New Books in Women's History

Lillian Faderman is professor emerita at California State University, Fresno. An award-winning author Dr Faderman, widely known as the mother of lesbian history, has authored many books on women, gender and sexuality. In her new release entitled Woman: The American History of an Idea (Yale University Press, 2022). Faderman examines what it means to be a “woman” in America? She traces the evolution of the meaning from Puritan ideas of God’s plan for women to the sexual revolution of the 1960s and its reversals to the impact of such recent events as #metoo, the appointment of Amy Coney Barrett to the Supreme Court, the election of Kamala Harris as vice president, and the transgender movement. This long 400-year history chronicles conflicts, retreats, defeats, and hard-won victories in both the private and the public sectors and shines a light on the often-overlooked battles of enslaved women and women leaders in tribal nations. Noting that every attempt to cement a particular definition of “woman” has met resistance, Faderman shows that successful challenges to the status quo are often short-lived. The idea of womanhood in America continues to be contested.Lilian Calles Barger is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Her current writing project is on the intellectual history of women and the origins of feminism seen through the emblematic life and work of Simone de Beauvoir. Learn more about your ad choices. Visit megaphone.fm/adchoices

Feminisms with Chinese Characteristics (Syracuse University Press, 2021), co-edited by Ping Zhu and Hui Faye Xiao, offers an examination of the ways in which Chinese feminist ideas have developed since the mid-1990s. By juxtaposing the plural “feminisms” with “Chinese characteristics,” they both underline the importance of integrating Chinese culture, history, and tradition in the discussions of Chinese feminisms, and stress the difference between the plethora of contemporary Chinese feminisms and the singular state feminism. There are twelve chapters in this interdisciplinary collection. It addresses the theme of feminisms with Chinese characteristics from different perspectives rendered from lived experiences, historical reflections, theoretical ruminations, and cultural and sociopolitical critiques, painting a panoramic picture of Chinese feminisms in the age of globalization.Ping Zhu is associate professor of Chinese literature at the University of Oklahoma. She is the author of Gender and Subjectivities in Early Twentieth-Century Chinese Literature and Culture and the coeditor of Maoist Laughter. She is also the acting editor-in-chief of the biennial literary journal Chinese Literature Today, which will become Chinese Literature and Thought Today in 2022.Hui Faye Xiao is professor of Chinese literature at the University of Kansas. She is the author of Family Revolution: Marital Strife in Contemporary Chinese Literature and Visual Culture and Youth Economy, Crisis, and Reinvention in Twenty-First-Century China: Morning Sun in the Tiny Times.Linshan Jiang is Ph.D. candidate in the Department of East Asian Languages and Cultural Studies, University of California, Santa Barbara. Her research interests are modern and contemporary literature, film, and popular culture in mainland China, Taiwan and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sista, Stanap Strong!: A Vanuatu Women's Anthology (Te Herenaa Waka UP, 2021) is an anthology of new writing from Vanuatu by three generations of women—and the first of its kind. With poetry, fiction, essay, memoir, and song, its narrative arc stretches from the days of blackbirding to Independence in 1980 to Vanuatu's coming of age in 2020. Most of these writers are ni-Vanuatu living in Vanuatu. Some have set down roots in New Zealand, Fiji, the Solomon Islands, and Canada. Some were born overseas and have made Vanuatu their home. One is just twenty; another is an octogenarian. The writers in this anthology have chosen to harness the coloniser’s language, English, for their own purposes. They are writing against racism, colonialism, misogyny, and sexism. Writing across bloodlines and linguistic boundaries. Professing their love for ancestors, offspring, and language— Bislama, vernacular, and English. What these writers also have in common is a sharp eye for detail, a love of words, a deep connection to Vanuatu, and a willingness to share a glimpse of their world. Includes a foreword by Viran Molisa Trief. Learn more about your ad choices. Visit megaphone.fm/adchoices

When China’s War of Resistance against Japan began in July 1937, it sparked an immediate health crisis throughout China. In the end, China not only survived the war but emerged from the trauma with a more cohesive population.Nicole Elizabeth Barnes’s book, Intimate Communities: Wartime Healthcare and the Birth of Modern China, 1937-1945 (University of California Press, 2018), argues that women who worked as military and civilian nurses, doctors, and midwives during this turbulent period built the national community, one relationship at a time. In a country with a majority illiterate, agricultural population that could not relate to urban elites’ conceptualization of nationalism, these women used their work of healing to create emotional bonds with soldiers and civilians from across the country. These bonds transcended the divides of social class, region, gender, and language.This book has won two major awards, William H. Welch Award by American Association for the History of Medicine in 2020, and Joan Kelly Memorial Prize by American Historical Association in 2019.A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more.Nicole Elizabeth Barnes is Assistant Professor of History and Gender, Sexuality and Feminist Studies at Duke University.Linshan Jiang is Ph.D. candidate in the Department of East Asian Languages and Cultural Studies, University of California, Santa Barbara. Her research interests are modern and contemporary literature, film, and popular culture in mainland China, Taiwan and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

At the Risk of Thinking: An Intellectual Biography of Julia Kristeva (Bloomsbury, 2020) is the first biography of Julia Kristeva--one of the most celebrated intellectuals in the world. Alice Jardine brings Kristeva's work to a broader readership by connecting Kristeva's personal journey, from her childhood in Communist Bulgaria to her adult life as an international public intellectual based in Paris, with the history of her ideas. Informed by extensive interviews with Kristeva herself, this telling of a remarkable woman's life story also draws out the complexities of Kristeva's writing, emphasizing her call for an urgent revival of bold interdisciplinary thinking in order to understand--and to act in--today's world. Learn more about your ad choices. Visit megaphone.fm/adchoices

She was born the 20th child in a family that had lived in the Mississippi Delta for generations, first as enslaved people and then as sharecroppers. She left school at 12 to pick cotton, as those before her had done, in a world in which white supremacy was an unassailable citadel. She was subjected without her consent to an operation that deprived her of children. And she was denied the most basic of all rights in America--the right to cast a ballot--in a state in which Blacks constituted nearly half the population.And so Fannie Lou Hamer lifted up her voice. Starting in the early 1960s and until her death in 1977, she was an irresistible force, not merely joining the swelling wave of change brought by civil rights but keeping it in motion. Working with the Student Non-Violent Coordinating Committee (SNCC), which recruited her to help with voter-registration drives, Hamer became a community organizer, women's rights activist, and co-founder of the Mississippi Freedom Democratic Party. She summoned and used what she had against the citadel--her anger, her courage, her faith in the Bible, and her conviction that hearts could be won over and injustice overcome. She used her brutal beating at the hands of Mississippi police, an ordeal from which she never fully recovered, as the basis of a televised speech at the 1964 Democratic Convention, a speech that the mainstream party--including its standard-bearer, President Lyndon Johnson--tried to contain. But Fannie Lou Hamer would not be held back. For those whose lives she touched and transformed, for those who heard and followed her voice, she was the embodiment of protest, perseverance, and, most of all, the potential for revolutionarychange.Walk with Me: A Biography of Fannie Lou Hamer (Oxford UP, 2021) is the most complete biography of Hamer ever written, drawing on recently declassified sources on both Hamer and the civil rights movement, including unredacted FBI and Department of Justice files. It also makes full use of interviews with Civil Rights activists conducted by the Smithsonian and the Library of Congress, and Democratic National Committee archives, in addition to extensive conversations with Hamer's family and with those with whom she worked most closely. Stirring, immersive, and authoritative, Walk with Me does justice to Fannie Lou Hamer's life, capturing in full the spirit, and the voice, that led the fight for freedom and equality in America at its critical moment. Learn more about your ad choices. Visit megaphone.fm/adchoices

How did people exist and resist in their daily lives under Soviet control in the Cold War period? Rebellious Cooks and Recipe Writing in Communist Bulgaria (Bloomsbury, 2021) shows how in communist Bulgaria many women passionately exchanged recipes with friends and strangers, to build substantial and impressive private collections of recipes. This activity was borderline contraband in going against the general disapproval of home cooking that formed part of the ideology of communism, in which home cooking was considered household slavery and an agent of patriarchalism. Private recipe collections were by far the preferred written source of culinary information, more popular than the state-approved commercial cookbooks. Shkodrova shows how these recipe collections held many different meanings for the women who collected them, from helping to navigate the communist economy, to enabling new friendships to be developed while engaging safely in power relations, and cultivating a sense of individual identity in a society where collective existence was prioritised and exalted. Drawing on primary sources including scrapbook cookbooks and working from the establishment of cookery classes before communism and their obliteration thereafter, Shkodrova presents a structured outline of the meanings of recipes exchange and home cooking for Bulgarian women under communism.Roland Clark is a Senior Lecturer in Modern European History at the University of Liverpool, a Senior Fellow with the Centre for Analysis of the Radical Right, and the Principal Investigator of an AHRC-funded project on European Fascist Movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

Too often, vaudeville is seen from the perspective of its decline: it is the corny, messy art form that predated the book musical, or that gave us Chaplin, Keaton, and the Marx Brothers. Rarely is it seen as the populist avant-garde form it was at its height. David Hajdu and John Carey's graphic history, A Revolution in Three Acts: The Radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge (Columbia University Press, 2021), corrects this misconception, giving us illustrated biographies of three of the genre's most outré and successful stars. Eva Tanguay challenged contemporary gender roles through her outrageous behavior and sexually suggestive songs. Julian Eltinge also subverted gendered expectations of femininity by performing them to the hilt -- but as a man. And Bert Williams, a black man who performed in black face, tried to use his fame to soften the hard edges of Jim Crow bigotry but eventually became exhausted by the racism he encountered within the entertainment industry. These three performers truly were revolutionary, and their stories should be known to any theatre fan or historian.Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Hurricanes Irma and María made landfall in Puerto Rico in September 2017, their destructive force further devastated an archipelago already pommeled by economic austerity, political upheaval, and environmental calamities. To navigate these ongoing multiple crises, Afro-Puerto Rican women have drawn from their cultural knowledge to engage in daily improvisations that enable their communities to survive and thrive. Their life-affirming practices, developed and passed down through generations, offer powerful modes of resistance to gendered and racialized exploitation, ecological ruination, and deepening capitalist extraction. Through solidarity, reciprocity, and an ethics of care, these women create restorative alternatives to dispossession to produce good, meaningful lives for their communities.Making Livable Worlds: Afro-Puerto Rican Women Building Environmental Justice (University of Washington Press, 2021) weaves together autobiography, ethnography, interviews, memories, and fieldwork to recast narratives that continuously erase Black Puerto Rican women as agents of social change. In doing so, Lloréns serves as an "ethnographer of home" as she brings to life the powerful histories and testimonies of a marginalized, disavowed community that has been treated as disposable.Interviewer Byline: Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The rise of celebrity stage actresses in the long eighteenth century created a class of women who worked in the public sphere while facing considerable scrutiny about their offstage lives. Such powerful celebrity women used the cultural and affective significance of their reproductive bodies to leverage audience support and interest to advance their careers, and eighteenth-century London patent theatres even capitalized on their pregnancies. Carrying All Before Her: Celebrity Pregnancy and the London Stage, 1689-1800 (University of Delaware Press, 2022) uses the reproductive histories of six celebrity women (Susanna Mountfort Verbruggen, Anne Oldfield, Susannah Cibber, George Anne Bellamy, Sarah Siddons, and Dorothy Jordan) to demonstrate that pregnancy affected celebrity identity, impacted audience reception and interpretation of performance, changed company repertory and altered company hierarchy, influenced the development and performance of new plays, and had substantial economic consequences for both women and the companies for which they worked. Deepening the fields of celebrity, theatre, and women's studies, as well as social and medical histories, Phillips reveals an untapped history whose relevance and impact persists today.Hannah Smith is a PhD Candidate in History at the University of Minnesota-Twin Cities. She can be reached at smit9201@umn.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices