Kyle Meredith With...

Hank Azaria steps into the spotlight in a new role as the frontman of Hank Azaria and the EZ Street Band, channeling his inner Bruce Springsteen for the tribute act that started as a 60th birthday celebration and quickly turned into a regular gig. He's even taking it on the road (get tickets here)! Listen to his conversation with Kyle Meredith, where Azaria delves into his journey from comedic acting to rock 'n' roll, tackling Bruce’s iconic voice, and the emotional thrill of performing Springsteen’s classics on stage.Known for his wide-ranging roles in The Simpsons, Friends, and Brockmire, Azaria reflects on his journey from a being Bruce fan in 1976 to fronting a band that performs regularly. He explains how his fandom grew through bootleg live recordings and endless spins of Springsteen’s first five albums.For Azaria, singing Springsteen’s songs is not only about nailing the impression; it’s an emotional outlet and a way to channel Springsteen's expressive storytelling. Azaria’s new setlist covers Springsteen classics from Greetings from Asbury Park, N.J. to Wrecking Ball. Between songs, he uses Springsteen’s classic "talks" style, weaving in personal stories that connect him even further to Bruce’s themes of resilience, creativity, and struggle. Each show also serves as a benefit for his charity, bringing an extra layer of purpose to every performance.Listen to Hank Azaria chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In a groundbreaking move to expand the Citadel universe globally, two new series, Citadel: Diana and Citadel: Honey Bunny, take espionage fans from the tech-driven streets of Milan to a retro India filled with unexpected twists. Kyle Meredith sits down with the cast and creatives behind each international adaptation to explore how these stories reinvent the spy genre and connect to the original Prime Video series.For Citadel: Diana, Matilda De Angelis brings a layered portrayal of the title spy, a character with a haunted past navigating the treacherous Manticore syndicate. Set in 2030 Milan but flashing back nearly a decade, Diana’s journey becomes a tale of vengeance and self-discovery.On the other side of the world, Citadel: Honey Bunny rewinds the clock to explore the origin story of Nadia’s parents in India. Directed by Raj and DK and starring Samantha Ruth Prabhu, Honey Bunny crafts a uniquely Indian twist on the Citadel universe. As Prabhu explains, she had fun playing the dual roles of actress and spy, with Raj and DK joking about the extra challenge of making Samantha act like a “bad actress” at times. The team strived to create a distinct look that reflects the story’s setting in the ‘90s, yet with a modern, high-octane spin.For Raj and DK, the magic of Honey Bunny lies in using localized hacks to achieve Hollywood-caliber stunts, including a high-stakes car fight that pushes creative boundaries. Raj describes the experience as “subverting the system,” aiming to give viewers blockbuster thrills while staying rooted in India’s unique cinematic techniques.Listen to the casts and crews of Citadel: Diana and Citadel: Honey Bunny chat about all this and more in the new episode or watch it on YouTube here and here. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Catching up with Suzanne Vega backstage at Bourbon and Beyond, Kyle Meredith dove into the timeless artist's latest ventures, including her new single “Rats.” Listen now.“Rats" is a gritty homage to New York City's darker corners, inspired by punk mainstays like The Ramones and newer post-punk outfit Fontaines D.C. The timing couldn’t be better: the song dropped alongside the first-ever National Rat Summit in NYC, giving Vega’s track a fitting place among the urban grit it romanticizes.The real news? Vega’s first album since 2016 is set for spring, coincidentally (or not) landing on the 40th anniversary of her iconic self-titled debut. Vega hints that this new record veers between genres; expect everything from folk rock to a Motown-inspired track, and even a song with a California ‘70s vibe. For fans, it’s a return to the kind of thematic storytelling that’s always marked her work, with fresh twists on familiar urban motifs. “Life gets in the way,” she laughs, referring to her longer album hiatus, “but there’s always something in New York to write about.”Listen to Suzanne Vega chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this special Rewind episode of Kyle Meredith With..., Billy Corgan of Smashing Pumpkins joins the conversation for two interviews, one from 2015 and another from 2017. Hear them both now.In the first interview, Corgan discusses the band's album Monuments to an Elegy, which arrived as part of the ambitious Teargarden by Kaleidyscope project. He reflects on the album's concise pop sound, his competition with modern pop stars, and the state of modern alternative rock. He also shares insights into his creative process and the drive that has kept him continuously writing new music, addressing the legacy of his past work and how it compares to his current projects. The interview also touches on collaborations with legendary drummers like Tommy Lee and explores how rock culture has shifted over the decades. Then, in the 2017 interview, Corgan delves into his solo work and the creation of his album Ogilala. He explains the stripped-down nature of the record, attributing much of the sparse production to Rick Rubin, and talks about the creative freedom it provided him. He also addresses the ongoing speculation about the future of the Smashing Pumpkins, his evolving relationship with his past records, and his desire to re-contextualize some of his older solo work.Listen to  Billy Corgan chat about all this and more in the new episode. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Backstage at this year's Bourbon and Beyond Festival in Louisville, Sting chats with Kyle Meredith about the thrill of touring with his new “3.0” setup — a three-piece band that echoes his Police days but with a twist. Listen now.Sting discusses how being in a different three-piece allows him to reinvent his sound while revisiting his iconic hits. “It’s not the Police, but it’s a three-piece that brings a lot of clarity and freedom,” he explains, emphasizing that the stripped-down configuration allows him and his bandmates to explore songs in ways that big ensembles wouldn’t.Sting also teased his now-confirmed collaboration with Dr. Dre and Snopp Dogg, saying, “If Dre says I’m on his album, that must be true.” Though he played coy about details, the excitement was unmistakable. As he continues his 3.0 tour (get tickets here), Sting proves that his drive to experiment and evolve is as fierce as ever, showing fans a fresh take on the music that made him a legend.Listen to Sting chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Kate Siegel, known for her striking performances in horror in things like The Haunting of Hill House and Midnight Mass, dives into new territory with her directorial debut in the latest V/H/S anthology, V/H/S/Beyond. The filmmaker/actor talks with Kyle Meredith about her part in the movie, as well as her new animated series Dark Corners, working with Stephen King, and Mike Flanagan’s upcoming adaptation of The Life of Chuck.Though Siegel initially declined the offer to direct V/H/S/Beyond, Flanagan, her husband and frequent collaborator, encouraged her to seize the opportunity. With her segment playing with themes of time, Siegel describes it as “both scientific and spiritual,” something she's also exploring in her upcoming project The Life of Chuck, her upcoming adaptation of the Stephen King story.King also serves as Siegel's screenwriting collaborator on the upcoming Dark Corners, an animated horror anthology aimed at young audiences. Inspired by her children’s growing curiosity about the genre, Siegel launched the project to provide age-appropriate chills without diluting the scare factor.Looking ahead, Siegel’s directing ambitions extend to complex, female-centered narratives that blend horror, fantasy, and philosophical exploration. “Weird, feminist, adult stories — that’s where I’m headed,” she explains, inspired by a mix of Guillermo del Toro, Terrence Malick, and Ridley Scott.Curious about what’s next for Kate Siegel as a director? Hit play to hear all about her debut and exciting future projects and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In the new Netflix thriller Don’t Move, Kelsey Asbille and Finn Wittrock throw themselves into a brutal cat-and-mouse game of survival. The two actors talks with Kyle Meredith about the movie, as well as Asbille saying goodbye to Yellowstone and Wittock's upcoming roles. Listen now.Known for exploring sinister roles in shows like American Horror Story, Wittrock digs deep into the psyche of his character, crafting a villain who, he notes, believes he’s offering Iris a bizarre kind of release.Asbille and Wittrock also credit horror legend and producer Sam Raimi, who brought his distinct expertise to the set, particularly in capturing the stark isolation of the wilderness. Raimi, known for his iconic work in The Evil Dead, even traveled to Bulgaria to set the tone in the initial days of shooting, guiding the crew on how to turn their remote surroundings into an oppressive, almost otherworldly environment.For Asbille, the role marks a departure from her work on Yellowstone, pushing her to new extremes both emotionally and physically. For Wittrock, the film became a playground to explore his penchant for “evil eyes,” which, he laughs, he perfected during his training at Juilliard.Listen to Kelsey Asbille and Finn Wittrock chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

On this archive episode of Kyle Meredith with..., Meredith rewinds to his conversation with John Cleese. The iconic comedian discusses his 2017 tour, various projects, and how he reflects on his life. Listen to the talk from the vault.Speaking about his then-upcoming Louisville appearance, he expressed appreciation for his American fans, who he finds kind and receptive — contrasting that with the treatment he often receives from the British press. Cleese also discussed his love for cats and his comedic journey, attributing his fascination with human psychology as a major influence in his work. The conversation also touched on Hold the Sunset, originally titled "Edith," which marked Cleese’s return to television after a long hiatus. He had some pointed words for BBC executives, lamenting their cautious approach in commissioning the show’s future despite positive feedback. The frustration he shared seemed to reflect his broader views on the evolving landscape of television, where executives, unlike those from his Monty Python days, often lack hands-on creative experience.Listen to John Cleese chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Kyle Meredith catches up with Black Francis of Pixies to discuss their latest release, The Night the Zombies Came. The frontman also touches on the current touring landscape (they're on the road with Pearl Jam in Australia and New Zealand, and launch their EU/UK headlining tour next spring; get tickets here) and his 1994 solo album, Teenager of the Year. Listen now.Discussing the creative process behind The Night the Zombies Came, Black Francis dives into how certain themes, like the undead, seem to manifest organically in the studio. Rather than forcing a concept album or rock opera, he believes in allowing themes to arise naturally, creating a mood that’s more impressionistic than narrative-driven.Looking ahead, fans of his solo work have reason to celebrate as Francis is gearing up to tour for the 30th anniversary of Teenager of the Year under his Frank Black moniker. (The trek kicks off in January, and you can get tickets here.) Reflecting on that album, he recalls its chaotic, joyful recording process, marred by natural disasters and relocations but ultimately fueled by creative freedom.Listen to the Pixies' Black Francis chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The cast of Shrinking is back on Apple TV+ for Season 2, and Kyle Meredith sat down with several key members to discuss the evolution of their characters and the importance of the show’s themes. The cast, including Christa Miller, Jessica Williams, Luke Tennie, Lukita Maxwell, Ted McGinley and Michael Urie, brings a balance of humor and heart to their performances. Listen to their chat.With Bill Lawrence (creator of Scrubs, Cougar Town, Ted Lasso) leading the charge, Season 2 dives deeper into grief and forgiveness, while still maintaining its sharp comedic edge.Music plays a crucial role in setting the tone for Shrinking, with Christa Miller at the helm of selecting many tracks. Miller cites Angie McMahon’s "Letting Go" and The Strokes’ "Bad Decisions" as highlights that struck an emotional chord throughout pivotal moments. Bill Lawrence also adds, “The music needs to be cerebral and reflect the human condition, especially considering the show’s focus on therapy.” The cast also delves into how music plays a part in their own lives. From Jessica Williams’ love for Rilo Kiley to Tennie's appreciation of Vulfpeck, it’s clear that music helps them connect with the roles they play.Williams, who plays Gabby, talks about the blend of scripted lines and improv that makes the show’s comedic timing so effortless. Similarly, Luke Tennie (Shaun) shares how his character adds weight to the show, often grounding the more comedic moments with emotional intensity.Listen to the cast of Shrinking chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy