New Books in Women's History

Noted for their haunting melodies and enigmatic lyrics, Bauls have been portrayed as spiritually enlightened troubadours traveling around the countryside in West Bengal in India and in Bangladesh. As emblems of Bengali culture, Bauls have long been a subject of scholarly debates which center on their esoteric practices, and middle class imaginaries of the category Baul. Adding to this literature, the intimate ethnography presented in Kristin Hanssen's book Women, Religion and the Body in South Asia: Living With Bengali Bauls (Routledge, 2020) recounts the life stories of members from a single family, shining light on their past and present tribulations bound up with being poor and of a lowly caste. It shows that taking up the Baul path is a means of softening the stigma of their lower caste identity in that religious practice, where women play a key role, renders the body pure. The path is also a source of monetary income in that begging is considered part of their vocation. For women, the Baul path has the added implication of lessening constraints of gender. While the book describes a family of singers, it also portrays the wider society in which they live, showing how their lives connect and interlace with other villagers, a theme not previously explored in literature on Bauls. Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The US military camptowns were established shortly after the Second World War in 1945, appropriating the Japanese comfort stations. The Korean government actively supported the creation of camptowns for its own economic and national security interests. Utilizing the Japanese colonial policy, the US military and the South Korean government sought to control camptown women’s bodies through vaginal examinations, isolation wards, and jails, monitoring women for potential venereal diseases. Denigrated as a “traitor” for “mixing flesh with foreigners,” camptown women and their labors were disavowed in Korean society.[1] However, the Korean government also depended on camptown women for its economic development: camptown women’s earnings accounted for 10% of Korea’s foreign currency.[2] Speaking against this silence, Grace Cho’s new memoir, Tastes Like War (Feminist Press at CUNY, 2021), brings to light not only the pain and trauma of militarized violence as experienced by her mother who worked as a camptown woman in the 1960s and 1970s, but also the beauty and poignant resilience of her life.In Tastes Like War: A Memoir (Feminist Press, 2021), Cho explores the connection between food, war, trauma, family, and love. After marrying a merchant marine, Cho’s mother moved to a white town of Chehalis in Washington in the 1970s. Abundance, social mobility, and progress – America promised Cho’s mother what seemed beyond her grasp in Korea. However, the daily traumas of racialized violence and institutionalized abuses at her workplace furthered her fragmentation as a Third World subject whose body and subjectivity were created by complex ties between the histories of empire, militarized and sexual violence, and racialization. To understand the roots of her mother’s schizophrenia, Cho delves into this history, focusing not only on the traumas but also on hope, strength, beauty, and resilience as embodied by her mother. The everyday acts of cooking Korean meals and foraging for mushrooms and blackberries signaled her mother’s will to survive no matter the condition set by the global empire. Through the act of writing, Cho reconstructs the fragments of her mother’s life – illustrating her mother’s persistent and creative drive for life despite the historical violence that continued to condition her present and the future. [1] First quote is from Cho, Haunting the Korean Diaspora, 94 and second quote is from Cho, Tastes Like War, 93.[2] Park, Emmanuel Moonchil, dir. Podŭrapge (Comfort). 2020; Seoul, Korea: Independent, 2020. Vimeo.Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1804, King Charles IV of Spain enacted a royal order mandating the postmortem cesarean procedure in all of Spain's dominions. The Audiencia de Guatemala, way back in 1785, had already enacted a law mandating postmortem cesareans for all deceased pregnant women and even those suspected of being pregnant when they had passed away. Audiencias of other viceroyalties also enacted similar laws before 1804. What explains the emergence of the postmortem cesarean operation in colonial Latin America? What was the purpose of this procedure?Baptism Through Incision: The Postmortem Cesarean Operation in the Spanish Empire (Penn State Press, 2020), edited by Drs. Martha Few, Zeb Tortorici, and Adam Warren tell us the story of the postmortem cesarean operation in the Spanish Empire during the eighteenth century, though the book builds a genealogy that situates this procedure in a longer history that begins in the medieval period (and even earlier!) and extends way up the twentieth century. Part of the Latin American Original series (LAO) of the Pennsylvania University Press, this book centers on the translation (made by Nina M. Scott) of a fascinating medicoreligious text: Pedro José de Arrese’s Physical, Canonical, Moral Principles . . . on the Baptism of Miscarried Fetuses and the Cesarean Operation on Women Who Die Pregnant.Additionally, the editors present us with shorter excerpts of a wide range of texts (other medical treatises, scientific and political journals, medical instructions) that also deal with the postmortem cesarean operation in the Spanish American world. Here we talk about transatlantic enlightenment cultures; different conceptions of life and death; the co-existence and co-production of religion and medical procedures; the changes that the cesarean operation went through in the eighteenth and nineteenth centuries; and lastly, as usual, why this history matters to the present. A must for those listeners that want to learn more about the history of the body, medicine, and gender! Lisette Varón-Carvajal is a PhD Candidate at Rutgers University-New Brunswick. You can tweet her and suggest books at @LisetteVaron Learn more about your ad choices. Visit megaphone.fm/adchoices

I sat down with Dr. Tiffany Sippial to talk about her latest book, Celia Sanchez Manduley: The Life and Legacy of a Cuban Revolutionary (University of North Carolina Press, 2020). Celia Sanchez Manduley (1920-1980) is famous for her role in the Cuban revolution and being the "first female guerrilla of the Sierra Maestra." Sanchez joined the movement in her early thirties and went on to serve as a high-ranking government official and international ambassador. Since her death, Sanchez has been revered as a national icon, cultivated and guarded by the Cuban government. With almost unprecedented access to Sanchez's papers, including a personal diary, and firsthand interviews with family members, Tiffany A. Sippial presents the first critical study of a notoriously private and self-abnegating woman who yet exists as an enduring symbol of revolutionary ideals. Using the tools of feminist biography, cultural history, and the politics of memory, Sippial reveals the scope and depth of Sanchez's power and influence within the Cuban revolution, as well as her struggles with violence, her political development, and the sacrifices required by her status as a leader and "New Woman." Sippial reveals how Sanchez strategically crafted her own legacy within a history still dominated by bearded men in fatigues.Dr. Sippial walked me through her journey as a researcher and biographer of one of Cuba’s most revered figures. We discussed Sanchez’s early life and her emergence as a political figure in her own right, her relationship with Fidel Castro and other notable figures, her significance in Cuban national memory, and what we can learn about her story during a politically tense time. Very timely, and important conversation. Enjoy!Rozzmery Palenzuela Vicente is a PhD Candidate in the Department of History at Florida International University. Her dissertation examines the cultural and intellectual politics surrounding black motherhood in twentieth-century Cuba. Twitter: @RozzmeryPV Learn more about your ad choices. Visit megaphone.fm/adchoices

Every day millions of Tamil women in southeast India wake up before dawn to create a kolam, an ephemeral ritual design made with rice flour, on the thresholds of homes, businesses and temples. This thousand-year-old ritual welcomes and honors Lakshmi, the goddess of wealth and alertness, and Bhudevi, the goddess of the earth. Created by hand with great skill, artistry, and mathematical precision, the kolam disappears in a few hours, borne away by passing footsteps and hungry insects. This is the first comprehensive study of the kolam in the English language. It examines its significance in historical, mathematical, ecological, anthropological, and literary contexts. The culmination of Vijaya Nagarajan's many years of research and writing on this exacting ritual practice, Feeding a Thousand Souls: Women, Ritual, and Ecology in India--an Exploration of the Kolam (Oxford UP, 2018) celebrates the experiences, thoughts, and voices of the Tamil women who keep this tradition alive. You can visit the book's website here. Vijaya Nagarajan is currently the Chair and Associate Professor of the Department of Theology/Religious Studies and in the Program of Environmental Studies at the University of San Francisco.Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we have John Christopoulos, Assistant Professor of History at the University of British Columbia, to talk about his new book, Abortion in Early Modern Italy (Harvard University Press, 2021)In this authoritative history, John Christopoulos provides a provocative and far-reaching account of abortion in sixteenth- and seventeenth-century Italy. His poignant portraits of women who terminated or were forced to terminate pregnancies offer a corrective to longstanding views: he finds that Italians maintained a fundamental ambivalence about abortion. Italians from all levels of society sought, had, and participated in abortions. Early modern Italy was not an absolute anti-abortion culture, an exemplary Catholic society centered on the “traditional family.” Rather, Christopoulos shows, Italians held many views on abortion, and their responses to its practice varied.Bringing together medical, religious, and legal perspectives alongside a social and cultural history of sexuality, reproduction, and the family, Christopoulos offers a nuanced and convincing account of the meanings Italians ascribed to abortion and shows how prevailing ideas about the practice were spread, modified, and challenged. Christopoulos begins by introducing readers to prevailing ideas about abortion and women’s bodies, describing the widely available purgative medicines and surgeries that various healers and women themselves employed to terminate pregnancies. He then explores how these ideas and practices ran up against and shaped theology, medicine, and law. Catholic understanding of abortion was changing amid religious, legal, and scientific debates concerning the nature of human life, women’s bodies, and sexual politics. Christopoulos examines how ecclesiastical, secular, and medical authorities sought to regulate abortion, and how tribunals investigated and punished its procurers—or did not, even when they could have. Abortion in Early Modern Italy offers a compelling and sensitive study of abortion in a time of dramatic religious, scientific, and social change. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

Women’s International Thought: A New History (Cambridge University Press, 2021) is the first cross-disciplinary history of women's international thought. Bringing together some of the foremost historians and scholars of international relations working today, this book recovers and analyzes the path-breaking work of eighteen leading thinkers of international politics from the early to mid-twentieth century. Recovering and analyzing this important work, the essays offer revisionist accounts of IR's intellectual and disciplinary history and expand the locations, genres, and practices of international thinking. Systematically structured, and focusing in particular on Black diasporic, Anglo-American, and European historical women, it does more than 'add women' to the existing intellectual and disciplinary histories from which they were erased. Instead, it raises fundamental questions about which kinds of subjects and what kind of thinking constitutes international thought, opening new vistas to scholars and students of international history and theory, intellectual history and women's and gender studies.Patricia Owens is Professor of International Relations at the University of Oxford. Her research interests include twentieth-century international history and theory, historical and contemporary practices of Anglo-American counterinsurgency and military intervention, and disciplinary history and the history of international and political thought. Her most recent book, Economy of Force, published by Cambridge University Press, won, among others, the 2016 Susan Strange Prize for the Best Book in international studies and the 2016 International Studies Association Theory Section Best Book Award. Owens’s first book was Between War and Politics: International Relations and the Thought of Hannah Arendt, published by Oxford University Press in 2007.Katharina Rietzler teaches American, women's and international history at the University of Sussex, UK. Her work has appeared in journals such as Modern Intellectual History, the Journal of Global History, Diplomatic History, Diplomacy and Statecraft, Global Society and in several edited collections. Rietzler’s main research interest is the history of international thought and internationalism in its social, political, economic and legal dimensions from the 1910s to the 1960s. She is currently completing a book on 20th-century US philanthropy, international thought and the "problem of the public."Zifeng Liu is a Ph.D. candidate in the Africana Studies and Research Center at Cornell University. His dissertation examines Black left feminism and Mao’s China.Kelvin Ng is a Ph.D. candidate at Yale University, History Department. His research interests broadly lie in the history of imperialism and anti-imperialism in the early-twentieth-century Indian Ocean circuit. Learn more about your ad choices. Visit megaphone.fm/adchoices

Women's emancipation through productive labour was a key tenet of socialist politics in post-World War II Yugoslavia. Mass industrialisation under Tito led many young women to join traditionally 'feminised' sectors, and as a consequence the textile sector grew rapidly, fast becoming a gendered symbol of industrialisation, consumption and socialist modernity. By the 1980s Yugoslavia was one of the world's leading producers of textiles and garments. The break-up of Yugoslavia in 1991, however, resulted in factory closures, bankruptcy and layoffs, forcing thousands of garment industry workers into precarious and often exploitative private-sector jobs. Drawing on more than 60 oral history interviews with former and current garment workers, as well as workplace periodicals and contemporary press material collected across Croatia, Macedonia, Serbia, Bosnia-Herzegovina and Slovenia, Women and Industry in the Balkans charts the rise and fall of the Yugoslav textile sector, as well as the implications of this post-socialist transition, for the first time.In the process, Chiara Bonfiglioli explores broader questions about memories of socialism, lingering feelings of attachment to the socialist welfare system and the complexity of the post-socialist era. Women and Industry in the Balkans: The Rise and Fall of the Yugoslav Textile Sector (I. B. Tauris, 2021) is important reading for all scholars working on the history and politics of Yugoslavia and the Balkans, oral history, memory studies and gender studies.Jill Massino is a scholar of modern Eastern Europe with a focus on Romania, gender, and everyday life. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jennifer Holland (Associate Professor, University of Oklahoma) speaks with Susan Johnson (Harry Reid Endowed Chair, History of the Intermountain West, University of Las Vegas-Nevada) about Johnson’s recent book, Writing Kit Carson: Fallen Heroes in a Changing West (UNC Press, 2020).In this conversation, Susan Johnson addresses how some of the questions and tools developed by historians of women and gender have shaped her own research in the history of the US West. These tools are on full display in Johnson’s most recent publication, a dual biography of Quantrille McClung and Bernice Blackwelder, white women and amateur historians who both researched the singular life of frontiersman, Christopher ‘Kit’ Carson. Plumbing their relationships with each other and their historical subjects, Johnson provides a sensitive account of how McClung and Blackwelder reckoned with a violent and complicated past. Learn more about your ad choices. Visit megaphone.fm/adchoices

Throughout her career, spanning more than two decades, Jessica Hopper, a revered and pioneering music critic, has examined women recording and producing music, in all genres, through an intersectional feminist lens. The First Collection of Criticism by a Living Female Rock Critic (MCD x Fsg Originals, 2021) features oral histories of bands like Hole and Sleater Kinney, interviews with the women editors of 1970s-era Rolling Stone, and intimate conversations with iconic musicians such as Björk, Robyn, and Lido Pimienta. Hopper journeys through the truths of Riot Grrrl's empowering insurgence; decamps to Gary, Indiana, on the eve of Michael Jackson's death; explodes the grunge-era mythologies of Nirvana and Courtney Love; and examines the rise of emo. The collection also includes profiles and reviews of some of the most-loved, and most-loathed, women artists making music today: Fiona Apple, Kacey Musgraves, M.I.A., Miley Cyrus, Lana Del Rey. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices