The Daily Poem

“As for man, his days are like grass.” It isn’t much of a stretch, then, when Cowper sees his own mortality in a grove of felled poplars. Happy reading.William Cowper (1731-1800) was a renowned 18th century poet, hymnographer, and translator of Homer. His most famous works include his 5000-line poem ‘The Task’ and some charming and light-hearted verses, not least ‘The Diverting History of John Gilpin’. Phrases he coined such as ‘Variety is the spice of life’ are still in popular use today. While living in Olney he collaborated on ‘The Olney Hymns’ with his friend John Newton. -bio via the Cowper and Newton Museum This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

“The work of destruction is quick, easy and exhilarating; the work of creation slow, laborious and dull.” -Roger ScrutonLarry Richman (1934-2023) was born in Philadelphia and grew up on a small Bucks County chicken farm north of the city. He attended local schools and then Colorado College, where he was inducted into Phi Beta Kappa and graduated with a BA in English in 1957. From Duke University, he received an MA in 1959 and a PhD in 1970.Larry went on to teach English at the Beaufort and Florence Centers of the University of South Carolina, Washington & Lee University, Agnes Scott College, Virginia Intermont College, and Virginia Highlands Community College, from which he retired as professor emeritus of English in 1998. He also served briefly as adjunct faculty for Vermont College.Larry was one of the founding editors of a nationally distributed poetry quarterly, The Sow’s Ear Poetry Review. He and his wife, Ann, were editor-publishers of the Sow’s Ear Press, which published 30 collections by poets from the upper South between 1994 and 2003. He was also one of the founders and the associate editor and advertising director of The Plow, an Appalachian alternative newsmagazine published by the nonprofit Appalachian Information. The magazine ran for four years in the late 1970s, producing a total of 72 issues. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Though J. R. R. Tolkien translated portions of Chaucer’s Canterbury Tales, he did not live to complete the project. Fortunately another Inkling, Nevill Coghill, succeeded where Tolkien could not, and produced the modernized verse-rendering that today’s selection comes from. Happy reading! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem has a way of reaching out and grabbing you. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem–in which men and women are the two halves of a bell’s tone–voices the rhythms and joys of life in an unconventional way that has to be heard and understood with the body before the mind. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem is about (not) getting the last word. Happy reading.Walter de la Mare, born on April 25, 1873 in London, is considered one of modern literature’s chief exemplars of the romantic imagination. His complete works form a sustained treatment of romantic themes: dreams, death, rare states of mind and emotion, fantasy worlds of childhood, and the pursuit of the transcendent.As a youth he attended St. Paul’s Cathedral School, and his formal education did not extend beyond this point. Upon graduation he went to work for the Anglo-American (Standard) Oil Company, remaining with the firm for 18 years. De la Mare began writing short stories and poetry while working as a bookkeeper in the company’s London office during the 1890s. His first published short story, “Kismet,” appeared in the journal Sketch in 1895. In 1902 he published his first major work, the poetry collection Songs of Childhood, which was recognized as a significant example of children’s literature for its creative imagery and variety of meters. Critics often assert that a childlike richness of imagination influenced everything de la Mare wrote, emphasizing his frequent depiction of childhood as a time of intuition, deep emotion, and closeness to spiritual truth. In 1908, following the publication of his novel Henry Brocken and the poetry collection titled Poems, de la Mare was granted a Civil List pension, enabling him to terminate his corporate employment and focus exclusively on writing.….As a poet de la Mare is often compared with Thomas Hardy and William Blake for their respective themes of mortality and visionary illumination. His greatest concern was the creation of a dreamlike tone implying a tangible but nonspecific transcendent reality. This characteristic of the poems has drawn many admirers, though also eliciting criticism that the poet indulged in an undefined sense of mystery without systematic acceptance of any specific doctrine. Some commentators also criticize the poetry for having an archness of tone more suitable for children’s verse, while others value this playful quality. It is generally agreed, however, that de la Mare was a skillful manipulator of poetic structure, a skill that is particularly evident in the earlier collections.….For his extravagance of invention de la Mare is sometimes labeled an escapist who retreats from accepted definitions of reality and the relationships of conventional existence. His approach to reality, however, is not escapist; rather, it profoundly explores the world he considered most significant—that of the imagination. In the London Mercury J.B. Priestley favorably concluded in 1924 that de la Mare is “one of that most lovable order of artists who never lose sight of their childhood, but re-live it continually in their work and contrive to find expression for their maturity in it, memories and impressions, its romantic vision of the world.”-bio via Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem places us on the frontier of new life. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today, the obligatory Good Friday poem (because it is excellent). This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

In today’s poem, Sandburg’s ability to make the same two lines land so differently with so little happening in between is a remarkable feat. Happy reading! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem is sometimes known as “Song of the Ent and the Entwife” because, though Tolkien tinkered with it for more than a decade, it did not take its final form until he decided to adapt it for inclusion in The Lord of the Rings. Happy reading! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe