The Coode Street Podcast

This week Gary and Jonathan are joined by long time friend of the podcast, Joe Abercrombie.  We last spoke to Joe during the pandemic when he was working on The Age of Madness series. He joins us this week to discuss his brand new novel The Devils, which launches a new series and a new set of characters. As always, we'd like to thank Joe for making time to join us, and we hope you enjoy the episode.   Pre-order The Devils in the UK Gollancz (UK Publisher) Waterstones Waterstones Special Edition WH Smith Pre-order The Devils in North America Tor (US Publisher) Barnes and Noble IndieBound Lit Escalates Special Editions Pre-order The Devils in Australia Booko

With Peter Beagle's 86th birthday upon us, we thought we'd re-share a discussion we had with him last year about writing and story. We wish Peter a happy birthday and hope you enjoy the discussion!   Sunday Apr 14, 2024 This week we are joined by the  legendary author of The Last Unicorn, Peter S. Beagle, who discusses his new novel I'm Afraid You've Got Dragons (published next month by Saga Press & Gollancz), as well as his storied career, his pals from childhood, influential writers such as Robert Nathan and Avram Davidson, and last year’s important retrospective collection The Essential Peter S. Beagle. As always, our thanks to Peter for making time to talk to us, and we hope you enjoy the podcast.

As we try to return to some sort of regular schedule, we’re delighted to welcome back Joe Monti, vice president and editorial director of Saga Press, to discuss the current state of the publishing business, the effects (if any) of the current economic stresses, and what to look forward to in the coming months (Joe is particularly optimistic about SF and space opera). Along the way we touch on the trend toward glitzy “special editions” of new novels, and various corners of the publishing world, from horror to romantasy and cozy fantasy to audiobooks, ebooks, and what makes a book a breakout bestseller.

With apologies for an unplanned hiatus, during which Gary traveled to Florida to attend the International Conference on the Fantastic, we’re back with a discussion that touches upon awards (again, but briefly), SF writers who are also good nonfiction writers, books whose 25th anniversary is this year (including Perdido Street Station), tribute anthologies such as Jonathan’s forthcoming Revolution in the Heart, and, of course, what we’ve been reading.

This week’s episode features a few news items, but as usual you have to listen closely to find them among our usual free-association digressions. Awards season is underway. Nominations/and or votging for the Nebulas, Locus Awards, and Hugo Awards (once again we are eligible in the Fancast category, and Jonathan in the Editor Short Form category) is underway, and just closed for the BSFA Awards. There's also, news from a major distributor in the US that may mark the beginning of the end of the mass-market paperback, while other publishing news involves the consolidation of three major print magazines—Asimov’s, Analog, and F&SF—under a single new publisher. While at this point we don’t know more than anyone else, this leads us into discussions of romantasy (and the growing SF or space opera equivalent), how the way readers have discover new writers has changed over time, the value (if any) of promotional letters and blurbs (which Gary is not very good at, it turns out), the growing popularity of premium and collectors’ editions, and the difference between casual readers, fans, collectors, and simple accumulators of books. Other topics pop up as well: Jonathan’s forthcoming anthology of stories in honor of Ursula Le Guin raises the question of which authors should be recognized with such anthologies, for example, and which have already been recognized and why. 

Each year, we sit down and look at the year ahead and, inevitably, end up discussing the books we are looking forward to. This year we invited long time friends of the podcast Charlie Jane Anders and Ian Mond to join us. During a lively conversation it became clear that, no matter what else is happening in the world, there's a lot of wonderful work coming out in 2025, and this only scratches the surface of it. As always, our thanks to Charlie Jane and Ian for making the time to join us. As promised, here are our lists.   Charlie Jane Anders Oathbound, Tracy Deonn Harriet Tubman Live in Concert, Bob the Drag Queen Terms of Service, Ciel Pierlot Notes from a Regicide, Isaac Fellman Meet Me at the Crossroads, Megan Giddings Harmattan Season, Tochi Onyebuchi Ian Mond Waterblack, Alex Pheby The Crimson Road,  A. G. Slatter Exit Zero, Marie-Helene Bertino Major Arcana, John Pistelli The Antidote, Karen Russell Gary K. Wolfe Written on the Dark, Guy Gavriel Kay When We Were Real, Daryl Gregory A Granite Silence, Nina Allan Frankenstein Rex, Adam Roberts Lessons in Magic and Disaster, Charlie Jane Anders Jonathan Luminous, Silvia Park Sour Cherry, Natalia Theodoridou The Devils, Joe Abercrombie The Everlasting, Alix E Harrow All That We See or Seem, Ken Liu

For those who might have been hoping our 2025 podcasts might get a little more focused and coherent, our apologies. Following up on several discussions on social media about how to learn about overlooked but deserving novels (mostly fantasy), we speculate on the factors that help a book or author gain and keep some sort of traction. Reprint programs like the Gollancz Masterworks or Tor Essentials might help, but we mention a handful of authors who have written wonderful work that is worth a fresh look, including Tanith Lee, Michael Bishop, Lisa Goldstein, Tim Powers, Michael Moorcock, Graham Joyce, and others. We also touch upon the notion of formula in SF and fantasy, and end with some of our current reading.

This week’s episode is mostly about books—how do you get them, where do you put them, and how to get rid of them when you need to. You’d think that questions such as the best way to shelve books would be pretty uncontroversial, but apparently that’s not always the case. We also touch upon the differences between collectors, acquirers, and accumulators, and how books can radically fluctuate in value depending in part on the author’s reputation. But, being us, we also digress into such topics as the thrill of discovering a classic SF idea for the first time—even if it might seem old hat to veteran readers—and the beginnings of our discussion about year-end recommended reading lists, and what they really mean.

For our first episode of 2025, we touch upon novels we've been reading for the new year, including Charles Stross’s 13th Laundry novel/collection A Conventional Boy and Ray Nayler’s Where the Axe is Buried, as well as the frustrations of reading books on deadlines—as opposed to wallowing in them at leisure, and some non-SF writers we like. Gary then mentions how hard it is to gain perspective on novels of the past year, and suggests looking instead at important books of the entire past quarter-century from the perspective of 2025.  We only got partway through his list, which included novels by Alastair Reynolds, Kim Stanley Robinson, Octavia Butler, M. John Harrison, Margaret Atwood, Susanna Clarke, Gene Wolfe, Cixin Liu, and Robert Charles Wilson; collections by Kelly Link, Margo Lanagan, and Jeff Ford; anthologies by Sheree R. Thomas and Gardner Dozois—the last of which leads to a discussion of the durability of space opera as a defining SF theme. Plenty of stuff to argue with this week!

For our first episode of 2025, we touch upon novels we've been reading for the new year, including Charles Stross’s 13th Laundry novel/collection A Conventional Boy and Ray Nayler’s Where the Axe is Buried, as well as the frustrations of reading books on deadlines—as opposed to wallowing in them at leisure, and some non-SF writers we like. Gary then mentions how hard it is to gain perspective on novels of the past year, and suggests looking instead at important books of the entire past quarter-century from the perspective of 2025.  We only got partway through his list, which included novels by Alastair Reynolds, Kim Stanley Robinson, Octavia Butler, M. John Harrison, Margaret Atwood, Susanna Clarke, Gene Wolfe, Cixin Liu, and Robert Charles Wilson; collections by Kelly Link, Margo Lanagan, and Jeff Ford; anthologies by Sheree R. Thomas and Gardner Dozois—the last of which leads to a discussion of the durability of space opera as a defining SF theme. Plenty of stuff to argue with this week!