New Books in Women's History

Today we talk to Lu Ann Homza about her new book, Village Infernos and Witches' Advocates: Witch-Hunting in Navarre, 1608-1614 (Penn State Press, 2022). This book revises what we thought we knew about one of the most famous witch hunts in European history. Between 1608 and 1614, thousands of witchcraft accusations were leveled against men, women, and children in the northern Spanish kingdom of Navarre. The Inquisition intervened quickly but incompetently, and the denunciations continued to accelerate. As the phenomenon spread, children began to play a crucial role. Not only were they reportedly victims of the witches’ harmful magic, but hundreds of them also insisted that witches were taking them to the Devil’s gatherings against their will.Presenting important archival discoveries, Lu Ann Homza restores the perspectives of illiterate, Basque-speaking individuals to the history of this shocking event and demonstrates what could happen when the Spanish Inquisition tried to take charge of a liminal space. Because the Spanish Inquisition was the body putting those accused of witchcraft on trial, modern scholars have depended upon Inquisition sources for their research. Homza’s groundbreaking book combines new readings of the Inquisitional evidence with fresh archival finds from non-Inquisitional sources, including local secular and religious courts, and from notarial and census records.Expanding our understanding of this witch hunt as well as the history of children, community norms, and legal expertise in early modern Europe, Village Infernos and Witches’ Advocates is required reading for students and scholars of the Spanish Inquisition and the history of witchcraft in early modern Europe.Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nicole Rafter (Routledge, 2021) is a critical summary and exegesis of the work of Nicole Rafter, who was a leading scholar of the history of biological theories of crime causation as well as a profound theorist of the role of history within criminology. It introduces Rafter’s key works and assesses her contributions to the fields of feminist criminology, cultural criminology, visual criminology and historical criminology. It also explores her theorization of criminology’s identity, scientific status, and possible futures.While many books on criminological theory explain and historically contextualize theory, they do not interrogate the production of theory or the epistemological assumptions behind it. Drawing on the world of Nicole Rafter, this book offers an accessible handbook to her extensive historical studies and to how her work demonstrated the importance of historical theory to criminological knowledge. Furthermore, the author brings Rafter’s historical research to life and shows how it speaks to contemporary issues in criminology and punishment.Written in a clear and direct style, this book will appeal to students and scholars of criminological theory, intellectual history, sociology, comparative criminology, and feminist criminology.Geert Slabbekoorn works as an analyst in the field of public security. In addition he has published on different aspects of dark web drug trade in Belgium. Find him on twitter, tweeting all things drug related @GeertJS. Learn more about your ad choices. Visit megaphone.fm/adchoices

Zhao Feiyan (45-1 BCE), the second empress appointed by Emperor Cheng of the Han dynasty (207 BCE-220 CE), was born in slavery and trained in the performing arts, a background that made her appointment as empress highly controversial. Subsequent persecution by her political enemies eventually led to her being forced to commit suicide. After her death, her reputation was marred by accusations of vicious scheming, murder of other consorts and their offspring, and relentless promiscuity, punctuated by bouts of extravagant shopping. The Empress in the Pepper Chamber: Zhao Feiyan in History and Fiction (University of Washington Press, 2021), the first book-length study of Zhao Feiyan and her literary legacy, includes a complete translation of The Scandalous Tale of Zhao Feiyan (Zhao Feiyan waizhuan), a Tang dynasty (618-907 CE) erotic novella that describes in great detail the decadent lifestyle enjoyed by imperial favorites in the harem of Emperor Cheng. This landmark text was crucial for establishing writings about palace women as the accepted forum for discussing sexual matters, including fetishism, obsession, jealousy, incompatibility in marriage, and so on. Using historical documentation, Olivia Milburn reconstructs the evolution of Zhao Feiyan's story and illuminates the broader context of palace life for women and the novella's social influence.There are surprisingly few books about empresses, and even fewer about the history of emotions in premodern China. This book delivers both while at the same providing really satisfying textual criticism on the source material and its legacy stretching across multiple dynasties, and giving us a great primary source in translation. A great piece of research for those engaging with gender history, literature, and explorations of where history and fiction meet and diverge. Lance Pursey is a postdoctoral research fellow at the University of Aberdeen. He works on the history and archaeology of the Liao dynasty, and therefore is drawn to complicated questions of identity in premodern China like a moth is drawn to flame. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Biblical Book of Esther reads like a classic fable, a drama of actors who are recognizable archetypes. There is Esther, the beautiful orphan who becomes queen, Ahasuerus, the buffoon king, Haman, the prototype of evil, and Mordecai, the wise, courageous, and loyal hero.The Book of Esther takes us to the heart of destiny’s moments: a beautiful but unlikely queen evolves into a Jewish leader. A wise and trusted courtier expands his platform of influence, and a vulnerable minority facing death becomes a powerful people in a land not their own.In Esther: Power, Fate and Fragility in Exile (Maggid, 2020), Dr. Erica Brown offers us a close textual and thematic reading of this familiar story of courage and heroism against a background of hate and political ineptitude.This ancient story sheds its light on today's most pressing problems: contemporary antisemitism, sexual tyranny and the absence of leadership.Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at reneeg@vanleer.org.il Learn more about your ad choices. Visit megaphone.fm/adchoices

In Women Writing Jewish Modernity, 1919–1939 (Northwestern UP, 2021), Allison Schachter rewrites Jewish literary modernity from the point of view of women. Focusing on works by interwar Hebrew and Yiddish writers, Schachter illuminates how women writers embraced the transgressive potential of prose fiction to challenge the patriarchal norms of Jewish textual authority and reconceptualize Jewish cultural belonging.Born in the former Russian and Austro‑Hungarian Empires and writing from their homes in New York, Poland, and Mandatory Palestine, the authors central to this book—Fradl Shtok, Dvora Baron, Elisheva Bikhovsky, Leah Goldberg, and Debora Vogel—seized on the freedoms of social revolution to reimagine Jewish culture beyond the traditionally male world of Jewish letters. The societies they lived in devalued women’s labor and denied them support for their work. In response, their writing challenged the social hierarchies that excluded them as women and as Jews. As she reads these women, Schachter upends the idea that literary modernity was a conversation among men about women, with a few women writers listening in. Women writers revolutionized the very terms of Jewish fiction at a pivotal moment in Jewish history, transcending the boundaries of Jewish minority identities. Schachter tells their story and in so doing calls for a new way of thinking about Jewish cultural modernity. Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and spare, geometric furnishings. Yet despite our continued fascination, we rarely consider how this iconic design sensibility was marketed to the diverse audiences of its era. Examining advice manuals, advertisements in Life and Ebony, furniture, art, and more, Mid-Century Modernism and the American Body: Race, Gender, and the Politics of Power in Design (Princeton UP, 2021) offers a powerful new look at how codes of race, gender, and identity influenced—and were influenced by—Modern design and shaped its presentation to consumers.Taking us to the booming suburban landscape of postwar America, Kristina Wilson demonstrates that the ideals defined by popular Modernist furnishings were far from neutral or race-blind. Advertisers offered this aesthetic to White audiences as a solution for keeping dirt and outsiders at bay, an approach that reinforced middle-class White privilege. By contrast, media arenas such as Ebony magazine presented African American readers with an image of Modernism as a style of comfort, security, and social confidence. Wilson shows how etiquette and home decorating manuals served to control women by associating them with the domestic sphere, and she considers how furniture by George Nelson and Charles and Ray Eames, as well as smaller-scale decorative accessories, empowered some users, even while constraining others.A striking counter-narrative to conventional histories of design, Mid-Century Modernism and the American Body unveils fresh perspectives on one of the most distinctive movements in American visual culture. Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices

Challenging persistent geopolitical asymmetries in feminist knowledge production, this collection depicts collisions between concepts and lived experiences, between academic feminism and political activism, between the West as generalizable and the East as the concrete Other. Borderlands in European Gender Studies (Routledge, 2020) narrows the gap between cultural analysis and social theory, addressing feminist theory’s epistemological foundations and its capacity to confront the legacies of colonialism and socialism. The contributions demonstrate the enduring worth of feminist concepts for critical analysis, conceptualize resistance to multiple forms of oppression, and identify the implications of the decoupling of cultural and social feminist critique for the analysis of gender relations in a post-socialist space.Jill Massino is a scholar of modern Eastern Europe with a focus on Romania, gender, and everyday life. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Irma's Passport: One Woman, Two World Wars, and a Legacy of Courage (She Writes Press, 2021), Catherine Ehrlich explores her Austrian grandparents’ influential lives at the crossroads of German and Jewish national movements. Weaving her grandmother Irma’s spellbinding memoirs into her narrative, she profiles a charismatic woman who confronts history with courage and rebuilds lives—for herself and Europe’s dispossessed.Starting out in Bohemia’s picturesque countryside, Irma studies languages in Prague alongside Kafka and Einstein—and so joins Europe’s intelligentsia. Tension builds as World War I destroys that world, and Irma marries prominent Zionist, Jakob Ehrlich, bold advocate for Vienna’s 180,000 Jews. Irma’s direct words detail the weeks after Hitler’s arrival when Adolf Eichmann himself appears to liberate Irma and her son from Vienna.Irma’s stunning turnaround in London unfolds amidst a dazzling cohort of luminaries—Chaim and Vera Weizmann, and Viscountess Beatrice Samuel among them. Irma finds her voice as an activist, saving lives and resettling refugees, and ultimately moves on to New York where her work resumes among high-profile friends like Catskills hostess Jennie Grossinger.Jane Scimeca is Professor of History at Brookdale Community College Learn more about your ad choices. Visit megaphone.fm/adchoices

Utopian Genderscapes: Rhetorics of Women's Work in the Early Industrial Age (Southern Illinois UP, 2021) focuses on three prominent yet understudied intentional communities—Brook Farm, Harmony Society, and the Oneida Community—who in response to industrialization experimented with radical social reform in the antebellum United States. Foremost among the avenues of reform was the place and substance of women’s work. Author Michelle C. Smith seeks in the communities’ rhetorics of teleology, choice, and exceptionalism the lived consequences of the communities' lofty goals for women members.This feminist history captures the utopian reconfiguration of women’s bodies, spaces, objects, and discourses and delivers a needed intervention into how rhetorical gendering interacts with other race and class identities. The attention to each community’s material practices reveals a gendered ecology, which in many ways squared unevenly with utopian claims. Nevertheless, this volume argues that this utopian moment inaugurated many of the norms and practices of labor that continue to structure women’s lives and opportunities today: the rise of the factory, the shift of labor from home spaces to workplaces, the invention of housework, the role of birth control and childcare, the question of wages, and the feminization of particular kinds of labor.An impressive and diverse array of archival and material research grounds each chapter’s examination of women’s professional, domestic, or reproductive labor in a particular community. Fleeting though they may seem, the practices and lives of those intentional women, Smith argues, pattern contemporary divisions of work along the vibrant and contentious lines of gender, race, and class and stage the continued search for what is possible.Jeannette Cockroft is an associate professor of history and political science at Schreiner University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Toxic Loves, Impossible Futures: Feminist Living as Resistance (Vanderbilt UP, 2022) is an homage to a constellation of women writers, feminists, and creators whose voices draw a map of our current global political-environmental crisis and the interlinked massive violence, enabled by the denigration of life and human relationships. In a world in which "a woman's voice" exists in bodies called on to occupy important positions in corporations, government, and cultural and academic institutions, to work in factories, and to join the army—but whose bodies are systematically rendered vulnerable by gender violence and by the double burden imposed on them to perform both productive and reproductive labor—Emmelhainz asks: What is the task of thought and form in contemporary feminist-situated knowledge? Toxic Loves, Impossible Futures is a collection of essays rethinking feminist issues in the current context of the production of redundant populations, the omnipresence of the technosphere and environmental devastation, toxic relationships, toxic nationalisms, and more. These reflections and dialogues are an urgent attempt to resist the present in the company of the voices of women like bell hooks, Sara Ahmed, Leslie Jamison, Lina Meruane, Leanne Betasamosake Simpson, Chris Kraus, Alaíde Foppa, Lorena Wolffer, Sayak Valencia, Pip Day, Veronica Gonzalez Peña, Eimear McBride, Simone de Beauvoir, Elena Poniatowska, Susan Sontag, Margaret Randall, Simone Weil, Arundhati Roy, Marta Lamas, Paul B. Preciado, Dawn Marie Paley, Raquel Gutiérrez, Sara Eliassen, and Silvia Gruner. Toxic Loves, Impossible Futures continues the discussion on how to undo misogyny and dismantle heteropatriarchy's sublimating and denigrating tricks against women, which are intrinsically linked to colonialism and violence against the Earth. Learn more about your ad choices. Visit megaphone.fm/adchoices