The Daily Poem

Today’s poem is by Emily Elizabeth Dickinson (December 10, 1830 – May 15, 1886), an American poet. Little-known during her life, she has since been regarded as one of the most important figures in American poetry.[2] Despite Dickinson's prolific writing, only ten poems and a letter were published during her lifetime. After her younger sister Lavinia discovered the collection of nearly 1800 poems, Dickinson's first volume was published four years after her death. Until Thomas H. Johnson published Dickinson's Complete Poems in 1955,[130] Dickinson's poems were considerably edited and altered from their manuscript versions. Since 1890 Dickinson has remained continuously in print.—Bio via Wikipedia This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem is by Francis Russell "Frank" O'Hara (March 27, 1926 – July 25, 1966), an American writer, poet, and art critic. A curator at the Museum of Modern Art, O'Hara became prominent in New York City's art world. O'Hara is regarded as a leading figure in the New York School, an informal group of artists, writers, and musicians who drew inspiration from jazz, surrealism, abstract expressionism, action painting, and contemporary avant-garde art movements.—Bio via Wikipedia This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem is by Alicia Elsbeth Stallings (born July 2, 1968), an American poet, translator, and essayist.Stallings has published five books of original verse: Archaic Smile (1999), Hapax (2006), Olives (2012), Like (2018), and This Afterlife (2022). She has published verse translations of Lucretius's De Rerum Natura (The Nature of Things) and Hesiod's Works and Days, both with Penguin Classics, and a translation of The Battle of the Frogs and the Mice.She has been awarded the Willis Barnstone Translation Prize, a Guggenheim Fellowship,[2] a MacArthur Foundation Fellowship[3] and has been a finalist for the Pulitzer Prize for Poetry[4] and the National Book Critics Circle Award.[5] Stallings is a Fellow of the American Academy of Arts & Sciences.[6] On June 16, 2023, she was named the University of Oxford's 47th Professor of Poetry.[7][8]—Bio via Wikipedia This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem is by Musō Soseki (夢窓 疎石, 1275 – October 20, 1351), a Rinzai Zen Buddhist monk and teacher, and a calligraphist, poet and garden designer. The most famous monk of his time, he is also known as Musō Kokushi (夢窓国師, "national [Zen] teacher Musō"), an honorific conferred on him by Emperor Go-Daigo.[1] His mother was the daughter of Hōjō Masamura (1264–1268), seventh Shikken (regent) of the Kamakura shogunate.—Bio via Wikipedia This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem is by Scott Cairns. Cairns is the author of ten collections of poetry, one collection of translations of Christian mystics, one spiritual memoir (now translated into Greek and Romanian), a book-length essay on suffering, and co-edited The Sacred Place with Scott Olsen, an anthology of poetry, fiction and nonfiction. It won the inaugural National Outdoor Book Award (Outdoor Literature category) in 1997. He wrote the libretto for "The Martyrdom of Saint Polycarp", an oratorio composed by JAC Redford, and the libretto for "A Melancholy Beauty", an oratorio composed by Georgi Andreev. Cairns's poems have appeared in journals including The Atlantic Monthly, The Paris Review, The New Republic, Image, and Poetry, and have been anthologized in Upholding Mystery (Oxford University Press, 1996), Best Spiritual Writing (Harper Collins, 1998 and 2000), and Best American Spiritual Writing (Houghton Mifflin, 2004, 2005, and 2006).—Bio via Wikipedia This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem is by Kathleen Norris (born July 27, 1947), an American poet and essayist. She is the author Dakota: A Spiritual Geography, The Cloister Walk (1996), The Quotidian Mysteries: Laundry, Liturgy and "Women's Work" (1998), and other books. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem is by Theodore Huebner Roethke (/ˈrɛtki/ RET-kee;[1] May 25, 1908 – August 1, 1963), an American poet. He is regarded as one of the most accomplished and influential poets of his generation, having won the Pulitzer Prize for poetry in 1954 for his book The Waking, and the annual National Book Award for Poetry on two occasions: in 1959 for Words for the Wind,[2] and posthumously in 1965 for The Far Field.[3][4] His work was characterized by its introspection, rhythm and natural imagery.Roethke was praised by former U.S. Poet Laureate and author James Dickey as "in my opinion the greatest poet this country has yet produced."[5] He was also a respected poetry teacher, and taught at the University of Washington for fifteen years. His students from that period won two Pulitzer Prizes for Poetry and two others were nominated for the award. "He was probably the best poetry-writing teacher ever," said poet Richard Hugo, who studied under Roethke.—Bio via Wikipedia This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem is by Robert Herrick (baptised 24 August 1591 – buried 15 October 1674)[1], a 17th-century English lyric poet and Anglican cleric. He is best known for Hesperides, a book of poems. This includes the carpe diem poem "To the Virgins, to Make Much of Time", with the first line "Gather ye rosebuds while ye may".—Bio via Wikipedia This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem is by William Butler Yeats[a] (13 June 1865 – 28 January 1939), an Irish poet, dramatist, writer and politician. One of the foremost figures of 20th-century literature, he was a driving force behind the Irish Literary Revival and became a pillar of the Irish literary establishment who helped to found the Abbey Theatre. In his later years, he served two terms as a Senator of the Irish Free State. Yeats was awarded the Nobel Prize in Literature in 1923.—Bio via Wikipedia This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today poem is by Wystan Hugh Auden (/ˈwɪstən ˈhjuː ˈɔːdən/; 21 February 1907 – 29 September 1973[1]), a British-American poet. Auden's poetry was noted for its stylistic and technical achievement, its engagement with politics, morals, love, and religion, and its variety in tone, form, and content. Some of his best known poems are about love, such as "Funeral Blues"; on political and social themes, such as "September 1, 1939" and "The Shield of Achilles"; on cultural and psychological themes, such as The Age of Anxiety; and on religious themes such as "For the Time Being" and "Horae Canonicae".[2][3][4]—Bio via Wikipedia This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe