
New Books in Women's History
Discussions with scholars of women's history about their new books
Latest episodes

Oct 3, 2024 • 34min
Deepa Das Acevedo, "The Battle for Sabarimala: Religion, Law, and Gender in Contemporary India" (Oxford UP, 2024)
The Battle for Sabarimala: Religion, Law, and Gender in Contemporary India (Oxford UP, 2024) tells the story of one of contemporary India’s most contentious disputes: a long-running struggle over women’s access to the Hindu temple at Sabarimala. In 2018, the Indian Supreme Court ruled that the temple, which had traditionally been forbidden to women aged ten to fifty because their presence offended the presiding deity, was required to open its doors to all Hindus. The decision in Indian Younger Lawyers Association rocked the nation: protests were launched around India and throughout the diaspora, a record-setting human chain called the ‘Women’s Wall’ was coordinated, and dozens of petitions were filed asking the Supreme Court to review, and potentially reverse, its landmark opinion. Perhaps most significantly, IYLA led the Court to openly reconsider the Essential Practices Doctrine that has been a mainstay of Indian religious freedom jurisprudence since 1954. In this first monograph-length study of the dispute, legal anthropologist Deepa Das Acevedo draws on ethnographic fieldwork, legal analysis, and media archives to tell a multifaceted narrative about the ‘ban on women’. Reaching as far back as the eighteenth century, when the relationship between temple deities and the government was transformed by an ambitious precolonial ruler, and coming up to the litigation delays caused by the coronavirus pandemic, Das Acevedo reveals the complexities of the dispute and the constitutional framework that defines it. That framework, Das Acevedo argues, reflects two distinct conceptions of religion-state relations, both of which have emerged at various stages in the—still unresolved—battle for Sabarimala. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sep 28, 2024 • 48min
Inger Sigrun Bredkjær Brodey, "Jane Austen and the Price of Happiness" (Johns Hopkins UP, 2024)
How did Jane Austen become a cultural icon for fairy-tale endings when her own books end in ways that are rushed, ironic, and reluctant to satisfy readers' thirst for romance? In Jane Austen and the Price of Happiness (Johns Hopkins University Press, 2024), Austen scholar Dr. Inger Sigrun Bredkjær Brodey journeys through the iconic novelist's books in the first full-length study of Austen's endings. Through a careful exploration of Austen's own writings and those of the authors she read during her lifetime—as well as recent cultural reception and adaptations of her novels—Brodey examines the contradictions that surround this queen of romance.Dr. Brodey argues that Austen's surprising choices in her endings are an essential aspect of the writer's own sense of the novel and its purpose. Austen's fiercely independent and deeply humanistic ideals led her to develop a style of ending all her own. Writing in a culture that set a monetary value on success in marriage and equated matrimony with happiness, Austen questions these cultural norms and makes her readers work for their comic conclusions, carefully anticipating and shaping her readers' emotional involvement in her novels.Providing innovative and engaging readings of Austen's novels, Jane Austen and the Price of Happiness traces her development as an author and her convictions about authorship, novels, and the purpose of domestic fiction. In a review of modern film adaptions of Austen's work, the book also offers new interpretations while illustrating how contemporary ideas of marriage and happiness have shaped Austen's popular currency in the Anglophone world and beyond.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sep 28, 2024 • 60min
Jennifer Mooney, "Feminist Discourse in Irish Literature: Gender and Power in Louise O'Neill's Young Adult Fiction" (Routledge, 2022)
Feminist Discourse in Irish Literature: Gender and Power in Louise O'Neill's Young Adult Fiction (Routledge, 2022) addresses the role of YA Irish literature in responding and contributing to some the most controversial and contemporary issues in today's modern society: gender, and conflicting views of power, sexism, and consent. This volume provides an original, innovative, and necessary examination of how "rape culture" and the intersections between feminism and power have become increasingly relevant to Irish society in the years since Irish author Louise O'Neill's novels for young adults Only Ever Yours and Asking for It were published. In consideration of the socio-political context in Ireland and broader Western culture from which O'Neill's works were written, and taking into account a selection of Irish, American, Australian and British YA texts that address similar issues in different contexts, this text highlights the contradictions in O'Neill's works and illuminates their potential to function as a form of literary/social fundamentalism which often undermines, rather than promotes, equality. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sep 26, 2024 • 50min
Charmian Mansell, "Female Servants in Early Modern England" (Oxford UP, 2024)
Charmian Mansell joins Jana Byars to talk about Female Servants in Early Modern England (Oxford University Press, 2024). What was it like to be a woman in service in early modern England? Drawing on evidence recorded in church court testimony, Mansell excavates experiences of over a thousand female servants between 1532 and 1649. Intervening in histories of labour, gender, freedom, law, migration, youth, and community, Female Servants in Early Modern England rethinks traditional scholarship of servant institution. De-coupling 'household' and 'service', it highlights the importance of female servants' labour to the wider economy and their key role in broader social networks and communities, despite their high mobility. Moving beyond regulatory codes of service prescribed by law and conduct literature, Mansell reveals the varied experiences of these women in service, both fluid and contingent: in early modern England, service (and the freedoms it allowed) was in flux.This book is available open access here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sep 26, 2024 • 1h 25min
Karen Bauer and Feras Hamza, "Women, Households, and the Hereafter in the Qur'an: A Patronage of Piety" (Oxford UP/Institute of Ismaili Studies, 2023)
In their book Women, Households, and the Hereafter in the Qur’an: A Patronage of Piety (Oxford UP/Institute of Ismaili Studies, 2024), Karen Bauer and Feras Hamza make a compelling and thought-provoking argument about the role of everyday life in the Qur’an. They aptly demonstrate that the idea of households and women is integral to the salvific message of the Qur’an, to the Qur’an’s understanding of piety and morality, and to Islamic theology. By doing this, the book also makes an important case for the limitations of applying modern ideals and frameworks to the Qur’an, given the 7th century context that sets the stage for the social structures in the text. For instance, the social arrangement of the 7th century community, of the broader society, was reciprocal and inherently set up certain people to be disadvantaged. But that set-up necessitated a focus on piety and morality that would ensure that the privileged protect the marginalized. Yet, the equality component is significant: as Feras Hamza explains in this interview, in the patronage of piety, currency is piety “and the payout is the reward in the afterlife, and once the currency is piety, not material, then everyone can participate.” In other words, since piety is available to everyone, it becomes emancipatory for everyone.What’s unique about this book isn’t simply that the authors make discoveries about the Qur’an’s transformative and emancipatory message about people and communities who are marginalized and vulnerable, which many other scholars have already highlighted; but the main contribution of this book is the way that it shows the equal moral agency of women and men by narrating the developmental story of the Qur’an. Women aren’t simply a separate subject, aside from the Qur’an, but are integral to the developmental story of the Qur’an. For instance, the authors highlight some of the major developments from the early to later Meccan surahs, where women become pious subjects in their own right, to early and later Medinan surahs, where women’s moral agency comes to its fruition, as seen in linguistics shifts. This idea of the developmental narrative of the Qur’an is a key point in the book and in the interview: Bauer and Hamza consistently show that the moral thread of the Qur’an stays the same, which is that life is a moral test, but its specifics change, evolving from being less nuanced in early Meccan surahs to more so in Medinan ones. Women are related to the theology, to Muhammad, to morality, to ethics, to law. As the authors point out, the Qur’an’s purpose of including so many verses on marriage and women is that these issues are clearly connected to larger questions of morality and especially moral agency. The subject of women and the everyday life therefore cannot be isolated from these other categories. The Qur’an is all daily life, and daily life is connected to the hereafter.In this interview, we discuss dissonances between the tradition and the Qur’an and the harms of taking Qur’anic verses in isolation. The authors explain why they believe that households and daily life haven’t really been associated with Qur’anic piety and the sacred realm in the study of the Qur’an before. They discuss in detail the idea of the developmental narrative that emerges from their study. We end with the authors’ idea that, to quote them, “women’s agency did not undermine the Qur’anic patriarchy but was constructed from within it” (p 359), as they explain what this might mean for our world today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sep 24, 2024 • 40min
Jane Little Botkin, "The Pink Dress: A Memoir of a Reluctant Beauty Queen" (She Writes Press, 2024)
Growing up in West Texas, Jane Little Botkin didn’t have designs on becoming a beauty queen. But not long after joining a pageant on a whim in college, she became the first protégé of El Paso’s Richard Guy and Rex Holt, known as the “Kings of Beauty”—just as the 1970’s counterculture movement began to take off.A pink, rose-covered gown—a Guyrex creation—symbolizes the fairy tale life that young women in Jane’s time imagined beauty queens had. Its near destruction exposes reality: the author’s failed relationship with her mother, and her parents’ failed relationship with one another. Weaving these narrative threads together is the Wild West notion that anything is possible, especially do-overs.The Pink Dress: A Memoir of a Reluctant Beauty Queen (She Writes Press, 2024) awakens nostalgia for the 1960s and 1970s, the era’s conflicts and growth pains. A common expectation that women went to college to get “MRS” degrees—to find a husband and become a stay-at-home wife and mother—often prevailed. How does one swim upstream against this notion among feminist voices that protest “If You Want Meat, Go to a Butcher!” at beauty pageants, two flamboyant showmen, and a developing awareness of self? Torn between women’s traditional roles and what women could be, Guyrex Girls evolved, as did the author. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sep 23, 2024 • 41min
Francis Stevens, "The Heads of Cerberus and Other Stories" (MIT Press, 2024)
When three people in Philadelphia inhale dust developed by a scientist who has discovered parallel universes, they are transported into an interdimensional no-man's-land that is populated by supernatural beings. From there, they go on to an alternate-future version of Philadelphia—a frightening dystopian nation-state in which citizens are numbered, not named. How will they escape? In The Heads of Cerberus and Other Stories (MIT Press, 2024), introduced by Dr. Lisa Yaszek, you will find this world-bending story as well as five others written by Francis Stevens, the pseudonym of Gertrude Barrows Bennett, a pioneering science fiction and fantasy adventure writer from Minneapolis who made her literary debut at the precocious age of 17.Often celebrated as “the woman who invented dark fantasy,” Bennett possessed incredible range; her groundbreaking stories—produced largely between 1904 and 1919—suggest that she is better understood as the mother of modern genre fiction writ large. Bennett's work has anticipated everything from the work of Philip K. Dick to Superman comics to The Hunger Games, making it as relevant now as it ever was.Francis Stevens (Gertrude Barrows Bennett, 1884-1948) was the first American woman to publish widely in fantasy and science fiction. Her five short stories and seven longer works of fiction, all of which appeared in pulp magazines such as Argosy, All-Story Weekly, and Weird Tales, would influence everyone from H.P Lovecraft to C.L. Moore.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sep 23, 2024 • 1h 15min
Emily Carman, "Independent Stardom: Freelance Women in the Hollywood Studio System" (U Texas Press, 2016)
During the heyday of Hollywood’s studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman’s new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood’s best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood’s patriarchal structure.Through extensive, original archival research, Independent Stardom: Freelance Women in the Hollywood Studio System (U Texas Press, 2016) uncovers this hidden history of women’s labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry.Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sep 21, 2024 • 53min
Felia Allum, "Women of the Mafia: Power and Influence in the Neapolitan Camorra" (Cornell UP, 2024)
Women of the Mafia: Power and Influence in the Neapolitan Camorra (Cornell UP, 2024) by Dr. Felia Allum dives into the Neapolitan criminal underworld of the Camorra as seen and lived by the women who inhabit it. It tells their life stories and unpacks the gender dynamics by examining their participation as active agents in the organisation as leaders, managers, foot soldiers, and enablers. Felia Allum shows that these women are true partners in crime.The author offers an innovative interdisciplinary analysis that demystifies the notion that the Camorra is a sexist, male-centric organisation. She links her analysis of Camorra culture within the wider Neapolitan context to show how mothers and women act and are treated in the private sphere of the household and how the family helps explain the power women have found in the Neapolitan Camorra.It is civil society and law enforcement agencies that continue to see the Camorra using traditional gender assumptions which render women irrelevant and lacking independent agency in the criminal underworld. In Women of the Mafia, Allum debunks these assumptions by revealing the power and influence of women in the Camorra.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sep 21, 2024 • 47min
Aideen O’Shaughnessy, "Embodying Irish Abortion Reform: Bodies, Emotions, and Feminist Activism" (Bristol UP, 2024)
Dr. Aideen O'Shaughnessy is a Senior Lecturer in Sociology at the University of Lincoln. She has a PhD in Sociology from the University of Cambridge, an MA in Gender Studies Research from Utrecht University and a BA in Sociology and French at Trinity College Dublin. Her research focuses on gender, health, and social movements and she is particularly interested in the study of reproductive health, rights, and justice. She has published widely in journals including Body and Society, the European Journal of Women's Studies, and the BMJ Sexual and Reproductive Health.Embodying Irish Abortion Reform: Bodies, Emotions, and Feminist Activism (Bristol UP, 2024) explores the lived, embodied and affective experiences of reproductive rights activists living under, and mobilizing against, Ireland’s constitutional abortion ban.Through qualitative research and in-depth interviews with activists, the author exposes the subtle influence of the 8th Amendment on Irish women and their (reproductive) bodies, whether or not they have ever attempted to access a clandestine abortion.It explains how the everyday embodied practices, bodily labours and affective experiences of women and gestating people were shaped by the 8th amendment and through the need to ‘prepare’ for crisis pregnancies. In addition, it reveals the integral role of women’s bodies and emotions in changing the political and social landscape in Ireland, through the historical transformation of the country’s abortion laws. Learn more about your ad choices. Visit megaphone.fm/adchoices