Latino USA

In the late 90's, Rodrigo Sánchez and Gabriela Quintero embarked on a one-way trip to Dublin, Ireland. While they were originally heavy metal musicians back home in Mexico, they traded their electric guitars for acoustic ones and became street performers in Ireland to sustain themselves. Eventually, they started getting more recognition. In 2006, they put out their first album, which debuted at number one on the Irish Albums Chart. Their latest album "Mettavolution" has earned them their first Grammy. In this “How I Made It,” Rodrigo and Gabriela take us back to the origins of their band and tell us what keeps them going after more than 20 years. This story originally aired in December of 2019.See omnystudio.com/listener for privacy information.

The stereotype goes that Latinos only listen to salsa or reggaeton. But one of the biggest genres of music across Latin America is actually heavy metal, with bands like Iron Maiden selling out stadiums across the region when they tour there. On today's Breakdown we ask.... why? How did metal take over Latin America so completely? We look at the extreme fandom for metal across Latin America and discuss the story behind the groundbreaking Brazilian band, Sepultura, and how they changed the fate of metal music forever. This episode originally aired on December of 2019.See omnystudio.com/listener for privacy information.

Puerto Rico’s relationship with the United States has long been a subject of intense debate. In 1952, Puerto Rico adopted a new status that was meant to decolonize the island. In English, we call it a “Commonwealth.” In Spanish, it’s called “Estado Libre Asociado”, or ELA. Puerto Ricans were promised for decades that this unique status meant they had a special kind of sovereignty while maintaining ties to the US. Now, a series of recent crises on the island have led many to question that promise, and to use the word “colony” more and more. In this episode, political anthropologist and El Nuevo Día columnist Yarimar Bonilla looks for those who still believe in the ELA, and asks what happens when a political project dies.See omnystudio.com/listener for privacy information.

Despite being a U.S. colony, Puerto Rico competes in sports as its own country on the world stage. Since the 70s, Puerto Rico’s national basketball team has been a pride of the island, taking home trophy after trophy. But in the 2004 at the Athens Olympics, the team was up against the odds, with an opening game against a U.S. Dream Team stacked with players like Lebron James and Allen Iverson. Futuro Media’s Julio Ricardo Varela tells the story of a basketball game that Puerto Ricans will never forget, and why he thinks now, more than ever, is a crucial moment to remember it.See omnystudio.com/listener for privacy information.

Photographer Chris Gregory-Rivera examines the legacy of the surveillance files known in Puerto Rico as las carpetas — produced from a decades-long secret government program aimed at fracturing the pro-independence movement. Gregory-Rivera looks at las carpetas through the story of one activist family, the traitor they believed was close to them, and the betrayal that holds more mystery than they realize.See omnystudio.com/listener for privacy information.

A year after COVID-19 first shut down the United States, Latino USA looks at how the pandemic has changed the lives of Latinos across the country. We’ll check in with a domestic worker in Chicago who has lost work because of the pandemic. We'll visit a Honduran family living in Mexico after they tried asking for asylum in the U.S., but were turned away. We’ll go to the South Bronx to hear how one family saved their restaurant by turning it into a mutual aid soup kitchen. And we’ll hear from a priest in Texas who is helping his community heal from a year of tremendous loss.See omnystudio.com/listener for privacy information.

A winter storm in Texas left millions with no power and water issues in February. Latino USA producer Reynaldo Leaños Jr. documented his family’s experience during the storm and kept an audio diary of what happened.See omnystudio.com/listener for privacy information.

Weeks after Hurricane María, the Government of Puerto Rico accepted an emphatic suggestion from officials of the Federal Emergency Management Agency (FEMA), put it in writing as if it were its own decision, and celebrated it would be used to rebuild in a “resilient” way. On the island of Vieques — which has a very high rate of cancer — they were supposed to rebuild its only hospital, destroyed by the hurricane in 2017. Now, a young girl has died from lack of care, and a neglected community fights for their basic human right: access to quality medical services. Reporter Cristina del Mar Quiles from El Centro de Periodismo Investigativo explains how federal red tape has hindered hurricane recovery.See omnystudio.com/listener for privacy information.

What will the music of Texas’ Rio Grande Valley sound like 100 years from now? That’s the premise at the heart of Futuro Conjunto, a multimedia sci-fi project by artists Charlie Vela and Jonathan Leal. Futuro Conjunto is an expansive work of speculative fiction, but it also revolves around urgent issues of our present, such as climate change, technology, war, and class disparity. The multimedia project also draws from the Rio Grande Valley’s history and musical traditions, and Vela and Leal collaborated with more than 30 local artists to make this project happen. Futuro Conjunto is, first and foremost, a musical album. But it’s complemented by animated clips, an interactive website, and a detailed history that imagines the events that came to pass between today and several generations into the future. In this “How I Made It” segment, Vela and Leal explain the inspiration behind Futuro Conjunto and break down how they captured the sounds of the Rio Grande Valley’s future.See omnystudio.com/listener for privacy information.

Gustavo Dudamel is one of the most famous and acclaimed conductors in the world. He’s been the Music and Artistic Director of the Los Angeles Philharmonic since 2009, when he was just 27 years old. El maestro is the best-known graduate of El Sistema, Venezuela’s national youth music education program. In the years since, Dudamel made a name for himself conducting world-famous orchestras, running his own arts charity —The Gustavo Dudamel Foundation— and founding the Youth Orchestra Los Angeles. Even amid the ongoing COVID-19 pandemic, Dudamel has been living up to his personal passion of finding creative ways to play and expand access to music, all while stressing the importance of staying in touch with his Venezuelan roots. In this episode of Latino USA, Dudamel talks about staying indoors, calling family home, and his belief that music will inspire a stronger future for all.See omnystudio.com/listener for privacy information.