Score: The Podcast

Robert and Kenny begin the show discussing what they watched over the weekend including Doctor Sleep, score by The Newton Brothers and Ford v Ferrari, score by Marco Beltrami and Buck Sanders Then, Emmy, Grammy and Tony-winning music director Alex Lacamoire stops by to help count down the release of Hamilton coming to Disney+ on July 3. Alex shares stories of working on the show, his reaction to the script when Lin-Manuel Miranda first presented it and his future projects including In The Heights. Later, Oscar-nominated and 6x Grammy-winning composer Terence Blanchard joins the show revealing how he began working with iconic director Spike Lee, how their relationship has evolved after 30 years of collaborating, the importance of growing up in a musical city like New Orleans and how he almost got kicked out of a Knicks game while sitting courtside with Spike. This episode is presented by Spitfire Audio. Follow us on Twitter @ScoreThePodcast, or send Kenny and Robert your questions for the mailbox at ScoreTheMailbox@epicleff.com. Hosts: Robert Kraft & Kenny Holmes Executive Producer: Matt Schrader Coordinator: Carol Kuswanto © 2020 Epicleff Media

Robert and Kenny begin the show discussing the dates changes to the Academy Awards and the Golden Globes in 2021 and what they watched recently, including HBO's new reboot of Perry Mason scored by Oscar-nominated composer Terence Blanchard. Then, Kenny asks Robert to share how his best buddy Bruce Willis helped turn Hudson Hawk into a reality in the latest installment of "Score Stories." Later, Theodore Shapiro joins the show to share his many tales of scoring some of the greatest comedies of the last two decades including Old School, Dodgeball, I Love You, Man, Tropic Thunder. Teddy also details his grueling, yet rewarding experience working with actor/director Ben Stiller, why he's always battling being pigeon-holed as the comedy composer and his process of trying to get editors original music before temp score is put into a film. This episode is presented by Spitfire Audio. Follow us on Twitter @ScoreThePodcast, or send Kenny and Robert your questions for the mailbox at ScoreTheMailbox@epicleff.com. Hosts: Robert Kraft & Kenny Holmes Executive Producer: Matt Schrader Coordinator: Carol Kuswanto © 2020 Epicleff Media

Robert and Kenny begin the show joined by Blockbuster podcast creator Matt Schrader, discussing the brand new season profiling director James Cameron. The team discusses the major changes the to the theatrical release schedule including blockbuster films Tenet, WW84, No Time To Die and Top Gun: Maverick and what all of this could mean for the future of movie theaters. Then, Kenny checks Score: The Mailbox with a question for Robert about his favorite memory of working with the late maestro James Horner. Later, Emmy and Golden Globe-nominated composer Daniel Pemberton joins from London to explain how his early love for electronic music found him scoring a TV series while still going to school. Pemberton shares his stories of working on his first big film with director Ridley Scott, a chance run in with director Danny Boyle while riding his bike through London, experimenting on his scores for films like Spider-man: Into the Spider-Verse, Steve Jobs and Yesterday, and why he believes there is no such thing as bad music. This episode is presented by Spitfire Audio. Follow us on Twitter @ScoreThePodcast, or send Kenny and Robert your questions for the mailbox at ScoreTheMailbox@epicleff.com. Hosts: Robert Kraft & Kenny Holmes Executive Producer: Matt Schrader Coordinator: Carol Kuswanto © 2020 Epicleff Media

Robert and Kenny begin the show talking about shows they’ve been watching including Tales From the Loop (with music by Philip Glass) and the second season of Amazon's Homecoming. Then, Homecoming and composer Emile Mosseri stops by to share how he came on board with the hit series, the challenges of stepping in on a show that was previously scored with licensed scores from composers including legendary maestro Bernard Herrmann and the difference of scoring a TV series versus his previous film The Last Black Man in San Francisco. Later, 2x Oscar-winning composer A.R. Rahman joins the show all the way from Chennai, India to share his story of teaching himself how to use his late father’s musical equipment, making the decision to work at a young age to help support his family in lieu of school, passing on a scholarship to Berklee to score his first film, connecting with director Danny Boyle for the smash hits Slumdog Millionaire and 127 Hours and starting his own music school in India. This episode is presented by Spitfire Audio. Follow us on Twitter @ScoreThePodcast, or send Kenny and Robert your questions for the mailbox at ScoreTheMailbox@epicleff.com. Hosts: Robert Kraft & Kenny Holmes Executive Producer: Matt Schrader Coordinator: Carol Kuswanto © 2020 Epicleff Media

Robert and Kenny begin the show discussing the conclusion of the ESPN docuseries The Last Dance profiling Michael Jordan and the 90s Chicago Bulls, and the terrific use of both source music and the dramatic score by composer Thomas Caffey. Then, Mrs. America composer Kris Bowers joins the show to share how he and his team adapted to the coronavirus stay at home orders that went into effect in the middle of scoring the new FX series. Before the break, the team checks Score: The Mailbox Later, Emmy-nominated composer Siddhartha Khosla joins the show and discusses his early years as a touring frontman for his band Goldspot, how his college roommate Dan Fogelman convinced him to change his musical path and eventually led to scoring NBC's smash series This is Us and why he could be the first Chief Musical Officer of the USA. This episode is presented by Spitfire Audio. Follow us on Twitter @ScoreThePodcast, or send Kenny and Robert your questions for the mailbox at ScoreTheMailbox@epicleff.com. Hosts: Robert Kraft & Kenny Holmes Executive Producer: Matt Schrader Coordinator: Carol Kuswanto © 2020 Epicleff Media

Robert and Kenny begin the show discussing the HBO film Bad Education, which includes the latest score by Michael Abels. Over the weekend, Kenny also re-watched Avatar, a film Robert worked on with James Cameron and James Horner. Robert reveals that Beyoncé was the original choice for the end credits song, but she was too expensive. Then, Emmy and Grammy-winning composer David Arnold (James Bond franchise, Independence Day, Stargate, Good Omens, Sherlock) joins the show to talk about the benefits of having his studio inside AIR Studios in London, why a record store clerk might be the reason he got his first James Bond film, how he wrote the theme from Independence Day in a dream and the pressure of being music director for the 2012 Summer Olympics in London. This episode is presented by Spitfire Audio. Follow us on Twitter @ScoreThePodcast, or send Kenny and Robert your questions for the mailbox at ScoreTheMailbox@epicleff.com. Hosts: Robert Kraft & Kenny Holmes Executive Producer: Matt Schrader Coordinator: Carol Kuswanto © 2020 Epicleff Media

Robert and Kenny begin the show discussing Taika Watiti being chosen as the next Star Wars director, breaking down the rules changes for the Oscars, updating the flub announcement of Daft Punk scoring a new film and checking Score: The Mailbox. Then, Oscar-winning composer Rachel Portman joins to talk about her first solo album "Ask The River" releasing on 5/8, her trailblazing career that started with learning piano from a teacher in her small village and her hope to one day score a western. This episode is presented by Spitfire Audio. Follow us on Twitter @ScoreThePodcast, or send Kenny and Robert your questions for the mailbox at ScoreTheMailbox@epicleff.com. Hosts: Robert Kraft & Kenny Holmes Executive Producer: Matt Schrader Coordinator: Carol Kuswanto © 2020 Epicleff Media

Robert and Kenny start off the show discussing the news of Daft Punk returning to film scoring, sharing shows they have been watching and check Score: The Mailbox for the first time. Then, legendary film critic Leonard Maltin and his daughter Jessie, hosts of Maltin on Movies, join the show to discuss the future of film and cinema after the COVID-19 pandemic and Leonard explains why he believes movie theaters will survive. Later, composer musician and music producer Jung Jae Il shares stories of his early years performing in a funk band, how he first connected with Oscar-winning director Bong Joon Ho on Haemoo, traveling to Macedonia to find the right sound for his Okja score and why a hangover may be the reason his Parasite score fit so perfectly in the 2020 Best Picture. This episode is presented by Spitfire Audio. Follow us on Twitter @ScoreThePodcast, or send Kenny and Robert your questions for the mailbox at ScoreTheMailbox@epicleff.com. Hosts: Robert Kraft & Kenny Holmes Executive Producer: Matt Schrader Coordinator: Carol Kuswanto © 2020 Epicleff Media

In this supersized Season 3 premiere, Robert and Kenny talk about changes to the show due to coronavirus, Kenny’s anxiety trying to land Danny Elfman for the season premiere, and listen to Randy Newman's amazing COVID-19 song. Then, Danny Elfman (Nightmare Before Christmas, Batman, Beetlejuice, Edward Scissorhands, Good Will Hunting, Men In Black, Spider-Man) joins for an extended interview about the series of wacky coincidences that kickstarted his musical career, and why he first questioned director Tim Burton wanting him to score movies. Later, Danny talks about teaching himself to write music, getting into scuffles in Oingo Boingo, not wanting to co-write the Batman score with Prince, and why he only scores four movies a year. He explains how The Simpsons theme earned him his SAG card, and hints at his top-secret plans for a punk-orchestra opening act at Coachella. This episode is presented by Spitfire Audio. Follow us on Twitter @ScoreThePodcast, or send Kenny and Robert your questions for the mailbox at ScoreTheMailbox@epicleff.com. Hosts: Robert Kraft & Kenny Holmes Executive Producer: Matt Schrader Coordinator: Carol Kuswanto © 2020 Epicleff Media

Robert, Kenny, Matt and Carol begin the bonus episode discussing upcoming films such as Star Wars: The Rise of Skywalker, Knives Out, Tenet and A Beautiful Day in the Neighborhood.  Then Award-winning composers Andy Grush and Taylor Stewart share how they became a composer duo, their individual paths to the film scoring world and how they transitioned into the horror genre, working with director Mike Flanagan who they’ve collaborated for The Haunting of Hill House, Hush, Ouija: Origin of Evil and Oculus, behind the scenes story from iconic one - shot episode from The Haunting of Hill House, incorporating polychords and twelve-tone technique in their score for the upcoming Doctor Sleep, and the importance of having zero ego when working as a duo. This episode is presented by Spitfire Audio Follow us on Twitter @ScoreThePodcast Hosts: Robert Kraft & Kenny Holmes Executive Producer: Matt Schrader Coordinator: Carol Kuswanto Copyright 2019 Score: The Podcast