Lin-Manuel Miranda changed the face of Broadway forever when he wrote the musical “Hamilton.” Now, he’s bringing his talent back to the screen with Disney’s upcoming film “Mufasa: The Lion King.” Lin joins Tom Power to talk about why we can’t get enough of “The Lion King,” how the wild success of “Hamilton” changed his life, and what he thinks about the state of Broadway today.

From playing bars in Saskatoon to arenas around the world, the Canadian rock band The Sheepdogs have come a long way in two decades. To mark their 20th anniversary as a band, lead singer Ewan Currie joins Tom Power to talk about what it means to have longevity in rock and roll — and why the band couldn’t resist making a holiday song.

This year, decades after re-establishing herself as a solo artist, Cher was finally recognized by the Rock & Roll Hall of Fame. She’s also just released a new book, “Cher: The Memoir,” which is the first of a two-part autobiography that covers her start in music from 1946 to 1976. In this conversation with Tom Power, Cher tells us her story of growing up with a mother who wanted to be a star herself, how she found out she could sing, and why behind the scenes Sonny & Cher was not at all what you saw on TV.

The acclaimed tabla virtuoso Zakir Hussain has died at age 73. Last year, he was in Toronto for his show “Masters of Percussion” at Massey Hall. Just before that concert, he spoke to Tom Power about his life in music, from his most notable collaborations to the life advice he got from the late George Harrison. In tribute, we revisit that conversation.

Michael Healey’s award-winning play “The Master Plan” is a biting satire about the Sidewalk Labs fiasco in Toronto, when the Google sister company attempted to build a smart city in an underdeveloped neighbourhood on the city’s waterfront. It’s based on the book “Sideways: The City Google Couldn't Buy” by tech reporter Josh O’Kane, and it’s now being remounted at the Soulpepper Theatre in Toronto. Michael joins Tom Power to talk about the play and the clash of Big Tech and municipal politics. Plus, he reflects on his life in theatre, from the success of “The Drawer Boy” to the controversy around “Proud,” his satirical play about Stephen Harper.

The Canadian pianist D.D. Jackson got an unusual request during the pandemic: his old friend, Canada’s former poet laureate George Elliott Clarke, asked him to turn a poem he had written for his daughter into a song. That led to a whole project in which George sent D.D. different works by Canadian poets for D.D. to transform into music. The result of their collaboration is a new album called “Poetry Project.” D.D. and George join Tom Power to talk about the album and set up a song from it.

It’s been eight years since Gwen Stefani has released an album. Following a very public divorce, she needed some time to heal, pick up the pieces of her life and find her voice again. Now, after some time away from music, she’s back with her fifth studio album, “Bouquet.” Gwen joins Tom Power to talk about the record, her time in No Doubt, and finding real love for what she says might be the first time.

Densil McFarlane, the lead singer of the Canadian punk rock band The OBGMs, felt like he was in a rut, so he decided to seek out therapy. That decision opened up a whole new world that he explores on his band’s new album, “Sorry, It’s Over.” Densil sits down with guest host Saroja Coelho to chat about the album and what he learned about being vulnerable in his art.

The hip-hop duo Snotty Nose Rez Kids are back with their sixth studio album (and first on a major label), “Red Future.” Yung Trybez and Young D join Tom Power to talk about the concept of Indigenous Futurism, riding the line between serious subject matter and levity, and why they believe this record is their magnum opus.

The director Jane Schoenbrun first became known for their 2021 movie “We're All Going to the World's Fair,” which tapped into a teenaged fascination with the culture of viral memes. Jane’s latest film, “I Saw the TV Glow,” follows two suburban teens who get emotionally enmeshed in a fictional ‘90s TV show called “The Pink Opaque.” The result is a moody investigation of identity, growing up and making decisions about who you want to be. “I Saw the TV Glow” was recently nominated for six Spirit Awards, including best feature and best director. We revisit Tom Power’s conversation with Jane about the film, how it relates to transness and their own experience getting intertwined in TV shows as they grew up.