Kyle Meredith With...

Gene Simmons returns to Kyle Meredith With… to celebrate the 50th anniversary of KISS’s Dressed to Kill, the album that gave us the studio version of “Rock and Roll All Nite”—which, according to Gene, may or may not qualify as a hit depending on your definition of the word. Listen now.Simmons reflects on the bands origins as four “unqualified” New Yorkers in makeup and heels who somehow ended up headlining stadiums. He also talks about life after the “final” KISS tour, which includes his new film production company (including working on a new movie with Bella Thorne and Mel Gibson), restaurants, vodka brand, and whatever else you can slap a Moneybag™ on. He’ll also return to Vegas with KISS later this year — not in makeup — for a KISS Army celebration.As always, Gene has opinions. On streaming: it ruined music ("Where's the new Beatles? Where's Elvis?"). On critics: they’re talentless ("...They don't really wanna work for a living, but they can't play instruments and have no talent."). On opera: pure agony. On the Ramones: “a failed band.” And on you? Well, if you’re still buying tickets or spinning the records, he loves you. Either way, Gene’s still here, still loud, and still allergic to subtlety.Listen to Gene Simmons chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out Effecty and use my code KMW for a great deal: https://www.effecty.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Kevin Bacon and Jennifer Nettles join Kyle Meredith to talk about The Bondsman, Prime Video’s new supernatural dramedy where Bacon plays a dead bounty hunter who gets resurrected to do the devil's bidding. It’s a Blumhouse show, so expect a dash of horror, a dollop of weird, and a good amount of twang. Nettles, best known as half of Sugarland and her role in The Righteous Gemstones, finally plays a musician on-screen — something she’s avoided until now for fear of being accused of, well, playing herself. Listen now.Bacon and Nettles talk about the awkward charm of writing songs via voice memo ping-pong, the joys of channeling trauma into duets, and how most actors aren’t writing character-based albums because, frankly, they can’t. Bacon credits Nettles’ songwriting chops. Nettles calls Bacon a great lyricist. Somewhere in the middle, they form a spooky Americana dream team you didn’t know you needed.Listen to Kevin Bacon and Jennifer Nettles chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Read lessOur Sponsors:* Check out Effecty and use my code KMW for a great deal: https://www.effecty.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Adam Duritz joins Kyle Meredith to dive deep into Butter Miracle, The Complete Sweets!, the long-awaited completion of Counting Crows’ two-part album project. The singer opens up about the two-year pause he took due to a crisis of confidence, and how a record by Gang of Youths inspired a complete rewrite where he scrapped and reworked an entire batch of songs for the first time in his career. Listen now.During the in depth conversation, Duritz reflects on Counting Crows’ early days, including why B-side “Einstein on the Beach” was released against his wishes, how fears of backlash shaped their post-August and Everything After strategy, and what really happened to the lost master tapes from Recovering the Satellites. He also touches on fan-favorite deep and unreleased cuts like "Baby I'm A Big Star Now," “Margery Dreams of Horses,” and “Shallow Days,” and why the band still hasn’t made a rarities compilation.Listen to Adam Duritz chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out Effecty and use my code KMW for a great deal: https://www.effecty.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This time on Kyle Meredith With…, it’s a double bill of the most cerebral funk you’ve ever danced to, featuring none other than Talking Heads’ David Byrne & Jerry Harrison. Listen to these archival interviews now.Byrne is the platonic ideal of the quirky frontmen, the king of the oversized suit, and the only guy who can make anxiety sound like a party trick. Whether he’s turning nervous tics into chart-topping hits with Talking Heads, penning essays on music theory, or staging Broadway shows about joy, he’s always had one foot in genius and the other in 'what even is this?'And then there’s Jerry Harrison – the Harvard-educated keyboardist/guitarist who somehow managed to be the coolest nerd in one of the coolest bands of the ’70s and ’80s. Before Talking Heads, he was in The Modern Lovers with Jonathan Richman, which is like indie rock’s version of being in a garage band with Zeus. Together, they helped turn new wave into an art form you could groove to.Listen to Talking Heads’ David Byrne & Jerry Harrison. Byrne chat about all this and more and please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out Effecty and use my code KMW for a great deal: https://www.effecty.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Don Felder has spent the last five decades shaping the sound of classic rock — most famously as the guitar maestro behind The Eagles’ “Hotel California.” Now, he’s cracking open The Vault: 50 Years of Music, a new album that pulls from demos and song ideas dating back to 1974, when Felder first joined the Eagles. Listen now.In this interview with Kyle Meredith, Felder discusses how he unearthed forgotten gems from a long-abandoned storage unit, reworking early sketches like “Move On” and giving old favorites like “Heavy Metal” a modern punch. He reflects on his Florida roots, learning slide guitar from Duane Allman, and how those early influences still shape his playing today.Elsewhere, Felder discusses his commitment to keeping his voice and guitar chops sharp (“I will never let myself be disappointing”), and fronting most of Toto on this new record. Plus, with a summer tour alongside Styx and Kevin Cronin on the horizon (get tickets here), Felder is showing no signs of slowing down.Listen to Don Felder chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out Effecty and use my code KMW for a great deal: https://www.effecty.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This archive episode from Kyle Meredith With… features two guests with wildly different claims to rock legacy. One helped define it, and one is currently protecting it: Ian Paice of Deep Purple and Jean Fogelberg. Listen to their interviews now.First up is Ian Paice, the last original member still keeping Deep Purple in the game over 50 years later. As the drummer behind “Smoke on the Water,” he’s one of the few humans whose tom fills have been played in every Guitar Center across America. But don’t let the legacy trap fool you, Paice is still bashing away with precision, fire, and probably a little tinnitus.Then, there’s Jean Fogelberg, widow of Dan Fogelberg who’s now taken on the role of curator, historian, and gentle myth-buster for one of soft rock’s most earnest voices. Jean’s been instrumental in keeping Dan’s memory alive through reissues, tributes, and some welcome reminders that sincerity isn’t a crime. One’s still writing the story, the other’s preserving the footnotes — and both have something to say about what it means to last in music.Listen to Deep Purple’s Ian Paice and Jean Fogelberg chat about all this and more and please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out Effecty and use my code KMW for a great deal: https://www.effecty.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

You know Lizzy Greene from her Nickelodeon days (Nicky, Ricky, Dicky & Dawn), or more recently from A Million Little Things. Now, she’s stepping into a pair of dusty boots for Netflix’s Ransom Canyon, a Western drama where she plays Lauren Brigman, the small-town Texas sheriff’s daughter with big dreams of escape.The role is something of a full-circle moment for the Dallas native, who brought her own background in horseback riding and cheerleading to the role (with a detour to the ER after a Looney Tunes-style knee fracture during rehearsals). Greene opens up to Kyle Meredith about how growing up in Texas helped her find her way into Lauren’s world — even if it meant freezing in the Albuquerque snow and bonding with castmates over cow manure during “cowboy camp.”Greene also discusses her emo-punk side (she’s a huge fan of The Cure and The Smiths), her reunion with co-star Garrett Wareing in the upcoming Sweating the Small Stuff, and why Jose Gonzalez’s "Teardrop" cover in the show nearly made her lose it.Listen to Lizzy Greene chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Read lessOur Sponsors:* Check out Effecty and use my code KMW for a great deal: https://www.effecty.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

On this pair of archive interviews from Kyle Meredith With…, dive into the world of one of the most successful duos in music history: Daryl Hall and John Oates. One’s a blue-eyed soul pioneer with a voice built to cut through FM static. The other’s a mustachioed master of melodic restraint. Together, they blurred the lines between rock, R&B, and pop — then turned that blur into decades-long chart domination. We look back at a two interviews, one with Oates in 2018 regarding a solo album and the final Hall & Oates single, and another with Hall from 2022 in which he discusses teaming up with Robert Fripp, Todd Rundgren, and Eurythmics' Dave Stewart.Listen to Daryl Hall and John Oates chat about all this and more and please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out Effecty and use my code KMW for a great deal: https://www.effecty.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Justin Vernon joins Kyle Meredith With… to dive into SABLE, fABLE, Bon Iver’s latest and most rootsy record in years. But don’t call it a pivot — Vernon says it’s more about clarity than change. “Less mystery, more humanity,” he explains, crediting the song “Everything Is Peaceful Love” as the emotional and sonic compass for an album that tracks a "Man in black in a cabin, making the choice to change his life.” Listen now.Vernon discusses the cinematic quality and "visual story" of the songs, the subconscious as his favorite collaborator, and how the album helped stitch him back together after a tough chapter. We also hear about the influence of Rickie Lee Jones (“The Horses” is his second favorite song of all time), why the band hasn’t played “Exile” without Taylor Swift (“It’s her song”), and what it was like getting snowed in with Danielle Haim ("She's one of my favorite people ever") during recording.We also dig back into Bon Iver lore to reflect on that cover of The Outfield's "Your Love." Vernon still considers it some of Bon Iver’s best cover work: “It was a big moment for us,” he says.Listen to Bon Iver's Justin Vernon chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out Effecty and use my code KMW for a great deal: https://www.effecty.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

On this Rewind episode of Kyle Meredith with..., hear from Sarah McLachlan and Tracey Thorn: two voices that not only helped define the emotional landscape of the ’90s, but did so on their own terms. McLachlan, with her soaring melodies and introspective songwriting, built a legacy of haunting beauty, activism, and defiance. Thorn, as half of Everything But the Girl and a solo artist in her own right, turned quiet vulnerability into pop brilliance with a voice that could break your heart with one line. Different sounds, same fearless spirit. Kyle Meredith talks with both artists about their music, impact, and what keeps them at the center of the conversation decades later.Listen to Sarah McLachlan and Tracey Thorn chat about all this and more, and please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out Effecty and use my code KMW for a great deal: https://www.effecty.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy