The Daily Poem

Today’s poem offers a folksy look at the subtleties of terror. Happy reading.David Thompson Watson McCord was born on December 15, 1897, in New York. A poet and fundraiser, McCord grew up in Portland, Oregon. He received both a BA and MA from Harvard University and briefly served in the military at the end of World War I. In 1922, McCord became associate editor for the Harvard Alumni Bulletin, where he served as editor from 1940 to 1946. He was also executive director of the Harvard College Fund for thirty-eight years.  McCord, who has been widely recognized for his children's poetry, wrote and edited over fifty works of poetry and prose. He was the recipient of Harvard University's first honorary doctorate of humane letters, the first NCTE Award for Excellence in Poetry for Children, a Guggenheim Fellowship, and a National Institute of Arts and Letters grant. He died on April 13, 1997, in Boston, Massachusetts. -bio via Academy of American Poets This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem offers a recipe for domestic bliss. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Though we remember Browning far more readily than we do Landor, this poem dates from a period when their fortunes were reversed and the latter was eager to acquaint the world with the budding talent he had discovered.Walter Savage Landor (30 January 1775 – 17 September 1864) was an English writer, poet, and activist. His best known works were the prose Imaginary Conversations, and the poem "Rose Aylmer," but the critical acclaim he received from contemporary poets and reviewers was not matched by public popularity. As remarkable as his work was, it was equalled by his rumbustious character and lively temperament. Both his writing and political activism, such as his support for Lajos Kossuth and Giuseppe Garibaldi, were imbued with his passion for liberal and republican causes. He befriended and influenced the next generation of literary reformers such as Charles Dickens and Robert Browning.-bio via Wikipedia This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem is a defense of myths and myth-making, inspired by an argument with C. S. Lewis. Happy reading! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Ronald Stuart Thomas (29 March 1913 – 25 September 2000), published as R. S. Thomas, was a Welsh poet and Anglican priest noted for nationalism, spirituality and dislike of the anglicisation of Wales. John Betjeman, introducing Song at the Year's Turning (1955), the first collection of Thomas's poetry from a major publisher, predicted that Thomas would be remembered long after he himself was forgotten. M. Wynn Thomas said: "He was the Aleksandr Solzhenitsyn of Wales because he was such a troubler of the Welsh conscience. He was one of the major English language and European poets of the 20th century."-bio via Wikipedia This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Dorothy Parker (née Rothschild; August 22, 1893 – June 7, 1967) was an American poet and writer of fiction, plays and screenplays based in New York; she was known for her caustic wisecracks, and eye for 20th-century urban foibles.Parker rose to acclaim, both for her literary works published in magazines, such as The New Yorker, and as a founding member of the Algonquin Round Table. Following the breakup of the circle, Parker traveled to Hollywood to pursue screenwriting. Her successes there, including two Academy Award nominations, were curtailed when her involvement in left-wing politics resulted in her being placed on the Hollywood blacklist.Dismissive of her own talents, she deplored her reputation as a "wisecracker". Nevertheless, both her literary output and reputation for sharp wit have endured. Some of her works have been set to music.-bio via Wikipedia This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Louis Untermeyer, a celebrated author and anthologist, dives into the essence of manly talk through his poignant poem 'A Man.' He reflects on the impact of careless words in a society facing moral dilemmas, especially during the McCarthy era. The discussion also contrasts jealousy with kindness, portraying benevolence as a rejuvenating force. Untermeyer’s passion for poetry shines as he emphasizes its universal appeal, even pointing to everyday examples like Burma Shave signs as proof that poetry is for everyone.

Today’s poem is one of the most-discussed pieces of twentieth-century verse and, love it or hate it, features one of literature’s best extended metaphors for eternal yearnings–the quest for the great and holy city. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Delve into the contrasting worlds of science and Romanticism through Whitman's poignant poem. The discussion highlights the clash between academic knowledge and the pure beauty of nature. Listeners are invited to appreciate the value of personal experience and emotional connection in understanding the universe. This reflection encourages a deeper appreciation for art and its power to transcend conventional learning.

Today’s poem demonstrates that, unlike Arnold’s sideburns, loving the Bard never goes out of style. Although remembered now for his elegantly argued critical essays, Matthew Arnold, born in Laleham, Middlesex, on December 24, 1822, began his career as a poet, winning early recognition as a student at the Rugby School where his father, Thomas Arnold, had earned national acclaim as a strict and innovative headmaster. Arnold also studied at Balliol College, Oxford University. In 1844, after completing his undergraduate degree at Oxford, he returned to Rugby as a teacher of classics.After marrying in 1851, Arnold began work as a government school inspector, a grueling position which nonetheless afforded him the opportunity to travel throughout England and the Continent. Throughout his thirty-five years in this position Arnold developed an interest in education, an interest which fed into both his critical works and his poetry. Empedocles on Etna (1852) and Poems (1853) established Arnold’s reputation as a poet and, in 1857, he was offered a position, which he accepted and held until 1867, as Professor of Poetry at Oxford. Arnold became the first professor to lecture in English rather than Latin. During this time Arnold wrote the bulk of his most famous critical works, Essays in Criticism (1865) and Culture and Anarchy (1869), in which he sets forth ideas that greatly reflect the predominant values of the Victorian era.Meditative and rhetorical, Arnold’s poetry often wrestles with problems of psychological isolation. In “To Marguerite—Continued,” for example, Arnold revises John Donne’s assertion that “No man is an island,” suggesting that we “mortals” are indeed “in the sea of life enisled.” Other well-known poems, such as “Dover Beach,” link the problem of isolation with what Arnold saw as the dwindling faith of his time. Despite his own religious doubts, a source of great anxiety for him, in several essays Arnold sought to establish the essential truth of Christianity. His most influential essays, however, were those on literary topics. In “The Function of Criticism” (1865) and “The Study of Poetry” (1880) Arnold called for a new epic poetry: a poetry that would address the moral needs of his readers, “to animate and ennoble them.” Arnold’s arguments, for a renewed religious faith and an adoption of classical aesthetics and morals, are particularly representative of mainstream Victorian intellectual concerns. His approach—his gentlemanly and subtle style—to these issues, however, established criticism as an art form, and has influenced almost every major English critic since, including T. S. Eliot, Lionel Trilling, and Harold Bloom. Though perhaps less obvious, the tremendous influence of his poetry, which addresses the poet’s most innermost feelings with complete transparency, can easily be seen in writers as different from each other as W. B. Yeats, James Wright, Sylvia Plath, and Sharon Olds. Late in life, in 1883 and 1886, Arnold made two lecturing tours of the United States.Matthew Arnold died in Liverpool on April 15, 1888.-bio via Academy of American Poets This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe