/. He can be reached at sherali.tareen@fandm.edu. Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

Connections between France and North Africa have long been shaped by colonialism, nationalism, and economics. This intercultural relationship has also been mediated through the arts. In Muslim Women in French Cinema: Voices of Maghrebi Migrants in France (Liverpool University Press, 2016), Leslie Kealhofer-Kemp, Assistant Professor of French at the University of Rhode Island, examines one population who has often been left out of these cultural formations. Kemp focuses on the representation of first-generation Maghrebi women in France in documentaries, short films, feature films, and telefilms. Her analysis revolves around filmic textual analysis and the production, audience reception, and distribution of these art forms in contemporary French society. Kemp is attuned to filmic genre conventions, narrative structures, and formal techniques that media producers and artists use to both appeal to large mainstream audiences while challenging dominant stereotypes about Muslims. In our conversation we discussed views of North Africans in French society, means for recovering voice in film, the role of religion in French cinema, the mediation of subjects in documentary films, the role of objects in voicing difference, expressing agency of women protagonists, the goals of dialogue and voiceover versus body language or non-verbal communication, and film’s ability to challenge dominant stereotypes in France. Kristian Petersen is an Assistant Professor of Religious Studies at the University of Nebraska Omaha. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

The Nation of Islam and other black nationalist groups are typically known for their male leaders. Men like the Honorable Elijah Muhammad and Minister Malcolm X or Martin Delany and Marcus Garvey are notable examples. But what about the work of black women in these groups? Ula Yvette Taylor’s new book, The Promise of Patriarchy: Women and the Nation of Islam (University of North Carolina Press, 2017), expands our knowledge of the role of black women from the Depression-era development of Allah Temple of Islam in Detroit to the formal group known as the Nation of Islam that expanded under the leadership in the 1960s and 1970s of the Honorable Elijah Muhammad. Women like Clara Muhammad, Burnsteen Sharrieff, and Thelma X Muhammad were essential to the development of the Nation of Islam’s goal of creating a black nation within the American nation. The Promise of Patriarchy shows how black women created notions of black womanhood and black motherhood that best helped them deal with the daily indignities of living in Jim Crow America. Ula Yvette Taylor is Professor and H. Michael and Jeanne Williams Department Chair in the African American Studies and African Diaspora Studies at University of California, Berkeley. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

We’ve featured a few books on fashion and the Muslim world recently, all part of an effort to re-orient the study of women in the Muslim and Arabic-speaking worlds. Elizabeth Bucar’s Pious Fashion: How Muslim Women Dress (Harvard University Press, 2017) uses three different Muslim populations, Iran, Indonesia and Turkey, to look at what Muslim women wear and how it reflects individual agency. What’s so original about Bucar’s contribution is that it emphasizes how women dress, versus simply what they wear. Bucar looks at bad style, new media, global fashion, and religious authority in an account that gives agency to the subjects. But the book isn’t simply about Muslim women, but all women and is at its best when reminding the reader how dress functions in their own society. Elizabeth Bucar is Associate Professor of Philosophy and Religion at Northeastern University. She was previously Assistant Professor of Religious Studies at the University of North Carolina, Greensboro. She is a religious ethicist who studies sexuality, gender, and moral transformation within Islamic and Christian traditions and communities and she received her PhD in religious ethics from the University of Chicago. Nadirah Mansour is a graduate student at Princeton Universitys Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

In Across Legal Lines: Jews and Muslims in Modern Morocco (Yale University Press, 2016), Jessica Marglin skillfully narrates how Jews and Muslims navigated the complex and dynamic legal system of pre-colonial Morocco. The book, based on Marglin’s doctoral dissertation conducted at Princeton University, traces the history of a Moroccan Jewish family, the Assarafs, ultimately revealing that the boundaries surrounding the states Jewish and Islamic court systems were much more porous than previously thought. Drawing from a vast wealth of archival material from private and public collections across four continents (and in upwards of seven languages), the author shows how increased foreign intervention in this period dramatically changed how Jews engaged with Moroccan law and society. In doing so, Marglin inserts her study into major debates about legal practices and modernity taking place in the fields of North African History and Jewish History alike. Jessica Marglin is the Ruth Ziegler Early Career Chair in Jewish Studies and Assistant Professor of Religion at the University of Southern California. Robin Buller is a PhD Candidate in History at the University of North Carolina, Chapel Hill. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

Muslim women are often the focus of debate when it comes to public conversations about Islam. Much of this centers on feelings and assumptions surrounding an object, the veil. Rafia Zakaria, journalist and author, unravels the complex nexus of attitudes, policies, and histories revolving around this object in her fascinating new book, Veil (Bloomsbury Academic, 2017). She demonstrates how the object can serve as a moral delineator, a disciplinary measure, a signifier of goodness, or as a means to subvert or rebel social norms. Through personal narratives and detailed analysis of various social and political conditions Zakaria offers an engaging and nuanced assessment of the veil in the contemporary context. In our conversation we discussed notions of the exotic Orient, colonization, representation in photography and painting, prostitution, veiling in legal contexts, public aesthetics, violence, forms of feminism, contextual meaning-making, and much more. Kristian Petersen is an Assistant Professor of Religious Studies at the University of Nebraska Omaha. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

In her new book Pilgrimage in Islam: Traditional and Modern Practices (Oneworld Publications, 2017), Sophia Rose Arjana explores the diverse array of pilgrimage practices in the Muslim world. Pilgrimage in Islam is often synonymous with the hajj, or the pilgrimage to Mecca, but Arjana’s study deconstructs this normatively held assumption by taking her readers on a journey across various sacred spaces throughout the contemporary global context. Her itineraries in this book beautifully illuminate the ways in which mobility around the sacred varies, challenging any easy categorizations scholars and students may apply in the study of Islamic pilgrimages and sacred spaces. Her book moves us beyond sectarian binaries, notions of mystical or Sufi rituals, and gendered norms, to help us deconstruct labels that have been conventionally used by Religious Studies scholars. Arjana’s text is a valuable resource for undergraduate students, but also for graduate students, as it provides provocative case studies and theorizations on pilgrimages, spatiality, and ritual performances in Religious Studies. M. Shobhana Xavier is an Assistant Professor of Religion at Ithaca College. Her research areas are on contemporary Sufism in North America and South Asia. She is the author of Sacred Spaces and Transnational Networks in American Sufism (Bloomsbury Press, 2018) and a co-author of Contemporary Sufism: Piety, Politics, and Popular Culture (Routledge, 2018). More details about her research and scholarship may be found here and here. She may be reached at mxavier@ithaca.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

Fashion is often dismissed as trivial, but Reina Lewis‘s Muslim Fashion: Contemporary Style Cultures (Duke University Press, 2015) takes both it and what Muslims specifically wear and devotes and 300+ eye-opening pages to it. Defining it as, not a history, but “a history of several lived presents.” Largely focusing on Turkey, Western Europe, and North America, Lewis walks us through the landscape of Muslim fashion, incorporating marketing, global trends, social media, and the perspectives of those who wear the clothes themselves, Muslim women. We see how religion and identity shape what people wear, how they don’t necessarily have to even fit within the set of decisions that one makes when picking ones clothes, and how functionality is also key. Ultimately, Muslim Fashion is about the role of personal choice in how Muslim women express themselves through dress and will go far in challenging assumptions about Muslims and specifically, young Muslim women. NA Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

Normally, we feature books, but this time we’re highlighting an independent press making waves in academic works on the ancient Near East, Syriac, Islam, Jewish studies, and more: Gorgias Press. Based in New Jersey, the press has grown since its inception in 2001 to include the publication of journals, open-source projects, and countless monograph and handbook series. We talk to the founder, George Kiraz, also director of the Beth Mardutho (The Syriac Institute) about how the press came about, what goes into running such a press, the press’ philosophies, and future plans. George Kiraz himself is a tremendous scholar of Syriac and a pioneer in digital humanities, among whose many publications include The Syriac Dot and many linguistic texts.     NA Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies