Sound and Vision

Gao Hang (高航) is a Houston based Chinese artist. He recieved his Master of Fine Arts degree in Painting/Drawing from the University of Houston, and a Bachelors of Art degree in Oil Painting from the Capital Normal University, and is a 2020 Houston Artadia fellow. His artworks have been shown in major galleries and Netherlands, Spain, Korea, Germany, and England. He’s currently showing at the Hole Gallery at East Hampton, NY and at the Pulpo Gallery, Germany. His two upcoming solos will take place in Houston, US and London, UK later this year.

Sun You is a Seoul born, New York based artist. She has exhibited her work in galleries and museums internationally. Recent exhibitions include Geary, NY, The Pit, CA, Step Sister, NY, Queens Museum, NY, The Hangaram Art Museum, Seoul, Scotty Enterprise, Berlin, Virginia Commonwealth University , VA, and The Suburban, IL. Sun was an artist in residence at Hunter College, Ace Hotel, Marble House Project, Atlantic Center for the Arts, Triangle Arts Association, Künstlerhaus Schloss Balmoral and the Sharpe and Walentas Studio Program.  She was also selected as  Artists to Watch in 2016 by WIDEWALLS and 18 Artists to Watch, by Modern Painters, 2015 and a recipient of  AHL Grant, Korean Art Foundation, 2018. Sun is currently teaching as a visiting professor at the University of Oregon. Sun’s artist book, ‘please enjoy!’ with Small Editions, was acquired by the Whitney Library, The Metropolitan Museum of Art, the School of the Art Institute of Chicago, Yale University and the NY Public Library. Sun heads President Clinton Projects, a curatorial project and co-runs a non-profit gallery, Tiger Strikes Asteroid  New York. She is also a co-founder and core-member of An/other New York, a collective of  Asian and Asian American visual artists, writers and curators.

Emi Winter was born and grew up in Oaxaca, Mexico. She holds a BA in visual arts from Oberlin College and a MFA in painting from Bard College. Her work includes painting, printmaking and textiles which she makes in collaboration with master artisans in Mexico and the United States. She was an artist in residence at the Chinati Foundation in Marfa, Texas and Ateliers Hoeherweg in Dusseldorf. In 2011 she was awarded the acquisition prize for the XV edition of the Rufino Tamayo painting biennial in Mexico. Her work has been shown at the National Gallery of Art, Washington DC; LACMA; High Museum, Atlanta; Parker Gallery, Los Angeles; V1 Gallery, Copenhagen; Ulterior Gallery, New York; Maine College of Art, Portland; The Suburban, Milwaukee and is included in the collections of the Museo de Arte Moderno, Mexico; Museo Nacional de la Estampa, Mexico; Museo de Arte Contemporáneo de Oaxaca; McNay Art Museum, San Antonio and the Grunwald Center for Graphic Arts at the Hammer Museum, Los Angeles. She currently lives in New Jersey and teaches bilingual art classes to Latino immigrants for the Visual Arts Center of New Jersey. Her exhibition “Afternoon Formations” is on view at Minus Space in Brooklyn through the end of July. Sound & Vision is sponsored by Fulcrum Coffee and Golden Artist Colors.

In his wall works, maquettes, and freestanding objects, Robert Moreland’s constructions represent an arresting intersection between painting and sculpture. With hand-stretched canvases along angled wooden beams, held together cleanly by hinges, tacks, and leather straps, Moreland’s works are as much an investigation of material as they are a declaration of objective unity on a minimalist picture plane. Jutting into the gallery space, and often warped or creased along parallel lines like folding partitions or the pages of a book, Moreland’s large works minutely alter the space they are in, provoking a relationship of direct proximity with their viewers.

Emma Cousin was born in Yorkshire in the UK, in 1986 and is currently based in London. Recent solo exhibitions include ‘Introductions’, White Cube (2021); Goldsmiths CCA, London (2020); Milton Keynes Art Centre, UK (2019); Lewisham Arthouse, London (2018); Edel Assanti, UK (2018); and Dolph Projects, London (2017). Recent group exhibitions include ‘She came to stay’ Andrea Festa Fine Art, Italy; ‘Female Objectivity’, Palazzo Te Matova, Italy; ‘Soft Bodies’, Castlefield Gallery, Manchester, (2020); ‘Ridiculous’ Elephant West, London (2020); Jerwood Arts exhibition ‘Survey’ at Baltic Centre for Contemporary Art, Gateshead, The Bluecoat, Liverpool, and G39, Cardiff, UK (2019); and ‘Ultra’, J Hammond Projects, London (2019). Her work is in the Zuzeum Museum Riga, The Samandi Art Foundation, Bangladesh, Aishti Foundation, Lebanon and Azman Museum, Malaysia. In Sept 2021 Emma will have a solo show with Niru Ratnam Gallery London across three spaces showing new drawings, paintings and video. Emma graduated from Ruskin School of Drawing and Fine Art, University of Oxford in 2007. She started her own project space, Bread and Jam in 2015-17, which she ran for 2 years in her home in Brockley. She was a participant at Skowhegan in 2018. She recently co-curated Un-stilled Life, an exhibition focusing on animations, across three galleries, Ron Mandos Gallery Amsterdam, Tintype Gallery London and the online platform Blinkvideo. In 2020 she established the podcast ‘Chats with artists in lockdown’ which is now on its second series.

Carolyn Salas was born in Hollywood, CA. She earned a BFA in sculpture from the College of Santa Fe and an MFA from Hunter College.  She has attended residencies at the Abrons Art Center A.I.R. Space Program and The NARS Foundation, New York, NY; Blue Mountain Center, Blue Mountain Lake, NY; the Vermont Studio Center, Johnson, VT;  and the Santa Fe Art Institute, Santa Fe, NM. She has also been a Chashama Studio Space recipient, and an Elizabeth Foundation Studio Program/Space awardee. Selected exhibitions include the Berkshire Museum, Berkshire MA; Torrance Art Museum, Torrance, Santa Barbara Contemporary Arts Forum, Santa Barbara; Ever Gold [Projects], San Francisco, CA; Casey Kaplan, Koenig & Clinton, Brookfield Arts, SPRING/BREAK Art Show and Kate Werble Gallery, New York, Mrs., Maspeth, NY; Terrault Contemporary and Towson University, Baltimore, MD; Páramo Gallery, Guadalajara, Mexico; and NADA Special Projects, Miami, FL.  Most recently, Salas was awarded Artist-in-Residence at Stoneleaf Retreat, NY, for summer 2021. She is the recipient of the 2021 Queens Council on the Arts/ individual grant and is in an upcoming August Group show with Rachel Uffner and Mrs. Gallery at Foreland upstate in conjunction with NADA.

Carl D’Alvia received a B.F.A. from the Rhode Island School of Design in 1987 and splits his time between Connecticut and New York City. He works in a sculptural idiom that is decidedly hyper-visual, artisanal and history laden. He has developed proprietary sculptural processes that co-opt existing means of traditional and industrial production. Drawing on sources that include megalithic monuments, toy design and the Baroque, the work encapsulates seemingly antithetical motifs such as minimal/ornate, industrial/handmade, comic/tragic, progress/destruction and attraction/repulsion. He has had recent solo shows at Hesse Flatow, Nathalie Karg Gallery and Regina Rex in New York and Galerie Papillon in Paris as well as previous solo shows at Mulherin + Pollard ( 2013) and Derek Eller Gallery, New York (2008 & 2006) . His work has appeared in group exhibitions at numerous venues including: Helena Anrather, Regina Rex, Mother Gallery, The deCordova Sculpture Park an Museum, Art OMI, The Journal Gallery (2016), Feature Inc. (2004), and White columns(2000). His work has been reviewed in Artforum, Flash Art, The New York Times, Hyperallergic, The Boston Globe, Time Out and the Village Voice. He was awarded the Rome Prize for Visual Arts for 2012-2013 from the American Academy in Rome.

Miranda Fengyuan Zhang was born in Shanghai, China in 1993. She earned her BFA in studio art from NYU in 2016. Scattered Lines marks her first exhibition with Candice Madey, Chambers Fine Art, and in New York City. Other solo exhibitions include Capsule Gallery, Shanghai; Halsey McKay Gallery, East Hampton; Half Gallery, Shanghai. She has been the recipient of the La Maison de l’Art Contemporain residency in Asilah, Morocco and will be an upcoming resident at the Arquetopia Foundation in Oaxaca, Mexico

Tilde Grynnerup, 1973. Based in Copenhagen, Denmark. Educated in textile design and specialized in embroidery. She is a multidisciplinary artist working across different medias such as textile, wood, installation, conceptual, photography, film. The artist choose whichever media expresses her vision the best, and work without limitations. She like to explore. As Meret Oppenheim said “Nobody will give you freedom. You have to take it”. Having spent a decade writing songs, and another decade working with fashion, Tilde Grynnerup create works of art, combining words and textile. And having grown up with the inherited craftsmanship skills from her carpenter father, woodwork is like family. She work with him in our joint wood workshop by a small forest, where my father lives retired. When working with wood, the artist alternately work between her wood workshop in the countryside and her studio in the city of Copenhagen. The interaction between the countryside nature and the city, is her perfect balance. Just like the interaction between working with soft materials like textile and hard materials like brass and wood. Feminism is to Tilde Grynnerup about equality and the freedom of being, and that subject is a constant in her work. Driven by social indignation and a general curiosity about people and life, her artwork usually aim to communicate a thought or a feeling. Something true and profound. She wonder a lot. Creating art gives her relief. Especially when using humor. Hopefully it provides a little relief to others too. We are, after all, not alone.

Heather Gwen Martin is an artist born in Saskatchewan, Canada who studied at the University of California, San Diego and The School of the Art Institute of Chicago. Heather shows with L.A. Louver gallery in Los Angeles and Miles McEnery Gallery in New York. She has been included in museum exhibitions at the Museum of Contemporary Art San Diego, CA; Torrance Art Museum, Torrance, CA; El Segundo Museum of Art, El Segundo, CA; the Pizzuti Collection, Columbus, OH; Frist Art Museum, Nashville, TN; Chrysler Museum of Art, Norfolk, VA; and the Claremont Museum of Art, Claremont, CA. Her largest work to date, a 48 foot high painting “Landing” is currently on view as part of the public art project Murals of La Jolla in La Jolla, CA. Martin lives and works in Los Angeles. A solo exhibition of her work entitled “Nerve Lines and Fever Dreams” is up now at L.A. Louver and runs through July 2nd.