New Books in Women's History

Skye C. Cleary is a philosopher, writer and university teacher. In her new book How to Be Authentic: Simone de Beauvoir and the Quest for Fulfillment (St. Martin’s Press, 2022) offers an introduction to Beauvoir’s thinking about authenticity and how experience and situation shape the people we become. For Beauvoir, as an existential philosopher, we first exist and spend our lives not uncovering who we are but constructing our identity. Authenticity is the pursuit of self-creation and self-renewal. Under patriarchy women receive a set of myths that stand in the way of taking responsibility for our freedom. Through the experiences and the milestones of friendship, love, marriage, children and confronting death we have opportunity to choose who we will become. Because we live in interdependence with others, Beauvoir’s philosophy of the self and genuine living allows others to also achieve freedom in self-creation through reciprocity. Cleary has given us a lively written book drawing not only from Beauvoir’s life but her own experience in self-creation.Lilian Calles Barger is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Her current writing project is on the cultural and intellectual history of women and the origins of feminism seen through the emblematic life and work of Simone de Beauvoir. Learn more about your ad choices. Visit megaphone.fm/adchoices

The term cacica was a Spanish linguistic invention, the female counterpart to caciques, the Arawak word for male indigenous leaders in Spanish America. But the term’s meaning was adapted and manipulated by natives, creating a new social stratum where it previously may not have existed. This book explores that transformation, a conscious construction and reshaping of identity from within.Cacicas feature far and wide in the history of Spanish America, as female governors and tribute collectors and as relatives of ruling caciques—or their destitute widows. They played a crucial role in the establishment and success of Spanish rule, but were also instrumental in colonial natives’ resistance and self-definition.Margarita R. Ochoa and Sara V. Guengerich's edited book Cacicas: The Indigenous Women Leaders of Spanish America, 1492-1825 (U Oklahoma Press, 2021), noted scholars uncover the history of colonial cacicas, moving beyond anecdotes of individuals in Spanish America. Their work focuses on the evolution of indigenous leadership, particularly the lineage and succession of these positions in different regions, through the lens of native women’s political activism. Such activism might mean the intervention of cacicas in the economic, familial, and religious realms or their participation in official and unofficial matters of governance. The authors explore the role of such personal authority and political influence across a broad geographic, chronological, and thematic range—in patterns of succession, the settling of frontier regions, interethnic relations and the importance of purity of blood, gender and family dynamics, legal and marital strategies for defending communities, and the continuation of indigenous governance.This volume showcases colonial cacicas as historical subjects who constructed their consciousness around their place, whether symbolic or geographic, and articulated their own unique identities. It expands our understanding of the significant influence these women exerted—within but also well beyond the native communities of Spanish America.Jane Scimeca is Professor of History at Brookdale Community College Learn more about your ad choices. Visit megaphone.fm/adchoices

Erika Balsom and Hila Peleg's edited volume Feminist Worldmaking and the Moving Image (MIT Press, 2022) offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle--a way of not only picturing the world but remaking it.The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women's liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term "feminism"; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like.The book, generously illustrated with film stills and other images, many in color, offers ten original texts, two conversations, and eight short essays composed in response to historical texts written by filmmakers. The historical texts, half of which are published in English for the first time, appear alongside the essays.Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices

Since slavery, Black women have struggled to liberate themselves from racism and sexism. Yet despite these hurdles and under the most difficult circumstances, they managed to achieve greatness. Trailblazers: Black Women Who Helped Make America Great, American Firsts/American Icons (2leaf Press, 2021) shines a light on these their accomplishments, which often led to widespread cultural change. Trailblazers is a six-volume series that examines the lives and careers of over four hundred brilliant women from the eighteenth century to the present who blazed uncharted paths in every conceivable way.Each Trailblazers volume is organized into several sections. Along with biographical information and powerful photographs, David provides a historical timeline for each section--written from the viewpoint of Black women--that maps out the significance of the featured women that follow. Learn more about your ad choices. Visit megaphone.fm/adchoices

Patti Smith arrived in New York City at the end of the Age of Aquarius in search of work and purpose. What she found—what she fostered—was a cultural revolution. Through her poetry, her songs, her unapologetic vocal power, and her very presence as a woman fronting a rock band, she kicked open a door that countless others walked through. No other musician has better embodied the “nothing-to-hide” rawness of punk, nor has any other done more to nurture a place in society for misfits of every stripe.Why Patti Smith Matters (University of Texas Press, 2022) is the first book about the iconic artist written by a woman. The veteran music journalist Caryn Rose contextualizes Smith’s creative work, her influence, and her wide-ranging and still-evolving impact on rock and roll, visual art, and the written word. Rose goes deep into Smith’s oeuvre, from her first album, Horses, to acclaimed memoirs operating at a surprising remove from her music. The portrait of a ceaseless inventor, Why Patti Smith Matters rescues punk’s poet laureate from “strong woman” clichés. Of course Smith is strong. She is also a nuanced thinker. A maker of beautiful and challenging things. A transformative artist who has not simply entertained but also empowered millions.Caryn Rose can be found on Twitter and you can read her work in her newsletter. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices

Where are the women in the history of British cinema? In Movie Workers: The Women Who Made British Cinema (U Illinois Press, 2021), Melanie Bell, a Professor of Film History at the University of Leeds, answers this question with a fascinating and compelling narrative telling the forgotten history of women as workers in the film industry. Drawing on union records and oral histories, as well as a wealth of historical knowledge and analysis, the book highlights women’s key contributions from the 1930s to the end of the 1980s, demonstrating the ongoing importance of women’s struggles, and their triumphs, to the film industry today. The book is essential reading across arts, humanities, and social sciences, as well as for anyone who has ever watched a film and wondered about how it was made!Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoices

Joy Wiltenburg's book Laughing Histories: From the Renaissance Man to the Woman of Wit (Routledge, 2022) breaks new ground by exploring moments of laughter in early modern Europe, showing how laughter was inflected by gender and social power."I dearly love a laugh," declared Jane Austen's heroine Elizabeth Bennet, and her wit won the heart of the aristocratic Mr. Darcy. Yet the widely read Earl of Chesterfield asserted that only "the mob" would laugh out loud; the gentleman should merely smile. This literary contrast raises important historical questions: how did social rules constrain laughter? Did the highest elites really laugh less than others? How did laughter play out in relations between the sexes? Through fascinating case studies of individuals such as the Renaissance artist Benvenuto Cellini, the French aristocrat Madame de Sévigné, and the rising civil servant and diarist Samuel Pepys, Laughing Histories reveals the multiple meanings of laughter, from the court to the tavern and street, in a complex history that paved the way for modern laughter. ​With its study of laughter in relation to power, aggression, gender, sex, class, and social bonding, Laughing Histories is perfect for readers interested in the history of emotions, cultural history, gender history, and literature.Elspeth Currie is a PhD student in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices

Birth, Sex and Abuse: Women's Voices Under Nazi Rule (Grosvenor House, 2015) is a fascinating and gripping examination of birth, sex and abuse during the Nazi era. Dr Chalmers’ unique lens on the Holocaust provides a stunning and controversial exposé of the voices of both Jewish and non-Jewish women living under Nazi rule. Based on twelve years of study, the book takes an inter-disciplinary view incorporating women’s history, Holocaust studies, social sciences and medicine, in a unique, cutting-edge examination of what women themselves said, thought and did.Dr Chalmers (DSc(Med);PhD) has dedicated her life to studying women’s experiences of giving birth in difficult social, political, economic and religious environments. During her distinguished academic career, she has held professorial appointments in both the Medical and Social Sciences and has served, for decades, as a maternal and child health consultant for numerous United Nations and other global aid agencies. Her inter-disciplinary focus and extensive international experience provide a novel perspective on the Nazi era and on the neglected issue of the Nazi abuse of childbearing and sexuality."This book should be a ‘must’ for everybody dealing with the cruel chapters of the Holocaust, especially for those who are dealing with research about the subject of women and children, and medicine, during the Shoah” (Prof. Dr. Miriam Gillis-Carlebach, Director, The Joseph Carlebach Institute, Bar-Ilan University, Israel).“This book has an utterly unique, in-depth focus on all aspects of sexuality and reproduction during the Nazi regime; the author has written the first-ever, comprehensive tome on the treatment of women and infants that is essential for many disciplines” (Prof. Caroline Pukall, PhD, Professor of Psychology, Director of SexLab and the Sex Therapy Service, Queen's University, Kingston, Canada).Jeannette Cockroft is an associate professor of history and political science at Schreiner University. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Women’s House of Detention stood in New York City’s Greenwich Village from 1929 to 1974. Throughout its history, it was a nexus for tens of thousands of women, trans men, and gender nonconforming people. Some of these inmates—Angela Davis, Andrea Dworkin, Afeni Shakur—were famous, but the vast majority were detained for the crimes of being poor or gender nonconforming. Today, approximately 40 percent of the people in women’s prisons identify as queer; in earlier decades, that percentage was almost certainly higher. In The Women's House of Detention: A Queer History of a Forgotten Prison (Bold Type Books, 2022), writer, activist, and historian Hugh Ryan explores the history of queerness, transness, and gender nonconformity by reconstructing the little-known lives of incarcerated New Yorkers. He makes a clear case for prison abolition and demonstrates how the House of D, as it was colloquially known, helped define queerness for the rest of the United States. From the lesbian communities forged through the Women’s House of Detention to the turbulent prison riots that presaged Stonewall, this is the story of a jail, the people it caged, the neighborhood it changed, and the resistance it inspired.Hugh Ryan is a writer, historian, and curator in New York City. His first book When Brooklyn Was Queer won a 2020 NYC Book Award and was a New York Times Editors’ Choice in 2019. Hugh Ryan regularly teaches creative nonfiction at SUNY Stonybrook and serves on the Board of Advisors for the Archives at the LGBT Center in Manhattan and the Stonewall National Museum and Archives in Fr. Lauderdale.Leo Valdes is a PhD candidate in the History Department at Rutgers University-New Brunswick. Learn more about your ad choices. Visit megaphone.fm/adchoices

While it is an overused cliché, France is indeed a land of contrasts, famous for its paradoxes. In French political history, the most startling may be the progressive policies of the Third Republic (1870-1940) on just about everything except for gender. Despite its embrace of the spirit of 1789, universal manhood suffrage, and secularism, the republic deemed French women second class citizens. Indeed, French women did not get the vote until the Fourth Republic in 1944, a full generation after almost every nation-state in the global north. Karen Offen has written an encyclopedic history of French debates about the soi-dissant “Woman Question”. While Dr. Offen’s Debating the Woman Question in the French Third Republic, 1870-1920 (Cambridge University Press, 2018), was the focus of our discussion, we also touched on its companion book, The Woman Question in France, 1400-1870 (Cambridge UP, 2017).Karen Offen earned her Ph.D. at Stanford University. She is currently a historian and independent scholar, affiliated as a Senior Scholar with the Michelle R. Clayman Institute for Gender Research, Stanford University. Dr. Offen publishes on the history of Modern Europe, especially France and its global influence; Western thought and politics with reference to family, gender, and the relative status of women; historiography; women's history; national, regional and global histories of feminism; comparative history, and the politics of knowledge. She has held fellowships from the John Simon Guggenheim Memorial Foundation Fellowship for study and research, the Rockefeller Foundation, and the National Endowment for the Humanities.Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoices