The 18th century orchestral mass repertoire comes with all sorts of questions for the liturgical musician. Is this repertoire properly called "Viennese"? Does this music really fit, in style and length, with the sacred liturgy? What does the Church have to say about this style of music? Are there any of these Masses that I can do with my choir? Dr. Erick Arenas of the San Francisco Conservatory of Music joins us to answer these questions, and to talk about the wonderful oeuvre of Johann Michael Haydn, the younger brother of the more famous Haydn.  To learn more about Dr. Arenas, click here: https://sfcm.edu/study/faculty/erick-arenas To learn more about the Catholic Institute of Sacred Music, please visit: http://catholicinstituteofsacredmusic.org/

For Bishop Earl Fernandes of Columbus, Ohio, sacred music and the Eucharistic revival are inextricably linked. When he was consecrated bishop at age 49 in 2022, he was the U.S.'s youngest bishop, and his experience with sacred music as a young person involved a mix of typical U.S. parish music, but also special liturgical and musical experiences sought out by his parents, and this has shaped in him a deep understanding of the importance of sacred music. Join us as we discuss the role he sees for sacred music in reviving faith in the presence of Christ in the Most Holy Eucharist. 

What do we know about music in the earliest liturgies celebrated in Ireland? Did sacred music and the liturgy develop as a distinguishable "Celtic rite" in Ireland? What impact did the Church in Ireland, and specifically the monastic impact of Ireland, have on the European continent? We discuss these and other questions with Dr. Ann Buckley, a visiting research fellow in the Medieval History Research Centre of Trinity College Dublin.  To learn more about Dr. Buckley and her work, please visit: https://www.tcd.ie/medieval-history/expertise/ann-buckley.php To see an edition of the sequence for St. Patrick, edited by Dr. Buckley, click here: https://sacredmusicpodcast.com/wp-content/uploads/2024/06/PATRICK_MS-78_Responsory.and_.prosa_.pdf To learn more about the Catholic Institute of Sacred Music, visit: http://catholicinstituteofsacredmusic.org/

Mark Langley, an expert in Catholic classical education, discusses the importance of music in education and the modern misconceptions hindering its proper recognition. He explores the significance of the Trivium and Quadrivium in shaping students' minds for deeper understanding. The conversation delves into Descartes' view on certitude, the interplay of liberal and fine arts, and the transformative power of music in education and character formation.

Join Archbishop Salvatore J. Cordileone in a discussion about the importance of sacred music in worship, exploring how it draws individuals closer to God, expresses emotions, blends tradition with innovation, impacts culture, and prepares hearts for the divine realm.

Charles Cole discusses the impact of Venetian music on sacred choral music in the late Renaissance period and the music scene in Venice at St. Mark's Basilica. They explore the legacy of composers like Gabrielli and Bassano, the craftsmanship in Venice, and upcoming tours for the Palestrina 500 Festival.

Bishop Michael Barber discusses the role of sacred music in Mass experience, bridging cultural gaps, and why the Church invests in beauty. Exploring the impact of Gregorian chant, healing souls through art, and the enrichment of traditional music in young adult Masses. Addressing challenges faced by church musicians and the emotional influence of sacred music like Cantate Dominum.

Dr. Charles Weaver discusses the origins of chant editions, varying melodies, and rhythmic implications in Gregorian chant. He emphasizes integrating scholarship and praxis for Catholic singers. The podcast explores the impact of Vatican editions, variations in melodies, and the importance of creating authentic chant editions. Dr. Weaver previews the upcoming 'Advanced Seminar in Gregorian Chant', highlighting the fusion of academic study and practical application in Catholic singing.

Dr. Anna Maria Busse Berger, a music professor, delves into the connection between music notation and memory in Gregorian chant. Topics include memorization techniques, monks' use of music for learning Latin, the shift to modal systems in chant, and the spiritual benefits of singing scriptures and hymns. The importance of memory in church music practice and performance is also highlighted.

Fr. Christopher Gray, a priest with expertise in the role of bells in Catholic life, and Carl Zimmerman delve into the historical and sacramental significance of bells in Christian worship, exploring their symbolism, rituals, and sound in Catholic life. They discuss the engineering and tradition of bell ringing in England, emphasizing the importance of quality craftsmanship and the profound impact of bells on sacred spaces.