New Books in Women's History

In this podcast episode, Greg Marchildon interviews Stacey Barker and Krista Cooke on the lives of Canadian women and their involvement in the two world wars of the 20th century. They along with co-author Molly McCullough wrote Material Traces of War: Stories of Canadian Women and Conflict, 1914-1945 published by the University of Ottawa Press in 2021 as part of the Canadian Museum of History’s Mercury Series. This book provides short biographies of selected women who served as military nurses, volunteers and workers or who suffered great loss during the two wars. Stacey Barker is an historian in Arts and Military History at the Canadian War Museum in Ottawa while Krista Cooke is a Parks Canada curator with two decades of experience in archives and museums. This podcast was produced by Jessica Schmidt. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lesly Deschler Canossi and Zoraida Lopez-Diago's edited volume Black Matrilineage, Photography, and Representation: Another Way of Knowing (Leuven UP, 2022) questions how the Black female body, specifically the Black maternal body, navigates interlocking structures that place a false narrative on her body and that of her maternal ancestors. Drawing on a wide range of scholarly inquiry and contemporary art, this book addresses these misconceptions and fills in the gaps that exist in the photographic representation of Black motherhood, mothering, and mutual care within Black communities.The essays and interviews, paired with a curated selection of images, address the complicated relationship between Blackness and photography and in particular its gendered dimension, its relationship to health, sexuality, and digital culture - primarily in the context of racialized heteronormativity. This collection, then, challenges racist images and discourses, both historically and in its persistence in contemporary society, while reclaiming the innate brilliance of Black women through personal stories, history, political acts, connections to place, moments of pleasure, and communal celebration.This visual exploration of Black motherhood through pictures made by Black woman-identifying photographers thus serves as a reflection of the past and a portal to the future and contributes to recent scholarship on the complexity of Black life and Black joy.This book emerges from the project Women Picturing Revolution. Learn more about your ad choices. Visit megaphone.fm/adchoices

Shailaja Paik's book The Vulgarity of Caste: Dalits, Sexuality, and Humanity in Modern India (Stanford UP, 2022) is an important reflection on the question of Dalit women and their sexuality question. Through the performance of Tamasha, Paik has relooked into the lifeworld of Dalit women and has argued about what the performance of Tamasha means in Dalit women’s everydayness rather than conventionally understanding it through a moral lens of good vs bad. The framework of ‘manuski’ and ‘assli’ reflects upon the Dalit women quest to transgress ascribed identities and it reinforces Dalit performance as a weapon for the weak. The work is a watershed as it re-centers Dalit woman’s experiences in the sex-gender-caste complex, rather than looking at them as passive recipients of male-centered Dalit assertion.Shailaja Paik is an Associate Professor at the University of Cincinnati. She is Taft's Distinguished Professor of History and Affiliate Faculty in Women's, Gender, and Sexuality Studies, and Asian Studies. Her research lies at the intersection of fields concerning Modern South Asia, Dalit Studies, Women’s Studies, and oral History to mention a few. Kalyani Kalyani is a sociologist and currently teaches at School of Arts and Sciences in Azim Premji University at Bengaluru. Learn more about your ad choices. Visit megaphone.fm/adchoices

Fantastic and informative talk with Sara Petrosillo of the University of Evansville about her new book, Hawking Women: Falconry, Gender, and Control in Medieval Literary Culture (Ohio State University Press, 2023). Listen all the way to the end for a great description of the process of hunting with birds! While critical discourse about falconry metaphors in premodern literature is dominated by depictions of women as unruly birds in need of taming, women in the Middle Ages claimed the symbol of a hawking woman on their personal seals, trained and flew hawks, and wrote and read poetic texts featuring female falconers. Sara Petrosillo's Hawking Women demonstrates how cultural literacy in the art of falconry mapped, for medieval readers, onto poetry and challenged patriarchal control. Examining texts written by, for, or about women, Hawking Women uncovers literary forms that arise from representations of avian and female bodies. Readings from Sir Orfeo, Chrétien de Troyes, Guillaume de Machaut, Chaucer's Troilus and Criseyde, and hawking manuals, among others, show how female characters are paired with their hawks not to assert dominance over the animal but instead to recraft the stand-in of falcon for woman as falcon with woman. In the avian hierarchy female hawks have always been the default, the dominant, and thus these medieval interspecies models contain lessons about how women resisted a culture of training and control through a feminist poetics of the falconry practice.Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

Abortion is an issue like no other. Our attitudes towards it and how we define when life begins determine the very words we use when discussing abortion. We don’t even agree about how many people are involved in the matter of abortion. Two people—the mother and the baby? Or only one—the mother? And here, even the word “mother” is avoided by many, who prefer “woman.” Or, in some quarters, “pregnant person.” Is it a “baby” or a “fetus?” Has abortion always had the tacit approval of most Americans and only been criminalized by powerful societal forces (which can change sides dramatically over the decades, as is the case with much of the medical establishment)? Or is it something that has been regarded as abhorrent for centuries and only very recently been treated as not only necessary but a badge of pride for the modern woman? How was abortion portrayed in the pages of American publications c. 1830, 1870, 1920 or 1940 and in the media diet of our own day?These are among the many issues discussed in the 2023 book, The Story of Abortion in America: A Street-Level History, 1652–2022 (Crossway, 2023) by Marvin Olasky and Leah Savas.This book is riveting reading but is not for the fainthearted—much of the material is graphic. It will interest those in such fields as legal history, women’s history, the history of journalism, the history of medicine, political history and history in general and readers with an interest in biography and true crime.The latter term is not inappropriate here given the book’s fascinating account of how many news stories in much of the 19th and early and mid-20th centuries reveled in lurid details of attractive young women murdered after botched abortions or accidentally killed during one and then dismembered and discovered later due to the ineptitude of the abortionist and the men who had impregnated the women and who feared scandal or marriage to the women they had seduced.The authors also provide detailed accounts of the enormous amounts of money that some female abortionists (such as the notorious Madame Restell 1812 –1878) made and the flashy lifestyles and prison sentences that punctuated their lives. The authors show that male jurors were often reluctant to convict abortionists given many a juror’s own complicity in such events and the immense political power that the abortion trade wielded via graft.The book tells heartrending stories of women who underwent abortions and traces how the popular press moved over the decades from referring to two victims in such cases to only the woman to eventually hardly covering at all cases when abortions created female and infant victims (as in the infamous case of the physician Kermit Gosnell), many reporters and editors preferring to stick to the narrative of female empowerment via abortion.No matter where one stands on the issue of abortion, it cannot be denied that this book movingly, authoritatively tells the story of the women whose lives were shaped by it, as the title says, at “the street level.” It is model social history and engrossing reading for the general reader and scholar alike.Let’s hear from one of the two authors of the book, Leah Savas.Hope J. Leman is a grants researcher. Learn more about your ad choices. Visit megaphone.fm/adchoices

According to the 2010 US census, more than seventy percent of Black women in America are unmarried. Black Women, Black Love: America's War on African-American Marriage (Seal Press, 2020) reveals how four centuries of laws, policies, and customs have created that crisis.Dianne Stewart begins in the colonial era, when slave owners denied Blacks the right to marry, divided families, and, in many cases, raped enslaved women and girls. Later, during Reconstruction and the ensuing decades, violence split up couples again as millions embarked on the Great Migration north, where the welfare system mandated that women remain single in order to receive government support. And no institution has forbidden Black love as effectively as the prison-industrial complex, which removes Black men en masse from the pool of marriageable partners.Prodigiously researched and deeply felt, Black Women, Black Love reveals how white supremacy has systematically broken the heart of Black America, and it proposes strategies for dismantling the structural forces that have plagued Black love and marriage for centuries.Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at mzc0152@auburn.edu and on twitter @MickellCarter Learn more about your ad choices. Visit megaphone.fm/adchoices

Life will always bring us experiences and uncertainty, risks, losses - never planned, never found - emotional upheaval that defines what it means to be vulnerable; to break down to our breakthrough. It is here we find the courage to rise up, become our authentic selves and live our purpose.In this book, twelve women expose their vulnerability, their pain, their truth, their intuitive guidance and insights that led to the courage it has taken to go from the depths of fear, grief, and heartbreak to finding their place in the world. They have come to own their sovereignty, become more empathic, found a new sense of creating a life they love and tapping into gifts that were not recognized prior and found a new vision on their journey.Women Standing Strong Together: Stories of Surrendering to Your Authentic Self (2019) is about finding that powerful place within; our strength from our life experiences. It’s about courage in a world where we feel not good enough and giving ourselves the permission to examine our lives, become uncomfortable and step into the fire to grow stronger. The shattered pieces in our lives create the magic that waits for us to claim our power within. When we allow ourselves to surrender to the divine plan great things are illuminated before us and our path becomes clear, we climb higher and our goddess emerges. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Rachael E. Adelman's monograph The Female Ruse: Women's Deception and Divine Sanction in the Hebrew Bible (Sheffield Press, 2017) she explores how the feminine trickster archetype plays a central role in the Hebrew bible and is an important forces that drives the narrative forward and unmasks wisdom.From Eve to Esther, the Hebrew Bible is replete with gendered tales of trickery. A lie is uttered, a mask donned, a seduction staged, while redemption is propelled forward, guided by the divine hand. From the first 'female ruse' - Eve presenting the fruit of the tree of knowledge to Adam - humanity becomes embodied, engaged in history, moving from the Garden to exile, from wandering to homeland and redemption (and back again). Consider Rebekah dressing her beloved son in goatskins to steal the blessing from his blind father; Lot's daughters lying with their drunken father, and then conceiving the founding fathers of Ammon and Moab; Leah and Rachel, the mothers of the twelve tribes of Israel, duping Jacob on their wedding night; Tamar's seduction of Judah, her father-in-law, who then bears the progenitor of the Davidic line; Naomi sending Ruth to the threshing floor to seduce Boaz by night; Bathsheba invoking an oath that King David had supposedly made in order to forward Solomon, her son, as successor to the monarchy; and Queen Esther concealing her Jewish identity in the Persian imperial court. Over the course of nine chapters, the author traces these narratives of deception; in each case, God is in cahoots with these feminine agents in advancing the providential plan. A tension holds between the 'best laid plans' of men and the divine will as forwarded by women. Drawing on classic rabbinic sources and modern literary exegesis, the author exposes the conflict between the simple progression of genealogies and the process of selection through alliances of family and kin. Women are at the crux of that conflict, seemingly compelled to choose the indirect route while the deity appears to endorse their lie. Learn more about your ad choices. Visit megaphone.fm/adchoices

The overturning of Roe v. Wade has led to a flurry of commentary and wondering, "Where next?" But, it also begs deeper questions: what is the history of abortion and sex-positivity within the feminist movement, and how did Roe affect our views on sex? Feminist legal scholar Dr. Erika Bachiochi is the founder and director of the Wollstonecraft Project at the Abigail Adams Institute and a fellow at the Ethics and Public Policy Center. Here, she discusses these questions as well as her recent book on Mary Wollstonecraft, The Rights of Women: Reclaiming a Lost Vision (University of Notre Dame Press, 2021).Annika Nordquist is the Communications Coordinator of Princeton University’s James Madison Program in American Ideals and Institutions and host of the Program’s podcast, Madison’s Notes. Learn more about your ad choices. Visit megaphone.fm/adchoices

When she was chosen as the EU's first High Representative for Foreign Affairs and Security Policy (HR/VP) in 2009, Catherine Ashton admits she "felt no exhilaration", fearing she had "few obvious credentials and lukewarm support".On leaving office five years later - 19 months before the Brexit referendum - this former British minister had confounded her inner doubter. A new European External Action Service had been built from scratch and the HR/VP had become a pivotal global player - brokering what had seemed an impossible settlement between Serbia and Kosovo and performing the role of closer in the multi-party Iranian nuclear negotiations.Ashton's memoirs of those five years - And Then What?: Inside Stories of 21st-Century Diplomacy (Elliott & Thompson, 2023) - go behind the scenes during critical moments in recent diplomatic history including Egypt's excruciating transition from dictatorship to uneasy democracy, the Iranian nuclear deal, the fragile Serb-Kosovan talks, and the 2014 Ukrainian crisis and its aftermath.She writes: "Success is rarely the effect of one moment but of thousands of interlocking actions over a sustained period; and tiny details, especially in difficult negotiations, can make the difference between success and failure even if they seem arbitrary or inconsequential".*Her book recommendations are Essence of Decision: Explaining the Cuban Missile Crisis by Graham Allison (Longman, 1971) and Never by Ken Follett (Macmillan, 2021)Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes the Twenty-Four Two newsletter on Substack and hosts the In The Room podcast series. Learn more about your ad choices. Visit megaphone.fm/adchoices