the memory palace

Music, Footnotes & Ephemera The Memory Palace is a proud member of Radiotopia, from PRX, a curated network of extraordinary, story-driven shows. Music We start out with some of Pound for Pound from The Bad Plus Go to Waltz by Mother Falcon Into the Light by Marisa Anderson With Everything that Breathes by Greg Haines Day One Four by F.S. Blum and Nils Frahm Andrew Cyrille, Jimmy Lyons, and Jeanne Lee do Nuba And then Davis S. Ware does Mikuro’s Blues, which I’ve loved for a long time. Learn about your ad choices: dovetail.prx.org/ad-choices

This episode was originally released in August of 2015. It was re-released upon hearing that the city of New Orleans has begun the process of removing four monuments to the confederacy and post-civil war era, starting with an obelisk erected in 1891 honoring members of the Crescent City White League who suppressed the African American vote through violence and intimidation and who launched a failed military overthrow of the city’s elected government and integrated police force in 1874. Music * First up (and returning at the end) is Sandra's Theme, from Heather McIntosh's fantastic score to Compliance, a very good, very disturbing movie. * We hit Frank Glazer leading Charles Ives' Largo for Clarinet, Violin and Piano a couple of times, framing... * Runaway from Olafur Arnalds. Notes: *The key to researching this episode turned out to be an article in The Journal of Southern History from 2001 by Court Carnay called, "The Contested Image of Nathan Bedford Forrest.". * Also particularly useful was Nathan Bedford Forrest: a Biography, by Jack Hurst. * As was Lynching in America: A History in Documents, compiled by Christopher Waldrep. * Much of my information about the contents of the ceremony and speeches was gathered from this, the digitized journal and scrapbook of Charles Henry Niehaus, the sculptor of the monument. It's an extraordinary resource. * And let us all read Southern Horrors: Lynch Law in All its Phases, by Ida B. Wells. And let's put her on the $10 while we're at it. Learn about your ad choices: dovetail.prx.org/ad-choices

Nate DiMeo is the Metropolitan Museum of Art's Artist in Residence for 2016/2017. He is producing ten pieces inspired by the collection and by the museum itself. This is the fifth episode of that residency. This residency is made possible by the Metropolitan Museum of Art’s Chester Dale Fund. This episode is written and produced and stuff by Nate DiMeo with engineering assistance from Elyssa Dudley and research Assistance from Andrea Milne. Its Executive Producer is Limor Tomer, General Manager Live Arts, The Metropolitan Museum of Art. The Art Discussed * The Temple of Dendur. Music * As Much as Possible by Bing & Ruth. * Parcel by Melanie Velarde. * Field Hymn by Syrinx. * Wawa by the Ocean by Mary Lattimore. * Turning 16 and Trading Flags by Ben Sollee. Learn about your ad choices: dovetail.prx.org/ad-choices

The Memory Palace is a proud member of Radiotopia, from PRX, a curated network of extraordinary, story-driven shows. Music We open with Mary Lattimore's Jimmy V. I love Mary Lattimore. We hit Hatian guitarist Frantz Casseus' Lullaby from 1954 a few times. We hear Drifting, by Matthew Robert Cooper. And A Fool Persists by Infinite Body. The two piano things are Open Window - For Piano by Yuichiro Fujimoto, and Pale by Akira Kosemura. We also hear Gareth Dickson's Friday Night Fever for a bit. Notes I learned about Ynes while flipping idly through the 1974 edition of Notable American Women: A Biographical Dictionary (volume II, G-O, incidentally), "prepared under the Auspices of Radcliffe College," as it says on the frontispiece. By far the most comprehensive thing I read was biography for young readers called Ynes Mexia: Botanist and Adventurer by Durlynn Anema. Learn about your ad choices: dovetail.prx.org/ad-choices

The Memory Palace is a proud member of Radiotopia, from PRX, a curated network of extraordinary, story-driven shows. Music We hear three pieces of Matthew Robert Cooper's score to Some Days Are Better Than Others: Expectation, Drifting, and Katrina Outtake. Notes If you want the story of the construction of the actual Washington Monument, you could check out John Steele Gordon's book. Learn about your ad choices: dovetail.prx.org/ad-choices

The Memory Palace is a proud member of Radiotopia, from PRX, a curated network of extraordinary, story-driven shows. Music This piece has two selections from Saunder Jurriens and Danny Bensi's score to Christine, Yes But and Back to Work. Notes This very good article in the Museum of Hoaxes gives a nice overview and links out to the original article. Hampton Sides In the Kingdom of Ice has a nice telling of the story with a lot of background on the editor of the Herald. Learn about your ad choices: dovetail.prx.org/ad-choices

Nate DiMeo is the Metropolitan Museum of Art’s Artist in Residence for 2016/2017. He is producing ten pieces inspired by the collection and by the museum itself. This is the second episode of that residency. This residency is made possible by the Metropolitan Museum of Art’s Chester Dale Fund. This episode is written and produced and stuff by Nate DiMeo with engineering assistance from Elyssa Dudley and research Assistance from Andrea Milne. Its Executive Producer is Limor Tomer, General Manager Live Arts, The Metropolitan Museum of Art. Special thanks to Amelia Peck at The Met. The Art Discussed * Prince Demah Barnes’ Portrait of William Duguid. * Interwoven Globe: The Worldwide Textile Trade, 1500-1800 Music * Kyu and Njuichi from Sylvain Chauvau’s score to Umarete Wa Mita Keredo. * Moonbow by aAirial. * Gisella by K. Leimer from A Period of Review. * Here’s What You’re Missin and And Then it Rained from Bing & Ruth’s album City Lake.   Learn about your ad choices: dovetail.prx.org/ad-choices

The Memory Palace is a proud member of Radiotopia, from PRX, a curated network of extraordinary, story-driven shows. Music We start and end with Daniel Berenboim playing Lizt's 6 Consolations, S. 172: No. 3 in D flat minor. We hit up Yes But, from Danny Bensi and Saunder Jurriens' score to Christine. We return to the official Memory Palace love theme of William Henry Harrison, The Gentle Softness, Lalo Schiffrin's score to The Last Dragon We cruise on the U.S.S. Princeton to Dispute by Yann Tiersen. Twist comes to Missing Pieces from the Broken City score. Notes I read quite a bit about the Tylers, but really, one needs only to read "and Tyler Too," by Robert Seager II. Learn about your ad choices: dovetail.prx.org/ad-choices

The Memory Palace is a proud member of Radiotopia, from PRX, a curated network of extraordinary, story-driven shows. Music We start with (and later return to) And Grace by David Darling. Robert Farnon and the Royal Philharmonic Orchestra play Captain Horatio Hornblower R.N. Suite II: The Wind which turns into Niggun for Solo Bassoon by Philippe Hersant. Then we hit Neon Lights by Kraftwerk from The Man Machine. And The Gentle Softness, the love theme to Enter The Dragon from Lalo Schifrin’s score. And hit up our friends Lullatone at the end with Origami Tulips.   Learn about your ad choices: dovetail.prx.org/ad-choices

The Memory Palace is a proud member of Radiotopia, from PRX, a curated network of extraordinary, story-driven shows. Learn more at radiotopia.fm SPOILERS BELOW Notes * Much of what I read about Florence was pulled from old newspaper articles. * The biography in Notable American Women: Volume 5 does a nice, thorough job with Florence story. * I first stumbled on Florence Chadwick in a photo in a restaurant in Santa Barbara and was struck by, as the photo suggested, she went on a world tour, swimming local channels. Music * First up is Solitude, from (delightfully named) Janis Crunch. * Then we’ve got Like a Bell to a Southerly Wind, by Chequerboard. * Modular Body #7 by Machinefabriek. * After Catalunya by Ephemetry and Richard J. Birkin. * Finishing up on The Old Favourite by The Gloaming. Learn about your ad choices: dovetail.prx.org/ad-choices