New Books in Women's History

Andrea L. Turpin is an Associate Professor of History at Baylor University. Her book, A New Moral Vision: Gender, Religion and the Changing Purposes of American Higher Education, 1837-1917 (Cornell University Press, 2017), begins with the early institutions of higher learning and the contest over the idea of separate and unique education. She examines the gender history of both private and state colleges. Evangelical Protestant commitments to personal conversions and missions fuel women’s higher education beyond rudimentary instructions preparing them for domestic life. The objective was a godly social order based on the individual relationship with God. After the Civil War the influence of religious liberals, increased emphasis on research and growing demands for women’s education instigated a reevaluation of the university’s role in moral preparation. Separate men’s, women’s and co-education institutions multiplied and moved toward seeking the public good in sex-specific ways. Women trained for social service professions; men for government and institutional leadership. The shift away from personal piety to gendered character formation and service to nation created increasingly rigid notions of separate male and female cultures in the public life of the Progressive Era. Turpin’s examination highlights the role of higher education in constructing the moral and gender map of a nation.Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her current book project is entitled The World Come of Age: An Intellectual History of Liberation Theology. Learn more about your ad choices. Visit megaphone.fm/adchoices

What are your impressions when you think of the flapper? Who is she in your mind? When and where does she exist?In her new book Lost Girls: The Invention of the Flapper (Reaktion Books, 2017), Linda Simon tracks the historical narrative surrounding the flapper from the late-nineteenth century into the early decades of the twentieth century. Using sources from popular culture and from people of the time, Simon asserts that the image of the flapper did not appear out of a single historical moment but rather was invented over the decades. The flapper did not limit its impact to fashion and women’s attitudes, but also intersected with debates about race, immigration, politics, and the like. Simon’s book is an excellent and very accessible narrative on the flapper and will be of interest to anyone fascinated with gender and the history of the late-nineteenth to early-twentieth century.Linda Simon is professor emerita of English at Skidmore College. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Charles de Gaulle issued his famous call in June 1940 for the French people to continue fighting Nazi Germany, among those within Occupied France who took up the cause was his young niece Genevieve. In The General’s Niece: The Little Known de Gaulle Who Fought to Free Occupied France (Chicago Review Press, 2017), Paige Bowers tells the story of her life, one lived in perilous times. The daughter of Charles’s oldest brother Xavier, when war broke out Genevieve found herself buffeted by the dislocations that resulted. In the aftermath of the German conquest, she moved from small acts of individual defiance to full participation in the burgeoning Resistance movement, where she helped to educate her countrymen about her previously obscure uncle. Though her possession of the de Gaulle name often drew unwanted attention from the Occupation authorities, she found daring ways to use it to her advantage. Genevieve’s arrest in June 1943 led to her detention in the Ravensbruck concentration camp, an experience which as Bowers shows fueled her postwar activities on behalf of her fellow Resistance detainees, as well as her subsequent activism to fight to end chronic poverty. Learn more about your ad choices. Visit megaphone.fm/adchoices

By drawing on a vast, never-utilized trove of archival materials along with oral histories, choreographic analysis, and embodied research, Katherine Dunham: Dance and the African Diaspora (Oxford University Press, 2017) offers new insight about how this remarkable woman built political solidarity through the arts. One of the most important dance artists of the twentieth century, dancer and choreographer Katherine Dunham (1909-2006) created works that thrilled audiences the world over. As an African American woman, she broke barriers of race and gender, most notably as the founder of an important dance company that toured the United States, Latin America, Europe, Asia, and Australia for several decades. The author makes the argument that Dunham was more than a dancer she was an intellectual and activist committed to using dance to fight for racial justice. Dunham saw dance as a tool of liberation, as a way for people of African descent to reclaim their history and forge a new future. She put her theories into motion not only through performance, but also through education, scholarship, travel, and choices about her own life.The book examines how Dunham struggled to balance artistic dreams, personal desires, economic needs, and political commitments in the face of racism and sexism. Katherine Dunham: Dance and the African Diaspora analyzes Dunham’s multiple spheres of engagement, assessing her dance performances as a form of black feminist protest while also presenting new material about her schools in New York and East St. Louis, her work in Haiti, and also traces Dunham’s influence over the course of several decades from the New Negro Movement of the 1920s to the Black Power Movement of the late 1960s and beyond.Dance historian Joanna Dee Das is a dancer, a scholar, and an Assistant Professor of Dance at Washington University in St. Louis. She is passionate about teaching dance history from a global perspective and linking theory and practice in the classroom. Her research interests include dance in the African Diaspora, musical theater dance, the politics of performance in the twentieth century, and urban cultural policy. She received her Ph.D. in History from Columbia University, her M.A. in American Studies, from New York University, and her undergraduate degree in Dance and History, also from Columbia University. Her writing has appeared in Dance Research Journal, Journal of American History, Journal of African American History, Journal of Urban History, and Studies in Musical Theatre. This is her first book.James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his LinkedIn page or at james.stancil@intellectuwell.org.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this podcast I talk with Tracy A. Thomas about her book Elizabeth Cady Stanton and the Feminist Foundations of Family Law (New York University Press, 2016). Professor Thomas is the John F. Seiberling Chair of Constitutional Law and Director of the Constitutional Law Center at the University of Akron School of Law. She is also editor of the Gender and the Law Prof Blog. Learn more about your ad choices. Visit megaphone.fm/adchoices

How do women experience and participate in Metal?This question forms the core of Gender, Metal and the Media: Women Fans and the Gendered Experience of Music (Palgrave Macmillan 2016), the new book from Rosemary Lucy Hill, a lecturer in sociology at the University of Leeds. Hill’s book is both empirically detailed, drawing on analysis of Metal media, and theoretically rich, engaging with a range of work on music and gender. The book outlines the imagined community of Metal, thinking through the myths underpinning that community. By exploring myths of equality and authenticity, along with the problematic tropes of “warriors” and “groupies,” the analysis makes clear the gendered tensions of Metal fandom.The book concludes with some thoughts on how to build a new cultural vision for Metal, which will realize the promise of egalitarianism offered in much of the community and in the music. It will be essential reading across sociology, music, and media studies, as well as for all Metalheads too. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Denying Her Voice: The Figure of Miriam in Ancient Jewish Literature (Vandenhock and Ruprecht, 2016) Hanna Tervanotko first analyzes the treatment and development of Miriam as a literary character in ancient Jewish texts, taking into account all the references to this figure preserved in ancient Jewish literature from the exilic period to the early second century C.E.: Exodus 15:20-21; Deuteronomy 24:8-9; Numbers 12:1-15; 20:1; 26:59; 1 Chronicles 5:29; Micah 6:4, the Septuagint, the Dead Sea Scrolls (4Q365 6 II, 1-7; 4Q377 2 I, 9; 4Q543 1 I, 6 = 4Q545 1 I, 5; 4Q546 12, 4; 4Q547 4 I, 10; 4Q549 2, 8), Jubilees 47:4; Ezekiel the Tragedian 18; Demetrius Chronographer frag. 3; texts by Philo of Alexandria: De vita contemplativa 87; Legum allegoriae 1.76; 2.66-67; 3.103; De agricultura 80-81; Liber antiquitatum biblicarum 9:10; 20:8, and finally texts by Josephus: Antiquitates judaicae 2.221; 3.54; 3.105; 4.78.These texts demonstrate that the picture of Miriam preserved in the ancient Jewish texts is richer than the Hebrew Bible suggests. The results provide a contradictory image of Miriam. On the one hand she becomes a tool of Levitical politics, whereas on the other she continues to enjoy a freer role. People continued to interpret earlier literary traditions in light of new situations, and interpretations varied in different contexts. Second, in light of poststructuralist literary studies that treat texts as reflections of specific social situations, Tervanotko argues that the treatment of Miriam in ancient Jewish literature reflects mostly a reality in which women had little space as active agents. Despite the general tendency to allow women only little room, the references to Miriam suggest that at least some prominent women may have enjoyed occasional freedom.Phillip Sherman is Associate Professor of Religion at Maryville College in Maryville, TN. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her inspiring new book, Muslim Women’s Quest for Justice: Gender, Law and Activism in India (Cambridge University Press, 2017), Mengia Hong Tschalaer charts the strivings and creative struggles of Muslim women’s organizations in contemporary North India for gender justice. Carefully historicized and brimming with nuanced analysis, this book shows the discursive and political strategies through which overlapping and at times competing women’s organizations navigate a contested and complicated public sphere, as they seek to curate a gender emancipatory understanding of Islam. The major strength of this book is the way it presents a vivid picture of the quest for gender justice on the ground, leavened by such critical processes as the composition of gender-just nikah-namas. This important book will engage the interests of a range of scholars and courses on Islam, gender, South Asia, and Islamic law and society.SherAli Tareen is Assistant Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available at https://fandm.academia.edu/SheraliTareen/. He can be reached at stareen@fandm.edu. Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Dorothy Sterling wrote her book about nineteenth-century black women in America, she stated in the introduction that the book was not a definitive history of black women but a sourcebook to lead others to “compile a complete history.” And while a complete history of black women has not yet been written, T. Denean Sharpley-Whiting has added to the history of black women in Bricktop’s Paris: African American Women in Paris Between the Two World Wars and The Autobiography of Ada Bricktop Smith, or Miss Baker Regrets (SUNY Press, 2015). Sharpley-Whiting does two things with this book; she appeals to the scholar and the mystery reader. The first part of the book captures the multi-life history of twenty-five African American women who lived in Paris as artists, singers, club owners, poets, and writers. Sharpley-Whiting’s stories illustrate how travel and place were transformative for black women despite the length of their stay in Paris. She says, “the book is a moment in time.” In this book, we get to go into that world, a world where they were honored and treated not by the color of their skin, but by their talents. We get to meet many different women along the way. Some stayed for a long time, while others could only stay several months before returning back to the United States. By the end of the 1930s, their time was over.The second part of Bricktop’s Paris is a noir mystery, titled The Autobiography of Ada Bricktop Smith, or Miss Baker Regrets. Sharpley-Whiting illuminates the lines of fact and fiction in the autobiography of Ada Bricktop Smith. The novel explores the black and feminine perspective of image, self-possession, and self-exhibition. The novel takes us to Paris with black American women in salons and saloons crossing boundaries with purpose, and discovering they are the wealth of the nation. Josie Baker and Bricktop what are they up to? And who did it?Bricktop’s Paris was an American Library in Paris Book Award Long List selection and a Choice 2015 Outstanding Academic Title. Sharpley-Whiting is the Gertrude Conaway Vanderbilt Distinguished Professor of African American and Diaspora Studies and French at Vanderbilt University where she also chairs African American and Diaspora Studies and directs the Callie House Center for the Study of Global Black Cultures and Politics. She publishes an academic murder mystery series under the nom de plume Tracy Whiting. She also teaches a course on Detective Fiction at Vanderbilt. The first novel, an academic cozy-thriller set in the South of France with Professor Havilah Gaie, is titled The 13thFellow: A Mystery in Provence (BooksbNimble Press, May 2015). She has completed the second mystery in this series, Paris A-Go-Go (Books nimble Press, forthcoming 2016), and is currently at-work on a scholarly volume, A Quartet in Four French Movements: A Voodoo Queen, A French Romantic, a Poet, and an African Ethnologist, as well as a family history. She is on the Executive Council of the Modern Language Association (2014-2018). Learn more about your ad choices. Visit megaphone.fm/adchoices

Jocelyn Olcott is an associate professor of History and Gender, Sexuality, and Feminist Studies at Duke University. Her book International Women’s Year: The Greatest Consciousness-raising Event in History (Oxford University Press, 2017) examines the genesis of the UN’s 1975 International Women’s Year (IWY) and the two-week conference of NGOs and government officials held in Mexico City. From the planning to the gathering itself there were conflicts regarding what were the significant women’s issues among the worlds geopolitical divides. Cold War competition colored how delegates, often from the same nation, differed in their expectations. Women from third-world nations expressing concern with the status of subsistence labor, gender violence and racism clashed with women from first-world nation’s concern with marketplace and sexual rights. Conservative, liberal, and radical groups competed for attention and the opportunity to influence the official World Plan of Action. In identifying the most pressing concerns global politics and intersectionality experienced by many could not be avoided. Olcott offers insight into the riveting back stories, conflicts, personalities, and enduring legacy of the IWY a pivotal event for what became known as global feminism.Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her current book project is tentatively entitled The World Come of Age: Religion, Intellectuals and the Challenge of Human Liberation forthcoming from Oxford University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices