Writ Large

In a podcast about books that have changed the world, I bring you the book that I think changed the world the most: The Hebrew Bible. Specifically, the first book of the Hebrew Bible: Genesis. The Book of Genesis is an account of the origins of the world, human beings, and the Jewish people. It is a foundational text for three world religions: Judaism, Christianity, and Islam. For thousands of years, Genesis has given its readers a foundation, a story that helps give an account of why the world exists, who we are, and how we should act. In a chaotic and unpredictable world, Genesis, this ancient set of stories, offers grounding, continuity, and deep meaning. Ronald Hendel is the Norma and Sam Dabby Professor of Hebrew Bible and Jewish Studies at the University of California, Berkeley. He is the author of The Book of Genesis: A Biography See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices

Humans love stories. And no collection of stories is more beloved worldwide than the Middle Eastern folk tales known as One Thousand and One Nights. The original collection only contained about 40 stories. It was compiled into a manuscript sometime between the 8th century and the 14th century during the Islamic Golden Age. The stories were made popular in the West by the French translator Antoine Galland who got a hold of this original manuscript in the 1690s. Galland began translating and publishing these stories in French. They were an instant hit. But some of the most popular stories, such as Aladdin and Ali Baba didn’t appear in that original manuscript. Paulo Lemos Horta is an associate professor of literature at New York University Abu Dhabi. He is the author of Marvellous Thieves: Secret Authors of the Arabian Nights See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices

The writer and activist James Baldwin grew up in a majority white America that saw white American lives as standard and universal, and Black American lives as different and particular. But in his 1963 book The Fire Next Time, Baldwin showed that his life as a Black man in America was universally human. Josef Sorett is the Professor of Religion and African American and African Diaspora Studies at Columbia University. He is also chair of the Department of Religion and directs the Center on African-American Religion, Sexual Politics and Social Justice. He is the author of Spirit in the Dark: A Religious History of Racial Aesthetics. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Victorian era is known for its class rigidity and moral strictness. In her 1847 novel Jane Eyre, Charlotte Brontë gave us a robust, layered character who pushes against cultural norms and fully embraces her complexity. She’s crabby, difficult, and gets depressed. But she’s also smart and passionate. And she claims the right to love and be loved because she is all these things—fully human. Sharon Marcus is the Orlando Harriman Professor of English and Comparative Literature at Columbia University. She is the author of Apartment Stories: City and Home in Nineteenth-Century Paris and London and Between Women: Marriage, Desire, and Friendship in Victorian England. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices

How do you create a fair society? Who deserves to rule? What rights do citizens have? How are those rights protected? What does it mean to act morally within society? These are the kinds of questions political philosophers furrow their brows and scratch their chins trying to answer. In 1971, an American philosopher named John Rawls introduced a new answer: justice as fairness. Michele Moody-Adams is the Joseph Straus Professor of Political Philosophy and Legal Theory at Columbia University. She is the author of Fieldwork in Familiar Places: Morality, Culture and Philosophy. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices

When he was in his late 30s, the Italian poet Dante Alighieri got himself into some serious political trouble and was exiled from his beloved Florence. While in exile, he wrote one of the world’s greatest literary works, the Divine Comedy. In the story, Dante, the main character, must pass through the nine circles of Hell, climb Mount Purgatory, and ascend to Heaven to reach salvation. Along the way he meets all sorts of characters including the Roman poet Virgil, various politicians of his time, teachers from his school, and his one true love. Nassime Chida is a Core Lecturer in Literature Humanities at Columbia University. She is the author of Local Power in Dante’s Inferno. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1925, on the French occupied island of Martinique, one of the most prominent voices in post colonial theory was born, Frantz Fanon. He was born to parents of both African and French descent, and was brought up in the ways of French culture. For most of Fanon’s life, he identified with French nationality. He even fought for France in WWII. But despite his initial loyalty to France, the French colonizers didn’t see Fanon as equal. In his early adulthood, Fanon began to see colonialism for what it really was. He became a vocal critic of colonialism. In his 1961 text The Wretched of the Earth, Fanon wrote about the psychological effects of colonialism, and the psychological hurdles of decolonization. Manan Ahmed is a historian and associate professor at Columbia University. He is the author of A Book of Conquest: The Chachnama and Muslim Origins in South Asia See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1948, English author George Orwell wrote what would become one of the defining novels of the 20th century, 1984. He was writing in the years following WWII and the beginning of The Cold War. It was a tense time, full of uncertainty and the spectre of Soviet communism loomed. In 1984, Orwell introduced all kinds of terms to describe the dystopian society of his novel, such as “thought police”, “memory hole”, “big brother”, and “unperson.” And in his view, Orwell wasn’t attempting to describe a fantastical world with no correspondence to our own, or even just satirizing the excesses of the Soviet regime. He was sounding a warning to his own society. Priya Satia is the Raymond A. Spruance Professor of International History Professor of History at Stanford University. She is the author of Empire of Guns: The Violent Making of the Industrial Revolution and Time’s Monster: How History Makes History See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices

By the time we reach middle age, our lives have taken certain paths. Sometimes these paths are close to what we imagined in our youth. But more often, they’re dramatically different. We come to realize that there are larger, invisible forces that tend to have just as much a say, or more, in how our lives go as we do. In her 1871 novel Middlemarch, the English writer George Eliot explored this experience of ‘middleness’—a time halfway between what has already happened, and what has yet to happen. A time when we feel more sharply our own limitations. Nicholas Dames is Theodore Kahan Professor in the Humanities at Columbia University. He is the author of Amnesiac Selves: Nostalgia, Forgetting, and British Fiction, 1810-1870, and The Physiology of the Novel: Reading, Neural Science, and the Form of Victorian Fiction. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices

When it comes to epic poetry, there’s a strong case to be made that the Ancient Indian story the Mahābhārata is the most epic. Clocking in at around 100,000 verses, the Mahābhārata is roughly seven times The Iliad and The Odyssey combined. This foundational Hindu text tells the story of a war between two sets of cousins who are fighting over who gets to rule their kingdom. The text is said to contain the universe, but it is best to leave it unfinished. Bad things are said to befall those who read it from beginning to end. Nell Shapiro Hawley is the Preceptor in Sanskrit at Harvard University and is the co-editor of Many Mahābhāratas (forthcoming from SUNY Press), a collection of eighteen essays on retellings of the Mahābhārata across South Asian languages and literary genres. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices