New Books in Women's History

Artemisia Gentileschi is by far the most famous woman artist of the premodern era. Her art addressed issues that resonate today, such as sexual violence and women’s problematic relationship to political power. Her powerful paintings with vigorous female protagonists chime with modern audiences, and she is celebrated by feminist critics and scholars.Artemisia Gentileschi and Feminism in Early Modern Europe (Reaktion Books, 2020) breaks new ground by placing the artist in the context of women’s political history. Mary D. Garrard, noted Gentileschi scholar, shows that the painter most likely knew or knew about contemporary writers such as the Venetian feminists Lucrezia Marinella and Arcangela Tarabotti. She discusses recently discovered paintings, offers fresh perspectives on known works, and examines the artist anew in the context of feminist history. This beautifully illustrated book gives for the first time a full portrait of a strong woman artist who fought back through her art.Allison Leigh is Assistant Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices

Working Out Desire: Women, Sport, and Self-Making in Istanbul (Syracuse UP, 2020) examines spor merakı as an object of desire shared by a broad and diverse group of Istanbulite women. Sehlikoglu follows the lat­est anthropological scholarship that defines desire beyond the moment it is felt, experienced, or even yearned for, and as something that is formed through a series of social and historical makings. She traces Istanbulite women’s ever-increasing interest in exercise not merely to an interest in sport, but also to an interest in establishing a new self—one that attempts to escape from conventional feminine duties—and an investment in forming a more agentive, desiring, self.Working Out Desire develops a multilayered analysis of how women use spor merakı to take themselves out of the domestic zone physically, emotionally, and also imaginatively.Sehlikoglu pushes back against the conventional boundaries of scholarly interest in Muslim women as pious subjects. Instead, it places women’s desiring subjectivity at its center and traces women’s agentive aspirations in the way they bend the norms which are embedded in the multiple patriarchal ideologies (i.e. nationalism, religion, aesthetics) which operate on their selves.Working out Desire presents the ways in which women’s changing habits, leisure, and self-formation in the Muslim world and the Middle East are connected to their agentive capacities to shift and transform their conditions and socio-cultural capabilities.Sertaç Sehlikoğlu is a Senior Research Associate and Primary Investigator at the Institute for Global Prosperity, University College London.Alize Arıcan is an incoming Postdoctoral Fellow at Rutgers University's Center for Cultural Analysis. She is an urban anthropologist focusing on futurity, care, and migration in Turkey. Her work has been featured in Current Anthropology, City & Society, Radical Housing Journal, and entanglements: experiments in multimodal ethnography. Learn more about your ad choices. Visit megaphone.fm/adchoices

Every porn scene is a record of people at work. But on-camera labor is only the beginning of the story. Porn Work takes readers behind the scenes to explore what porn performers think of their work and how they intervene to hack it. Blending extensive fieldwork with feminist and antiwork theorizing, Porn Work: Sex, Labor, and Late Capitalism (UNC Press, 2021) details entrepreneurial labor on the boundaries between pleasure and tedium. Rejecting any notion that sex work is an aberration from straight work, it reveals porn workers' creative strategies as prophetic of a working landscape in crisis. In the end, it looks to what porn has to tell us about what's wrong with work, and what it might look like to build something better.Rachel Stuart is a sex work researcher whose primary interest is the lived experiences of sex workers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Marianne Hem Eriksen (Associate Professor, School of Archaeology and Ancient History, University of Leicester) speaks with Michèle Hayeur Smith (Research Associate, Haffenreffer Museum of Anthropology, Brown University) about Smith's recent book, The Valkyries’ Loom: The Archaeology of Cloth Production and Female Power in the North Atlantic (University Press of Florida, 2020).Textile production across the north Atlantic rested in the hands of women for centuries. Even the Valkyries participated, although those mythical Norse maidens who collect dead warriors on the battlefield, have been depicted in Njál's Saga, in the poem, The Darraðarljóð --weaving “men’s fates” on a ‘broad loom of Slaughter’. Closely tied with women’s magic and reproductive powers, cloth served as a ‘second skin’ of protection and cultural distinction. The work of spinning yarn and weaving cloth acquired symbolic associations with creation and destruction long ignored by researchers. In this ambitious analysis, Hayeur Smith unites literary, historical, and archaeological sources to investigate both the meaning and the material remains of cloth production across the Norse settlements of the North Atlantic from Scotland to Greenland. She examines the archaeological remains of textiles and weaving technologies, finding evidence that women’s work intersected with family roles, social hierarchies, religious ideals, colonialism, domestic economies and export trade. Incorporating a wide range of methodologies, Hayeur Smith persuasively argues that textiles reveal the remarkable ethnic and technological diversity that characterized communities across the North Atlantic, while changes in production register climate change and social transformation. Women produced vaðmál, cloth currency that provided the foundation of Iceland’s economy from the early medieval era through the seventeenth century. Join us for this conversation about the warp and weft of women’s work across centuries in the Norse world of the North Atlantic. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lydia Harvey was meant to disappear. She was young and working class; she'd walked the streets, worked in brothels, and had no money of her own. In 1910, politicians, pimps, policemen and moral reformers saw her as just one of many 'girls who disappeared'. But when she took the stand to give testimony at the trial of her traffickers, she ensured she'd never be forgotten.In The Disappearance of Lydia Harvey: A True Story of Sex, Crime and the Meaning of Justice (Profile Books, 2021), historian Julia Laite traces Lydia's extraordinary life from her home in New Zealand to the streets of Buenos Aires and safe houses of London. She also reveals the lives of international traffickers Antonio Carvelli and his mysterious wife Marie, the policemen who tracked them down, the journalists who stoked the scandal, and Eilidh MacDougall, who made it her life's mission to help women who'd been abused and disbelieved.Together, they tell an immersive story of crime, travel and sexual exploitation, of lives long overlooked and forgotten by history, and of a world transforming into the 20th centuryPamela Fuentes is an Assistant Professor in the Women’s and Gender Studies Department at Pace University-NYC campus. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Divine, Demonic, and Disordered: Women Without Men in Song Dynasty China (University of Washington Press, 2021), Cheng Hsiao-wen’s monograph looks at the women who are not married or otherwise in relationships with men. Through a wide range of sources, including medical treatises, texts about religious cultivation, hagiographies, tales, and anecdotes, Cheng explores how “manless women” were understood in the Song dynasty. The book’s three sections—focusing on medicals texts, stories of enchantment, and celibate religious women, respectively—consider the meaning of womanhood and the treatment of female bodies when they were not figured as “wives” or “mothers.” But Cheng’s work goes further, using women on the margins to challenge us to think about what we know and how we know it. Learn more about your ad choices. Visit megaphone.fm/adchoices

Bala Saho (Associate Professor, University of Oklahoma) speaks with Naminata Diabate (Associate Professor, Cornell University) about her book, Naked Agency: Genital Cursing and Biopolitics in Africa, published by Duke University Press, in 2020.What provocations are posed by a naked woman’s body? What does it mean to those who see her? And what does it signify for the woman herself, in the moment and in memory? In this book, Naminata Diabate recovers the deep historical roots for women’s embodied agency in political action across the African continent. She examines instances of women’s insurgent disrobing in 23 African countries from 1920-2018 and considers the multivalence of ‘genital cursing’ as a means of protest. Diabate’s intervention incorporates visual arts, narrative films and documentaries, alongside newspaper coverage and literary fiction in many languages, to reconstruct the significance of women’s embodied agency and the threat that nakedness posed to established authorities. Learn more about your ad choices. Visit megaphone.fm/adchoices

All political candidates make strategic choices about how to present themselves to voters but not all candidates have to “weigh decisions about their self-presentation alongside stereotypical tropes, culture norms that denigrate Blackness, and European beauty standards, in addition to the historical legacies of racism, colorism, sexism, and heteropatriarchy.” Sister Style: The Politics of Appearance for Black Women Political Elites (Oxford UP, 2021) interrogates the “everyday politicization of Black women’s bodies and its ramifications for politics.” Hair is not simply hair.Drs. Brown and Lemi use a wide-range of qualitative and quantitative methods, including focus groups with Black women candidates and elected officials to argue that “Black women's political experience and the way that voters evaluate them is shaped overtly by their skin tone and hair texture, with hair being a particular point of scrutiny.” Sister Style explores “what the politics of appearance for Black women means for Black women politicians and Black voters, and how expectations about self-presentation differ for Black women versus Black men, White men, and White women.” For many black women in politics, racist and sexist cultural ideas have been used to “demean and fetishize” them based on their physical appearance. They are oftentimes pressured into changing their appearance to look more like their white female counterparts. But Brown and Lemi highlight the agency of Black women candidates and the book reconceptualizes how “Black women political elites are thought about, assessed, measured, and evaluated.”The book is organized around several questions. What are the origins of the contemporary focus on Black women’s bodies in public life? How do Black women politicians make sense of the politics of appearance? Is there a phenotypic profile in who which most Black women politicians fit? How do voters process the appearances of Black women candidates?Dr. Nadia Brown is an Associate Professor of Political Science and African American Studies at Purdue University. Beginning in July 2021, Dr. Brown will be a professor of Government and director of the Women’s and Gender Studies program at Georgetown University. Dr. Brown is also the author of Sisters in the Statehouse: Black Women and Legislative Decision Making (Oxford, 2014) and editor of three books: Distinct Identities: Minority Women in U.S. Politics (Routledge, 2016), Body Politics (Routledge, 2019), and Me Too Political Science (Routledge, 2019). She edits Politics, Groups, and Identities and is a founding board member of @WomenAlsoKnowStuff. Her most recent public facing publication is “Here’s how to teach Black Lives Matter: We’ve developed a short course” Washington Post’s Monkey Cage with Ray Block, Jr. and Christopher Stout.Dr. Danielle Casarez Lemi is a Tower Center Fellow at the John G. Tower Center for Political Science at Southern Methodist University. Her specialization is representation in American politics with a focus on gender, race, and identity. Her research has appeared in Politics, Groups, and Identities, Du Bois Review, Journal of Race, Ethnicity and Politics, PS: Political Science and Politics, British Journal of Political Science, and Perspectives on Politics.Daniella Campos assisted with this podcast.Susan Liebell is an associate professor of political science at Saint Joseph’s University in Philadelphia. Why Diehard Originalists Aren’t Really Originalists appeared in the Washington Post’s Monkey Cage and “Sensitive Places: Originalism, Gender, and the Myth Self-Defense in District of Columbia v. Heller” can be found in July 2021’s Polity. Email her comments at sliebell@sju.edu or tweet to @SusanLiebell. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jamaica Ladies: Female Slaveholders and the Creation of Britain's Atlantic Empire (Omohundro Institute/University of North Carolina Press, 2020) is the first systematic study of the free and freed women of European, Euro-African, and African descent who perpetuated chattel slavery and reaped its profits in the British Empire. Their actions helped transform Jamaica into the wealthiest slaveholding colony in the Anglo-Atlantic world. Starting in the 1670s, a surprisingly large and diverse group of women helped secure English control of Jamaica and, crucially, aided its developing and expanding slave labor regime by acquiring enslaved men, women, and children to protect their own tenuous claims to status and independence. Female colonists employed slaveholding as a means of advancing themselves socially and financially on the island. By owning others, they wielded forms of legal, social, economic, and cultural authority not available to them in Britain. In addition, slaveholding allowed free women of African descent, who were not far removed from slavery themselves, to cultivate, perform, and cement their free status. Alongside their male counterparts, women bought, sold, stole, and punished the people they claimed as property and vociferously defended their rights to do so. As slavery's beneficiaries, these women worked to stabilize and propel this brutal labor regime from its inception.Christine Walker is assistant professor of history at Yale-NUS College in Singapore.Jerrad P. Pacatte is a doctoral candidate and School of Arts and Sciences Excellence Fellow in the Department of History at Rutgers University-New Brunswick. His research and teaching interests examine the lives, labors, and emancipation experiences of African and African American women in early America.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Social media has become the front-and-center arena for feminist activism. Responding to and enacting the political potential of pain inflicted in acts of sexual harassment, violence, and abuse, Asian American and Asian Canadian feminist icons such as rupi kaur, Margaret Cho, and Mia Matsumiya have turned to social media to share their stories with the world. But how does such activism reconcile with the platforms on which it is being cultivated, when its radical messaging is at total odds with the neoliberal logic governing social media?Pain Generation: Social Media, Feminist Activism, and the Neoliberal Selfie (NYU Press, 2021) troubles this phenomenon by articulating a "neoliberal self(ie) gaze" through which these feminist activists see and storify the self on social media as "good" neoliberal subjects who are appealing, inspiring, and entertaining. This book offers a fresh perspective on feminist activism by demonstrating how the problematic neoliberal logic governing digital spaces like Instagram and Twitter limits the possibilities of how one might use social media for feminist activism.Rachel Stuart is a sex work researcher whose primary interest is the lived experiences of sex workers. Learn more about your ad choices. Visit megaphone.fm/adchoices