New Books in Women's History

In Faith in Freedom: Muslim Immigrant Women’s Experiences of Domestic Violence (Melbourne University Press, 2019), Nafiseh Ghafournia explores questions of domestic violence in the context of Muslim immigrant women in Australia. Aiming to correct existing accounts of Muslim women’s lives and experiences particularly as immigrants, the study uses an intersectional framework to deepen our understanding of the ways that immigrant Muslim women understand, experience, and respond to domestic violence. Among the themes that the book covers are the relationships between culture, religion, gender, and immigration status in the context of domestic violence; why and when, if at all, might women leave abusive relationships; the various kinds of domestic violence that immigrant Muslim women experience, including physical, psychological, financial, spiritual, sexual, in-laws, and immigration-related violence; services available to victims and survivors of abuse; and essential information for service providers and policy makers.The book will appeal to anyone interested in immigrant experiences, domestic violence from an intersectional perspective, Muslim women; and because of its practical value, it should also be read by service providers, policymakers, ESL educators, and others who interact with immigrants on a regular basis.Shehnaz Haqqani is an Assistant Professor of Religion at Mercer University. She earned her PhD in Islamic Studies with a focus on gender from the University of Texas at Austin in 2018. Her dissertation research explored questions of change and tradition, specifically in the context of gender and sexuality, in Islam. She is currently working on a book project on Muslim women's marriage to non-Muslims in Islam. Shehnaz runs a YouTube channel called What the Patriarchy?!, where she vlogs about feminism and Islam in an effort to dismantle the patriarchy and uproot it from Islam (ambitious, she knows). She can be reached at haqqani_s@mercer.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

In post-World War II Canada, black women’s positions within the teaching profession served as sites of struggle and conflict as the nation worked to address the needs of its diversifying population. From their entry into teachers’ college through their careers in the classroom and administration, black women educators encountered systemic racism and gender barriers at every step. So they worked to change the system.Using oral narratives to tell the story of black access and education in Ontario between the 1940s and the 1980s, Schooling the System provides textured insight into how issues of race, gender, class, geographic origin, and training shaped women’s distinct experiences within the profession. In Schooling the System: A History of Black Women Teachers (McGill-Queen's UP, 2021), Funké Aladejebi illustrates that black women, as a diverse group, made vital contributions to the creation and development of anti-racist education in Canada. As cultural mediators within Ontario school systems, these women circumvented subtle and overt forms of racial and social exclusion to create resistive teaching methods that centred black knowledges and traditions. Within their wider communities and activist circles, they fought to change entrenched ideas about what Canadian citizenship should look like.As schools continue to grapple with creating diverse educational programs for all Canadians, Schooling the System is a timely excavation of the meaningful contributions of black women educators who helped create equitable policies and practices in schools and communities.Pamela Fuentes is an Assistant Professor in the Women’s and Gender Studies Department at Pace University-NYC campus Learn more about your ad choices. Visit megaphone.fm/adchoices

In India, elite law firms offer a surprising oasis for women within a hostile, predominantly male industry. Less than 10 percent of the country's lawyers are female, but women in the most prestigious firms are significantly represented both at entry and partnership. Elite workspaces are notorious for being unfriendly to new actors, so what allows for aberration in certain workspaces?Drawing from observations and interviews with more than 130 elite professionals, Accidental Feminism: Gender Parity and Selective Mobility Among India’s Professional Elite (Princeton UP, 2021) examines how a range of underlying mechanisms-gendered socialization and essentialism, family structures and dynamics, and firm and regulatory histories-afford certain professionals egalitarian outcomes that are not available to their local and global peers. Juxtaposing findings on the legal profession with those on elite consulting firms, Swethaa Ballakrishnen reveals that parity arises not from a commitment to create feminist organizations, but from structural factors that incidentally come together to do gender differently. Simultaneously, their research offers notes of caution: while conditional convergence may create equality in ways that more targeted endeavors fail to achieve, "accidental" developments are hard to replicate, and are, in this case, buttressed by embedded inequalities. Ballakrishnen examines whether gender parity produced without institutional sanction should still be considered feminist.In offering new ways to think about equality movements and outcomes, Accidental Feminism forces readers to critically consider the work of intention in progress narratives.Noopur Raval is a postdoctoral researcher working at the intersection of Information Studies, STS, Media Studies and Anthropology. Learn more about your ad choices. Visit megaphone.fm/adchoices

Every year, millions of women turn to law to help them escape intimate partner violence. The legal processes are complex and varied, often enmeshing women for many years. In Intimate Partner Violence and the Law, published by Oxford University Press in 2021, Professor Heather Douglas examines intimate partner violence, including nonphysical coercive control, and shows how women's interactions with the law and legal processes can support or exacerbate their experiences and their abilities to leave an abusive partner. Over a period of three years, Douglas conducted a series of interviews to understand how women engage with criminal, family, and civil courts. The women's stories show how abusers can use the law to further perpetuate abuse. Despite the heightened danger that leaving an abusive partner can represent, the book showcases the level of endurance, resilience and patience that it takes women when they seek protection through law for themselves and their children. Reading the first-hand experiences of women and the impact on them from their interactions with police, lawyers, judges, and child protective services is extremely moving and illuminating. The book is profoundly important in understanding the need for reform to protect women and their children from intimate partner violence. Douglas shows how the legal system operates in practice, and the gap in protection for women and their children as to how it should work. Professor Heather Douglas is a Professor of Law at the Melbourne Law School at The University of Melbourne and Honorary Professor at the School of Law at The University of Queensland. She has worked on the legal response to intimate partner violence for over twenty years, both as a practitioner and an academic. Jane Richards is a doctoral student at the University of Hong Kong. You can find her on twitter where she follows all things related to human rights and Hong Kong politics @JaneRichardsHK Learn more about your ad choices. Visit megaphone.fm/adchoices

Any study of the Crusades — the religious wars waged by Latin Catholics to recapture the Holy Land — is primarily an exploration of men and their military deeds, with scant consideration of women, save perhaps the redoubtable Eleanor of Aquitaine who accompanied her husband, King Louis VII of France, on the Second Crusade. But the history of the Christian Crusader states established after the success of the First Crusade is a different matter. From 1099 to 1187, the four polities, known collectively as “Outremer” or “the lands beyond the sea” — the Kingdom of Jerusalem, the Principality of Antioch, and the Counties of Tripoli and Edessa — were more often ruled by queens, princesses, and countesses in their own right.The captivating story of these women is the subject of Queens of Jerusalem: The Women Who Dared to Rule (Hachette, 2021) by Katherine Pangonis. In taking up the story of Queen Melisende of Jerusalem, her rebel sister, Princess Alice of Antioch, and their descendants, Pangonis set herself the challenging task of peeling back the layers of recorded history — primarily chronicles written by men — to create a realistic portrait of these vital, ambitious, and dynamic women, a task that requires the historian to wear many hats: archivist, detective, archeologist, and psychologist.Pangonis is well up to the task; she is an outstanding narrative historian, and in addition to scrutinizing all extant sources on Outremer, Pangonis also took the time to walk in the footsteps of her protagonists, and this allows readers of “Queens of Jerusalem” to experience medieval Outremer in vibrant detail. The queens, princesses, and countesses of Outremer were keen builders of edifices, which still form parts of the skylines of of the region: the Crusader castles, the Convent of Bethany, and the all-important Church of the Holy Sepulchre. In “Queens of Jerusalem” this topography leaps off the page in very satisfying detail.Pangonis’s writing is elegant and evocative, always informative but never pedantic. Her ability to marshall her sprawling cast of characters, many of whom confusingly share the same names, is impressive, with each person emerging as a separate and vivid personality with distinct character traits. Pangonis argues that like their European cousins, none of the women of Outremer was ever destined to rule, but that the inherent violence of Outremer rendered the mortality rate for men such that women were often the only potential heirs. Some women, such as Queen Melisende of Jerusalem, were well prepared for their task from childhood, while others, like her sister Alice, struggled to establish and maintain power. Pangonis also considers the fates of several Byzantine princesses who married into the Crusader states, such as the colorful Theodora Komnene, foreigners forced to weather their own challenges in navigating power in Outremer.Jennifer Eremeeva is an American expatriate writer who writes about travel, culture, cuisine and culinary history, Russian history, and Royal History, with bylines in Reuters, Fodor's, USTOA, LitHub, The Moscow Times, and Russian Life. Learn more about your ad choices. Visit megaphone.fm/adchoices

Spanning a historical period that begins with women’s exclusion from university debates and continues through their participation in coeducational intercollegiate competitions, Debating Women: Gender Education, and Spaces for Argument, 1835-1945 (Michigan State University Press, 2018) highlights the crucial role that debating organizations played as women sought to access the fruits of higher education in the United States and United Kingdom. Despite various obstacles, Carly S. Woods shows how women transformed forests, parlors, dining rooms, ocean liners, classrooms, auditoriums, and prisons into vibrant spaces for ritual argument. There, they not only learned to speak eloquently and argue persuasively but also used debate to establish a legacy, explore difference, engage in intercultural encounter, and articulate themselves as citizens. These debaters engaged with the issues of the day, often performing, questioning, and occasionally refining norms of gender, race, class, and nation. In tracing their involvement in an activity at the heart of civic culture, Woods demonstrates that debating women have much to teach us about the ongoing potential for debate to move arguments, ideas, and people to new spaces.Carly S. Woods (she/her) is Associate Professor in the Department of Communication and affiliate faculty in the Department of Women's Studies at the University of Maryland. Connect on Twitter @debatingwomen.Resources in this episode here and here.Lee M. Pierce (they & she) is Assistant Professor in the Department of Communication at the State University of New York College at Geneseo. Connect on Twitter @rhetoriclee. Learn more about your ad choices. Visit megaphone.fm/adchoices

Between 1885 and 1960, laws and policies designed to repress prostitution dramatically shaped London's commercial sex industry. J. Laite's book Common Prostitutes and Ordinary Citizens: Commercial Sex in London, 1885-1960 (Palgrave MacMillan, 2012) examines how laws translated into street-level reality, explores how women who sold sex experienced criminalization, and charts the complex dimensions of the underground sexual economy in the modern metropolis.Rachel Stuart is a sex work researcher whose primary interest is the lived experiences of sex workers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Theatre has long been considered a feminine interest for which women consistently purchase the majority of tickets, while the shows they are seeing typically are written and brought to the stage by men. Furthermore, the stories these productions tell are often about men, and the complex leading roles in these shows are written for and performed by male actors. Despite this imbalance, the feminist voice presses to be heard and has done so with more success than ever before. In From Aphra Behn to Fun Home: A Cultural History of Feminist Theatre (Rowman & Littlefield Publishers, 2019), Carey Purcell traces the evolution of these important artists and productions over several centuries. After examining the roots of feminist theatre in early Greek plays and looking at occasional works produced before the twentieth century, Purcell then identifies the key players and productions that have emerged over the last several decades. This book covers the heyday of the second wave feminist movement—which saw the growth of female-centric theatre groups—and highlights the work of playwrights such as Caryl Churchill, Pam Gems, and Wendy Wasserstein. Other prominent artists discussed here include playwrights Paula Vogel Lynn and Tony-award winning directors Garry Hynes and Julie Taymor. The volume also examines diversity in contemporary feminist theatre—with discussions of such playwrights as Young Jean Lee and Lynn Nottage—and a look toward the future.Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book Typical Girls: The Rhetoric of Womanhood in Comic Strips (Ohio State Press, 2021) Susan Kirtley examines female-created comics that were nationally syndicated starting in the late 1970s-2010. Kirtley uncovers the understudied and developing history of these strips, defining and exploring the ramifications of this expression of women’s roles at a time of great change in history and in comic art. This impressive, engaging, and timely study illustrates how these comics express the complexities of women’s experiences, especially as such experiences were shaped by shifting and often competing notions of womanhood and feminism. Including the comics of Lynn Johnston (For Better or For Worse), Cathy Guisewite (Cathy), Nicole Hollander (Sylvia), Lynda Barry (Ernie Pook’s Comeek), Barbara Brandon-Croft (Where I’m Coming From), Alison Bechdel (Dykes to Watch Out For), and Jan Eliot (Stone Soup), Typical Girls is an important history of the representation of womanhood and women’s rights in popular comic strips. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices

What makes a woman 'bad' is commonly linked to certain 'qualities' or behaviours seen as morally or socially corrosive, dirty and disgusting. Bad Girls, Dirty Bodies: Sex, Performance and Safe Femininity (Bloomsbury, 2020) explores the social, sexual and political significance of women who are labelled bad or dirty. Through case studies (including Empress Stah, RubberDoll or Doris La Trine), the book challenges the notion that sexual, slutty, bad, or dirty women are not worth listening to.Gemma Commane speaks to Pierre d'Alancaisez about her study of neo-burlesque, queer performances, and explicit entertainment as sites of power, possibility, and success.Gemma Commane is Lecturer in Media and Communications at the Birmingham School of Media, Birmingham City University. She is active in research in the fields of media and cultural studies, and gender and sexuality. Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices