Draft Zero: a screenwriting podcast

Explore how writers establish tone through character interactions in films like Lady Bird, Emily the Criminal, The Ballad of Buster Scruggs, and Spontaneous. Discussing minimalism vs maximalism, dialogue nuances, emotional dynamic range, and rules of the world. Analyzing the relationship between characters and tone, using dramatisation to create unique tones. Dive into the impact of character experiences on setting the tone, proposing a triangular framework of given circumstances, character reactions, and audience engagement. Delve into the intricate details of screenwriting to convey emotions, moral dilemmas, and humor through character actions, dialogue, and visual formatting to engage the audience and set up the emotional promise.

How do you know if you have enough narrative fuel to write a script? In this episode, Chas, Stu and Mel attempt to answer a listener question:  “In your own pre-writing process, how do you know you have enough for a feature? And do you have a specific pre-writing method you're going to?” Thus we launch into a discussion on our writing processes and the varying usefulness of tools such as log lines, turning points, beat sheets, synopsis, treatments, and scene breakdowns. We also tackle the challenges encountered while developing an idea to first draft, such as balancing the pace of the story, developing distinct character voices, character choices, plot changes, pacing, and thematic clarity. Is this backmatter? Or is it development tools? You decide! Hahaha. Thanks so much to Chris Walker for his excellent editing on this episode! CHAPTERS: 00:00:00 - Cold Open 00:00:30 - Introduction: Falling Short 00:02:38 - Our Development Processes 00:33:06 - Developing from concept 00:45:26 - Sponsor: Arc Studio Pro 00:48:12 - Expanding your Idea 01:15:29 - Long Short Documents 01:27:22 - Consistent problems with first drafts 01:34:28 - Many thanks to our Patreons! This episode brought to you by (drum roll): ArcStudio: go to https://www.arcstudiopro.com/draftzero for $30 off a pro subscription! And how can we forget our awesome Patreons, especially Lily,  Alexandre, Malay, Casimir, Jennifer, Thomas, Randy, Jesse, Sandra, Theis, and Khrob. Please considering rating or subscribing to us on Apple Podcasts or sharing us on the Social Medias! We like finding new listeners. We are @stuwillis, @chasffisher and @mehlsbells on twitter. You can also find @draft_zero and @_shotzero on Instagram and Twitter. BUY DRAFT ZERO MERCH via TeePublic SUBSCRIBE TO SHOT ZERO via Substack

How can we teach the reader to find the humour in our darkness? Chas and Stu finally start their long-mooted exploration of tone with a series that examines films and shows with unusual tones and dives into how the writers establish those tones in the first 5 pages. How does your script want your reader to experience violence in your story? Humour? Sex? Prejudice? To answer these questions, this episode look at how films with “darker” or “sadder” tones teach the reader what they can laugh at, namely: THE NICE GUYS, THE BANSHEES OF INISHIRIN and the pilot for YELLOWJACKETS. Together they learn how to better talk about tone, how to frame tone for a scene or sequence, and what levers writers can use on the page to compensate for cinematic tools like music, performance, composition, lighting, design, editing, etc etc etc. Future episodes plan to explore establishing lighter or quirkier tones, as well as tools in shifting or changing tone on the page. As always: SPOILERS ABOUND and all copyright material used under fair use for educational purposes. CHAPTERS: 00:00:00 - Cold Open 00:00:32 - What is tone? 00:25:00 - The Nice Guys 00:55:07 - Sponsor: Arc Studio Pro 00:57:23 - The Banshees of Inisherin 01:25:06 - Yellowjackets 01:53:30 - Key Learnings & Wrap Up 02:04:40 - Many thanks to our Patreons! RELATED EPISODES DZ-60: Unfilmables and Unscriptables (Part 1) - Engaging imagination DZ-61: Unfilmables 2 – Moments of Awe This episode brought to you by (drum roll): ArcStudio: go to https://www.arcstudiopro.com/draftzero for $30 off a pro subscription! And how can we forget our awesome Patreons, especially Lily,  Alexandre, Malay, Casimir, Jennifer, Thomas, Randy, Jesse, Sandra, Theis, and Khrob. Please considering rating or subscribing to us on Apple Podcasts or sharing us on the Social Medias! We like finding new listeners. We are @stuwillis, and @chasffisher on twitter. You can find @draft_zero and @_shotzero on Instagram and Twitter. BUY DRAFT ZERO MERCH via TeePublic SUBSCRIBE TO SHOT ZERO via Substack

In this episode, the hosts explore how showcasing characters alone in scenes deepens the audience's connection with them. They analyze scenes from 'After Sun', 'Sense and Sensibility', and 'The Equalizer' to highlight the significance of solitude in revealing character interiority. The discussion focuses on vulnerability, character masks, and staging to create organic moments of introspection. Spoilers abound as they dissect the importance of silent moments and character impact in shaping narratives.

How can games elevate dramatic scenes? In part two of this two parter, Stu and Chas go further into the game (of the scene) and look at how games force characters *other* than the protagonist to interact. We deep dive into the wonderful social satires of TRIANGLE OF SADNESS and THE FAVOURITE. We discuss how games reveal character through competency and decisions, how resources and skills impact the tactics that characters employ, and the difference between referees, rule lawyers, rule makers and rule breakers. Thanks to Chris Walker for editing this episode. As always: SPOILERS ABOUND and all copyright material used under fair use for educational purposes. CHAPTERS 00:00:00 - Cold Open 00:00:19 - Sponsor: ScriptUp 00:01:45 - Intro: Follow up 00:10:50 - Triangle of Sadness (Parts 1 and 2) 00:35:37 - Sponsor: Arc Studio Pro 00:38:25 - Triangle of Sadness (Part 3) 00:52:51 - The Favourite 01:30:34 - Wrap Up & Key Learnings 01:40:30 - Thanks to our Patreons! RELATED EPISODES DZ-102: Game of the Scene 1 - Bluey, John Wick 4 DZ-99: Scene Questions DZ-40: Tactics and Scenes RELATED LINKS IMDB: Molli and Max in the Future Letterboxd: Molli and Max in the Future This episode brought to you by (drum roll): ScriptUp: https://www.scriptupstudio.com – use promo code DZ10 to get 10% off ArcStudio: go to https://www.arcstudiopro.com/draftzero for $30 off a pro subscription! And how can we forget our awesome Patreons, especially Lily,  Alexandre, Casimir, Jennifer, Thomas, Garrett, Randy, Jesse, Sandra, Theis, and Khrob. Please considering rating or subscribing to us on Apple Podcasts or sharing us on the Social Medias! We like finding new listeners. We are @stuwillis, and @chasffisher on twitter. You can find @draft_zero and @_shotzero on Instagram and Twitter. BUY DRAFT ZERO MERCH via TeePublic SUBSCRIBE TO SHOT ZERO via our many social medias!

How can ‘games’ help us write better scenes? Stu and Chas turn their attention to a topic that has long eluded them: the game of the scene. We look at how considering the game that characters are playing — its rules, arenas, players, referees, and win conditions — can help you write more dynamic scenes. This will be a two-parter, and for this half, we talk BLUEY, “The Quiet Game” (from Season 2) and “Phones” (from Season 3), and JOHN WICK 4. We also touch on GAME NIGHT and LIFE OF BRIAN. Thanks to Chris Walker for editing this episode. As always: SPOILERS ABOUND and all copyright material used under fair use for educational purposes. CHAPTERS 00:00:00 - Cold Open 00:00:18 - Sponsor: ScriptUp 00:01:52 - Intro: What do we mean by Game of the Scene? 00:15:06 - The Life of Brian: "What have the Romans ever done for us?" 00:20:03 - Bluey 00:35:08 - Sponsor: Arc Studio Pro 00:37:56 - John Wick 4 01:14:34 - Wrap Up & Key Learnings 01:22:17 - Many thanks to our Patreons RELATED EPISODES DZ-100: Scenes through Swords DZ-99: Science Questions DZ-40: Tactics and Scenes RELATED LINKS Shot Zero on Game Night's Hot Potato Sequence This episode brought to you by (drum roll): ScriptUp: https://www.scriptupstudio.com – use promo code DZ10 to get 10% off ArcStudio: go to https://www.arcstudiopro.com/draftzero for $30 off a pro subscription! And how can we forget our awesome Patreons, especially Lily,  Alexandre, Casimir, Jennifer, Thomas, Garrett, Randy, Jesse, Sandra, Theis, and Khrob. Please considering rating or subscribing to us on Apple Podcasts or sharing us on the Social Medias! We like finding new listeners. We are @stuwillis, and @chasffisher on twitter. You can find @draft_zero and @_shotzero on Instagram and Twitter. BUY DRAFT ZERO MERCH via TeePublic SUBSCRIBE TO SHOT ZERO via Substack

What can we learn by analysing how ‘oners’ are written on the page? Chas, Stu and Mel reunite to talk about writing the *feel* of camerawork in screenplays. We use “oners” — a long-playing continuous take — as a lens to talk about how some writers have “directed” from the page. We talk immediacy, camera positions, handovers, and anchoring action and more. We breakdown the famous Copacabana shot from GOODFELLAS, the awe-inspiring chase sequence from THE ADVENTURES OF TINTIN, and the heart pounding ‘Zed attack’ from CHILDREN OF MEN. We also briefly discuss THE BOURNE IDENTITY, HEREDITARY, THE BEAR, ALL THE PRESIDENTS MEN and TOUCH OF EVIL. And we do this breakdown by closely reading the actual words on the page. So thanks to Meegan May (of Starship Q Star) for performing the big print / action lines. Script Pages available on our Patreon. Thanks to Chris Walker for editing this episode. As always: SPOILERS ABOUND and all copyright material used under fair use for educational purposes. CHAPTERS 00:00:13 - Cold Open 00:00:23 - ScriptUp Sponsorship 00:00:33 - New Chapter 00:01:58 - Intro: Camerwork on the page 00:09:50 - Contrary Examples: The Bourne Identity and Hereditary 00:13:15 - Narrative Purpose and Oners 00:16:30 - Goodfellas (intro) 00:16:57 - Goodfellas (excerpt) 00:18:22 - Goodfellas (discussion) 00:32:48 - The Adventures of Tintin (intro) 00:34:14 - The Adventures of Tintin (excerpt) 00:37:23 - The Adventures of Tintin (discussion) 00:49:34 - Children of Men (intro) 00:53:38 - Children of Men (excerpt) 01:00:32 - Children of Men (discussion) 01:12:24 - Key Learnings and Wrap Up SCENE EXCERPTS via Patreon: https://www.patreon.com/posts/dz-101-script-85503252 DZ Instagram: https://www.instagram.com/draft_zero/ SZ Instagram: https://www.instagram.com/_shotzero/ DZ Twitter: https://twitter.com/draft_zero SZ Twitter: https://twitter.com/_shotzero LINKS WATCH: Goodfellas, The “Copacabana” shot - https://youtube.com/watch?v=OJEEVtqXdK8 WATCH: The Adventures of TinTin, “Get that bird!” - https://youtube.com/watch?v=ryB-3BRdd64 WATCH: Children of Men, “Zed’s attack” - https://youtube.com/watch?v=YMM8XrZe1R8 WATCH: The Bourne Identity, “Escaping The American Embassy” - https://youtube.com/watch?v=tqsUt9n13Gg WATCH: All The President’s Men, “The Dahlberg Scene” - https://www.youtube.com/watch?v=Qeemjaosp-E WATCH: Every Frame A Painting - The Spielberg Oner: https://www.youtube.com/watch?v=8q4X2vDRfR LISTEN: Starship Q Star: https://starshipqstar.com LINKS WATCH: Goodfellas, The“Copacabana” shot - https://youtube.com/watch?v=OJEEVtqXdK8 WATCH: The Adventures of TinTin, “Get that bird!” - https://youtube.com/watch?v=ryB-3BRdd64 WATCH: Children of Men, “Zed’s attack” - https://youtube.com/watch?v=YMM8XrZe1R8 WATCH: The Bourne Identity, “Escaping The American Embassy” - https://youtube.com/watch?v=tqsUt9n13Gg WATCH: All The President’s Men, “The Dahlberg Scene” - https://www.youtube.com/watch?v=Qeemjaosp-E WATCH: Every Frame A Painting - The Spielberg Oner: https://www.youtube.com/watch?v=8q4X2vDRfR LISTEN: Starship Q Star: https://starshipqstar.com RELATED EPISODES DZ-60: Unfilmables and Unscriptables (Part 1) - Engaging imagination DZ-61: Unfilmables and Unscriptables (Part 2) - Moments of Awe DZ-62: Unfilmables 3 – As Ifs & Emotional context DZ-16: Masters of Time and Whitespace This episode brought to you by (drum roll): ScriptUp: https://www.scriptupstudio.com – use promo code DZ10 to get 10% off And how can we forget our awesome Patreons, especially Lily,  Alexandre, Casimir, Eduardo, Jennifer, Thomas, Garrett, Randy, Jesse, Sandra, Theis, Alex, and Khrob. Please considering rating or subscribing to us on Apple Podcasts or sharing us on the Social Medias! We like finding new listeners. We are @stuwillis, and @chasffisher on twitter. You can find @draft_zero and @_shotzero on Instagram and Twitter. BUY DRAFT ZERO MERCH via TeePublic

What scene work tools can be learned from martial arts? In this slightly unusual episode of Draft Zero (but also incredibly on brand), Stu and philosopher swordsperson Damon Young discuss how the lessons they have learned from martial arts can be applied to scenes. In particular, they discuss how approaching an opponent in a sword fight can be analogous to how characters approach conflict, such as: the distance between the characters, who chooses to engage first, how to feint, how to lure an attack by leaving yourself vulnerable, etc.  They reference classic conflicts such as Clarice interviewing Dr. Lecter in SILENCE OF THE LAMBS, when Miranda puts down Andrea in THE DEVIL WEARS PRADA, and the final showdown between Obi-Wan and Darth Maul in the animated series THE CLONE WARS.  You can find Damon Young here: Website: https://www.damonyoung.com.au/ Instagram: https://www.instagram.com/damonayoung/ Mastodon: https://mas.to/@damonyoung As always: SPOILERS ABOUND. RELATED EPISODES DZ-29: Showdowns & Scene Structure: draft-zero.com/2016/dz-29/ DZ-84: Choices & Decisions 1: http://draft-zero.com/2021/dz-84/  DZ-84: Choices & Decisions 2: http://draft-zero.com/2021/dz-85/  This episode is brought to you by our awesome Patreons, especially Alexandre, Casimir, Eduardo, Jennifer, Thomas, Garrett, Randy, Jesse, Sandra, Theis, Alex, and Khrob. Please considering rating or subscribing to us on Apple Podcasts or sharing us on the Social Medias! We like finding new listeners. We are @stuwillis, and @chasffisher on twitter. You can find @draft_zero and @_shotzero on Instagram and Twitter. BUY DRAFT ZERO MERCH via TeePublic

How do audience questions shape scenes? nspired by our earlier episodes on sequences, Chas and Stu narrow their focus to look at the atomic unit of screen storytelling: the scene. In particular, we breakdown how question and answers prompted in the audience structure individual scenes. We talk plot, character, and theme questions (and their hybrids) by analysing scenes from LOKI, THE LAST CRUSADE, THE BOURNE SUPREMACY, QUEEN AND SLIM,  and DO THE RIGHT THING. We also briefly discuss SUCCESSION, DUNGEONS & DRAGONS: HONOUR AMONG THIEVES, and ANDOR. As always: SPOILERS ABOUND CHAPTERS 00:00:00 - Cold Open 00:01:56 - Intro: Scene Questions 00:16:30 - Loki 00:23:24 - The Last Crusade 00:33:03 - The Bourne Supremacy 00:45:50 - Queen and Slim 01:03:03 - Do The Right Thing 01:15:03 - Key Learnings & Wrap Up 01:33:02 - Many thanks to our Patreons SCENE EXCERPTS via: Patreon: https://www.patreon.com/posts/dz-99-scene-82312058 Instagram: https://www.instagram.com/draft_zero/ Twitter: https://twitter.com/draft_zero RELATED EPISODES DZ-54: Thematic Sequences: https://draft-zero.com/2018/dz-54/ DZ-43: Driving Sequences – Character and Plot Intensity: https://draft-zero.com/2017/dz-43/ DZ-45: Arguments of the Scene: https://draft-zero.com/2017/dz-45/ This episode brought to you by (drum roll): ScriptUp: https://www.scriptupstudio.com – use promo code DZ10 to get 10% off And how can we forget our awesome Patreons, especially Alexandre, Casimir, Eduardo, Jennifer, Thomas, Garrett, Randy, Jesse, Sandra, Theis, Alex, and Khrob. Please considering rating or subscribing to us on Apple Podcasts or sharing us on the Social Medias! We like finding new listeners. We are @stuwillis, and @chasffisher on twitter. You can find @draft_zero and @_shotzero on Instagram and Twitter. BUY DRAFT ZERO MERCH via TeePublic

What effect does adding a ton of characters have on your story? In Part 3 (the final part? Ha!) of our exploration into ensemble stories, Stu, Chas & Mel examine films whose genres do not conventionally require a ton of character or that use those ensembles in unconventional ways - in particular, adding whole storylines that are separate from the main character’s story. To that end, we dive into three films that were horrifically snubbed by the Oscars: THE WOMAN KING, RIDERS OF JUSTICE and NOPE. We breakdown the effects of choosing to use an ensemble on the narrative function of characters, their skills, the webs they exist within, and, ultimately, the story’s theme. Plus we re-apply and re-contextualise the tools uncovered in previous episodes in how to service all these characters. As always: SPOILERS ABOUND Thanks to Chris Walker for editing this episode. CHAPTERS 00:00:00 - Cold Open 00:01:35 - Intro: Character Function 00:08:43 - The Woman King 00:50:00 - Riders of Justice 01:20:36 - Nope 01:47:00 - Key Learnings & Wrap Up 01:59:06 - Many thanks to our Patreons RELATED EPISODES DZ-96: Ensembles 1 – What do we mean by an ensemble? DZ-97: Ensembles 2 – Servicing Characters EPISODE LINKS Mel Killingsworth on The Möbius Strip Storytelling of NOPE Mel Killingsworth on Riders of Justice: Tidings of Trauma and Joy This episode brought to you by (drum roll): ScriptUp: https://www.scriptupstudio.com – use promo code DZ10 to get 10% off; and ArcStudio: go to https://www.arcstudiopro.com/draftzero for $30 off a pro subscription! And how can we forget our awesome Patreons, especially Alexandre, Casimir, Eduardo, Thomas, Jennifer, Garrett, Randy, Jesse, Sandra, Theis, Alex, and Khrob. You rule! Please considering rating or subscribing to us on Apple Podcasts or sharing us on the Social Medias! We like finding new listeners. We are @stuwillis, @chasffisher and @mehlsbells on twitter. You can find @draft_zero and @_shotzero on Instagram and Twitter. BUY DRAFT ZERO MERCH via TeePublic