The word ‘resonance’ is commonly used these days to convey agreement with a point of view or perspective. But resonance is much more than this. ‘Resonance’ implies a universe that is sonorous and reverberatory and that operates according to the principles of harmony. Within this, many cultures have seen the role of the human being to become an instrument — to cultivate, through ritual repetition, a resonance with our fellow beings, with land, and with cosmos. This vision is not metaphorical. Science is increasingly finding that nature operates through resonance, that music predates language, and that when human beings decide to do things — to embark on adventures, to vote for politicians, to join groups — the primary driving force to do so is not ‘fact’ but resonance. Culture itself almost certainly arose through resonance, as we entrained to one another, in sync, through musical somatic ritual in resonant spaces. From the deep sounding board of the Paleolithic cave to the resonant spaces that birthed Greek prophecy to mythic visions of humans-as-instruments, this episode explores how resonance is utterly central to human experience, how modernity has become what one sociologist referred to as a ‘catastrophe of resonance,’ and what we can do to reclaim our deep resonance with one another and the natural world.Support the show

Sophie Strand describes herself as a writer, an animist troubadour, and a giant pile of composting leaves. Her lyrical, eco-centric vision of the mythic has gained her a wide following, as she blasts monomyths wide open into swarms of glittering spores. With essays entitled 'My Saint is a Weed,' 'Confessions of a Compost Heap,' and 'Becoming a Ruin,' Sophie's work brings the mythic into the tangible, helps myths regain their body, and places stories deep in the middle of a living ecosystem of time, place, and specificity. In this episode, Josh and Sophie discuss her model of looking at stories through the triple lens of Myco Eco Mytho, and then go on a rhizomatic conversational journey into kingdoms of astonishment, Orphic root systems, flowering wands, and visions of how to give the Gods back their bodies. Support the show

This podcast explores the cultural descriptions of mystic experiences and the mapping of mystic spaces across different cultures and time periods. It delves into the frustration of describing mystic experiences in modern society and the lack of cultural frameworks. The chapter discusses the existence of similar visions and depictions of a mystical tree in different cultures. It also explores the concept of 'center' and its significance in rituals, art, and communities. The podcast emphasizes the importance of a defined mythology and cultural lens in understanding and applying the mystic experience.

Author Kurt Vonnegut once proposed that stories have shapes — that there are a few common wave-trajectories that underlie all of our stories. This episode builds on Vonnegut's thesis and explores the energetic shapes and trajectories of myths — trajectories that serve, within oral myth telling cultures, to take the listener on an experiential journey of scattering and rejoining, of rupture and cascade, of coiling and release, and of journey and return. These wave dynamics exist throughout nature and are inherent to our somatic structure, which is also why certain story structures, like the Hero's Journey, are difficult to get away from. Stories of journey and return mirror energetic cycles that exist in the breath, in the brain, in seasonal cycles, and in the phases of the moon. So while the socio-political externals of Hero's Journey stories can — and in some cases probably should — change, the underlying circular energetic of departure and return is as fundamental to human experience as the breath is. From the tale of Sisyphus, a breath-journey of rise and fall, to the vibrant spiral dynamics of the Indian goddess tales, this episode explores myths in terms of their directional energetic dynamics and cracks open a way of understanding and feeling story that is somatic rather than analytical.Support the show

Trance, traverse, transformation, tradition, transcendence, transgression — all come from a single Indo-European linguistic root TRA, which signifies some type of crossing over. Crossing over is something human beings have always been inclined to do — populations migrate across great expanses as explorers seek new horizons. Too much emphasis on crossing over, however, can lead to worldviews of transcendence, in which the purpose of existence is to 'get past' rather than exist in harmony with what is. Transcendence worldviews are alive and well in modern apocalyptic religion and in modern science, which seems determined to transcend nature, blast us to mars, and extend human lifespans. Yet traditionally, this human need for traverse was addressed through ritualized trance, which carried practitioners across a great inner divide. The great inner traverse offered by trance practice brought the practitioner into a state of focused presence, a flow state that is the heart of mystical tradition, and that requires the greatest of traverses to reach — the traverse across the torrent of agitated discursive thought to a state of seamless integration. These days, this traverse is harder and harder to make, as we are inundated with technologies that 'carry us across', and we spend most of our waking lives in an unwitting trance, perpetually crossing over without even realizing it. TRA is for trance — choose your trances wisely. Support the show

Modern discussions on healing individual minds, cultural wounds, and painful societal histories now revolve around the word ‘trauma.’ Yet addressing trauma is nothing new — traditional cultures across the globe have historically had their own forms of trauma work, without ever labeling it trauma work. For many cultures for many years, cathartic ritual practice that bypasses the conditioned mind has served multiple purposes as it regrows and re-patterns brains and bodies and communities. These ritual enactments, communal ecstasies, and group catharses — these weepings over the bodies of lost gods — are traditionally tied to something very specific… vegetation. There is a profound link between the myths and rituals of the old vegetation gods and what we might now term trauma work — because the cycle of vegetative birth, growth, decay, and death mirrors our own cycle. This episode explores the deep link between the repatterning of the nervous system — which itself is described in a language of trees — and vegetation, from the numerous studies that show the healing power of the presence of plants, to the plant medicines that are literally regrowing nerve tissues, to the old vegetation deities whose theatrical ritual enactments, repetitive singing and dancing, and relationship to altered states of consciousness are deeply tied to trauma repatterning. The stories and rituals of the vegetation gods reveal a language around trauma which does not vilify or sanctify trauma, or isolate it, or see it solely as something to be extracted or released, but rather addresses it as part of a larger network of patterning and repatterning, regrowth and assimilation, a greater cycle of nature. If we start looking through this ritual lens, we see ritualized trauma work everywhere in cultures around the world. And it doesn’t always look like we think it would. Sometimes it even looks fairly… traumatic.Support the show

In his book Sand Talk: How Indigenous Thinking Can Save the World, author, teacher, artist and Apalech clan member Tyson Yunkaporta presents a model of five minds — kinship mind, story mind, ancestor mind, pattern mind, and dreaming mind — that together form a way of seeing, knowing, and interacting with the world in a relational context. This episode looks at the rampant fragmentation in the modern world — which impacts everything from spiritual movements to transhumanist science to conspiratorial worldviews to progressive discourse — through the lens of these five minds. From Aboriginal rain rituals to QAnon pattern-seekers, from sorcery and curses to alternative communication models, this vibrant and polytropic discussion between Tyson and Josh explores what context means in a fragmented world, and how to truly find it requires seeing beyond obvious dichotomies into deeper layers of connectivity. Support the show

Stories of lightning and lightning-bearers pervade global mythology.  With so many tales of mighty gods who punish mortals with lightning it can be easy to view the presence of lightning in the myths as simply a metaphor for power or brute force. Yet the lightning myths go a lot deeper than this. Across the world, the traditions most familiar with states of ecstatic rapture  use a common language of lightning. This lyrical episode re-awakens the story of Semele, mother of Dionysus — herself incinerated by lightning — and uses it as an entry point into a network of global myths and traditions that sing of lightning as a central aspect of the rapturous experience. Across the globe, we find a common somatic language of interiorized lightning from the Dionysian mysteries to the Kuṇḍalinī traditions of India to the Sufi illuminationist traditions to the trance practices of the Kalahari. In an era when Kuṇḍalinī is a buzzword, Zeus is a scorned adulterer/patriarch, and the story of Semele is a scholar's footnote, this episode seeks to restore somatic sanctity to the force of living lightning that has guided ecstatic practice for millennia. Listen with headphones, preferably in a quiet meditative space, and maybe even in the dark. Support the show

Tricksters and culture disruptors populate global mythology. From Loki to Coyote to Èṣù and Hermes, they bend rules, cross boundaries, commit deliberate and unintentional offenses and generally mess with established orders. Yet they are often seen as indispensable to these orders — they are renewers and cultural innovators and often pave the way for great change. So in many cultures, Tricksters, despite their shenanigans, are seen as sacred. In modern society, we have no such ritualization of cultural disruption. Trickster is relegated to the margins. So when Trickster comes along these days, he tends to upend everything. Sometimes, we welcome that change — it's a wonderful thing when Trickster shows up and topples the gods that we want toppled. It's a lot more disconcerting when it's our gods being toppled. And ultimately... Trickster isn't on our side. He's the mythic embodiment of the other side.  From ritualized mockery in Ancient Greece to the Merry Pranksters to Ol' Dirty Bastard to the Capitol riot, this episode explores how a society acts in relation to its own dirt...and how, when Trickster is not honored by keeping a society fed and renewed, he shows up in darker ways.  Warning: This episode contains explicit subject matter — because that's how Trickster rolls.Support the show

With the announcement that water futures have begun trading on the stock market, it's time to take a deeper look at our relationship with water. Water challenges us to ask how we are in relationship to something that is both continuous and discrete, something that flows, moves, evaporates, seeps, and pours forth. Yet rather than honor this multivalent nature of water, humans have tended to treat water as an object and a servant. Water is compartmentalized, sequestered, and marginalized, bottled and sold in plastic, all in the effort to make it 'just another commodity.' This episode examines what right relationship with water looks like and advocates a relationship not simply based in metrics of quantity but in metrics of quality — in feeling, in longing, in reciprocity, in reliance, in ritual, in art, in song, in bodies — a relationship in which we construct our lives around water instead of expecting it to serve us, in which the mutable aspects of water are honored. Water, beyond plastic, beyond lines. Special guests include Water Activist Isabel Friend, Designer and Professor Dilip Da Cunha, and Greenpeace USA's Oceans Director John Hocevar.Support the show