Latino USA

When she was nine years old, Xiomara Torres fled the civil war in her home country of El Salvador and came to the U.S. As a child, she adjusted to her new life in East Los Angeles before she was removed from her family and put into foster care—where she spent six years of her life moving from home to home. Now, she's the subject of a local play in Oregon titled, "Judge Torres." In this edition of “How I Made It,” Judge Torres shares how she overcame the hurdles of the foster system and made her way to the Oregon Circuit Court.This episode originally aired in 2019.

Last year, a 65-year-old grandfather was attacked and fell onto the New York City subway tracks—which eventually led to his death. He was punched from behind by a young man with schizophrenia who shouted that he was the devil. This isn't the first time this has happened, a similar situation played out 19 years earlier. So why does the cycle continue? Latino USA examines how and why someone with serious mental illness falls through the cracks of the nation's mental health system.This episode originally aired in 2019.

Lucía Díaz Genao’s son, Luis Guillermo, disappeared in 2013 in Veracruz, Mexico, as drug-related violence increased across the country. Amid the inaction of local authorities, Lucía started to look for Luis Guillermo herself, becoming one of today’s fiercest activists in Mexico searching for disappeared people.In this episode, Lucía shares how she managed to get over her depression to form Colectivo Solecito, a group of hundreds of other mothers with missing children who have joined forces to bring justice to their cases.Follow us on TikTok and YouTube. 

Journalist Andrea Elliott won her first Pulitzer Prize in 2007 for Feature Writing. 15 years later, she won her second Pulitzer for her book “Invisible Child: Poverty, Survival and Hope in an American City” under the General Nonfiction category.“Invisible Child” follows the life of a young Black girl named Dasani Coates, whom Andrea followed and reported on for more than eight years, exploring the intergenerational impact of poverty and race in one of the richest cities in the world.In this episode of Latino USA, Andrea Elliott speaks with Maria Hinojosa about her Pulitzer Prize-winning work, what it means to be a journalist of conscience and how Andrea’s bi-cultural upbringing as a Chilean-American helped her to better report on people living on the margins of power.Follow us on TikTok and YouTube. 

Trans activist, actress and author, Cecilia Gentili, knows the power of stories. Whether she is working at her company Trans Equity Consulting, writing an op-ed for the New York Times, or portraying a character on television—Cecilia believes that sharing her story is a way to advocate for the change she hopes to see. On this episode of Latino USA, Cecilia shares about her new memoir, “Faltas,” which is written as a series of letters to people in her hometown in Argentina. Cecilia talks about how joy and grief intertwine through the narrative, and how sharing her childhood stories is her revolutionary cry to support trans youth.This episode originally aired in 2023.

Mexican singer-songwriter Natalia Lafourcade embraces contrasts in her music. Look no further than her latest album, “De Todas las Flores,” where Natalia found herself both processing death and celebrating life.Prior to this, Natalia released a number of critically acclaimed albums that drew from Latin American musical history. Her journey led her to Carnegie Hall in New York City, where she premiered her latest music in a special live performance late 2022.Just days before this show, Natalia sat down with Latino USA to talk about her new album, her career, and the value of slowing down to tend to one’s inner garden.This episode originally aired in 2023.

As part of “The Latino Factor: How We Vote,” our 2024 election year series, we bring you a look at how disinformation affects Latino communities. We talk with Tamoa Calzadilla, editor-in-chief of Factchequeado, an initiative that combats disinformation specifically in Spanish-speaking communities in the United States.In this episode, Tamoa shares insights into the special skills journalists need to serve Latino and Spanish-speaking communities, and offers step-by-step advice on how to combat disinformation.

Melissa Barrera has been consistently making a name for herself in recent years. The Mexican actress is probably most recognizable in the U.S. for her horror roles, namely in the legacy franchise “Scream.”But in her more than a decade-long career that has taken her from Monterrey to Hollywood, she’s done it all—telenovelas, musicals, drama, romance and even comedy.In this episode of Latino USA, Melissa talks about her journey into acting, the importance of using her platform, and how she views her diverse and growing career during what she calls an age of self-reflection.

This week, Latino USA brings you an episode of The Burden podcast.In the 1990s, Detective Louis N. Scarcella was legendary. In a city overrun by violent crime, he cracked the toughest cases and put away the worst criminals. “The Hulk” was his nickname.Then the story changed. Scarcella ran into a group of convicted murderers (who all say they are innocent!) turned jailhouse-lawyers. In prison they realized Scarcella helped put many of them away. They set out to turn the tables on Scarcella while still in prison. And with the help of a NY Times reporter they would succeed.Thirty years later, more than 20 people Scarcella helped put away have walked free. In the media he’s the “disgraced detective,” the rogue cop who hoodwinked an entire system. For years, Scarcella insisted he did nothing wrong. But that’s all he’d say. Until we tracked Scarcella to a sauna in a Russian bathhouse, where he started to talk..and talk and talk. “The guilty have gone free,” he whispered. And then agreed to take us into the belly of the beast ... where justice is done (and undone).You can subscribe to the podcast here. 

This is a special episode by Futuro Investigates, in collaboration with The Center For Public Integrity and Columbia Journalism Investigations. In the absence of federal or state data showing how many disaster restoration workers get sick every year because of their labor, we document for the first time how prolonged exposure to dangerous toxins affects the health of workers who clean and rebuild American cities after natural disasters.