New Books in Women's History

Andrea Warner's Buffy Sainte-Marie: The Authorized Biography (Graystone Books, 2018) tells the story, often in Buffy's own words, of the life of the remarkable artist and activist. Buffy Sainte-Marie's musical career is as varied and fascinating as those of her Canadian contemporaries Neil Young, Joni Mitchell, and Leonard Cohen, but he work has not always achieved the recognition it deserves. Warner's book is in part an attempt to rectify that by presenting Buffy's complete story to a new generation of readers and listeners. We encounter Buffy as a coffee shop folkie, an electronic music pioneer, and indigenous activist, a Sesame Street cast member, and finally as an elder stateswoman of Canadian music. This is a book for longtime fans or for new initiates who have never heard songs like Power in the Blood, Now That the Buffalo's Gone, The Universal Soldier, or The War Racket. Learn more about your ad choices. Visit megaphone.fm/adchoices

How did reproductive justice—defined as the right to have children, to not have children, and to parent—become recognized as a human rights issue? In Reproductive Rights as Human Rights: Women of Color and the Fight for Reproductive Justice (New York University Press, 2020), Zakiya Luna highlights the often-forgotten activism of women of color who are largely responsible for creating what we now know as the modern-day reproductive justice movement.Focusing on SisterSong, an intersectional reproductive justice organization, Luna shows how, and why, women of color mobilized around reproductive rights in the domestic arena. She examines their key role in re-framing reproductive rights as human rights, raising this set of issues as a priority in the United States, a country hostile to the concept of human rights at home.An indispensable read, Reproductive Rights as Human Rights provides a much-needed intersectional perspective on the modern-day reproductive justice movement.Dr. Nicole Bourbonnais is an Associate Professor of International History and Politics and Co-Director of the Gender Centre at the Graduate Institute of International and Development Studies in Geneva, Switzerland. Her research explores reproductive politics and practice from a transnational historical perspective. More info here. Twitter: @iheid_history and @GC_IHEID Learn more about your ad choices. Visit megaphone.fm/adchoices

A ’90s time capsule buried inside a coming-of-age memoir set against the neon backdrop of the San Francisco Bay Area's rave scene, Raver Girl (She Writes Press, 2021) chronicles Samantha’s double life as she teeters between hedonism and sobriety, chaos and calm, all while sneaking under the radar of her entrepreneur father—a man who happened to drop acid with LSD impresario Owsley Stanley in the ’60s.Samantha keeps a list of every rave she goes to—a total of 104 over four years. During that time, what started as trippy fun morphs into a self-destructive roller coaster ride. Samantha opens the doors of her mind, but she's left with traumas her acid-fried brain won't let her escape; and when meth becomes her drug of choice, things get progressively darker. Through euphoric highs and dangerous lows, Samantha discovers she’s someone who lives life to the fullest and learns best through alternative experience rather than mainstream ideals. She’s a creative whose mind is limitless, whose quirks are charms, whose passion is inspirational. She’s an independent woman whose inner strength is rooted in unwavering family ties. And if she can survive high school, she just might be okay.Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the early eighteenth century, the noblewoman Ōgimachi Machiko composed a memoir of Yanagisawa Yoshiyasu, the powerful samurai for whom she had served as a concubine for twenty years. Machiko assisted Yoshiyasu in his ascent to the rank of chief adjutant to the Tokugawa shogun. She kept him in good graces with the imperial court, enabled him to study poetry with aristocratic teachers and have his compositions read by the retired emperor, and gave birth to two of his sons. Writing after Yoshiyasu’s retirement, she recalled it all—from the glittering formal visits of the shogun and his entourage to the passage of the seasons as seen from her apartments in the Yanagisawa mansion.In the Shelter of the Pine is the most significant work of literature by a woman of Japan’s early modern era. Featuring Machiko’s keen eye for detail, strong narrative voice, and polished prose studded with allusions to Chinese and Japanese classics, this memoir sheds light on everything from the social world of the Tokugawa elite to the role of literature in women’s lives. Machiko modeled her story on The Tale of Genji, illustrating how the eleventh-century classic continued to inspire its female readers and provide them with the means to make sense of their experiences. Elegant, poetic, and revealing, In the Shelter of the Pine is a vivid portrait of a distant world and a vital addition to the canon of Japanese literature available in English.Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices

The female form has been a fraught site of filmic meaning – of desire and violence, of sex and death – from the very beginnings of cinema. But how deep do these meanings travel? How are our understandings of gender and sexuality not the stuff of screen representation but shaped by film technology and culture as well?Published in November 2020 by Fordham University Press, Genevieve Yue’s Girl Head: Feminism and Film Materiality, “in rich archival and technical detail… examines three sites of technical film production: the film laboratory, editing practices, and the film archive. Within each site, she locates a common motif, the vanishing female body, which is transformed into material to be used in the making of a film. The book develops a theory of gender and film materiality through readings of narrative film, early cinema, experimental film, and moving image art.”In this discussion, Dr. Yue articulates her relationship to interdisciplinary research, traces her personal journey from dissertation to book, and argues for the centrality of material culture in feminist film studies.Genevieve Yue is an assistant professor in the Department of Culture and Media and director of the Screen Studies program at Eugene Lang College, the New School. Her essays and criticism have been published in October, Grey Room, The Times Literary Supplement, Reverse Shot, Artforum.com, Film Comment, and Film Quarterly. She is also an independent film programmer and serves on the Board of Trustees for the Flaherty Film Seminar.Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, Ms., and Camera Obscura. Learn more about your ad choices. Visit megaphone.fm/adchoices

Is there gender equality in Buddhist traditions? What do Buddhist texts say about women? How have Buddhist women responded to misogyny? Alice Collett's new book, I Hear Her Words: An Introduction to Women in Buddhism (Windhorse, 2021), reviews both recent scholarship and original writing in an accessible and compelling format. She shows that core Buddhist doctrines provide no justification for the notion that women are inferior to men. But Buddhism was born and took root in societies that held traditional views of women, and social norms positioning women as inferior to men have found their way into Buddhist tradition. This book tells the stories of many inspiring Buddhist women who overcame attempted constraint to gain liberation and become esteemed teachers. Not only do we hear about them in this book, but we also hear from them in their own words. An ideal introduction to gender studies in Buddhism and the history of women in the tradition.Bruno M. Shirley is a PhD candidate at Cornell University, working on Buddhism, kingship and gender in medieval Sri Lankan texts and landscapes. He is on Twitter at @brunomshirley. Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the world’s most multicultural cities, twentieth-century Cairo was a magnet for the ambitious and talented. During the 1920s and ’30s, a vibrant music, theater, film, and cabaret scene flourished, defining what it meant to be a “modern” Egyptian. Women came to dominate the Egyptian entertainment industry—as stars of the stage and screen but also as impresarias, entrepreneurs, owners, and promoters of a new and strikingly modern entertainment industry.In Midnight in Cairo: The Divas of Egypt's Roaring '20s (W. W. Norton, 2021, in arrangement with Saqi Books), Raphael Cormack unveils the rich histories of independent, enterprising women like vaudeville star Rose al-Youssef (who launched one of Cairo’s most important newspapers); nightclub singer Mounira al-Mahdiyya (the first woman to lead an Egyptian theater company) and her great rival, Oum Kalthoum (still venerated for her soulful lyrics); and other fabulous female stars of the interwar period, a time marked by excess and unheard-of freedom of expression. Buffeted by crosswinds of colonialism and nationalism, conservatism and liberalism, “religious” and “secular” values, patriarchy and feminism, this new generation of celebrities offered a new vision for women in Egypt and throughout the Middle East.Christopher S. Rose is a social historian of medicine focusing on Egypt and the Eastern Mediterranean in the 19th and 20th century. He currently teaches History at St. Edward's University in Austin, Texas and Our Lady of the Lake University in San Antonio, Texas. Learn more about your ad choices. Visit megaphone.fm/adchoices

Joan Marie Johnson examines an understudied dimension of women's history in the United States: how a group of affluent white women from the late nineteenth through the mid-twentieth centuries advanced the status of all women through acts of philanthropy. This cadre of activists included Phoebe Hearst, the mother of William Randolph Hearst; Grace Dodge, granddaughter of Wall Street "Merchant Prince" William Earle Dodge; and Ava Belmont, who married into the Vanderbilt family fortune. Motivated by their own experiences with sexism, and focusing on women's need for economic independence, these benefactors sought to expand women's access to higher education, promote suffrage, and champion reproductive rights, as well as to provide assistance to working-class women. In a time when women still wielded limited political power, philanthropy was perhaps the most potent tool they had. But even as these wealthy women exercised considerable influence, their activism had significant limits. As Johnson argues, restrictions tied to their giving engendered resentment and jeopardized efforts to establish coalitions across racial and class lines.As the struggle for full economic and political power and self-determination for women continues today, this history reveals how generous women helped shape the movement. And Johnson shows us that tensions over wealth and power that persist in the modern movement have deep historical roots.Jane Scimeca, Professor of History at Brookdale Community College Learn more about your ad choices. Visit megaphone.fm/adchoices

Cori Simon (Assistant Professor, University of Oklahoma) speaks with Sarah Eppler Janda (Professor, Cameron University) and Patricia Loughlin (Professor, University of Central Oklahoma) about their new edited volume, This Land is Herland: Gendered Activism in Oklahoma from the 1870s to the 2010s (University of Oklahoma Press, 2021).This collection of essays documents the impact of women activists on the history of tribal nations and the state of Oklahoma, and is the first book in a new series “Women and the American West,” at the University of Oklahoma Press. The chapters showcase the stories and strategies of thirteen individuals, including Indigenous, Black, and white women, who strived to transform their communities through political, economic, or civil action. Progressive reformer Kate Bernard, civil rights activist Clara Luper, or Comanche leader LaDonna Harris might be known to some readers. But contributors highlight less-famous Oklahomans as well: including Cherokee historian and educator Rachel Caroline Eaton, NAACP organizer California M. Taylor, and Equal Rights Amendment (ERA) advocate Wanda Jo Peltier Stapleton. In this conversation, we learn about how the editors—colleagues and friends—conceived of the volume, recruited contributions from scholars at all stages of their careers, and modified the plan in response to feedback from contributors, colleagues, students, and readers. They provide an orientation to the volume’s structure and briefly discuss each chapter before turning to reflect on how the history of women in Oklahoma intersects with broad national and global political movements for racial justice, gender equality, and sovereignty.Davis Cline is Associate Professor of History, University of Oklahoma and Co-Editor, Journal of Women's History Learn more about your ad choices. Visit megaphone.fm/adchoices

When English colonizers landed in New England in 1630, they constructed a godly commonwealth according to precepts gleaned from Scripture. For these 'Puritan' Christians, religion both provided the center and defined the margins of existence. While some Puritans were called to exercise power as magistrates and ministers, and many more as husbands and fathers, women were universally called to subject themselves to the authority of others. Their God was a God of order, and out of their religious convictions and experiences Puritan leaders found a divine mandate for a firm, clear hierarchy. Yet not all lives were overwhelmed; other religious voices made themselves heard, and inspired voices that defied that hierarchy.Gifted with an extraordinary mind, an intense spiritual passion, and an awesome charisma, Anne Hutchinson arrived in Massachusetts in 1634 and established herself as a leader of women. She held private religious meetings in her home and later began to deliver her own sermons. She inspired a large number of disciples who challenged the colony's political, social, and ideological foundations, and scarcely three years after her arrival, Hutchinson was recognized as the primary disrupter of consensus and order--she was then banished as a heretic.Anne Hutchinson, deeply centered in her spirituality, heard in the word of God an imperative to ignore and move beyond the socially prescribed boundaries placed around women. The Passion of Anne Hutchinson: An Extraordinary Woman, the Puritan Patriarchs, and the World They Made and Lost (Oxford UP, 2021) examines issues of gender, patriarchal order, and empowerment in Puritan society through the story of a woman who sought to preach, inspire, and disrupt.Hannah Smith is a PhD Candidate in History at the University of Minnesota-Twin Cities. She can be reached at smit9201@umn.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices