Tape Op Podcast

Tape Op Podcast
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Apr 5, 2018 • 57min

Episode 15: Jack Douglas

What's the common thread between John Lennon, Cheap Trick, Slash, Aerosmith, Miles Davis, Patti Smith, Blue Oyster Cult, The Yardbirds, New York Dolls, Clutch and Local H? It's Jack Douglas. We interviewed Jack along with Jay Messina back in Tape Op #90, but my pal Luther Russell and I were able to catch up with Jack in Los Angeles in early 2018 to talk shop and dig into his history. Enjoy! Sponsored by Audio-Technica www.audio-technica.com
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Mar 6, 2018 • 26min

Episode 14: Ken Scott

Ken Scott is an undisputed legend. We interviewed him way back in Tape Op issue #52. His work with The Beatles, Elton John, David Bowie, George Harrison, Supertramp and countless others has him firmly planted in the middle of some of music's greatest albums. We caught up with Ken at this year's NAMM show in Los Angeles and chatted about his amazing career. Enjoy! Disclaimer: This audio recording was not originally tracked with the intent of using for a podcast. Please forgive any balance issues, background sounds, and lack of clarity. Sponsored by Artnovion https://www.artnovion.com
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Feb 6, 2018 • 56min

Episode 13: John Congleton

Producer John Congleton was first interviewed back in 2011 in Tape Op #81. He has made records with St. Vincent, Explosions in the Sky, The Walkmen, Blondie, and Alvvays. Tape Op Editor Larry Crane caught up with John when he was recently in Portland, Oregon working on the new Decemberists record. Enjoy! Disclaimer: This audio recording was not originally tracked with the intent of using for a podcast. Please forgive any balance issues, background sounds, and lack of clarity. Sponsored by Joe Lambert Mastering http://www.JoeLambertMastering.com
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Jan 5, 2018 • 1h 5min

Episode 12: Boo Mitchell

Famed producer, musician, and arranger Willie Mitchell became involved with Royal Studios (and the associated Hi Records) in Memphis, Tennessee, in the early ‘60s. He took more control of the studio operations as time went on and, in the early ‘70s, his collaboration with singer Al Green led to millions of albums sold, all of which cemented Willie’s reputation as a producer of note. These days his son, Lawrence “Boo” Mitchell, a musician, songwriter, engineer, and producer in his own right, runs Royal Studios and co-owns Royal Records. He keeps the legacy alive, while also looking to the future. Boo’s produced and/or engineered a wide range of acts including Melissa Etheridge, Solomon Burke, Al Green, Cody Chesnutt, Rod Stewart, John Mayer, Snoop Dogg, Bobby Rush, William Bell, Keb Mo, Terrence Howard, and Boz Scaggs. I met up with Boo one evening at Royal Studios (currently celebrating their 60th year) in the back control room to discuss his life in the studio. Enjoy! Disclaimer: This audio recording was not originally tracked with the intent of using for a podcast. It was recorded solely for transcription for our print interview (see issue #120). Please forgive any balance issues, background sounds, and lack of clarity. Sponsored by Burl Audio https://burlaudio.com
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Nov 29, 2017 • 35min

Episode 11: Sylvia Massy

Sylvia Massy made a good name for herself as a producer and engineer making records with artists like Tool, Red Hot Chili Peppers, Skunk Anansie, Love & Rockets, R.E.M., Johnny Cash, Tom Petty and the Heartbreakers, System of a Down, Smashing Pumpkins, Prince and my favorite, Big Elf.  She recently published "Recording Unhinged" a collection of left of center recording techniques and ideas accompanied by her artwork. Sylvia recently moved her studio operation from Weed, California to Ashland, Oregon which is where she took some time out from her schedule to chat with online publisher Geoff Stanfield. Enjoy! Sponsored by iZotope https://www.izotope.com
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Oct 31, 2017 • 32min

Episode 10: Tycho

Tycho's Scott Hansen is a busy man. As the frontman, principle songwriter, producer, as well as the creator of the band's album art and live visuals, he has no shortage of things on his plate. It's the sound of the future that owes so much to the past. Geoff Stanfield (Tape Op Online Publisher) sat down with Scott on a morning before a show in Seattle to talk about his process, translating his brand of ambient/electronic music into a compelling live show, and the intersection of music and visual art. Enjoy! Sponsored by Focusrite https://us.focusrite.com
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Sep 29, 2017 • 56min

Episode 9: Juana Molina

A major star in her native land, via her successful acting and music careers, Argentina’s Juana Molina should be a household name in the rest of the world. In April 2017 she released her seventh album, Halo, and will be touring the world in support. Online Publisher Geoff Stanfield caught up with Juana to discuss the making of her new album, her process, and the path that has led her to this point. Enjoy! Disclaimer: This audio recording was not originally tracked with the intent of using for a podcast. It was recorded solely for transcription for our print interview (see issue #119). Please forgive any balance issues, background sounds, and lack of clarity. Sponsored by Universal Audio http://www.uaudio.com
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Aug 31, 2017 • 53min

Episode 8: Allen Sides

Ocean Way Recording began in a garage in Santa Monica, California, in 1968, as a place to showcase owner Allen Side's custom monitors. From these humble beginnings the empire expanded to include partnering with Bill Putnam and acquiring his United Recording Studio in Hollywood, and building state of the art recording facilities in Nashville, St. Barths, and nearby Sherman Oaks. The Ocean Way "brand" also includes Allen's high-end (and excellent sounding) monitors, a unique and affordable microphone, excellent UAD plug-ins, drum samples, and even an iPad/iPhone app. Allen is also well known for being a meticulous engineer/producer, having worked with such artists as Phil Collins, Green Day, Eric Clapton, Faith Hill, Beck, Mary J. Blige, Ry Cooder, Joni Mitchell, Frank Sinatra, Ray Charles, John William, Michael Jackson, and Frank Zappa. Not long ago Allen sold Ocean Way Recording in Hollywood, where we met for this interview, and it has now reverted back to the original United Recording name. Enjoy this chat with Allen Sides! Disclaimer: This audio recording was not originally tracked with the intent of using for a podcast. It was recorded solely for transcription for our print interview (see issue #106). Please forgive any balance issues, background sounds, and lack of clarity. Sponsored by AMS-Neve https://ams-neve.com
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Jul 28, 2017 • 1h 3min

Episode 7: Don Was

His group, Was(Not Was), rolled out some funky dance pop in the '80s. He's produced big records for the Rolling Stones, Bonnie Raitt, John Mayer, and The B-52s. But today he is in his office, high atop the famous Capitol Records tower in Hollywood, as President of the venerable jazz label, Blue Note Records. How did Don Was get here? How does he approach production? What makes him tick? I knew someday we would have this discussion, and everything that drives him does stem from a true love of music — just as I had always imagined. Enjoy! Disclaimer: This audio recording was not originally tracked with the intent of using for a podcast. It was recorded solely for transcription for our print interview (see issue #113). Please forgive any balance issues, background sounds, and lack of clarity. Sponsored by JBL Professional http://www.jblpro.com
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Jun 28, 2017 • 1h 3min

Episode 6: Matt Ross-Spang

How does a Memphis-born teen become an intern, and eventually chief engineer, at Sun Studio? How does the same guy go on to record Jason Isbell, Margo Price, Chris Isaak, Drive By Truckers, the Rival Sons, and Kris Kristofferson, as well as win a Grammy? And how the heck did he follow in Sam Phillips' legendary footsteps to end up recording at Sam Phillips Recording Service and mixing Elvis records? How did he end up working on amazing upcoming releases, including albums by Emily Barker, Sean Rowe, Patrick Sweany, and Margo Price's follow up to Midwest Farmer's Daughter? We find out in this interview with the affable Matt Ross-Spang. Enjoy! Disclaimer: This audio recording was not originally tracked with the intent of using for a podcast. It was recorded solely for transcription for our print interview (see issue #117). Please forgive any balance issues, background sounds, and lack of clarity. Sponsored by Universal Audio http://www.uaudio.com

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