The Coode Street Podcast

This week Jonathan and Gary are back, fitting another episode in between travel, work, and family commitments. Gary opens up with a thoroughly reasonable discussion about writers from the 1990s and 2000s who may have published major works but have fallen from sight in recent years, while Jonathan attempts to get Gary interested in a new segment. Along the way there's discussion of the history of anthologies and whether genre fiction is more likely to be the home of theme anthologies, a new Gwyneth Jones book on the work of Joanna Russ, the state of various Library of America projects, and more. All in all, a typical ramble. In coming weeks Gary will be in Seattle for the 2019 Locus Awards weekend, Jonathan will be in Seattle for Clarion West, and both of them will be in Dublin for WorldCon 2019. Hopefully more podcast episodes will be recorded before then.  

With the Nebula Award winners about to be announced, we took a look this week at the question of whether science fiction has demonstrated much continuity of theme and style since the 1969 Nebulas, or whether the field has essentially reinvented itself in the last few decades. But before we even get around to that, we note the death of bestselling author Herman Wouk, whose only science fiction work was the relatively undistinguished The "Lomokome” Papers, which raised the issue of mainstream writers who attempted SF with limited success vs. those who approached the material with respect. Then we spent some time talking about the different generations of science fiction writers, the role of nostalgia in science fiction, the value of differing perspectives even on familiar themes, and somehow touched upon the New Wave somewhere in there as well. As usual, we started with interesting ideas and ended up with a farrago.  

After a much longer than expected hiatus, we're back (sort of)! Gary's been working and travelling and Jonathan's been working and planning to travel and it's made it very difficult to squeeze recording time in.  Or even to plan recording time. Still, for a moment, early on Mother's Day in Australia and late in the evening in Chicago, Gary and Jonathan stop to discuss the books they've been reading, the movies they've been watching, the stuff they've been working on, awards and ballots, and  Joanna Russ. There are mentions of fiction in translation, Chen Qiufan's Waste Tide (and Liz Bourke's Tor.com review of it), Avenger's Endgame, and much more. I don't think either of our hosts is sure the conversation is coherent or intelligible but here it is, along with a promise to try to do better in the coming months.

For our 350th(!) episode, Jonathan and Gary basically just ramble on. We begin with the question of how long to stick with a novel which seems to be going off the rails, and comment a bit on what different kinds of readers expect from long novels. Later we move on to questions about anthologies, and what to expect from recent anthologies of Chinese, Korean, South Asian, and Israeli science fiction: should they try to represent an entire national tradition, or simply focus on excellent stories? And can readers not from those cultures ever fully appreciate the full nuances of such fiction? That, in turn, leads us to discuss anthologies that have been historically important, although not always widely recognized, such as Vonda McIntyre and Susan Anderson’s Aurora: Beyond Equality from 1976, and anthologies widely celebrated, like Harlan Ellison’s Dangerous Visions.  On a personal note, anthologies that shaped our own reading included (for Gary) Judith Merril’s horribly titled England Swings SF and (for Jonathan) Michael Bishop’s Light Years and Dark. And we end briefly discussing an issue, raised by Fonda Lee, about writers gaining shelf space in bookstores amid all the perennial classics and bestsellers.

This week, we are joined by Nebula Award-winning Sarah Pinsker, whose first story collection Sooner or Later Everything Falls into the Sea has just been published, and whose first novel, A Song for a New Day, will appear from Berkley Books in September. We talk about the challenges of a dual career as writer and songwriter/performer—and the differences in audience interactions between the two—as well as her early reading and writing in the field, her creative writing classes in college and later attendance at the Sycamore Hill workshops, and the varied relationships between SF, fantasy, dystopia, the classic road novel, and mainstream “literary fiction.”  Sooner or Later Everything Falls into the Sea is available from Small Beer Press and her novel is available for preorder.

As usual at this time of year, Jonathan and Gary sit down to discuss the beginning of the awards season, and in particular the recently announced Nebula finalists and the fact that the Hugo nominations remain open for another couple of weeks. Needless to say, this leads off in various directions about whether there is really more first-rate short fiction these days, or merely a broader range of venues, a more diverse pool of editors, or perhaps even more specialized readerships. We also touch upon the comparative virtues and disadvantages of text files vs PDFs vs Kindle, and the sometimes challenging logistics of convention attendance. We also strongly urge everyone to seek out not only online venues, but print magazines before finalizing their Hugo votes. Links SFWA 2018 Nebula Awards finalists 2018 Hugo awards nominations close 15 March S. Qiouyi Li's "Mother Tongue" from Asimov's. WorldCon DC in 2021 Pre-Support (just $150)

Charlie Jane Anders joins Jonathan and Gary to discuss her second novel, The City in the Middle of the Night, which will be in shops during the coming week. Her powerful and engaging new novel follows her award-winning debut, All the Birds in the Sky, and we chat about following that novel, her hopes for the new book, and much more. As always, our thanks to Charlie Jane for taking the time to talk to us. We hope you enjoy the episode and the shorter format.  We'll have a new episode out soon. Coode Street for February 3rd Episode 345: Liza Trombi, Locus, and the Year in Review Episode 346: Neil Clarke and the State of Short Fiction in 2018 Episode 347: Charlie Jane Anders and The City in the Middle of the Night

This week, as part of Coode Street's experimental trio of shorter episodes, Clarkesworld publisher Neil Clarke joins Jonathan and Gary to discuss the state of short fiction in 2018. How is the field doing artistically? How is to doing in publishing terms? Should we be optimistic or pessimistic? We take half an hour to talk about all this, trends in the field and more.  The fourth volume of Neil's The Best Science Fiction and Fantasy of Year will be out in July. As always, our thanks to Neil for taking the time to talk to us. We hope you enjoy the episode and the shorter format. Coode Street for February 3rd Episode 345: Liza Trombi, Locus, and the Year in Review Episode 346: Neil Clarke and the State of Short Fiction in 2018 Episode 347: Charlie Jane Anders and The City in the Middle of the Night  

This episode is our more-or-less annual discussion with Locus magazine’s editor-in-chief Liza Groen Trombi, with whom we chat about the Recommended Reading List which appears each February in the magazine’s Year In Review issue.  How is the list compiled, who contributes to it, and perhaps most important of all, what’s it for?  How does it differ from other "best of the year" lists? What does it tell us about the current state of the field, and where it’s going? We touch upon not only the major novels in SFF, but also about first novels, YA, collections, nonfiction, and the various categories of short fiction.  Plus, we corner Liza to talk a bit about her own favourites from the year. You can buy a copy of the February issue of Locus, check out the Recommended Reading List, and vote in the Locus Awards.  Our thanks to Liza for making time to talk to us. As always we hope you enjoy the episode. Coode Street for February 3rd Episode 345: Liza Trombi, Locus, and the Year in Review Episode 346: Neil Clarke and the State of Short Fiction in 2018 Episode 347: Charlie Jane Anders and The City in the Middle of the Night

And we're back with our 344th episode, which one of us incorrectly thought was our 343rd because we counted 342 twice. Ugh. Apologies for the confusion! This week: The rise and rise of the time travel story Dr Who has been telling time travel stories for fifty years. Robert A. Heinlein made his name with a time travel story. Kids grow up watching Back to the Future. Time travel is a well-established theme and story device, and it seems to be enjoying prominence at the moment. Kelly Robson used it in Gods, Monsters and the Lucky Peach. Ian McDonald used it in Time Was. What makes time travel an attractive idea? Have we changed how we're treating it as a trope in fiction?   How urbanisation is impacting how we’re looking at the city in SF 7.5 billion people live on Earth, up from 1.5 billion in 1900. Likely to increase to 10 billion by 2050. Levels of urbanisation - people living in cities - are increasing, especially in Africa, China, and India. The largest cities in the world are in those places. How does this growing urbanisation appear in SFF? Has our vision of cities in SF changed from James Blish and Isaac Asimov when you now look at Paolo Bacigalupi and Sam Miller? Why are looking to move to the Arctic? Antarctica, Black Fish City, Austral, The Yiddish Policeman's Union. Climate change is heating up the world and we're heading to the poles.  Read Charlie Jane talking about climate change.  Epilogue: You don't need to read . . . The Drowned World, J G Ballard Readers don’t need to read Ballard's novel if you think it ’s an early climate change warning novel, because it isn’t. If you want to understand Ballard’s ideas about “inner space” or psychic spaces, it’s a pioneering work, but it’s in no way a serious precursor of "cli-fi."