Though rarely anthologized or even contemplated as such, today’s poem is arguably the very first–and its a solid beginning. Happy reading. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem is one of the purest and most earnest offerings from one of the most indefatigable lover-poets of the twentieth century. Happy reading! This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Marianne Craig Moore (November 15, 1887 – February 5, 1972) was an American modernist poet, critic, translator, and editor. Her poetry is noted for its formal innovation, precise diction, irony, and wit. She was nominated for the 1968 Nobel Prize in Literature.-bio via Wikipedia This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem comes from Matthew Hollis’ remarkable collection, Earth House, which blends explorations of the four cardinal directions and original translations of Anglo-Saxon verse from the Exeter Book. Matthew Hollis was born in Norwich in 1971, and now lives in London. His debut Ground Water (Bloodaxe Books, 2004) was shortlisted for the Guardian First Book Award, the Whitbread Poetry Award and the Forward Prize for Best First Collection; it was a Poetry Book Society Recommendation. He is co-editor of Strong Words: Modern Poets on Modern Poetry (Bloodaxe Books, 2000) and 101 Poems Against War (Faber & Faber, 2003), and editor of Selected Poems of Edward Thomas (Faber & Faber, 2011). Now All Roads Lead to France: the Last Years of Edward Thomas (Faber & Faber, UK, 2011; Norton, US, 2012) won the Costa Biography Award and the H. W. Fisher Biography Prize, was Radio 4 Book of the Week and Sunday Times Biography of the Year. He has published the handmade and letterpress pamphlets Stones (Incline Press, 2016), East (Clutag Press, 2016), Leaves (Hazel Press, 2020) and Havener (Bonnefant Press, 2022). Leaves was shortlisted for the Michael Marks Poetry Award 2021. He is the author of The Waste Land: A Biography of a Poem (Faber & Faber, UK, Norton, US, 2022). He was Poetry Editor at Faber & Faber from 2012 to 2023. His second book-length collection, Earth House, was published by Bloodaxe Books in 2023 and was longlisted for The Laurel Prize 2023.-bio via Bloodaxe Books This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem goes out to all the unsung heroes of the grease trap and the fry basket. Happy reading.Jim Daniels is the author of numerous collections of poetry, most recently The Middle Ages (Red Mountain Press, 2018) and Street Calligraphy (Steel Toe Books, 2017). His third collection, Places/Everyone (University of Wisconsin Press, 1985), won the inaugural Brittingham Prize in Poetry in 1985. He lives in Pittsburgh and is the Thomas Stockham University Professor of English at Carnegie Mellon University.-bio via Academy of American Poets This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Lucille Clifton was born in Depew, New York, on June 27, 1936. Her first book of poems, Good Times (Random House, 1969), was rated one of the best books of the year by the New York Times.Clifton remained employed in state and federal government positions until 1971, when she became a writer in residence at Coppin State College in Baltimore, Maryland, where she completed two collections: Good News About the Earth (Random House, 1972) and An Ordinary Woman (Random House, 1974). She was the author of  several other collections of poetry, including Blessing the Boats: New and Selected Poems 1988–2000 (BOA Editions, 2000), which won the National Book Award; Good Woman: Poems and a Memoir 1969–1980 (BOA Editions, 1987), which was nominated for the Pulitzer Prize; and Two-Headed Woman (University of Massachusetts Press, 1980), also a Pulitzer Prize nominee as well as the recipient of the University of Massachusetts Press Juniper Prize.In 1999, Clifton was elected a Chancellor of the Academy of American Poets. She served as the poet laureate for the State of Maryland from 1979 to 1985, and distinguished professor of humanities at St. Mary’s College of Maryland.After a long battle with cancer, Lucille Clifton died on February 13, 2010, at the age of seventy-three.-bio via Academy of American Poets This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Captain Robert von Ranke Graves (24 July 1895 – 7 December 1985) was an English poet, soldier, historical novelist and critic. His father was Alfred Perceval Graves, a celebrated Irish poet and figure in the Gaelic revival; they were both Celticists and students of Irish mythology.Robert Graves produced more than 140 works in his lifetime. His poems, his translations and innovative analysis of the Greek myths, his memoir of his early life—including his role in World War I—Good-Bye to All That (1929), and his speculative study of poetic inspiration The White Goddess have never been out of print. He is also a renowned short story writer, with stories such as "The Tenement" still being popular today.He earned his living from writing, particularly popular historical novels such as I, Claudius; King Jesus; The Golden Fleece; and Count Belisarius. He also was a prominent translator of Classical Latin and Ancient Greek texts; his versions of The Twelve Caesars and The Golden Ass remain popular for their clarity and entertaining style. Graves was awarded the 1934 James Tait Black Memorial Prize for both I, Claudius and Claudius the God. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s economical little poem from Carl Sandburg is jam-packed with allusion and metaphor. Happy reading. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

The conclusion to yesterday’s poem. Happy reading. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today, while the host works in the mountains, we are featuring the first half of a longer poem by Fugitive poet Donald Davidson, imagining the inner agonies of a Robert E. Lee in retirement. Part 2 tomorrow.Associated with the Fugitives and Southern Agrarians, poet Donald (Grady) Davidson was born in Tennessee and earned both a BA and an MA from Vanderbilt University in Nashville. Davidson published five collections of poetry The Outland Piper (1924), The Tall Man (1927), Lee in the Mountains and Other Poems (1938), The Long Street: Poems (1961), and Collected Poems: 1922–1961 (1966). In the 1920s, Davidson co-founded and co-edited the influential journal The Fugitive. His prose writings include an essay in I’ll Take My Stand: The South and the Agrarian Tradition (1930); a collection, Still Rebels, Still Yankees and Other Essays (1957); and Southern Writers in the Modern World (1958), which he first delivered as a lecture at Mercer University in Georgia. Davidson wrote a two-volume history of Tennessee, The Tennessee Volume One: The Old River: Frontier to Secession (1946) and The Tennessee Volume Two: The New River: Civil War to TVA (1948).Davidson taught English at Vanderbilt University from 1920 to 1968. He spent summers teaching at the Bread Loaf School of English in Vermont.-bio via Poetry Foundation This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe