The Daily Poem

Mary Jo Salter is the author of eight books of poetry including The Surveyors (2017) and, most recently Zoom Rooms: Poems (2022). She is also a lyricist whose song cycle “Rooms of Light: The Life of Photographs" was composed by Fred Hersch. Her children’s book The Moon Comes Home appeared in 1989; her play Falling Bodies premiered in 2004. She is also a co-editor of The Norton Anthology of Poetry (4th edition, 1996; 5th edition, 2005; 6th edition, 2018). This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Czesław Miłosz (30 June 1911 – 14 August 2004) was a Polish-American poet, prose writer, translator, and diplomat. He primarily wrote his poetry in Polish. Regarded as one of the great poets of the 20th century, he won the 1980 Nobel Prize in Literature. In its citation, the Swedish Academy called Miłosz a writer who "voices man's exposed condition in a world of severe conflicts".Miłosz survived the German occupation of Warsaw during World War II and became a cultural attaché for the Polish government during the postwar period. When communist authorities threatened his safety, he defected to France and ultimately chose exile in the United States, where he became a professor at the University of California, Berkeley. His poetry—particularly about his wartime experience—and his appraisal of Stalinism in a prose book, The Captive Mind, brought him renown as a leading émigré artist and intellectual.Throughout his life and work, Miłosz tackled questions of morality, politics, history, and faith. As a translator, he introduced Western works to a Polish audience, and as a scholar and editor, he championed a greater awareness of Slavic literature in the West. Faith played a role in his work as he explored his Catholicism and personal experience. He wrote in Polish and English.Miłosz died in Kraków, Poland, in 2004. He is interred in Skałka, a church known in Poland as a place of honor for distinguished Poles.-bio via Wikipedia This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

"The spirit of the smithy is so close to the spirit of song that it has mixed in a million poems, and every blacksmith is a harmonious blacksmith. Even the village children feel that in some dim way the smith is poetic, as the grocer and the cobbler are not poetic, when they feast on the dancing sparks and deafening blows in the cavern of that creative violence.” -G. K. Chesterton This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Robert or "Rabbie" Burns (born 25 January 1759, died 21 July 1796) hailed from Alloway, Scotland. Like his father, Burns was a tenant farmer. However, toward the end of his life he became an excise collector in Dumfries, where he died in 1796; throughout his life he was also a practicing poet. His poetry recorded and celebrated aspects of farm life, regional experience, traditional culture, class culture and distinctions, and religious practice. He is considered the national poet of Scotland. Although he did not set out to achieve that designation, he clearly and repeatedly expressed his wish to be called a Scots bard, to extol his native land in poetry and song.-bio via Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

“Rilke’s most immediate and obvious influence has been upon diction and imagery. [He expressed ideas with] physical rather than intellectual symbols. While Shakespeare, for example, thought of the non-human world in terms of the human, Rilke thinks of the human in terms of the non-human, of what he calls Things.” -W.H. Auden This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

James Whitcomb Riley (born October 7, 1849; died July 22, 1916) was author of numerous beloved poetry volumes, and widely known for books such as The Old Swimmin’-Hole and ’Leven More Poems, Riley Child-Rhymes, Out to Old Aunt Mary’s, and An Old Sweetheart. Born in Indiana in 1849, he was drawn to poetry even before he was able to read. Neglectful of his studies, Riley preferred to take walks in the countryside, read books of his own choosing, and create rhymes, the first of which he sent to his young friends on home-made valentines.A prolific writer and important contributor to children’s literature, Riley published more than 50 volumes during his lifetime, many of which were popular successes. His poetry is especially prized for its sometimes whimsical reflection of small-town America and he is remembered for his insight and humor by children and adults alike. As was noted in Indiana Authors and Their Books, 1816-1916, “No American poet—those patriarchs of New England included—has thus far caught the popular fancy, has thus far enjoyed the voluntary following, that was and is his.”-bio via Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

In today’s poem, Mary Oliver helps us develop affinity for the unfamiliar. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

A. E. Stallings is a poet and translator mining the classical world and traditional poetic techniques to craft works that evoke startling insights about contemporary life. In both her original poetry and translations, Stallings exhibits a mastery of highly structured forms (such as sonnets, couplets, quatrains, and sapphics) and consummate skill in creating new combinations of meter, rhyme, and syntax into distinctive, emotionally compelling verse. Trained in classical Latin and Greek and currently living in Athens, she brings a wide knowledge of Greco-Roman literature, art, and mythology to bear on her imaginative explorations of contemporary circumstances and concerns. In Hapax (2006), Stallings imbues figures and events from classical drama and mythology with a modern sensibility. "First Love," written as a multiple-choice quiz, intertwines the Persephone myth with a chilling account of infatuation, and "XII Klassikal Lymnaeryx" emphasizes the satiric edge to Greek myth through a series of limericks in witty, unexpected diction. For her ambitious translation of De Rerum Natura (The Nature of Things, 2007), Stallings rendered Lucretius's epic-length treatise on the nature of reality into rhyming fourteeners. The unusual meter and colloquial language she employs capture every cadence of Lucretius's enthusiasm for his subject while also making the complexities of his argument easily understandable. Through her technical dexterity and graceful fusion of content and form, Stallings is revealing the timelessness of poetic expression and antiquity's relevance for today.-bio via MacArthur Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Poet, Painter, Prophet–Blake “neither wrote nor drew for the many, hardly for work’y-day men at all, rather for children and angels; himself  ‘a divine child,’ whose playthings were sun, moon, and stars, the heavens and the earth.” -from Alexander Gilchrist’s Life of William Blake (1863) This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Richard Howard (born Oct 13, 1929, died march 31, 2022) was credited with introducing modern French fiction—particularly examples of the Nouveau Roman—to the American public; his translation of Charles Baudelaire’s Les Fleurs du Mal (1984) won a National Book Award in 1984. A selection of Howard’s critical prose was collected in the volume Paper Trail: Selected Prose 1965-2003, and his collection of essays Alone with America: Essays on the Art of Poetry in the United States since 1950 (1969) was praised as one of the first comprehensive overviews of American poetry from the latter half of the 20th century. First and foremost a poet, Howard’s many volumes of verse also received widespread acclaim; he won the 1970 Pulitzer Prize in Poetry for his collection Untitled Subjects. His other honors included the American Book Award, the Harriet Monroe Memorial Prize, the PEN Translation Medal, the Levinson Prize, and the Ordre National du Mérite from the French government. For many years, Howard was the poetry editor of the Paris Review.Evaluations of Howard usually judge his work as a poet to be his most important contribution to contemporary American literature. However, his work has and continues to attract a wide and enthusiastic audience among readers, academics, and critics alike.-bio via Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe