New Books in Women's History

Massive Resistance and Southern Womanhood: White Women, Class, and Segregation (U Georgia Press, 2021) offers a comparative sociocultural and spatial history of white supremacist women involved in massive resistance. The book focuses on segregationist grassroots activism in Little Rock, Arkansas, New Orleans, Louisiana, and Charleston, South Carolina from the late 1940s to the late 1960s. Dr. Rebecca Brückmann combines theory and detailed case studies to interrogate the “roles, actions, self-understandings, and media representations” of these segregationist women.Dr. Brückmann argues that these women – motivated by an everyday culture of white supremacy – created performative spaces for their segregationist agitation in the public sphere to legitimize their actions. Unlike other studies of mass resistance that have focused on maternalism, Dr. Brückmann argues that women’s invocation of motherhood was varied and primarily served as a tactical tool to continuously expand these women’s spaces. Her book carefully differentiates the circumstances, tactics, and representations used in the creation of performative spaces by working-class, middle-class, and elite women engaged in massive resistance. Brückmann contrasts the transgressive “street politics” of working-class female activists in Little Rock and New Orleans with the more traditional political actions of segregationist, middle-class, and elite women in Charleston. While these women aligned white supremacist agitation with long-standing experience in conservative women’s clubs (e.g., United Daughters of the Confederacy and the Daughters of the American Revolution), working-class women’s groups (who lacked the economic, cultural, and social capital) chose consciously transgressive strategies, including violence, to elicit shock value and create states of emergency to further legitimize their actions and push for white supremacy. Dr. Brückmann’s nuanced work of history uses scholarship from sociology, political science, law, and other relevant disciplines to demonstrate how “interactions between class and status concerns, race, space, and gender shaped these women’s views and actions.”Dr. Rebecca Brückmann is an Associate Professor of History at Carleton College. Her research and teachings interrogate African American history, the transnational history of the Black Diaspora, Southern US history, White Supremacy, and gender.Daniela Lavergne assisted with this podcast.Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Changing the Subject: Feminist and Queer Politics in Neoliberal India (Duke UP, 2022), Srila Roy maps the rapidly transforming terrain of gender and sexual politics in India under the conditions of global neoliberalism. The consequences of India’s liberalization were paradoxical: the influx of global funds for social development and NGOs signaled the co-optation and depoliticization of struggles for women’s rights, even as they amplified the visibility and vitalization of queer activism. Roy reveals the specificity of activist and NGO work around issues of gender and sexuality through a decade-long ethnography of two West Bengal organizations, one working on lesbian, bisexual, and transgender issues and the other on rural women’s empowerment. Tracing changes in feminist governmentality that were entangled in transnational neoliberalism, Roy shows how historical and highly local feminist currents shaped contemporary queer and nonqueer neoliberal feminisms. The interplay between historic techniques of activist governance and queer feminist governmentality’s focus on changing the self offers a new way of knowing feminism—both as always already co-opted and as a transformative force in the world.Shraddha Chatterjee has a PhD in Gender, Feminist & Women’s Studies from York University, Toronto, and is the author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018). Learn more about your ad choices. Visit megaphone.fm/adchoices

In From Back Alley to the Border: Criminal Abortion in California, 1920-1969 (U Nebraska Press, 2020), Alicia Gutierrez-Romine examines the history of criminal abortion in California and the role abortion providers played in exposing and exploiting the faults in California’s anti-abortion statute throughout the twentieth century. Focused on the patients who used this underground network and the physicians who facilitated it, Gutierrez-Romine provides insight into the world of illegal abortion from the 1920s through the 1960s, including regular physicians as well as women and African American abortionists, and the investigations, scandals, and trials that surrounded them.During the 1930s the Pacific Coast Abortion Ring, a large, coast-wide, and comparatively safe abortion syndicate, became the target of law enforcement agencies, forcing those needing abortions across the border into Mexico and ushering in an era of Tijuana “abortion tourism” in the early 1950s. The movement south of the border ultimately compelled the California Supreme Court to rule its abortion statute “void for vagueness” in People v. Belous in 1969—four years before Roe v. Wade.Gutierrez-Romine presents the first book focused on abortion on the West Coast and the U.S.-Mexico border and provides a new approach to studying how providers of illegal abortions and their clients navigated this underground network. In the post-Dobbs moment, From Back Alley to the Border shows us how little we have learned from history.Jeannette Cockroft is an associate professor of history and political science at Schreiner University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Frances Willard (1839-1898) was one of the most prominent American social reformers of the late nineteenth century. As the long-time president of the Woman's Christian Temperance Union (WCTU), Willard built a national and international movement of women that campaigned for prohibition, women's rights, economic justice, and numerous other social justice issues during the Gilded Age. Emphasizing what she called "Do Everything" reform, Willard became a central figure in international movements in support of prohibition, women's suffrage, and Christian socialism. A devout Methodist, Willard helped to shape predominant religious currents of the late nineteenth century and was an important figure in the rise of the social gospel movement in American Protestantism.The first biography of Frances Willard to be published in over thirty-five years, Do Everything: The Biography of Frances Willard (Oxford UP, 2022) explores Willard's life, her contributions as a reformer, and her broader legacy as a women's rights activist in the United States. In addition to chronicling Willard's life, historian Christopher H. Evans examines how Willard crafted a distinctive culture of women's leadership, emphasizing the importance of religious faith for understanding Willard's successes as a social reformer. Despite her enormous fame during her lifetime, Evans investigates the reasons why Willard's legacy has been eclipsed by subsequent generations of feminist reformers and assesses her importance for our time. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I interview Julia Serano about her new book, Sexed Up: How Society Sexualizes Us and How We Can Fight Back (Seal, 2022). Serano is an activist, performer, and acclaimed author of Whipping Girl, Excluded, and other books. Her writing has appeared in The New York Times, the Guardian, TIME, Salon, and Ms. In Sexed Up, Serano argues that sexualization is a far more pervasive problem that we might recognize. She explores such questions as: Why do we perceive men as sexual predators and women as sexual objects? Why are LGBTQ+ people stereotyped as being sexually indiscriminate and deceptive? Why are people of color still being hyper-sexualized? Serano offers not only a clear-eyed understanding of how sexualization occurs and the harms it creates, but she also offers ways of leading us out of these dynamics toward a more kind, humane, and sex-positive future.Eric LeMay is on the creative writing faculty at Ohio University. He is the author of five books, most recently Remember Me. He can be reached at eric@ericlemay.org. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tai Shani (Turner Prize winning artist, educator and author of Our Fatal Magic) and Amy Hale (anthropologist, folklorist, and writer) discuss the work of artist, occultist and writer Ithell Colquhoun to celebrate the publication of Amy’s book Ithell Colquhoun: Genius of The Fern Loved Gully.This book offers the first in-depth biographical study of the British surrealist and occultist Ithell Colquhoun, situating her art within the magical contexts that shaped her imaginative life and work. After decades of neglect, Colquhoun's unique vision and hermetic life have become an object of great renewed interest, both for artists and for historians of magic.Although her paintings are represented in such major collections as Tate Britain and the National Portrait Gallery, Colquhoun's rejection of both avant-garde and occult orthodoxies resulted in a life of relative obscurity. Her visual and written works have only recently received adequate recognition as a precursor to contemporary experiments in magical autobiography and esoteric feminism.After rejecting the hectic social expectations and magical orthodoxies of London's art and occult scenes, Colquhoun pursued a life of dedicated spiritual and artistic enquiry embodied in her retreat to Cornwall. Genius of the Fern Loved Gully balances engaging biography with art historical erudition and critical insight into the magical systems that underscored her art and writing.Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices

Lauren Fournier, writer, independent curator, artist, and author of Autotheory as Feminist Practice in Art, Writing, and Criticism discusses her forthcoming book with writer, educator and philosopher McKenzie Wark (A Hacker Manifesto, Gamer Theory, Capital Is Dead, Reverse Cowgirl.)In the 2010s, the term “autotheory” began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory.Fournier argues that the autotheoretical turn signals the tenuousness of illusory separations between art and life, theory and practice, work and the self—divisions long blurred by feminist artists and scholars. Autotheory challenges dominant approaches to philosophizing and theorizing while enabling new ways for artists and writers to reflect on their lives. She argues that Kraus's 1997 I Love Dick marked the emergence of a newly performative, post-memoir “I”; recasts Piper's 1971 performance work Food for the Spirit as autotheory; considers autotheory as critique; examines practices of citation in autotheoretical work, including Maggie Nelson's The Argonauts; and looks at the aesthetics and ethics of disclosure and exposure, exploring the nuanced feminist politics around autotheoretical practices and such movements as #MeToo. Fournier formulates autotheory as a reflexive movement, connecting thinking, making art, living, and theorizing.Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices

In this series of interviews from The MIT Press Podcast, we'll be drawing on the research of various authors to reflect on some of the issues shaping the American political landscape of today.In this episode Carol A. Stabile discusses her book The Broadcast 41 (published in April of last year by Goldsmiths Press.)In her book, Carol traces the history of forty-one women who were forced out of American television and radio in the 1950s as part of a censorship program often referred to as the Red Scare. She explains their broad and nuanced political beliefs and how an FBI-backed program of state censorship invoked the paranoia of another American revolution to try and destroy their careers.We discuss how the cause of anti-communism, g-man masculinity and censorship destroyed a potential television landscape that reflected the reality of post-war America in favor of a white, straight, patriarchal world of white picket fences and eager beavers. We also discuss what the history of these women might tell us about current debates on free-speech and ‘cancel-culture’.Carol is Professor of Women's, Gender, and Sexuality Studies and Associate Dean for Strategic Initiatives for the College of Arts and Sciences at the University of Oregon. She’s also the author of Feminism and the Technological Fix, White Victims, Black Villains: Gender, Race, and Crime News in US Culture, among other books.You can find more resources related to the book, including FBI files released since the book's publication, at https://broadcast41.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

From The Lady Eve, to The Big Valley, Barbara Stanwyck played parts that showcased her multidimensional talents but also illustrated the limits imposed on women in film and television. Catherine Russell’s A to Z consideration of the iconic actress analyzes twenty-six facets of Stanwyck and the America of her times. Russell examines Stanwyck’s work onscreen against the backdrop of costuming and other aspects of filmmaking. But she also views the actress’s off-screen performance within the Hollywood networks that made her an industry favorite and longtime cornerstone of the entertainment community. Russell’s montage approach coalesces into an engrossing portrait of a singular artist whose intelligence and savvy placed her center-stage in the production of her films and in the debates around women, femininity, and motherhood that roiled mid-century America. Original and rich, The Cinema of Barbara Stanwyck: Twenty-Six Short Essays on a Working Star (U Illinois Press, 2023) is an essential and entertaining reexamination of an enduring Hollywood star.Catherine Russell is Distinguished University Professor of Film Studies at Concordia University in Montreal. She goes by Katie, she sings in a choir, and she has two cats. In the summer she lives in Georgian Bay, Ontario.Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices

Child abandonment, theft, kidnapping, prostitution, bigamy, and murder! Bad Bridget is a must-read examination of crime and Irish emigrant women in the U.S. and Canada, written by Elaine Farrell and Leanne McCormick, and out now with Sandycove.Ireland in the nineteenth and early twentieth centuries was not a very good place to be a woman. Among the wave of emigrants from Ireland to North America were many, many young women who travelled on their own, hoping for a better life. Some lived lives of quiet industry and piety. Others quickly found themselves in trouble - bad trouble, and on an astonishing scale. Bad Bridget: Crime, Mayhem and the Lives of Irish Emigrant Women (Sandycove, 2023) is a book about these women and the various kinds of trouble they got into. Elaine Farrell and Leanne McCormick have unearthed a world in which Irish women actually outnumbered Irish men in prison, in which you could get locked up for 'stubbornness', and in which an Irish serial killer called Lizzie Halliday was described by the New York Times as 'the worst woman on earth'. They reveal the social forces that bred this mayhem and dysfunction, through a succession of stories that are brilliantly strange, sometimes very funny, and often deeply moving. From sex workers and thieves to kidnappers and killers, their Bridgets are young women who have gone from the frying pan of their impoverished and ridden homeland to the fire of vast North American cities. Bad Bridget is a masterpiece of social history and true crime, showing us a fascinating and previously unexplored world.Whether you’re a fan of true crime or looking for painstakingly reconstructed and incredible (true) stories of emigrant women’s lives, look no further for your summer read. Join us on the podcast today as we chat about crime as agency, a rowdy bunch of drunken Toronto women, and serial killer Lizzie Halliday. Then tune into season 1 of the Bad Bridget podcast - and stay tuned for season 2, coming soon!Averill Earls is the Executive Producer of Dig: A History Podcast (a narrative history podcast, rather than interview-based), and an Assistant Professor of History at St. Olaf College. Learn more about your ad choices. Visit megaphone.fm/adchoices