Kyle Meredith With...

When it comes to genre twists, It’s What’s Inside doesn’t disappoint. The new Netflix film presents a dark take on the body-swap formula, turning a pre-wedding celebration into a spiraling existential nightmare. The film's stars Brittany O’Grady, Gavin Leatherwood, and Alycia Debnam-Carey join Kyle Meredith to untangle the identity-based chaos of the flick. Listen to the cast talk about That's What's Inside now.The actors share how they managed to ground their characters amidst all the chaos. O’Grady turned to music for inspiration, citing artist Jensen McRae as a key influence for her portrayal of Shelby. “Jensen’s music is hauntingly beautiful. It felt like reading a diary out loud, which really helped me tap into Shelby’s emotions,” she explains. Debnam-Carey mentions how she leaned into social media influences to shape her character, Nikki, who was steeped in the superficiality of influencer culture. “It was almost disturbingly easy to tap into that world,” she admits with a smile.Leatherwood, for his part, found himself drawing inspiration from a very real-life source for his role, though he declined to name names out of respect. “I followed this person’s Instagram to understand their personality, and it even changed my daily routine,” he says.Listen to Alycia Debnam-Carey, Gavin Leatherwood, and Brittany O’Grady chat about all of this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Troy Sanders of Mastodon (someone Consequence dubbed one of the Best Bassists of All Time!) sits down with Kyle Meredithto reflect on celebrating the 20th anniversary of Leviathan on their recent co-headlining tour with Lamb of God — a tour that felt like a reunion of old friends. Listen now.Boldness is something Mastodon knows well. When they dropped Leviathan, a conceptual metal album built around Herman Melville’s Moby Dick, it was an all-in risk that could have sunk them. Instead, it blew open the doors. “It was a leap, but we truly believed in it,” Sanders says. The reward for that leap? Crack the Skye — a sprawling, astral concept album that took things even further. The record, which is getting a 15th anniversary edition, brought in a mix of astral projection, Rasputin, and personal heartbreak to create something that straddled the line between concept and catharsis.Now that the Leviathan tour is behind them, Sanders is looking ahead to new material, including the recently released collaboration with Lamb of God, "Floods of Triton." “We’ve got a lot of loose demos, and we’re ready to dive in. Nothing is off-limits,” he adds, smiling at the thought of what’s next. For Mastodon, there’s no formula — just the thrill of finding the next creative edge and jumping in headfirst.Listen to Mastodon's Troy Sanders chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Vernon Reid of Living Colour joins Kyle Meredith to talk about his feature on the final MC5 album, Heavy Lifting, as well as his side projects and what's next for Living Colour. Listen now.Reid has always been a guitar powerhouse, and his contribution to MC5's “Can’t Be Found” channels exactly what you’d expect: energy, intensity, and thoughtfulness. Reid describes his connection to Wayne Kramer, the MC5 frontman who passed away earlier this year, as deeper than just rock music.For Heavy Lifting, Reid says, “Wayne told me to just do me. And that’s what I did.” His guitar parts, full of high-octane tones and a few “high octave overtone madness” moments, are Reid at his most raw, creative, and unapologetically honest. He admits that the initial takes were the ones used, a common tale among great artists: sometimes the magic happens early, before overthinking sets in.Living Colour, meanwhile, is celebrating their 40th anniversary, and even starting on new music. Reid talks about their evolving comfort as a band: “We’ve learned to get out of the way of what we create together. It still means something to each of us, and I think our audiences feel that.”Listen to Vernon Reid of Living Colour chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

For this week's rewind episode, Kyle Meredith with... looks back at four interviews with St. Vincent. Listen to all of them now.Starting in 2012 while she was touring Strange Mercy, Meredith catches up with songwriter Annie Clark backstage at Bonnaroo to discuss her then-upcoming collaboration with the Talking Heads’ David Byrne, punk rock, and dancing. The next stop finds us backstage in Nashville in 2015, while she was touring her self-titled LP, where she discusses the Grammys, being "weird," and mythology. From there, we head to 2017 to dig into Masseduction, her activities between LPs, and being the subject of tabloid culture. For the final stop, Clack chats about Daddy’s Home, '70s nostalgia, '90s alternative, and wanting to make a Tool-esque album.Listen to St. Vincent chat about all this and more in the new episode. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

James Bay is four albums deep into a career that could’ve seen him settle into the comfortable realm of “indie-darling-goes-commercial.” But, as he tells Kyle Meredith, instead of coasting along, he’s hitting the gas pedal. His latest release, Changes All the Time, might be his most vulnerable and revealing yet. The album’s title says it all — it’s about embracing change, for better or worse. The folk-rock icon dives deep on the new album, so listen now.Bay knows the balancing act well: How far can you push your sound without alienating your fans? “I’ve learned to keep testing boundaries,” he admits. “Sometimes I push them more for me, but this time it’s about connecting with what my fans love.” For Bay, it’s about finding the sweet spot between what excites him and what resonates with the people who have stuck by him.As for being part of the scene with artists like The Lumineers and Noah Kahan? He couldn't be happier. In fact, he's ready to join forces. “I’d love to do something like a supergroup tour,” Bay grins. “If they ever get bored of their massive success, I’m ready.”Bay also has several tour dates lined up in Europe and you can get tickets here.Listen to James Bay chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Natasha Rothwell isn’t afraid to get real. The actor, writer, and producer has been creating nuanced, relatable characters for years, from Insecure to The White Lotus, and her new Hulu series How to Die Alone offers another deep dive into human emotion and comedy. Rothwell sits down with Kyle Meredith to discuss the show’s development, its themes of loneliness, and the cathartic power of karaoke. Listen now.How to Die Alone follows the story of Melissa, a JFK Airport employee who’s never been in love and has forgotten how to dream — until a brush with death sets her on a life-changing journey. Rothwell, who both stars in and co-created the series, wanted to explore the distinction between loneliness and being alone, themes that hit close to home for her. “I think being preoccupied with romantic love prevents us from seeing platonic love and familial love and valuing it as much,” she explains. “I felt like that was a story worth telling.”In addition to How to Die Alone, Rothwell will return to The White Lotus for its third season, reprising her role as Belinda. While she remained tight-lipped about the new season’s details, she teased that it would “blow your socks off.”Listen to Natasha Rothwell chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Dave Pirner is still running at full throttle with Soul Asylum, and their latest record, Slowly But Shirley, proves that their musical engine has plenty of mileage left. Speaking with Kyle Meredith, Pirner discusses the band’s new album, their upcoming tour with The Juliana Hatfield Three (get tickets here!), and what it takes to keep the creative fire burning 40 years into a career. Listen now.Slowly But Shirley sees Pirner reunite with producer Steve Jordan, who last worked with the band on 1990’s And the Horse They Rode In On. Jordan, who's been drumming for The Rolling Stones since 2021, helped the band strip back their sound to its raw essence.Slowly But Shirley also draws inspiration from an unexpected source: Shirley “Cha Cha” Muldowney, a pioneering female drag racer who defied a male-dominated sport in the 1970s. Pirner explains his admiration for her audacity and determination, saying, “She’s always been kind of an idol of mine." Noting that as an avid Hot Wheels collector, he adds, “I finally got a Shirley Muldowney Hot Wheels, and that was a very special day for me.”Listen to  Soul Asylum’s Dave Pirner chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this archived episode from 2017, Joe Scarborough stops by to talk about launching his career in music. Listen here.The Morning Joe host and former congressman, who was once named by Time as one of the most influential people in the world, discusses his songwriting, the decision to finally release his work publicly, and (of course) how politics makes its way into his music.Listen to Joe Scarborough chat about all this and more in the new episode or watch it on Youtube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

H. Jon Benjamin, known for voicing iconic animated characters like Bob from Bob’s Burgers and Archer from Archer, is back with his most unexpected passion project: the Jazz Daredevil. In an interview with Kyle Meredith, Benjamin talks about his latest release, The Original Motion Picture Soundtrack of the (Unproduced) Film: The Jazz Daredevil. Listen to it now.Of the new soundtrack, Benjamin reveals that it is indeed the soundtrack to an unproduced Jazz Daredevil film; there’s even a full script, rejected by countless studios, but Benjamin isn’t deterred. “We made an entire soundtrack to a movie that doesn’t exist, but maybe someday will,” he quips. “We made the soundtrack first… maybe there’s a chance we’ll make the movie."With tracks like “Limo Ride” and “Murder Plot,” the new album is filled with cinematic moments and chaotic, offbeat humor. Benjamin even ropes in collaborators like Brendan Small (of Metalocalypse) to create a metal track, adding yet another layer of absurdity. Despite its chaotic nature, the soundtrack offers a unique glimpse into Benjamin’s world — a mix of jazz, metal, and twisted comedy.Elsewhere in the episode, Benjamin discusses dipping his toes into dramatic territory over the years, such as his role in Master of None and a new indie film called Familiar Touch, which premiered at the Venice Film Festival. “I had to cry for that one, and I was terrified I’d ruin the movie," he saysListen to H. Jon Benjamin chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Keith Urban joins Kyle Meredith to talk about his latest album, High. The country superstar tells us how the new collection started with a scrapped album that he started in 2022, and how ultimately he was unhappy with the limitations that the record faced, as well as breaking past his own songwriting comfort zones. Urban also details working with Mike Elazondo on “Laughing All The Way To The Drank,” fleshing out his songs live, the influence that ELO and Robert Palmer have had on him, and recently covering Ariana Grande.Listen to Keith Urban chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy