New Books in Women's History

How the US asylum process fails to protect against claims of gender-based violence.Through eyewitness accounts of closed-court proceedings and powerful testimony from women who have sought asylum in the United States because of severe assaults and death threats by intimate partners and/or gang members, Private Violence: Latin American Women and the Struggle for Asylum (NYU Press, 2024) examines how immigration laws and policies shape the lives of Latin American women who seek safety in the United States. Carol Cleaveland and Michele Waslin describe the women's histories prior to crossing the border, and the legal strategies they use to convince Immigration Judges that rape and other forms of "private violence" should merit asylum - despite laws built on Cold War era assumptions that persecution occurs in the public sphere by state actors.Private Violence provides much-needed recommendations for incorporating a gender-based lens in the asylum process. The authors demonstrate how policy changes across Presidential administrations have made it difficult for survivors of "private violence" to qualify for asylum. Private Violence paints a damning portrait of America's broken asylum system. This volume illustrates the difficulties experienced by Latin American women who rely on this broken system for protection in the United States. It also illuminates women's resilience and the determination of immigration attorneys to reshape asylum law. Learn more about your ad choices. Visit megaphone.fm/adchoices

The 1950s looks placid from the outside, but underneath that calm post-war exterior roiled the intellectual and activist beginnings of the political movements that tore through the 1960s and 1970s. In Women in American Operas of the 1950s: Undoing Gendered Archetypes (University of Rochester Press, 2023), Monica A. Hershberger considers the main female characters in four operas written in the 1950s: The Ballad of Baby Doe, Lizzie Borden, The Tender Land, and Susannah. For each work, Hershberger analyzes the historical context and musical treatment of these four characters, who are all stereotyped as the virgin or the whore, or sometimes even both. In an unusual and productive analytical choice, Hershberger also includes the interpretive decisions and perspectives of the sopranos who originated or popularized these four roles, rather than focusing exclusively on the scores and the views of the male creative teams that wrote the works. Several of the operas include instances of emotional abuse as well as gendered and sexual violence that have long been ignored or downplayed by opera scholars, but Hershberger does not shy away from these disturbing subjects in the book. Learn more about your ad choices. Visit megaphone.fm/adchoices

The system of prostitution imposed and enforced by the Japanese military during its wartime occupation of several countries in East and Southeast Asia is today well-known and uniformly condemned. Transnational activist movements have sought to recognize and redress survivors of this World War II-era system, euphemistically known as "comfort women," for decades, with a major wave beginning in the 1990s. However, Indonesian survivors, and even the system's history in Indonesia to begin with, have largely been sidelined, even within the country itself.In Systemic Silencing: Activism, Memory, and Sexual Violence in Indonesia (U Wisconsin Press, 2023), Katharine E. McGregor not only untangles the history of the system during the war, but also unpacks the context surrounding the slow and faltering efforts to address it. With careful attention to the historical, social, and political conditions surrounding sexual violence in Indonesia, supported by exhaustive research and archival diligence, she uncovers a critical piece of Indonesian history and the ongoing efforts to bring it to the public eye. Critically, she establishes that the transnational part of activism surrounding victims of the system is both necessary and fraught, a complexity of geopolitics and international relationships on one hand and a question of personal networks, linguistic differences, and cultural challenges on the other. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amrita Narayanan is a practicing Clinical Psychologist (Psy.D. 2007) and Psychoanalyst (Indian Psychoanalytic Society, 2019). She is the author of Women's Sexuality and Modern India: In a Rapture of Distress (Oxford University Press, 2023). She was the Editor of and essayist in The Parrots of Desire: 3000 years of Erotica in India (Aleph Books, 2018) a collection of poems, short prose and fiction in translation from Indian languages, linked by an introductory essay on the central themes in Indian erotic literature. She was an essayist for Pha(bu)llus: a cultural history of the Phallus (Harper Collins, 2020). Amrita is currently visiting faculty at Ashoka University where she teaches classes at the undergraduate and masters level.Amrita's research interests are in cultural factors in psychotherapy and psychoanalysis, the psychodynamics of women's sexual agency, and how cultural factors shape the aesthetics of women's sexual agency. Her writing has appeared in academic journals such as Psychodynamic Practice and Psychoanalytic Review; newspapers such as The Hindu and The Indian Express; and popular press periodicals such as Outlook, Open Magazine India Today and The Deccan Herald. Amrita has received the Sudhir Kakar Prize for psychoanalytic writing, the Taylor and Francis Prize for Psychoanalytic writing, and the Homi Bhabha Fellowship.The interviewer is Psychoanalyst and Writer, Ashis Roy, New Delhi. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the nineteenth century, the complex cultural meaning of hair was not only significant—it could affect one’s place in society. After the Civil War, hairdressing was a growing profession and the hair industry a mainstay of local, national, and international commerce.In Beyond Vanity: The History and Power of Hairdressing (MIT Press, 2024), Elizabeth L. Block expands the nascent field of hair studies by restoring women’s hair as a cultural site of meaning in the early United States. With a special focus on the places and spaces in which the industry operated, Block argues that the importance of hair has been overlooked due to its ephemerality as well as its misguided association with frivolity and triviality. Using methods of visual and material culture studies informed by concepts of cultural geography, Block identifies multiple substantive categories of place and space within which hair had pronounced impact. These include the preparatory places of the bedroom, hair salon, and enslaved peoples’ quarters, as well as the presentation spaces of parties, fairs, stages, and workplaces.Here are also the untold stories of business owners, many of whom were women of color, and the creators of trendsetting styles such as the pompadour and Gibson Girl bouffant. Block’s groundbreaking study examines how race and racism affected who participated in the presentation and business of hair, and according to which standards. The result of looking closely at the places and spaces of hair is a reconfiguration that allows a new understanding of its immense cultural power.Block reveals many shocking and illuminating truths about hairdressing—including that men’s pomades in the early 19th Century were often made with bear’s grease, lard, or mutton fat; or that plant-based hair dyes in the same time period were often supplemented with lead or sulphuric acid.Despite the shocking nature of some of these previous practices, Block displays throughout Beyond Vanity that hairdressing was anything but frivolous. Rather, it reveals “the salient ways the practices, labor, maintenance, and presentation of hairstyles claimed substantial amounts of place, space, and time.” Learn more about your ad choices. Visit megaphone.fm/adchoices

"Herta Müller should share her Nobel with the Securitate." This comment by a former officer in the Romanian secret police, or Securitate, was in reaction to hearing that Müller, a German writer originally from Romania, had won the 2009 Nobel Prize for Literature. Communist Romania's infamous secret police was indeed a protagonist in Müller's work, though an undesired and dreaded one: most of her writings are deeply and explicitly anchored in Ceaușescu's Romania and her own traumatic experiences with the Securitate. Müller's file traces her surveillance from 1983 until after she emigrated to West Germany in 1987. She has written extensively in reaction to reading her file, but primarily addresses its gaps, begging the question what information the file does in fact contain.The Secret Police Dossier of Herta Müller: A "File Story" of Cold War Surveillance (Camden House, 2023) is an in-depth investigation of Müller's file, and engages with other related files, including that of her then-husband, the writer Richard Wagner. Valentina Glajar treats the files as primary sources in order to re-create the story of Müller's surveillance by the Securitate. In such an intrusive culture of surveillance, surviving the system often meant a certain degree of entanglement: for victims, collaborators, and implicated subjects alike. Veiled in secrecy for decades, these compelling and complex documents shed light on a boundary between victims and perpetrators as porous as the Iron Curtain itself. Learn more about your ad choices. Visit megaphone.fm/adchoices

What queens would England have had if firstborn daughters, not firstborn sons, had inherited the throne? In Regina: The Queens Who Could Have Been (The History Press, 2024), Emily Murdoch Perkins investigates.We may think of princesses as dutiful and elegant, wearing long flowing dresses, but the eldest daughters of England’s kings have been very different. Political intriguers. Abducted nuns who demanded divorces. Murderers.It’s time we rediscovered the politicians we lost, the masterminds we see negotiating nunneries not armies, the personalities shining brilliantly even hundreds of years later: the queens who should have been.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Timely and thought-provoking, Nancy Reddy's The Good Mother Myth: Unlearning Our Bad Ideas About How to Be a Good Mom unpacks and debunks the bad ideas that have for too long defined what it means to be a "good" mom. When Nancy Reddy had her first child, she found herself suddenly confronted with the ideal of a perfect mother—a woman who was constantly available, endlessly patient, and immediately invested in her child to the exclusion of all else. Reddy had been raised by a single working mother, considered herself a feminist, and was well on her way to a PhD. Why did doing motherhood "right" feel so wrong? For answers, Reddy turned to the mid-20th century social scientists and psychologists whose work still forms the basis of so much of what we believe about parenting. It seems ludicrous to imagine modern moms taking advice from midcentury researchers. Yet, their bad ideas about so-called “good” motherhood have seeped so pervasively into our cultural norms. In The Good Mother Myth, Reddy debunks the flawed lab studies, sloppy research, and straightforward misogyny of researchers from Harry Harlow, who claimed to have discovered love by observing monkeys in his lab, to the famous Dr. Spock, whose bestselling parenting guide included just one (1!) illustration of a father interacting with his child. This timely and thought-provoking book will make you laugh, cry, and want to scream (sometimes all at once). Blending history of science, cultural criticism, and memoir, The Good Mother Myth pulls back the curtain on the flawed social science behind our contemporary understanding of what makes a good mom.This interview was conducted by Dr. Shui-yin Sharon Yam, author of the new book Doing Gender Justice: Queering Reproduction, Kin, and Care (Johns Hopkins University Press).  Learn more about your ad choices. Visit megaphone.fm/adchoices

At War with Women: Military Humanitarianism and Imperial Feminism in an Era of Permanent War (Cornell University Press, 2023) by Jennifer Greenburg reveals how post-9/11 politics of gender and development have transformed US military power. In the mid-2000s, the US military used development as a weapon as it revived counterinsurgency in Iraq and Afghanistan. The military assembled all-female teams to reach households and wage war through development projects in the battle for "hearts and minds." Despite women technically being banned from ground combat units, the all-female teams were drawn into combat nonetheless. Based on ethnographic fieldwork observing military trainings, this book challenges liberal feminist narratives that justified the Afghanistan War in the name of women's rights and celebrated women's integration into combat as a victory for gender equality.Dr. Jennifer Greenburg critically interrogates a new imperial feminism and its central role in securing US hegemony. Women's incorporation into combat through emotional labor has reinforced gender stereotypes, with counterinsurgency framing female soldiers as global ambassadors for women's rights. This book provides an analysis of US imperialism that keeps the present in tension with the past, clarifying where colonial ideologies of race, gender, and sexuality have resurfaced and how they are changing today.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

The early twentieth century was a particularly tumultuous time in Chinese history, complete with new conflicts, new technologies, and — as Portrayals of Women in Early Twentieth-Century China: Redefining Female Identity through Modern Design and Lifestyle (Amsterdam University Press, 2024) shows — new ways to represent women. Portrayals of Women in Early Twentieth-Century China by Sandy Ng looks at how women were portrayed in advertisements, photographs, and film in Republican China, all against the backdrop of the rise of print and visual media and debates over the role and image of “modern” women. This book argues that visual portrayals of women not only displayed women, but that such modern images of women allowed women to assert their own individual identities. Filled with images from collections in the UK, Hong Kong, and the United States, this book is sure to interest readers curious about modern Chinese history and the history of design, as well as anyone looking to be inspired by art and material culture. Interested listeners should also keep an eye out for Sandy's next project: The Dynamics of Modern Asian Design-Material Culture and Social Agency, co-edited with Dr.Megha Rajguru (Bloomsbury Publishing, 2025): “Focusing on the 20th century onwards, this book brings to light the ways in which design as a material form has underscored cultural, social and economic changes across Asia. The Dynamics of Modern Asian Design provides a deeper and more enhanced understanding of material culture in Asia through analysis of examples of ceramics, electronic items, fashion, furniture, interior design, architecture and ornaments from across countries such as China, Hong Kong, India, Japan and South Korea. Authors explore the production of objects as agents in modern material life, moving beyond their roles as commodities and addressing their values in a range of contexts and subjectivities. Early chapters explore how ceramics and found objects are given innovative forms and meanings in their reincarnation, and how the reinvention of material is critical when design is produced and valued. Authors look at the intricate correlation between materials, design practice and social change, highlighting issues of cultural authenticity and tensions between local and global contexts. They then interrogate the significance of visual appearance in material representations of modern women and religious artefacts, exploring gender and religious representation through the analysis of magazines, statues and objects of adornment. The final section includes analysis of concrete, urban design and electrical appliances, specific to particular cultural and social contexts across modern and contemporary Asian cultures.” Learn more about your ad choices. Visit megaphone.fm/adchoices